Journal articles on the topic 'Soul musicians'
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Gordin, Karina. "Bodywork: Tuning the Instrument of the Soul." Music and Medicine 10, no. 1 (January 25, 2018): 18. http://dx.doi.org/10.47513/mmd.v10i1.555.
Full textBoysen, Yvette. "Volunteer Musicians Bring ‘Smile to the Soul’." Volunteer Management Report 22, no. 8 (July 18, 2017): 5. http://dx.doi.org/10.1002/vmr.30710.
Full textThram, Diane. "JAZZ IN SERVICE OF THE STRUGGLE." African Music: Journal of the International Library of African Music 10, no. 4 (November 22, 2018): 67–102. http://dx.doi.org/10.21504/amj.v10i4.2234.
Full textTang, Patricia. "TWENTY-FIRST CENTURY SABAR DRUMS: INNOVATIONS IN ORGANOLOGY AND PERFORMANCE PRACTICES IN SENEGAL AND THE DIASPORA." African Music: Journal of the International Library of African Music 11, no. 1 (December 1, 2019): 49–71. http://dx.doi.org/10.21504/amj.v11i1.2292.
Full textvan de Port, Mattijs. "The articulation of soul: gypsy musicians and the Serbian Other." Popular Music 18, no. 3 (October 1999): 291–307. http://dx.doi.org/10.1017/s0261143000008886.
Full textBarratt-Peacock, Ruth. "Aspirational cosmopolitanism in classical music anime: Adapting Romantic legacies in Forest of Piano." East Asian Journal of Popular Culture 8, no. 1 (April 1, 2022): 9–26. http://dx.doi.org/10.1386/eapc_00060_1.
Full textMoch, Michał. "Review: Mark LeVine, We’ll Play till We Die: Journeys across a Decade of Revolutionary Music in the Muslim World, Oakland 2022: University of California Press, pp. 310." Hemispheres.Studies on Cultures and Societies 37 (2022): 81–87. http://dx.doi.org/10.60018/hemi.bkrf8290.
Full textBertrand, Jane T., Erica Dudas, Melissa B. Goldin, and Cathi Fontenot. "Providing healthcare to New Orleans' heart and soul: The musicians." Arts & Health 6, no. 2 (July 10, 2013): 176–83. http://dx.doi.org/10.1080/17533015.2013.815238.
Full textBeller-McKenna, Daniel. "The Beatles as Musicians: The Quarry Men through Rubber Soul (review)." Notes 59, no. 3 (2003): 614–15. http://dx.doi.org/10.1353/not.2003.0002.
Full textLigeti, Lukas. "A Work for the Jewish Soul of Warsaw, Old and New." Leonardo Music Journal 27 (December 2017): 57–58. http://dx.doi.org/10.1162/lmj_a_01017.
Full textGloag, Kenneth. "Walter Everett, The Beatles as Musicians: Revolver through the Anthology; The Beatles as Musicians: The Quarry Men through Rubber Soul." Music Analysis 22, no. 1-2 (March 2003): 231–37. http://dx.doi.org/10.1111/j.0262-5245.2003.00181.x.
Full textZbikowski, Lawrence M. "Modelling the Groove: Conceptual Structure and Popular Music." Journal of the Royal Musical Association 129, no. 2 (2004): 272–97. http://dx.doi.org/10.1093/jrma/129.2.272.
Full textHenderson, Darwin L., Brenda Dales, and Teresa Young. "These Books Are Not Quiet Bebop, Blues, Swing, and Soul: Jazz in Children’s Books." Children and Libraries 14, no. 1 (March 22, 2016): 20. http://dx.doi.org/10.5860/cal.14n1.20.
Full textneal, mark anthony. "white chocolate soul: teena marie and lewis taylor." Popular Music 24, no. 3 (October 2005): 369–80. http://dx.doi.org/10.1017/s0261143005000577.
Full textSolis, Gabriel. "Soul, Afrofuturism & the Timeliness of Contemporary Jazz Fusions." Daedalus 148, no. 2 (April 2019): 23–35. http://dx.doi.org/10.1162/daed_a_01740.
Full textPerrot, Sylvain. "The Musical Culture of the Western Greeks, according to Epigraphical Evidence." Greek and Roman Musical Studies 2, no. 1 (January 28, 2014): 99–123. http://dx.doi.org/10.1163/22129758-12341254.
Full textKalimullina, O. "Springs of the folk soul: from the history of the formation of Kazan culture of the XX century." Heritage and Modern Times 4, no. 2 (July 12, 2021): 198–204. http://dx.doi.org/10.52883/2619-0214-2021-4-2-198-204.
Full textLee, Stephen. "Re-examining the concept of the ‘independent’ record company: the case of Wax Trax! records." Popular Music 14, no. 1 (January 1995): 13–31. http://dx.doi.org/10.1017/s0261143000007613.
Full textRasmussen, Anne K. "Theory and practice at the ‘Arabic org’: digital technology in contemporary Arab music performance." Popular Music 15, no. 3 (October 1996): 345–65. http://dx.doi.org/10.1017/s0261143000008321.
Full textVartanov, Sergei. "The “from despair to immortality of soul” concept in the interpretation of Beethoven’s Sonata op.111." PHILHARMONICA. International Music Journal, no. 4 (April 2020): 85–104. http://dx.doi.org/10.7256/2453-613x.2020.4.33070.
Full textKovács, Réka, and Andrada Savin. "Music Autobiographies – Performing Selves." Acta Universitatis Sapientiae, Philologica 14, no. 3 (December 1, 2022): 127–42. http://dx.doi.org/10.2478/ausp-2022-0029.
Full textJia, Haiyang. "Piano Performance Techniques and Musical Expressiveness." Pacific International Journal 6, no. 4 (January 1, 2024): 34–37. http://dx.doi.org/10.55014/pij.v6i4.461.
Full textNuri, Nurhaida. "Peranan Bahasa Dalam Berkesenian: Pemberdayaan Lirik Lagu sebagai Sarana Pembentukan Karakter Bangsa." JURNAL ARBITRER 1, no. 1 (October 1, 2013): 58. http://dx.doi.org/10.25077/ar.1.1.58-67.2013.
Full textПеревозчикова, Кристина Викторовна. "Concerto for Conductor and Orchestra by Nino Rota and Federico Fellini: A Rehearsal of the Apocalypse." Музыкальная академия, no. 3(771) (September 30, 2020): 196–205. http://dx.doi.org/10.34690/96.
Full textBachorik, Justin Pierre, Marc Bangert, Psyche Loui, Kevin Larke, Jeff Berger, Robert Rowe, and Gottfried Schlaug. "Emotion in Motion: Investigating the Time-Course of Emotional Judgments of Musical Stimuli." Music Perception 26, no. 4 (April 1, 2009): 355–64. http://dx.doi.org/10.1525/mp.2009.26.4.355.
Full textKus, Peter. "Sound Animation, or on the Singing Stone." Maska 31, no. 179 (September 1, 2016): 92–99. http://dx.doi.org/10.1386/maska.31.179-180.92_1.
Full textOsterweis, Ariel. "The Muse of Virtuosity: Desmond Richardson, Race, and Choreographic Falsetto." Dance Research Journal 45, no. 3 (December 2013): 53–74. http://dx.doi.org/10.1017/s0149767713000259.
Full textJones, Brian E. "Thursday at Miller's." Journal of Jazz Studies 14, no. 1 (May 30, 2023): 120–33. http://dx.doi.org/10.14713/jjs.v14i1.218.
Full textCobo-Piñero, Rocío. "Beyond Literature: Toni Morrison’s Musical and Visual Legacy For Black Women Artists." Feminismo/s, no. 40 (July 15, 2022): 27. http://dx.doi.org/10.14198/fem.2022.40.02.
Full textZhukovska, Halyna. "Філософія життя й смерті в романістиці Галини Пагутяк." Slavica Wratislaviensia 168 (April 18, 2019): 173–83. http://dx.doi.org/10.19195/0137-1150.168.14.
Full textEKPO, Omotolani Ebenezer. "The Eurhythmics of Swange Dance of the Tiv People of Central Nigeria." Journal of Advance Research in Social Science and Humanities (ISSN: 2208-2387) 7, no. 12 (December 31, 2021): 01–09. http://dx.doi.org/10.53555/nnssh.v7i12.1127.
Full textTrippett, David. "Exercising Musical Minds: Phrenology and Music Pedagogy in London circa 1830." 19th-Century Music 39, no. 2 (2015): 99–124. http://dx.doi.org/10.1525/ncm.2015.39.2.99.
Full textBurford, Mark. "Sam Cooke as Pop Album Artist—A Reinvention in Three Songs." Journal of the American Musicological Society 65, no. 1 (2012): 113–78. http://dx.doi.org/10.1525/jams.2012.65.1.113.
Full textTanjung, Flores, Abdul Haris Nasution, and Lister Eva Simangunsong. "Nahum Situmorang dan Amir Pasaribu: Seniman Legendaris dari Tanah Batak dan Kontribusi terhadap Perkembangan Musik Indonesia." MUKADIMAH: Jurnal Pendidikan, Sejarah, dan Ilmu-ilmu Sosial 6, no. 2 (September 8, 2022): 332–43. http://dx.doi.org/10.30743/mkd.v6i2.5908.
Full textTsyhanok, Oksana. "THE PROBLEM OF SPIRITUAL CREATION IN M. BAZHAN’S «NIGHT CONCERTS»." Philological Review, no. 1 (May 31, 2021): 205–13. http://dx.doi.org/10.31499/2415-8828.1.2021.232744.
Full textMuñoz, Catalina. "“A Mission of Enormous Transcendence”: The Cultural Politics of Music During Colombia’s Liberal Republic, 1930-1946." Hispanic American Historical Review 94, no. 1 (February 1, 2014): 77–105. http://dx.doi.org/10.1215/00182168-2390613.
Full textHusak, V. A. "Peculiarities of development of music teachers’ effective thinking in the process of instrumental training." Musical art in the educological discourse, no. 2 (2017): 104–12. http://dx.doi.org/10.28925/2518-766x.20172.10412.
Full textVoronina, N. I. "SOUND – MUSIC – CULTURE: SPACE-TIME REFLECTION." Izvestiya of the Samara Science Centre of the Russian Academy of Sciences. Social, Humanitarian, Medicobiological Sciences 25, no. 91 (2023): 114–20. http://dx.doi.org/10.37313/2413-9645-2023-25-91-114-120.
Full textLuo, Xinjie. "“Buddha Passion” by Tan Dun." Music Scholarship / Problemy Muzykal'noj Nauki, no. 2 (2022): 52–63. http://dx.doi.org/10.33779/2782-3598.2022.2.052-063.
Full textKosmovskaya, M. L. "Methodology of Working with Manuscripts (From the Experience of Preparing for Publication the Materials from the Archival Funds of N.F. Findeisen)." Art & Culture Studies, no. 3 (September 2023): 380–409. http://dx.doi.org/10.51678/2226-0072-2023-3-380-409.
Full textAsror, Muhammad Khozinul, and Penny Respati Yurisa. "MA'NA AL-TASYJĪ' FI AGNIYAH "HĀWIL MARRATAN UKHRA WAKUN FUḌŪLIYYAN WA TAṢNA' AL-MUSTAHĪL" LI HUMUUD AL-KHUḌR: DIRĀSAH SIMIUṬĪQIYYAH 'INDA FERDINAND DE SAUSSURE." 3rd Annual International Conferences on Language, Literature, and Media 4 (September 21, 2022): 14. http://dx.doi.org/10.18860/aicollim.v4i1.1929.
Full textParncutt, Richard, and Graham Hair. "A Psychocultural Theory of Musical Interval." Music Perception 35, no. 4 (April 1, 2018): 475–501. http://dx.doi.org/10.1525/mp.2018.35.4.475.
Full textAbadzhian, Harrii. "The charming horn of Kumayri, conductor-researcher Shaliko‑dzhian (creative portrait of Shaliko Paltadzhian)." Aspects of Historical Musicology 23, no. 23 (March 26, 2021): 143–59. http://dx.doi.org/10.34064/khnum2-23.09.
Full textȘOITU, CRISTINA-NICOLETA. "Stylistic Confluences: the National Ethos and the Universal in the Artistic Development of Chopin, Enescu and Silvestrov." ARTES. JOURNAL OF MUSICOLOGY 27, no. 27-28 (July 2, 2023): 70–84. http://dx.doi.org/10.35218/ajm-2023-0004.
Full textKruglova, Elena V. "EXPRESSIVE AND DESCRIPTIVE FUNCTIONS OF ORNAMENTATION IN THE 17TH CENTURY VOCAL MUSIC." Scientific and analytical journal Burganov House. The space of culture 19, no. 6 (December 10, 2023): 129–40. http://dx.doi.org/10.36340/2071-6818-2023-19-6-129-140.
Full textAnggreni, Ni Luh Eka Yuli. "KOMUNIKASI RITUAL PAWAI OGOH-OGOH SEBAGAI IMPLEMENTASI DALAM TRI HITA KARANA." Widya Sandhi Jurnal Kajian Agama Sosial dan Budaya 14, no. 1 (May 31, 2023): 1–10. http://dx.doi.org/10.53977/ws.v14i1.671.
Full textHutchings, Shabaka, and Ashish Ghadiali. "Transcendence." Soundings 79, no. 79 (November 1, 2021): 138–52. http://dx.doi.org/10.3898/soun.79.09.2021.
Full textScott, Cheraine Donalea. "Policing Black sound: performing UK Grime and Rap music under routinised surveillance." Soundings 75, no. 75 (September 1, 2020): 55–65. http://dx.doi.org/10.3898/soun.75.03.2020.
Full textДіте, Людмила Анатоліївна. "The influence of evolutionary processes of consciousness on the performance expressiveness of a musical work." Professional Art Education, no. 2 (2021): 6–12. http://dx.doi.org/10.34142/27091805.2021.2.02.01.
Full textMenshikov, P. V., G. K. Kassymova, R. R. Gasanova, Y. V. Zaichikov, V. A. Berezovskaya, A. V. Kosov, M. R. Arpentieva, and M. E. Kirichkova. "ARTISTIC AND AESTHETIC EDUCATION AND MUSICAL PSYCHOTHERAPY OF A SPECIALIST’S TRAINING." BULLETIN 384, no. 2 (April 15, 2020): 222–32. http://dx.doi.org/10.32014/10.32014/2020.2518-1467.62.
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