Journal articles on the topic 'Soul music – History and criticism'
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BERNSTEIN, LAWRENCE F. "““Singende Seele”” or ““unsingbar””? Forkel, Ambros, and the Forces behind the Ockeghem Reception during the Late 18th and 19th Centuries." Journal of Musicology 23, no. 1 (January 1, 2006): 3–61. http://dx.doi.org/10.1525/jm.2006.23.1.3.
Full textFarkas, Márton. "Lukács in Self-Translation: The Necessity of Contingency in The Soul and the Forms." October 161 (August 2017): 23–41. http://dx.doi.org/10.1162/octo_a_00302.
Full textWatkins, Holly. "From the Mine to the Shrine: The Critical Origins of Musical Depth." 19th-Century Music 27, no. 3 (2004): 179–207. http://dx.doi.org/10.1525/ncm.2004.27.3.179.
Full textBotstein, Leon. "On Criticism and History." Musical Quarterly 79, no. 1 (1995): 1–5. http://dx.doi.org/10.1093/mq/79.1.1.
Full textDesrosiers, Diane, and Jean-Philippe Beaulieu. "L’écriture féminine à la Renaissance française sous le regard des chercheurs canadiens." Renaissance and Reformation 37, no. 4 (April 30, 2015): 3–18. http://dx.doi.org/10.33137/rr.v37i4.22637.
Full textValiquette Moreau, Nina. "Musical Mimesis and Political Ethos in Plato’s Republic." Political Theory 45, no. 2 (August 3, 2016): 192–215. http://dx.doi.org/10.1177/0090591715591587.
Full textBotstein, L. "Witnessing Music: The Consequences of History and Criticism." Musical Quarterly 94, no. 1-2 (March 1, 2011): 1–8. http://dx.doi.org/10.1093/musqtl/gdr001.
Full textRadice, Mark A. "Reader's Guide to Music: History, Theory, Criticism (review)." Notes 58, no. 1 (2001): 66. http://dx.doi.org/10.1353/not.2001.0165.
Full textBuell, Arthur. "CALIFORNIA SOUL: MUSIC OF AFRICAN AMERICANS IN THE WEST." Oral History Review 28, no. 2 (September 2001): 164–66. http://dx.doi.org/10.1525/ohr.2001.28.2.164.
Full textJr., Waldo E. Martin, Jacqueline Cogdell DjeDje, and Eddie S. Meadows. "California Soul: Music of African Americans in the West." Journal of American History 86, no. 1 (June 1999): 308. http://dx.doi.org/10.2307/2567538.
Full textParakilas, James. "The Afterlife of Don Giovanni: Turning Production History into Criticism." Journal of Musicology 8, no. 2 (1990): 251–65. http://dx.doi.org/10.2307/763570.
Full textParakilas, James. "The Afterlife of Don Giovanni: Turning Production History into Criticism." Journal of Musicology 8, no. 2 (April 1990): 251–65. http://dx.doi.org/10.1525/jm.1990.8.2.03a00040.
Full textPritchard, Matthew. "The Cambridge History of Music Criticism. Ed. by Christopher Dingle." Music and Letters 101, no. 4 (November 1, 2020): 785–88. http://dx.doi.org/10.1093/ml/gcaa068.
Full textKossie-Chernyshev, Karen, and Jerma A. Jackson. "Singing in My Soul: Black Gospel Music in a Secular Age." Journal of Southern History 71, no. 4 (November 1, 2005): 935. http://dx.doi.org/10.2307/27648962.
Full textCochran, Robert, and Jerma A. Jackson. "Singing in My Soul: Black Gospel Music in a Secular Age." Arkansas Historical Quarterly 64, no. 1 (2005): 82. http://dx.doi.org/10.2307/40018563.
Full textMajer-Bobetko, Sanja. "Between music and ideologies: Croatian music criticism from the beginning to World War II." Muzyka 63, no. 4 (December 31, 2018): 55–64. http://dx.doi.org/10.36744/m.344.
Full textKramer, Elizabeth. "The Beethoven Violin Sonatas: History, Criticism, Performance (review)." Notes 62, no. 1 (2005): 114–16. http://dx.doi.org/10.1353/not.2005.0098.
Full textBOWEN, JOSÉ ANTONIO. "Who Plays the Tune in “Body and Soul”? A Performance History Using Recorded Sources." Journal of the Society for American Music 9, no. 3 (August 2015): 259–92. http://dx.doi.org/10.1017/s1752196315000176.
Full textReith, Louis J., and Roger Kuin. "Chamber Music: Elizabethan Sonnet-Sequences and the Pleasure of Criticism." Sixteenth Century Journal 32, no. 1 (2001): 305. http://dx.doi.org/10.2307/2671499.
Full textKennedy, Rosanne. "Soul music dreaming:The Sapphires, the 1960s and transnational memory." Memory Studies 6, no. 3 (May 20, 2013): 331–44. http://dx.doi.org/10.1177/1750698013485506.
Full textDickinson, Peter. "Review: Maestros of the Pen: A History of Classical Music Criticism in America." Music and Letters 83, no. 4 (November 1, 2002): 631–34. http://dx.doi.org/10.1093/ml/83.4.631.
Full textHeller, George N., and Mark N. Grant. "Maestros of the Pen: A History of Classical Music Criticism in America." History of Education Quarterly 39, no. 2 (1999): 212. http://dx.doi.org/10.2307/370046.
Full textHarrán, Don. "Elegance as a Concept in Sixteenth-Century Music Criticism*." Renaissance Quarterly 41, no. 3 (1988): 413–38. http://dx.doi.org/10.2307/2861755.
Full textFrost, Charlotte. "Digital Critics: The Early History of Online Art Criticism." Leonardo 52, no. 1 (February 2019): 37–43. http://dx.doi.org/10.1162/leon_a_01379.
Full textTalstra, E. "Is hermeneutiek nog ergens goed voor?" Theologia Reformata 63, no. 2 (June 1, 2020): 128–37. http://dx.doi.org/10.21827/tr.63.2.128-137.
Full textRubin, Joel E. "“Music is the Pen of the Soul”: Recent Works on Ḥasidic and Jewish Instrumental Klezmer Music." AJS Review 29, no. 1 (April 2005): 145–58. http://dx.doi.org/10.1017/s0364009405000085.
Full textPunt, Michael. "From Soul to Mind: A History of an Idea." Leonardo 48, no. 2 (April 2015): 108. http://dx.doi.org/10.1162/leon_e_00967.
Full textRoberts, David. "‘As Rude As You Like – Honest’: Theatre Criticism and the Law." New Theatre Quarterly 19, no. 3 (August 2003): 265–77. http://dx.doi.org/10.1017/s0266464x03000162.
Full textBranscombe, P. "E. T. A. Hoffmann's Musical Writings: 'Kreisleriana', 'The Poet and the Composer', Music Criticism." German History 10, no. 2 (January 1, 1992): 248–50. http://dx.doi.org/10.1093/gh/10.2.248.
Full textZuk, Patrick. "Words for music perhaps? Irishness, criticism and the art tradition." Irish Studies Review 12, no. 1 (April 2004): 11–29. http://dx.doi.org/10.1080/0967088042000192086.
Full textHirai, Hiro. "Alter Galenus: Jean Fernel et son interprétation plantonico-chrétienne de Galien." Early Science and Medicine 10, no. 1 (2005): 1–35. http://dx.doi.org/10.1163/1573382053123539.
Full textBrown, Howard Mayer. "Recent Research in the Renaissance: Criticism and Patronage*." Renaissance Quarterly 40, no. 1 (1987): 1–10. http://dx.doi.org/10.2307/2861832.
Full textVasic, Aleksandar. "The magazine “Slavenska muzika” (1939–1941) in the history of Serbian music periodicals." Muzikologija, no. 29 (2020): 121–47. http://dx.doi.org/10.2298/muz2029121v.
Full textSolis, Gabriel. "Soul, Afrofuturism & the Timeliness of Contemporary Jazz Fusions." Daedalus 148, no. 2 (April 2019): 23–35. http://dx.doi.org/10.1162/daed_a_01740.
Full textKoehler, Jonathan. "“Soul Is But Harmony”: David Josef Bach and the Workers' Symphony Concert Association, 1905–1918." Austrian History Yearbook 39 (April 2008): 66–91. http://dx.doi.org/10.1017/s0667237808000059.
Full textBurns, Chelsea. "The Racial Limitations of Country-Soul Crossover in Bobby Womack's BW Goes C&W, 1976." Journal of Popular Music Studies 32, no. 2 (June 1, 2020): 112–27. http://dx.doi.org/10.1525/jpms.2020.32.2.112.
Full textGulzhikhan, Nurysheva, and Tercan Nurfer. "AL-FARABI’S PHILOSOPHY OF MUSIC." Al-Farabi 74, no. 2 (June 30, 2021): 3–17. http://dx.doi.org/10.48010/2021.2/1999-5911.01.
Full textWatt, Paul, and Sarah Collins. "Critical Networks." Nineteenth-Century Music Review 14, no. 1 (April 2017): 3–8. http://dx.doi.org/10.1017/s1479409816000252.
Full textSaloman, Ora Frishberg. "Continental and English Foundations of J. S. Dwight's Early American Criticism of Beethoven's Ninth Symphony." Journal of the Royal Musical Association 119, no. 2 (1994): 251–67. http://dx.doi.org/10.1093/jrma/119.2.251.
Full textVasic, Aleksandar. "Engagement in musical criticism: Pavle Stefanovic’s texts in The Music Herald (1938-1940)." Muzikologija, no. 27 (2019): 203–20. http://dx.doi.org/10.2298/muz1927203v.
Full textPowers, Devon. "Bruce Springsteen, Rock Criticism, and the Music Business: Towards a Theory and History of Hype." Popular Music and Society 34, no. 2 (May 2011): 203–19. http://dx.doi.org/10.1080/03007761003726472.
Full textFry, Katherine. "Nietzsche's Critique of Musical Decadence: The Case of Wagner in Historical Perspective." Journal of the Royal Musical Association 142, no. 1 (2017): 137–72. http://dx.doi.org/10.1080/02690403.2017.1286130.
Full textLofton, Kathryn. "Dylan Goes Electric." Journal of Popular Music Studies 33, no. 2 (June 1, 2021): 31–50. http://dx.doi.org/10.1525/jpms.2021.33.2.31.
Full textSouza, Alberto Carlos de. "The language of the art of music: an overview of its history in Brazil." Humanum Sciences 3, no. 1 (August 5, 2021): 32–40. http://dx.doi.org/10.6008/cbpc2674-6654.2021.001.0004.
Full textNatambu, Kofi. "Whose Music is it, Anyway?: The Oxford University Press Jazz History/Criticism Series, 1980-Present." Black Scholar 29, no. 4 (December 1999): 48–51. http://dx.doi.org/10.1080/00064246.1999.11430983.
Full textDesler, Anne. "History without royalty? Queen and the strata of the popular music canon." Popular Music 32, no. 3 (September 13, 2013): 385–405. http://dx.doi.org/10.1017/s0261143013000287.
Full textSohn, Hohyun. "Singularity Theodicy and Immortality." Religions 10, no. 3 (March 6, 2019): 165. http://dx.doi.org/10.3390/rel10030165.
Full textGarratt, J. "Music, Criticism, and the Challenge of History: Shaping Modern Musical Thought in Late Nineteenth-Century Vienna. By Kevin C. Karnes." Music and Letters 91, no. 3 (August 1, 2010): 436–38. http://dx.doi.org/10.1093/ml/gcq028.
Full textAlberto, Paulina L. "When Rio was Black: Soul Music, National Culture, and the Politics of Racial Comparison in 1970s Brazil." Hispanic American Historical Review 89, no. 1 (February 1, 2009): 3–39. http://dx.doi.org/10.1215/00182168-2008-043.
Full textHughes, Stephen Putnam. "Music in the Age of Mechanical Reproduction: Drama, Gramophone, and the Beginnings of Tamil Cinema." Journal of Asian Studies 66, no. 1 (February 2007): 3–34. http://dx.doi.org/10.1017/s0021911807000034.
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