Relevant bibliographies by topics / Soul music

Academic literature on the topic 'Soul music'

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Published: 4 June 2021
Last updated: 29 July 2024

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Journal articles on the topic "Soul music"

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Dopson, Laurence. "Soul music." Nursing Older People 17, no. 7 (October 2005): 39. http://dx.doi.org/10.7748/nop.17.7.39.s24.

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Shepherd, Reginald. "Soul Music." Chicago Review 40, no. 2/3 (1994): 35. http://dx.doi.org/10.2307/25305834.

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LaSalle. "Sweet Soul Music." Antioch Review 78, no. 1 (2020): 91. http://dx.doi.org/10.7723/antiochreview.78.1.0091.

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Restani, Donatella. "Embryology as a Paradigm for Boethius’ musica humana." Greek and Roman Musical Studies 4, no. 2 (September 1, 2016): 161–90. http://dx.doi.org/10.1163/22129758-12341274.

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At the beginning of Boethius’ De institutione musica, musica humana is defined as a coaptatio, a well ordered relationship between body and soul and between the parts of the body and the parts of the soul. Boethius promised to expand the topic later, but he never returned to it. As a consequence Medieval and Renaissance music theorists gave it different interpretations. This paper is part of a wider project which aims at recovering the historical meaning of musica humana and its natural implications for human life, by identifying Boethius’ sources on the relationship between music and the human body. Analyzing some of the Pythagorean, Hippocratic and Neoplatonic treatises on embryology, numerology and music as well as their reception in the Latin culture, this paper will explore the definition of musica humana as a style of thought which connected music and science using the same interpretative models, metaphors and images, well-known at Boethius’ time.
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Bintarto, A. Gathut. "Aspek Olah Vokal Musik Klasik Barat pada Musik Populer." Journal of Urban Society's Arts 1, no. 1 (April 10, 2014): 44–56. http://dx.doi.org/10.24821/jousa.v1i1.787.

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Setiap medium musik mempunyai keistimewaan yang bisa dikaji seperti halnyapada musik klasik Barat dan musik populer. Norma daya tarik musik populeryang ringan dan mudah dinikmati tidak seperti pada musik klasik Barat atauyang sering disebut sebagai musik seni, namun demikian bukan berarti bahwamemainkannya tidak ada syarat artistik. Bervariasinya musik dan banyaknya pelakumusik mengakibatkan standar yang tinggi dan menuntut pemahaman terhadapdetail musik. Musik populer bertolak dari kebiasaan orang dan musisinya inginmemenuhi kebutuhan tersebut. Gambaran emosional yang muncul pada teksmenyebabkan kecenderungan naturalistik dalam bernyanyi. Melalui penelusuranasal-usul musik populer dan penelitian studi kasus di lapangan ditemukan bahwamusik populer beraliran soul serta R&B (rhythm and blues) mempunyai kesamaanunsur dengan teknik dan gaya bernyanyi klasik pada penerapan suara yang ratadalam rentang ambitus (even scale technique), penggunaan imajinasi dengan iramabebas, nada-nada hiasan, teknik vibrato, dan bahkan gaya bernyanyi Gregorianmurni dengan iringan ritmis yang dianggap sebagai suatu kebaruan dalam musikpopuler. The Overview on the Aspect of Western Classical Singing on Popular Music.Every music medium such as Western classical and popular music has its own practicalspecification due to the observation of each characteristic and uniqueness. The potentialattractiveness of popular music is different from the Western classical music in its easylistening characteristics, but it does not mean that the music does not have the artisticcharacter at all. More performers and more variations in the popular music mayaffect the higher standard and require the demand in every aspect of the details. Thepopular music is derived from the daily habit and that is the way the musician shoulddo to make this kind of music. The emotional characteristics in their lyrics cause thenaturalistic singing tendency. Through the observation of the popular music origin andthe field research study, it is founded that soul and R&B music have the similarities. Interms of the classical music, both use the typical scale technique, imagination with thefree rhythm, ornamentation, vibrato technique and even pure Gregorian singing styleused in some popular songs accompanied by rhythmical music served as a new idea inpopular music.
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Valiquette Moreau, Nina. "Musical Mimesis and Political Ethos in Plato’s Republic." Political Theory 45, no. 2 (August 3, 2016): 192–215. http://dx.doi.org/10.1177/0090591715591587.

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This essay argues that Plato’s Republic includes a widely overlooked meditation on the affective dimension of political judgment. This meditation occurs in the passages on music. In music, Plato identifies the possibility of an extra-rational aesthetic activity that prepares the soul for reasoned judgment: he makes musical mimesis the precondition to logos (speech, reasoned account) because of its ability to actualize in the soul the very ethos required of sound judgment. Music is able to do this because it is not imagistic; music does not produce mediated representations but rather produces alterations in the condition of the soul itself. These alterations are made possible because the soul itself is structured musically. If music actualizes the conditions of the soul, so too does the soul instantiate the conditions of music. In his treatment of musical mimesis, Plato thereby makes disposition, or affect, the defining feature of sound judgment.
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Bolden, Tony. "Critical Reflections on Soul: A Conversation with Portia K. Maultsby." Langston Hughes Review 29, no. 2 (December 2023): 174–89. http://dx.doi.org/10.5325/langhughrevi.29.2.0174.

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ABSTRACT In this interview, Portia K. Maultsby offers significant insight into the aesthetics that informs the performances of soul artists featured in Ahmir “Questlove” Thompson’s film Summer of Soul. Maultsby discusses soul music and vital elements of soul aesthetics while drawing from her extensive knowledge from conducting research on Black music as a pioneering ethnomusicologist, contributing to music as an artist in her own right, and experiencing life in America as a Black woman in the late 1960s. Maultsby therefore offers a rare perspective on soul and explains how music played a pivotal role during the Civil Rights Movement and the Black Power movement. A central component of Maultsby’s analysis is that soul music exemplified what she calls an African-derived sound ideal, and that basic elements of the aesthetic framework were developed in churches. Thus, Maultsby highlights connections between Black sacred and secular music.
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Bolden, Tony. "The Power of Gospel in the Black Arts Movement: A Conversation with Claudrena N. Harold." Langston Hughes Review 29, no. 2 (December 2023): 201–16. http://dx.doi.org/10.5325/langhughrevi.29.2.0201.

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ABSTRACT This interview focuses on gospel music, which is a foundational element of soul music. Combining insights, at times, from her family background, but mostly from research in her book When Sunday Comes: Gospel Music in the Soul and Hip Hop Eras (2020), which borrows its title from Donald Lawrence and the Tri-City Singers hit recording “When Sunday Comes” (1995), Claudrena N. Harold offers an historian’s perspective on gospel music in the late 1960s. Harold discusses gospel artists who appear in Ahmir “Questlove” Thompson’s film Summer of Soul, contextualizes gospel artists in Questlove’s film within the history of gospel music itself, and draws connections between sacred and secular forms of Black music, that is, gospel, soul, and funk. Of particular significance, Harold argues that gospel music was part of the Black Arts Movement. Harold therefore offers a unique perspective on gospel, Summer of Soul, and the Black Arts Movement.
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Hostettler, Nick, and Alan Norrie. "Do You Like Soul Music?" Alethia 3, no. 2 (July 13, 2000): 2–8. http://dx.doi.org/10.1558/aleth.v3i2.2.

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Plank, Steven. "Music of the Ravish'd Soul." Musical Times 136, no. 1831 (September 1995): 466. http://dx.doi.org/10.2307/1003722.

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Dissertations / Theses on the topic "Soul music"

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Ekberg, Sebastian. "Varför låter det så? : En studie av pianospel inom jazz, pop och soul." Thesis, Örebro universitet, Musikhögskolan, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:oru:diva-86665.

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Maxwell, David R. "Augustine's De musica 6.12.34-6.14.48 an ontology of music which saves the soul /." Theological Research Exchange Network (TREN), 2005. http://www.tren.com.

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Curtis, Sandra L. "Singing subversion, singing soul, women's voices in feminist music therapy." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp03/NQ44871.pdf.

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Paiva, Carlos Eduardo Amaral de [UNESP]. "Black Paul: a soul music no Brasil nos anos 1970." Universidade Estadual Paulista (UNESP), 2015. http://hdl.handle.net/11449/127967.

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Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)
Esta tese investiga a aclimatação do gênero musical soul music no Brasil dos anos 1970. Por meio da análise da canção de importantes músicos negros da época: Tim Maia, Jorge Ben e Tony Tornado, bem como do chamado movimento Black Rio, sugerimos uma inflexão na formação de uma identidade negra no país, o que representou a emergência de uma estrutura de sentimentos negra e transnacional. Esta estrutura de sentimentos se caracterizou pela sua afirmação étnica e pelo seu internacionalismo vinculado à contracultura negra ocidental. No contexto político repressivo da ditadura, este movimento musical ajudou a aglutinar jovens negros em torno de uma política de identidades, além de fazer uma oposição manifesta ao mito da democracia racial, ideologia oficial do regime civil-militar
This thesis investigates the acclimatisation of soul music genres in Brazil in the 70's by the analysing the songs of important black musicians of the era: Tim Maia, Jorge Ben and Tony Tornado as well as the movement called Black Rio. We suggest an inflection on the formation of the black identity in the country that represented the emergence of a black structure of feelings in transnational levels. This structure of feelings is chacacterised by its ethinic affirmation and its internationalism tied to black western counterculture. In a repressive political context of dictatorship, this musical movement helped bring together young black men around political identity and made a clear objection to the myth of racial democracy, the official ideology of the civil-military regime
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Paiva, Carlos Eduardo Amaral de. "Black Paul : a soul music no Brasil nos anos 1970 /." Araraquara, 2015. http://hdl.handle.net/11449/127967.

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Orientador: Eliana Maria de Melo Souza
Banca: Ana Lúcia Castro
Banca: Dagoberto José Fonseca
Banca: José Adriano Fenerick
Banca: Márcia Regina Tosta Dias
Resumo: Esta tese investiga a aclimatação do gênero musical soul music no Brasil dos anos 1970. Por meio da análise da canção de importantes músicos negros da época: Tim Maia, Jorge Ben e Tony Tornado, bem como do chamado movimento "Black Rio", sugerimos uma inflexão na formação de uma identidade negra no país, o que representou a emergência de uma estrutura de sentimentos negra e transnacional. Esta estrutura de sentimentos se caracterizou pela sua afirmação étnica e pelo seu internacionalismo vinculado à contracultura negra ocidental. No contexto político repressivo da ditadura, este movimento musical ajudou a aglutinar jovens negros em torno de uma política de identidades, além de fazer uma oposição manifesta ao mito da democracia racial, ideologia oficial do regime civil-militar
Abstract: This thesis investigates the acclimatisation of soul music genres in Brazil in the 70's by the analysing the songs of important black musicians of the era: Tim Maia, Jorge Ben and Tony Tornado as well as the movement called "Black Rio". We suggest an inflection on the formation of the black identity in the country that represented the emergence of a black structure of feelings in transnational levels. This structure of feelings is chacacterised by its ethinic affirmation and its internationalism tied to black western counterculture. In a repressive political context of dictatorship, this musical movement helped bring together young black men around political identity and made a clear objection to the myth of racial democracy, the official ideology of the civil-military regime
Doutor
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Duris, Elizabeth Claire. "Contemporary Implications of Music and the Soul in Plato's Timaeus." University of Toledo / OhioLINK, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=toledo1588634110162632.

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Perry, Vincent-Gerard Dulos Perry. "Soul Reborn: An Appropriation of the Motown Aesthetic." Thesis, Griffith University, 2017. http://hdl.handle.net/10072/370959.

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In the highly lucrative and cutthroat business of popular music, the goal of record companies is largely to produce star singers and publish hit records. Formed in 1959, Berry Gordy’s Tamla Motown dominated the pop and R&B charts throughout the 1960s with its assembly line style of music production, which resulted in a distinctive sound that was shared by all of the label’s artists. However, much of the fame and prosperity has gone to only a select few involved in the production process. Furthermore, until the release of Standing In the Shadows of Motown (Justman, 2002), much was unknown of the involvement and influence of the individuals who made up the house band—a collection of instrumentalists known as the Funk Brothers. Inspired by this documentary, I proposed a research project that would focus on analysing the role of the house band in R&B record production. Central to this research was forming an ensemble of Brisbane musicians for the purpose of writing, recording, and producing an album of Motown-inspired original tracks—an album entitled: Soul Sundays. It was my intention to use this album production as a case study to analyse the ensemble dynamic within my proposed band. More specifically I investigated whether or not it was possible to recreate the ensemble dynamic/relationship of The Funk Brothers and how that interpersonal interaction affects the production of a new album of recorded tracks. As well as performing the role as band drummer, I also executed the responsibilities of lead producer and audio engineer. Between 2014 and 2017, I oversaw the tracking of the initial rhythm section beds and the subsequent refinement stages. Following on from the research of Bennett (2012) and Williams (2015), I investigated my “technostalgia” with a series of vintage instrument and recording gear experiments in order to better understand the sonic textures that made up the famed “Motown sound.” Furthermore, I investigated what positive or negative benefits vintage gear brought to a modern album production. Drawing guidance from Bartleet and Ellis (2009), I utilized an ethnographic approach to my research combining a creative journal of the production process as well as insights from my collaborators. Ultimately, my rationale for this research was to better appreciate the house band concept, better understand how to appropriate various aspects of the Motown aesthetic in a modern R&B production, and develop additional production skills in order to evolve from a drummer in to an “artist.”
Thesis (PhD Doctorate)
Doctor of Philosophy (PhD)
Queensland Conservatorium
Arts, Education and Law
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Harris, Christopher S. "Gods, God, & Soul Food: Young Black Spirituality in Rap Music." Scholarly Repository, 2010. http://scholarlyrepository.miami.edu/oa_dissertations/448.

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Contrary to popular belief, discussions of morality, spiritual sensibilities, and religion are major themes in the lyrics of rap music. The current study provides an exploratory content analysis of rap lyrics in an effort to better understand the ways in which rap artists and audiences thought and think about their spirituality. Results indicate that there existed a fervent and nuanced discourse around spirituality and its various forms during the rise of rap music between the mid 1990s and early millennium.
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Hughes, Timothy Stephen. "Groove and flow : six analytical essays on the music of Stevie Wonder /." Thesis, Connect to this title online; UW restricted, 2003. http://hdl.handle.net/1773/11410.

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Gonçalves, Eloá Gabriele. "Banda Black Rio = o soul no Brasil da década de 1970." [s.n.], 2011. http://repositorio.unicamp.br/jspui/handle/REPOSIP/284466.

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Orientador: José Roberto Zan
Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Artes
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Resumo: Este trabalho estuda a trajetória da Banda Black Rio, formada em meados dos anos de 1970, cuja produção caracteriza--?se por fusões de múltiplas musicalidades. Através da análise musical de uma amostragem do repertório gravado pela banda, verificou?se nessa produção a presença de elementos característicos de gêneros brasileiros como o samba, o choro e o baião, mesclados aos do jazz, do soul e do funk. A pesquisa revelou que procedimentos adotados pelos músicos nas composições, releituras, arranjos e instrumentação produziram resultados sonoros peculiares. Trata--?se de uma sonoridade híbrida, que, de certa forma, expressa a emergência de uma nova sensibilidade num contexto histórico brasileiro marcado pela presença de um regime político autoritário, do desenvolvimento e da integração da indústria cultural e do advento de novas identidades geracionais e étnicas
Abstract: This work studies the history of the band Black Rio, formed in the mid 1970s, whose production is characterized by a fusion of multiple musicalities. Through musical analysis of a sample of the repertoire recorded by the band, it was verified the presence of characteristic elements of Brazilian genres such as samba, choro and baião, merged with components of jazz, soul and funk. The research found that the procedures adopted by the musicians in compositions, re--?readings, arrangements and instrumentations produced a peculiar sound result. It is a hybrid sonority that, in a certain way, expresses the emergence of a new sensibility in a Brazilian historical context marked by the presence of an authoritarian political regime, by the development and integration of the cultural industry and by the advent of new generational and ethnical identities
Mestrado
Fundamentos Teoricos
Mestre em Música
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Books on the topic "Soul music"

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Pratchett, Terry. Soul Music. New York: HarperCollins, 2007.

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Pratchett, Terry. Soul music. Barcelona: Plaza & Janés Editores, 2004.

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ill, Schmitt Louis J., ed. Music in my soul. Chicago: Ampersand, 2011.

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Gregory, Hugh. Soul music A-Z. New York: Da Capo Press, 1995.

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Chris, Wells, ed. Music Master soul catalogue. London: Retail Entertainment Data Publishing, 1994.

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Ertl, Franz. Soul-Diktionär. 2nd ed. Köln: W. Herbst, 1987.

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Coppernoll, Christopher L. Soul 2 soul. Nashville: Word Pub., 1998.

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Goaty, Frédéric. Black & soul. Paris: Layeur, 2004.

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Hansen, Mark Victor. Chicken Soup for the American Idol Soul. Deerfield Beach: Health Communications, Inc., 2007.

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Haa, Erikka. Soul. New York: Friedman/Fairfax Publishers, 1997.

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Book chapters on the topic "Soul music"

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Grafe, Adrian. "Sweet Soul Music." In The Persistence of the Soul in Literature, Art and Politics, 197–209. Cham: Springer Nature Switzerland, 2023. http://dx.doi.org/10.1007/978-3-031-40934-9_11.

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Rabaka, Reiland. "Soul Sisters." In Black Women's Liberation Movement Music, 70–101. London: Routledge, 2023. http://dx.doi.org/10.4324/9781003427339-4.

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Steele, Janeé M., and Charmeka S. Newton. "Music for Your Soul." In Black Lives Are Beautiful, 171–73. New York: Routledge, 2023. http://dx.doi.org/10.4324/9781003221357-32.

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Patterson, Jamie E. "‘Getting My Soul Back’." In Global Metal Music and Culture, 245–60. New York: Routledge, 2016. http://dx.doi.org/10.4324/9781315742816-19.

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Robertson, Diarra Osei. "Cash Rules Everything around Me: Appropriation, Commodification, and the Politics of Contemporary Protest Music and Hip Hop." In Soul Thieves, 31–49. New York: Palgrave Macmillan US, 2014. http://dx.doi.org/10.1057/9781137071392_3.

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Kipusi, Sein A. "The Soul in Soul Music: Educational Tools for Decolonial Ruptures." In Education, Colonial Sickness, 259–70. Cham: Springer Nature Switzerland, 2024. http://dx.doi.org/10.1007/978-3-031-40262-3_13.

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Valsiner, Jaan. "Poetry and Music: Translations for the Soul." In The Moonlight Doctor, 145–62. Cham: Springer International Publishing, 2024. http://dx.doi.org/10.1007/978-3-031-52531-5_9.

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Theorell, Töres. "Music for Body and Soul: Physiological Effects of Listening to Music." In SpringerBriefs in Psychology, 33–47. Dordrecht: Springer Netherlands, 2014. http://dx.doi.org/10.1007/978-94-017-8920-2_5.

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Varriale, Simone. "Aesthetic Encounters: Evaluating Rock, Jazz and Soul." In Globalization, Music and Cultures of Distinction, 139–64. London: Palgrave Macmillan UK, 2016. http://dx.doi.org/10.1057/978-1-137-56450-4_7.

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Prettyman, Michele. ""Music in the Air"." In Summer of Soul (... Or, When the Revolution Could Not Be Televised), 64–77. New York: Routledge, 2023. http://dx.doi.org/10.4324/9781003397601-6.

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Conference papers on the topic "Soul music"

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Jia, Xiaoguang. "Music Education is the Soul Baptism of College Students." In IPEC 2021: 2021 2nd Asia-Pacific Conference on Image Processing, Electronics and Computers. New York, NY, USA: ACM, 2021. http://dx.doi.org/10.1145/3452446.3452616.

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Guseva, E. S. "Leo Tolstoy’s Perception of Music in the Context of His Ethical and Aesthetic Views on Art." In IV Международный научный форум "Наследие". SB RAS, 2023. http://dx.doi.org/10.25205/978-5-6049863-7-0-127-139.

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The article analyzes the diaries of Leo Tolstoy and his work “What is Art?” from the perspective of cognitive hermeneutics. The study focuses on Tolstoy’s value judgments about art, including music. It reveals that Leo Tolstoy constructs a hierarchy of criteria for the artistic value of art, such as emotional influence and power to evoke emotional response, accessibility of artistic language, and, last but not least, quality of the content regarding the objective and ontological nature of art. The study also finds out the similarities between the phenomenological reflection of Tolstoy’s perception of music (music as recollection) and Plato’s philosophical views on the nature of the soul (“Phaedrus”). Tolstoy’s value judgments about music and the specifics of his perception and experience of music correlate with his capacity for immediate emotional and reflexive perception.
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Olărescu, Dumitru. "The evolution of the documentary film, dedicated to popular music performers." In Conferința științifică internațională "Învăţământul artistic – dimensiuni culturale". Academy of Music, Theatre and Fine Arts, Republic of Moldova, 2022. http://dx.doi.org/10.55383/iadc2022.17.

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Our folk songs, coming from over centuries, still today express the deepest soul of the man’s inner world, his sentimental experiences in the middle of the world, the connections with loved ones, with his native land, with society. These musical pieces, very diverse from the melodic perspective and the ideational background, form a complex socio-cultural phenomenon, which has interested scientists, men of art and culture. Back in the 1950s, at the beginnings of our cinema, current affairs topical cinematographic magazines already included subjects about some folk music performers, such as Tamara Ceban, Maria Bieşu, Gheorghe Eşanu and some amateur singers. Since then, the creation of folk music performers has been the basis of several documentary films, made at the “MoldovaFilm” studio by the filmmakers: Emil Loteanu (“Fresco pe alb”, “Ecoul văii fierbinţi”), Andrei Buruiană (“Nicolae Sulac”, “Cantecele noastre”), Anatol Codru (“Tălăncuţa”), Ana Iuriev (“Fluieras”), Iacob Burghiu (“Surorile”), Vlad Druc (“Ploi de dor”, “Vai, sarmana turturica”), Ştefan Bulicanu (“Asa-i viata omului”) etc. We will try to elucidate the aesthetic-artistic specifics and the role of the documentary film in the preservation and valorization of the spiritual heritage of the people.
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Bugor, Elena, and Tatiana Berezovicova. "Alexei Stârcea's early vocal creation. Romances on poems of Fyodor Tyutchev." In International scientific conference "Valorization and preservation by digitization of the collections of academic and traditional music from the Republic of Moldova". Academy of Music, Theatre and Fine Arts, Republic of Moldova, 2023. http://dx.doi.org/10.55383/ca.14.

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The article is dedicated to the vocal creation of Alexei Stârcea (1919-1974), a famous composer, singer and pedagogue. His early romances dating back to the years 1946-1955 are examples of love lyrics. Some of the vocal pieces signed during the reference period, such as „The Day Is Nearing Evening” („День вечереет”) on lyrics by F. Tiutchev, or „The Soul Bursts Out of the Chest” („Так и рвется душа”) on verses by A. Koltsov, entered the contemporary concert and pedagogical repertoire. The article studies two romances by A. Stârcea on poems by F. Tyutchev, which are analyzed from the point of view of form, poetic content, the interaction of music with the literary text, musical language, vocal interpretation.
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Istileulova, Yelena. "STEAM Approach: SMS (Stories Based on Music about Scientists) on Artificial Intelligence Created by Jacob Bruce (1669–1735)." In Socratic lectures 10. University of Lubljana Press, 2024. http://dx.doi.org/10.55295/psl.2024.ii15.

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Abstract: The proposed theme of this paper is how "Arts" and "Science," with the inclusion of the topic of "Health", can be combined through a story based on research about innovation in the Past. The goal of this paper is threefold. First, to present a research-based story about Jacob Bruce (1669–1735), a scholar of Scottish descent born in Moscow, and his innovation – the prototype of Artificial Intelligence, humanoid robot. Second, to illustrate the new experimental interdisciplinary method of storytelling - SMS (Stories based on Music about Scientists), a novel approach that integrates Arts (Music, Poem, Digital images), Science (Historical Research about Innovations of the Past), and Culture (cultural heritage with metaphor of a philosophical soul development). Third, to explain how this method can be applied. SMS method created in 2012 uses the Avant-garde genre of Music with the integration of interdisciplinary knowledge, holistic approach, and implies a deeper level of integration of various disciplines. The theme of this SMS is a song-story about the beautiful humanoid girl-robot (but with a different technology of the 17th century), which serves as a prototype of the modern homunculus or AI created by Jacob Bruce. AI humanoid already resembled a natural human being by the end of the 17th century. The author explains and discusses how and why SMS can be used as an Innovative Teaching and Learning method, related to Science and Arts (similar to STEAM approach), with the power of Lifelong Learning (LLL), and pedagogical didactics across branches of sciences, thus stimulating innovations and discoveries. Keywords: Arts and Science; Innovations; STEAM/SMS (Stories based on Music about Scientists) method; Jacob Bruce (1669–1735); Innovative Teaching and Learning; Health
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Wenshuang Feng. "Song of the soul with free and easy freedom - talk about the song of original works of music of Chinese network." In Conceptual Design (CAID/CD). IEEE, 2008. http://dx.doi.org/10.1109/caidcd.2008.4730807.

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Nguyen Thi, Yen. "The Three-Tiered World (Tam Phu) of the Tay People in Vietnam through the Performance of Then Rituals." In GLOCAL Conference on Asian Linguistic Anthropology 2019. The GLOCAL Unit, SOAS University of London, 2019. http://dx.doi.org/10.47298/cala2019.13-3.

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The Tay people represent an ethnic minority in the mountainous north of Vietnam. As do Shaman rituals in all regions, the Shaman of the Tay people in Vietnam exhibit uniqueness in their languages and accommodation of their society’s world view through their ‘Then’ rituals. The Then rituals require an integration of many artistically positioned and framed elements, including language (poetry, vows, chanting, the dialogue in the ritual), music (singing, accompaniment), and dance. This paper investigates The Art of Speaking of the Tay Shaman, through their Then rituals, which include use of language to describe the imaginary journey of the Shaman into the three-tiered world (Muong fa - Heaven region (Thien phu); Muong Din - Mountain region (Nhac phu); Muong Nam - Water region (combination of Thuy phu and Dia phu) to describe dealings with deities and demons, and to describe the phenomenon of possession. The methodic framework of the paper thus includes discussions of in the comparison between the concept of the three-storey world in the Then ritual of the Tay people with the concept of Tam Tu phu in the Len dong ceremony of the Kinh in Vietnam. Thereby, it clearly shows the concept of Tay people of the universe, the world of gods, demons, the existence of the soul and the body, and the existence of human soul after death. The study contributes to Linguistics and Anthropology in that it observes and describes the world views of a Northern Vietnamese ethnicity, and their negotiation with spirituality, through languages of both a spiritualistic medium and society.
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Stoica, Alina mihaela, and Daniela Aducovschi. "USING E-LEARNING SOFTWARE FOR DEVELOPING EURHYTHMY AS A MANNER OF ARTISTIC EXPRESSION FOR PUPILS AND STUDENTS." In eLSE 2013. Carol I National Defence University Publishing House, 2013. http://dx.doi.org/10.12753/2066-026x-13-226.

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Generally speaking, eurhythmy can be defined as a harmonious combination of sounds, words, lines and proportions generating a compositional balance, which is very important for the artistic act. In the context of studying, with the purpose of reaching high interpretative and artistic competencies, eurhythmy is represented by: - developing human bodie's expresivity, the capacity of expresing temporal and spatial dimensions, the harmonious bonding between movement, rhythm, sound and colour; - realising the connexion between the body and the soul. Eurhythmy is an art that wants to express the language and sound through movements. It's first elements were first borned in 1911-1912 with the help of Rudolf Steiner, founder of anthroposophie. There are other sciences that developed during the past few years as the science developed itself in: scenic, pedagogical and curative/remedial eurhythmy. Scenic eurhythmy artistically introduces each new concepts or new skills to be discovered and developed. Eurhytmies itself is an art: it uses the body as a visual representation along with the language, the music and the singing that create the atmosphere. It points out the music intervals and tones and the sound through a falling expresive movement of the arms, hands and body in a dinamic structure. The second side is the didactical one that is willing to streghthen the child according to Waldorf's techniques. During eurhythmy classes, the children make up stories or happenings through meaningfull movements. As they grow up they aquire the ability of controlling their gestures and steps on specific rhythms and special moves. There is also a third domain developed from eurhythmy, which has its own concepts and figures that are used in treating different defficiencies.
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Plamadeala, Ana-Maria. "Cinematic Elegy: Valorizing the Constellation of Ancestral Paradigms." In Conferința științifică internațională Patrimoniul cultural: cercetare, valorificare, promovare. Ediția XIV. Institute of Cultural Heritage, Republic of Moldova, 2022. http://dx.doi.org/10.52603/pc22.15.

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Th e current fi lmological approach highlights one of the most relevant genuistic confi guratio ns of the native fi lm in the era of the “ethnic renaissance”- the cinematic elegy. Ad ovo, the phenomenon of the validity of this structure is indicated in both aspects: the genuistic one and the aesthetic one. Th e author undertakes a preventive excursion in the context of the adjacent arts of the period, discovering the presence of the elegiac spirit in the creation of Ion Druță, Vasile Vasilache, Grigore Vieru, Mihail Grecu as the ancestral metastate of the nostalgic hero. As regards the contribution of the seventh art to the valorization of cultural archetypes, the author, focusing on the representative samples Cristian Luca’s Confessions and Th e Last Autumn Month, demonstrates by operating with multidimensional exegesis, the consonance of both discourse aspects at the intersection of global contemplativeness and confessional frenzy of the experiences of the spirit and the soul. In conclusion, the contribution of the elegy to the enrichment of the cinematographic language is emphasized by delimiting the time and space of the seventh art, but also the creation of an atmosphere of unprecedented emotional tension by sensitizing the viewer to the allegories of nature and the music of obvious cathartic lineage.
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Bowman, Rob. "33 1/3 revolutions per minute: Isaac Hayes’ Hot buttered soul and the myth of the black consumer." In Situating Popular Musics, edited by Ed Montano and Carlo Nardi. International Association for the Study of Popular Music, 2012. http://dx.doi.org/10.5429/2225-0301.2011.08.

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