Journal articles on the topic 'Sonic Spaces'
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Marry, Solène. "Assessment of Urban Soundscapes." Organised Sound 16, no. 3 (November 15, 2011): 245–55. http://dx.doi.org/10.1017/s1355771811000252.
Full textBellia, Angela. "Towards a Digital Approach to the Listening to Ancient Places." Heritage 4, no. 3 (September 15, 2021): 2470–81. http://dx.doi.org/10.3390/heritage4030139.
Full textOdland, Bruce, and Sam Auinger. "Reflections on the Sonic Commons." Leonardo Music Journal 19 (December 2009): 63–68. http://dx.doi.org/10.1162/lmj.2009.19.63.
Full textMARRY, Solène. "Ordinary sonic public space. Sound perception parameters in urban public spaces and sonic representations associated with urban forms." SoundEffects - An Interdisciplinary Journal of Sound and Sound Experience 2, no. 1 (April 13, 2012): 171–96. http://dx.doi.org/10.7146/se.v2i1.5231.
Full textTraperas, Dimitrios, Andreas Floros, and Nikolaos Kanellopoulos. "Sonic representations in hyper-spaces: A creative approach." Technoetic Arts 15, no. 2 (June 1, 2017): 221–28. http://dx.doi.org/10.1386/tear.15.2.221_1.
Full textOtondo, Felipe. "Creating Sonic Spaces: An Interview with Natasha Barrett." Computer Music Journal 31, no. 2 (June 2007): 10–19. http://dx.doi.org/10.1162/comj.2007.31.2.10.
Full textSilverstein, Shayna M. "Mourning the Nightingale’s Song: The Audibility of Networked Performances in Protests and Funerals of the Arab Revolutions." Performance Matters 6, no. 2 (March 16, 2021): 94–111. http://dx.doi.org/10.7202/1075803ar.
Full textEmmerson, Simon. "New spaces / new places: a Sound House for the performance of electroacoustic music and sonic art." Organised Sound 6, no. 2 (August 2001): 103–5. http://dx.doi.org/10.1017/s1355771801002047.
Full textvan der Heide, Edwin. "Radioscape: Into Electromagnetic Space." Leonardo Music Journal 23 (December 2013): 15–16. http://dx.doi.org/10.1162/lmj_a_00143.
Full textKerr, David. "Experiments in sound: generating sonic landscapes in online spaces." Journal of African Cultural Studies 32, no. 1 (May 30, 2019): 24–41. http://dx.doi.org/10.1080/13696815.2019.1615419.
Full textRönnberg, Niklas, and Jonas Löwgren. "Designing the user experience of musical sonification in public and semi-public spaces." SoundEffects - An Interdisciplinary Journal of Sound and Sound Experience 10, no. 1 (January 15, 2021): 125–41. http://dx.doi.org/10.7146/se.v10i1.124202.
Full textBild, Edda, Daniel Steele, and Catherine Guastavino. "Revisiting Public Space Transformations from a Sonic Perspective during the COVID-19 Pandemic." Built Environment 48, no. 2 (August 1, 2022): 244–63. http://dx.doi.org/10.2148/benv.48.2.244.
Full textTruax, Barry. "Genres and techniques of soundscape composition as developed at Simon Fraser University." Organised Sound 7, no. 1 (April 2002): 5–14. http://dx.doi.org/10.1017/s1355771802001024.
Full textAhern, Kati Fargo. "Soundscaping Learning Spaces: Online Synchronicity and Composing Multiple Sonic Worlds." Postdigital Science and Education 4, no. 1 (October 28, 2021): 160–76. http://dx.doi.org/10.1007/s42438-021-00261-5.
Full textFeiereisen, Florence, and Erin Sassin. "Sounding Out the Symptoms of Gentrification in Berlin." Resonance 2, no. 1 (2021): 27–51. http://dx.doi.org/10.1525/res.2021.2.1.27.
Full textSchroeder, Franziska. "Museum City: Improvisation and the narratives of space." Organised Sound 21, no. 3 (November 11, 2016): 249–59. http://dx.doi.org/10.1017/s1355771816000224.
Full textOuzounian, Gascia. "Recomposing the City: A Survey of Recent Sound Art in Belfast." Leonardo Music Journal 23 (December 2013): 47–54. http://dx.doi.org/10.1162/lmj_a_00154.
Full textAyyaz Bhunnoo, Seth. "Reconfiguring the Islamic Sonic-Social in the Bird Ghost at the Zaouia by Seth Ayyaz." Organised Sound 16, no. 3 (November 15, 2011): 220–29. http://dx.doi.org/10.1017/s1355771811000227.
Full textDernikos, Bessie Patricia. "Tuning into rebellious matter: affective literacies as more-than-human sonic bodies." English Teaching: Practice & Critique 19, no. 4 (July 22, 2020): 417–32. http://dx.doi.org/10.1108/etpc-11-2019-0155.
Full textWolfe, Jocelyn, Vanessa Tomlinson, and Karin Schaupp. "The Immersive Guitar Project: Imagining Possibilities for Enriching Audience Experience through Architectural Innovation." Leonardo 54, no. 4 (2021): 446–47. http://dx.doi.org/10.1162/leon_a_02078.
Full textvan der Mei, H. C., M. Rustema-Abbing, G. M. Bruinsma, B. Gottenbos, and H. J. Busscher. "Sequence of Oral Bacterial Co-adhesion and Non-contact Brushing." Journal of Dental Research 86, no. 5 (May 2007): 421–25. http://dx.doi.org/10.1177/154405910708600506.
Full textCHAPMAN, DALE. "“That Ill, Tight Sound”: Telepresence and Biopolitics in Post-Timbaland Rap Production." Journal of the Society for American Music 2, no. 2 (May 2008): 155–75. http://dx.doi.org/10.1017/s175219630808005x.
Full textSteinken, Woodrow. "Norwegian black metal, transgression and sonic abjection." Metal Music Studies 5, no. 1 (March 1, 2019): 21–33. http://dx.doi.org/10.1386/mms.5.1.21_1.
Full textHahn, Daniela. "Performing Public Spaces, Staging Collective Memory: 50 Kilometres of Files by Rimini Protokoll." TDR/The Drama Review 58, no. 3 (September 2014): 27–38. http://dx.doi.org/10.1162/dram_a_00371.
Full textCamilleri, Lelio. "Shaping sounds, shaping spaces." Popular Music 29, no. 2 (May 2010): 199–211. http://dx.doi.org/10.1017/s0261143010000036.
Full textPalmer, John. "SPACES AND PLACES: AN INTERVIEW WITH SIMON EMMERSON." Tempo 63, no. 247 (January 2009): 19–23. http://dx.doi.org/10.1017/s0040298209000023.
Full textLOTIS, THEODOROS. "The creation and projection of ambiophonic and geometrical sonic spaces with reference to Denis Smalley's Base Metals." Organised Sound 8, no. 3 (December 2003): 257–67. http://dx.doi.org/10.1017/s1355771803000232.
Full textLum, Chee-Hoo, and Patricia Shehan Campbell. "The Sonic Surrounds of an Elementary School." Journal of Research in Music Education 55, no. 1 (April 2007): 31–47. http://dx.doi.org/10.1177/002242940705500104.
Full textMunarriz, Alberto. "Hybridization and the Creation of “Third Spaces”: an Analysis of Two Works by Tomás Gubitsch." Articles 30, no. 2 (November 18, 2011): 75–100. http://dx.doi.org/10.7202/1006379ar.
Full textZien, Katherine, and Jason Lazarus. "Carving a Sonic Path through Stratified Spaces: The Michael Jackson Memorial Procession." Journal of Popular Music Studies 23, no. 1 (March 2011): 85–93. http://dx.doi.org/10.1111/j.1533-1598.2010.01267.x.
Full textWoods, Orlando. "Sonic spaces, spiritual bodies: The affective experience of the roots reggae soundsystem." Transactions of the Institute of British Geographers 44, no. 1 (September 19, 2018): 181–94. http://dx.doi.org/10.1111/tran.12270.
Full textGarcia, Antero, Stephanie M. Robillard, Miroslav Suzara, and Jorge E. Garcia. "Bus riding leitmotifs: making multimodal meaning with elementary youth on a public school bus." English Teaching: Practice & Critique 20, no. 3 (August 16, 2021): 398–412. http://dx.doi.org/10.1108/etpc-07-2020-0080.
Full textDevito, A. M. "Sonic Sentimentality and the Unification of the Listening Space: Exploring the intersections of oral history and sonic art." Organised Sound 26, no. 2 (August 2021): 275–83. http://dx.doi.org/10.1017/s1355771821000315.
Full textDroumeva, Milena. "Soundscapes of Productivity." Resonance 2, no. 3 (2021): 377–94. http://dx.doi.org/10.1525/res.2021.2.3.377.
Full textPark, Sang Bum. "Developing a virtual reality application for cultural heritage and room acoustics education." Journal of the Acoustical Society of America 152, no. 4 (October 2022): A274. http://dx.doi.org/10.1121/10.0016250.
Full textZelenka, Jiří. "Hearing and Listening in the Context of Passivity and Activity." Open Philosophy 4, no. 1 (January 1, 2021): 190–97. http://dx.doi.org/10.1515/opphil-2020-0176.
Full textStanyon, Miranda. "Second Nature and the Sonic Sublime." Eighteenth-Century Life 45, no. 3 (September 1, 2021): 178–96. http://dx.doi.org/10.1215/00982601-9273041.
Full textRabah, Derbal Cobis. "Noise dimension in the design of urban spaces: Sonic instrumentation of public places." Journal of the Acoustical Society of America 111, no. 5 (2002): 2350. http://dx.doi.org/10.1121/1.4777882.
Full textBusa, Lucia, Michele Goretti, Claudia Guattari, and Paola Pulella. "Extra-auditory effects of noise exposure in Italian schools: noise levels in external areas." Noise Mapping 9, no. 1 (January 1, 2022): 227–33. http://dx.doi.org/10.1515/noise-2022-0160.
Full textPackham, Jonathan. "SCORING THE JOURNEY: LISTENING TO CLAUDIA MOLITOR'S SONORAMA." Tempo 76, no. 299 (December 15, 2021): 44–56. http://dx.doi.org/10.1017/s0040298221000644.
Full textCooper, Ed. "Listening from the in-between." SoundEffects - An Interdisciplinary Journal of Sound and Sound Experience 10, no. 1 (January 15, 2021): 91–106. http://dx.doi.org/10.7146/se.v10i1.124200.
Full textAdkins, Tucker. "Open Fields, Stinking Bodies, and Loud Voices: Britishness and Religious Awakenings in Eighteenth-Century Scotland." Scottish Church History 51, no. 2 (October 2022): 85–110. http://dx.doi.org/10.3366/sch.2022.0072.
Full textLentjes, Rebecca, Amy E. Alterman, and Whitney Arey. "“The Ripping Apart of Silence”." Resonance 1, no. 4 (2020): 422–42. http://dx.doi.org/10.1525/res.2020.1.4.422.
Full textFeyen, Jesse. "Sonic Spaces of the Karoo: The Sacred Music of a South African Coloured Community." Popular Music and Society 35, no. 3 (July 2012): 451–53. http://dx.doi.org/10.1080/03007766.2012.655452.
Full textOkigbo, Austin C. "Sonic Spaces of the Karoo: The Sacred Music of a South African Coloured Community." Safundi 13, no. 3-4 (July 2012): 433–35. http://dx.doi.org/10.1080/17533171.2012.716931.
Full textDelport, Stephane. "Sonic Spaces of the Karoo: The Sacred Music of a South African Coloured Community." Journal of the Musical Arts in Africa 11, no. 1 (January 2014): 121–24. http://dx.doi.org/10.2989/18121004.2014.995442.
Full textEmmett, Ilana R. "Feeling at home: Sound, affect and domesticity on radio soap operas." Radio Journal:International Studies in Broadcast & Audio Media 19, no. 1 (April 1, 2021): 23–39. http://dx.doi.org/10.1386/rjao_00032_1.
Full textTrębacz, Ewa. "Depth Modulation: Composing motion in immersive audiovisual spaces." Organised Sound 17, no. 2 (July 19, 2012): 156–62. http://dx.doi.org/10.1017/s1355771812000088.
Full textMilo, Alessia. "Reflecting on sonic environments through a structured questionnaire: Grounded theory analysis of situated interviews with musicians." Building Acoustics 27, no. 3 (March 23, 2020): 203–33. http://dx.doi.org/10.1177/1351010x20911066.
Full textLacey, Jordan. "Sonic Placemaking: Three approaches and ten attributes for the creation of enduring urban sound art installations." Organised Sound 21, no. 2 (June 30, 2016): 147–59. http://dx.doi.org/10.1017/s1355771816000078.
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