Journal articles on the topic 'Songs of Scotland'
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Millar, Stephen R. "Let the people sing? Irish rebel songs, sectarianism, and Scotland's Offensive Behaviour Act." Popular Music 35, no. 3 (September 14, 2016): 297–319. http://dx.doi.org/10.1017/s0261143016000519.
Full textPapineau, Brandon. "“Hooked on Celebri[ɾ]y”." Lifespans and Styles 6, no. 2 (December 10, 2020): 22–31. http://dx.doi.org/10.2218/ls.v6i2.2020.5218.
Full textSparling, Heather. "“Music is Language and Language is Music”." Ethnologies 25, no. 2 (April 13, 2004): 145–71. http://dx.doi.org/10.7202/008052ar.
Full textEdwards, Elizabeth, and Kirsteen McCue. "Making Song Travel: Crosscurrents of Language and Landscape in Welsh and Scottish Song Collections, 1804–1818." Studies in Romanticism 63, no. 2 (June 2024): 189–212. http://dx.doi.org/10.1353/srm.2024.a931781.
Full textNoden, Shelagh. "Songs of the spirit from Dufftown." Innes Review 70, no. 1 (May 2019): 36–54. http://dx.doi.org/10.3366/inr.2019.0201.
Full textDunbar, Robert Douglas. "Elegies and Laments in the Nova Scotia Gaelic Song Tradition: Conservatism and Innovation." Genealogy 6, no. 1 (December 31, 2021): 3. http://dx.doi.org/10.3390/genealogy6010003.
Full textDobrowolska, Anna Maria. "„Tam jest pamiątek ognisko”. Elementy osjaniczne w twórczości Augusta Antoniego Jakubowskiego oraz Maurycego Gosławskiego." Bibliotekarz Podlaski Ogólnopolskie Naukowe Pismo Bibliotekoznawcze i Bibliologiczne 55, no. 2 (November 4, 2022): 133–49. http://dx.doi.org/10.36770/bp.697.
Full textAtkinson, David. "‘This is England’? Sense of Place in English Narrative Ballads." Victoriographies 3, no. 1 (May 2013): 1–22. http://dx.doi.org/10.3366/vic.2013.0103.
Full textFox, Adam. "‘Little Story Books’ and ‘Small Pamphlets’ in Edinburgh, 1680–1760: The Making of the Scottish Chapbook." Scottish Historical Review 92, no. 2 (October 2013): 207–30. http://dx.doi.org/10.3366/shr.2013.0175.
Full textRusnali, Andi Nur Aisyah, and Mujammilatul Halimah. "Self Actualization of MOSMA Participants in Maintaining Cultural Identity in Scotland, United Kingdom." Palakka : Media and Islamic Communication 5, no. 1 (June 28, 2024): 26–42. http://dx.doi.org/10.30863/palakka.v5i1.6174.
Full textEdwards, Owen Dudley. "PATRICK MACGILL AND THE MAKING OF A HISTORICAL SOURCE: WITH A HANDLIST OF HIS WORKS." Innes Review 37, no. 2 (December 1986): 73–99. http://dx.doi.org/10.3366/inr.1986.37.2.73.
Full textWaiton, Stuart. "Criminalizing songs and symbols in Scottish Football: how anti-sectarian legislation has created a new ‘sectarian’ divide in Scotland." Soccer & Society 19, no. 2 (January 21, 2016): 169–84. http://dx.doi.org/10.1080/14660970.2015.1133413.
Full textSkoptsova, Olena, and Nataliia Pertsova. "Repertoire Palette of Foreign Folk Choir Groups." Bulletin of Kyiv National University of Culture and Arts. Series in Musical Art 5, no. 1 (June 6, 2022): 103–10. http://dx.doi.org/10.31866/2616-7581.5.1.2022.258154.
Full textMackenzie, Niall. "Review: The Jacobite Relics of Scotland: Being the Songs, Airs, and Legends of the Adherents of the House of Stuart (Second Series)." Review of English Studies 56, no. 226 (September 1, 2005): 679–81. http://dx.doi.org/10.1093/res/hgi095.
Full textHeather Sparling. "1951 Edinburgh People’s Festival Ceilidh, and: Gaelic Songs of Scotland: Women at Work in the Western Isles (review)." Journal of American Folklore 122, no. 1 (2008): 83–85. http://dx.doi.org/10.1353/jaf.0.0066.
Full textBratton, Jacky. "Scotland and the Music Hall, 1850–1914. By Paul Maloney. Studies in Popular Culture. Manchester and New York: Manchester University Press, 2003; pp. 240. $24.95 paper." Theatre Survey 46, no. 1 (May 2005): 147–49. http://dx.doi.org/10.1017/s004055740531009x.
Full textDavis, Leith. "“A Piece of History the Most Remarkable & Interesting That Ever Happened in Any Age or Country”: “The Lyon in Mourning” Manuscript of Robert Forbes." Eighteenth-Century Life 48, no. 1 (January 1, 2024): 159–82. http://dx.doi.org/10.1215/00982601-10951374.
Full textGelbart, Matthew. "ALLAN RAMSAY, THE IDEA OF ‘SCOTTISH MUSIC’ AND THE BEGINNINGS OF ‘NATIONAL MUSIC’ IN EUROPE." Eighteenth Century Music 9, no. 1 (January 27, 2012): 81–108. http://dx.doi.org/10.1017/s1478570611000352.
Full textLamb, William. "Reeling in the Strathspey: The Origins of Scotland’s National Music." Scottish Studies 36 (December 31, 2013): 66. http://dx.doi.org/10.2218/ss.v36.2706.
Full textRoberts, Alasdair. "The Jubilee of Bishop Kyle." Innes Review 63, no. 1 (May 2012): 1–29. http://dx.doi.org/10.3366/inr.2012.0029.
Full textMunro, Robert. "Adapting Sunset Song: Authorial, Industrial, and National Discourses in the 2015 Film Adaptation of Sunset Song." International Review of Scottish Studies 49, no. 1 (June 2024): 18–39. http://dx.doi.org/10.3366/irss.2024.0027.
Full textCetrà, Daniel, and Malcolm Harvey. "‘The Song Remains The Same?’ Constitutional Developments in Catalonia and Scotland in 2015." European Yearbook of Minority Issues Online 14, no. 1 (September 12, 2017): 155–70. http://dx.doi.org/10.1163/22116117_01401007.
Full textDavies, R. R. "Presidential Addres: The Peoples of Britain and Ireland 1100–1400 II Names, Boundaries and Regnal Solidarities." Transactions of the Royal Historical Society 5 (December 1995): 1–20. http://dx.doi.org/10.1017/s0080440100016157.
Full textShoupe, Catherine A. "Music and Song Traditions in Scotland: Springthyme Records." Journal of American Folklore 104, no. 412 (1991): 182. http://dx.doi.org/10.2307/541228.
Full textKurajian, Olivia A. "“Fraternally Yours”: The Role of Women in Montreal’s Prominent Scottish Fraternities, 1870s–2000s." International Journal of Canadian Studies 58 (April 1, 2021): 110–22. http://dx.doi.org/10.3138/ijcs.58.x.110.
Full textGoodall, Kay, Simon McKerrell, John Markey, Stephen R. Millar, and Michael J. Richardson. "Sectarianism in Scotland: A ‘West of Scotland’ Problem, a Patchwork or a Cobweb?" Scottish Affairs 24, no. 3 (August 2015): 288–307. http://dx.doi.org/10.3366/scot.2015.0079.
Full textMcCulloch, Margery. "Women, poetry and song in eighteenth-century lowland scotland." Women's Writing 10, no. 3 (October 1, 2003): 453–68. http://dx.doi.org/10.1080/09699080300200280.
Full textKRZYŻANOWSKA, MONIKA, and C. G. NICHOLAS MASCIE-TAYLOR. "GEOGRAPHICAL VARIATION AND MIGRATION ANALYSIS OF HEIGHT, WEIGHT AND BODY MASS INDEX IN A BRITISH COHORT STUDY." Journal of Biosocial Science 43, no. 6 (July 28, 2011): 733–49. http://dx.doi.org/10.1017/s0021932011000381.
Full textWilliamson, John. "The kilt is my delight? Popular music on early television from Scotland." Journal of Popular Television 9, no. 1 (March 1, 2021): 105–22. http://dx.doi.org/10.1386/jptv_00044_1.
Full textMoodie, Crawford. "Student gambling, erroneous cognitions, and awareness of treatment in Scotland." Journal of Gambling Issues, no. 21 (June 1, 2008): 30. http://dx.doi.org/10.4309/jgi.2008.21.5.
Full textDavis, Leith. "From Fingal's Harp to Flora's Song: Scotland, Music and Romanticism." Wordsworth Circle 31, no. 2 (March 2000): 93–97. http://dx.doi.org/10.1086/twc24044184.
Full textGrant, Kevin. "Oran an Fheamnaidh – song of the seaweed gatherer: an archaeology of early 19th-century kelping." Scottish Archaeological Journal 41, no. 1 (March 2019): 63–85. http://dx.doi.org/10.3366/saj.2019.0107.
Full textMcKean, Thomas A. "Willie Mathieson and the Primary Audience for Traditional Song." Tautosakos darbai 55 (June 25, 2018): 36–59. http://dx.doi.org/10.51554/td.2018.28498.
Full textLyall, Scott. "Minor Modernisms: The Scottish Renaissance and the Translation of German-language Modernism." Modernist Cultures 14, no. 2 (May 2019): 213–35. http://dx.doi.org/10.3366/mod.2019.0251.
Full textDziennik, Matthew, and Micheal Newton. "Egypt, Empire, and the Gaelic Literary Imagination." International Review of Scottish Studies 43 (March 7, 2019): 1–40. http://dx.doi.org/10.21083/irss.v43i0.3912.
Full textLixa Victor Neves, Lucas, and Bruna Aparecida Gomes Coelho. "CULTURA E NACIONALISMO ESCOCÊS: THE CORRIES, DUAS CANÇÕES E SUAS QUESTÕES." História e Cultura 10, no. 2 (January 3, 2022): 399–417. http://dx.doi.org/10.18223/hiscult.v10i2.3474.
Full textConway, H., and R. T. Hutcheson. "Two Sons of Paisley and the Birth of Academic Pathology in Scotland." Scottish Medical Journal 46, no. 3 (June 2001): 89–91. http://dx.doi.org/10.1177/003693300104600309.
Full textToussaint, Benjamine. "“To exult and sing out” Stevenson’s Song and the Song of a Divergent Scotland: Ronald Frame’s The Lantern Bearers." Études écossaises, no. 15 (April 15, 2012): 11–28. http://dx.doi.org/10.4000/etudesecossaises.523.
Full textGukalova, N. V. "The Inglis language and the emergence of the Lowland Scotland literary tradition." Philology and Culture, no. 4 (December 29, 2023): 24–30. http://dx.doi.org/10.26907/2782-4756-2023-74-4-24-30.
Full textGraham, Michael F. "Conflict and Sacred Space in Reformation-Era Scotland." Albion 33, no. 3 (2001): 371–87. http://dx.doi.org/10.2307/4053196.
Full textHodgson, N. "The British Expedition of Septimius Severus." Britannia 45 (February 14, 2014): 31–51. http://dx.doi.org/10.1017/s0068113x1300055x.
Full textBawcutt, P. "A Song from the Complaynt of Scotland: 'My Hart is Leiuit on the Land'." Notes and Queries 49, no. 2 (June 1, 2002): 193–97. http://dx.doi.org/10.1093/nq/49.2.193.
Full textBawcutt, Priscilla. "A Song from the Complaynt of Scotland : ‘My Hart is Leiuit on the Land’." Notes and Queries 49, no. 2 (June 1, 2002): 193–97. http://dx.doi.org/10.1093/nq/490193.
Full textGroves, David. "‘Scotland's Guid Auld Channel Stane’: A Song by James Hogg." Notes and Queries 32, no. 3 (September 1, 1985): 343. http://dx.doi.org/10.1093/notesj/32.3.343.
Full textBanks, Iain, Paul R. J. Duffy, and Gavin MacGregor. "Archaeology of landscape change in south-west Scotland, 6000 BC–AD 1400." Scottish Archaeological Internet Reports, no. 32 (2008): 1–40. http://dx.doi.org/10.9750/issn.2056-7421.2008.32.1-40.
Full textDavis, Joanne. "Family Trees: Roots and Branches – The Dynasty and Legacy of the Reverend Tiyo Soga." Studies in World Christianity 21, no. 1 (April 2015): 20–37. http://dx.doi.org/10.3366/swc.2015.0103.
Full textEvans, Josie M. M., David McNaughton, Peter T. Donnan, and Thomas M. MacDonald. "Pharmacoepidemiological research at the Medicines Monitoring Unit, Scotland: data protection and confidentiality." Pharmacoepidemiology and Drug Safety 10, no. 7 (November 29, 2001): 669–73. http://dx.doi.org/10.1002/pds.644.
Full textJenkins, D., and A. Watson. "Dates of first arrival and song of birds during 1974–99 in mid-Deeside, Scotland." Bird Study 47, no. 2 (July 2000): 249–51. http://dx.doi.org/10.1080/00063650009461183.
Full textCooke, Peter. "Gaelic Songs of Scotland: Women at Work in the Western Isles. 2006. The Alan Lomax Collection. Rounder 11661-1785-2. Recorded by Alan Lomax. Annotated by Margaret Bennett. Collection produced by Anna Lomax Wood and Jeffrey A. Greenberg. 36 pp. of notes in English (including song texts in Gaelic with English translations). 9 b/w photographs. 11-item bibliography. 1 compact disc, 38 tracks (65:33). Original field recordings made in 1951." Yearbook for Traditional Music 39 (2007): 199–200. http://dx.doi.org/10.1017/s0740155800006998.
Full textNelson, C. "Tea-table miscellanies. The development of Scotland's song culture, 1720-1800." Early Music 28, no. 4 (November 1, 2000): 596–618. http://dx.doi.org/10.1093/em/28.4.596.
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