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Books on the topic 'Songs of Egypt'

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Author: Grafiati
Published: 27 July 2024
Last updated: 28 July 2024

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1

McDowell, A. G. Village life in ancient Egypt: Laundry lists and love songs. New York: Oxford University Press, 1999.

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2

Nancy, Shayne, ed. Through heaven's eyes: The Prince of Egypt in story and song. New York: Dutton Children's Books, 1998.

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3

al-Mūsīqá, Dār al-Kutub al-Qawmīyah (Egypt) Qism. Fihris al-mūsīqá wa-al-ghināʾ al-ʻArabī al-qadīm al-musajjalah ʻalá isṭiwānat. [Cairo]: al-Hayʾah, 1991.

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4

al-Mūsīqá, Dār al-Kutub al-Qawmīyah (Egypt) Qism. Fihris al-mūsīqá wa-al-ghināʼ al-ʻArabī al-qadīm al-musajjalah ʻalá isṭiwānat. [Cairo: al-Hayʼah al-Miṣrīyah al-ʻĀmmah lil-Kitāb], 1991.

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5

Waugh, Earle H. The Munshidīn of Egypt: Their world and their song. Columbia, S.C: University of South Carolina Press, 1989.

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6

Rose, John. The sons of Re: Cartouches of the kings of Egypt. Warrington: Rose-Technology, 1985.

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7

The sons of Re: Cartouches of the kings of Egypt. Croft, Warrington, Cheshire: JR-T, 1985.

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8

McCaughrean, Geraldine. Casting the gods adrift: A tale of ancient Egypt. Chicago: Cricket Books, 2002.

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9

Zuhur, Sherifa. Asmahan's secrets: Woman, war, and song. London: Saqi, 2001.

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10

artist, Smith Alison, ed. Song of Siwa: The Marzuk-Iskander Festival : Siwa Oasis, Western Desert, Arab Republic of Egypt. Bloomington, Ind.]: Xlibris LLC, 2013.

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11

Ray, Brenda. The midwife's song: A story of Moses' birth. Waterville, Me: Thorndike Press, 2005.

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12

Rubalcaba, Jill. A place in the sun. New York: Scholastic, 2002.

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13

ill, De Marcken Gail, ed. Clever Ali. New York: Orchard Books, 2006.

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14

Williams, Mark London. Ancient fire. Cambridge, Mass: Candlewick Press, 2004.

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15

Williams, Mark London. Ancient fire. Berkeley, CA: Tricycle Press, 2001.

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16

Matar, Hisham. Anatomy of a disappearance. Rearsby: Clipper Large Print, 2012.

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17

Anatomy of a disappearance. Toronto: Penguin Group (Canada), 2011.

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18

Anatomy of a disappearance. London: Viking, 2011.

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19

Folk Songs of Egypt. Lulu Press, Inc., 2012.

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20

Rasheed, Hassan. Folk Songs of Egypt 2. Lulu Press, Inc., 2013.

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21

Desert Songs: A Woman Explorer in Egypt and Sudan. American University in Cairo Press, 2009.

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22

Village Life in Ancient Egypt: Laundry Lists and Love Songs. Oxford University Press, USA, 2002.

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23

McDowell, A. G. Village Life in Ancient Egypt: Laundry Lists and Love Songs. Oxford University Press, 1999.

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24

Schwartz, Stephen. Through Heaven's Eyes: Prince of Egypt. Nelson Incorporated, Thomas, 1998.

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25

Danielson, Virginia. "The Voice of Egypt": Umm Kulthum, Arabic Song, and Egyptian Society in the Twentieth Century (Chicago Studies in Ethnomusicology). University Of Chicago Press, 1998.

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26

Danielson, Virginia. "The Voice of Egypt": Umm Kulthum, Arabic Song, and Egyptian Society in the Twentieth Century (Chicago Studies in Ethnomusicology). University Of Chicago Press, 1998.

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27

Danielson, Virginia. Voice of Egypt: Umm Kulthum, Arabic Song, and Egyptian Society in the Twentieth Century. University of Chicago Press, 2008.

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28

The voice of Egypt: Umm Kulthūm, Arabic song, and Egyptian society in the twentieth century. Chicago: University of Chicago Press, 1997.

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29

The voice of Egypt: Umm Kulthūm, Arabic song, and Egyptian society in the twentieth century. Cairo: American University in Cairo Press, 1997.

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30

Czerniak, Ruth. Two Sons From Egypt. URLink Print & Media, 2020.

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31

Czerniak, Ruth. Two Sons from Egypt. URLink Print & Media, 2020.

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32

Murray, G. W. Sons of Ishmael (RLE Egypt). Routledge, 2013. http://dx.doi.org/10.4324/9780203070352.

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33

Taiz, Lincoln, and Lee Taiz. Sacred Trees and Enclosed Gardens. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190490263.003.0005.

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“Sacred Trees and Enclosed gardens” discusses myths, poetry and art in ancient Babylonia, Egypt and the Levant as they relate to sex in plants. By the second millennium BCE, Babylonians had recognized dioecism in date palms and had established laws governing the practice of artificial pollination, but this recognition was never extended to plants in general. Instead, agricultural abundance came to be identified with the sexuality of powerful goddesses. Date symbolism suggesting the method of artificial pollination is evident in the jewelry of Queen Puabi of Ur. The Warka Vase, illustrating the agricultural food chain, culminates with representations of Inanna and the king whose sacred marriage ritual insures the prosperity of the kingdom. Egyptian tree goddesses were widely represented. The erotic poetry of Mesopotamian agricultural rituals persists in Egyptian love poetry, and continues in the Biblical “Song of Songs”. In the Bible, the vegetation goddess Asherah is mentioned forty times.
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34

Dell, Katharine J. The Solomonic Corpus of 'Wisdom' and Its Influence. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198861560.001.0001.

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Solomon is the figurehead who holds the family of ‘wisdom’ texts together. I argue that Proverbs and Ecclesiastes forms the core of the ‘Solomonic wisdom corpus’, with the Song of Songs as a close relative, but Job at one remove. These three contain attributions to him and demonstrate key ‘wisdom’ connections. Solomon is also portrayed as an idealized character in the narratives about him in 2 Sam 24-1 Kings 11. He is the embodiment of wisdom, thus linking the narrative portrayal and canonical memory of his significance. His connections with Egypt and Sheba shed light on how Solomon gained his reputation for wisdom, as do the roles in his court for scribes, sages and seers. Formative wisdom themes, notably that of God as creator, characterize the book of Proverbs and influenced ‘wisdom psalms’, and the prophets Isaiah and Jeremiah, texts which also share links to wisdom ideas and contexts, with criticism of ‘the wise’ as a key concern. I then introduce an intertextual method to open up fresh possibilities of ranging together different texts alongside the Solomonic corpus, without the constraints of probing literary or historical linkages: Ruth is considered with Proverbs, Genesis 1–11 with Ecclesiastes, and the wider theme of gardens and water in the Hebrew Bible with the Song of Songs. While Solomon probably had very little to do with such readerly text-play, my argument in this book is that he is the lynch-pin that holds ‘wisdom’ in its core texts and wider family together.
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35

Sons of Ishmael. Routledge, 2013.

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36

Said, Mekkawi, and Adam Talib. Cairo Swan Song. American University in Cairo Press, 2010.

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37

Said, Mekkawi, and Adam Talib. Cairo Swan Song. American University in Cairo Press, 2009.

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38

Said, Mekkawi, and Adam Talib. Cairo Swan Song. American University in Cairo Press, 2019.

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39

Said, Mekkawi, and Adam Talib. Cairo Swan Song. American University in Cairo Press, 2016.

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40

Said, Mekkawi, and Adam Talib. Cairo Swan Song. American University in Cairo Press, 2009.

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41

Davies, Suzy. Amazing Egyptians: A Fact Filled History Song by Suzy Davies. Bloomsbury Publishing Plc, 2005.

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42

Murray, G. W. Sons of Ishmael: A Study of the Egyptian Bedouin. Taylor & Francis Group, 2013.

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43

Murray, G. W. Sons of Ishmael: A Study of the Egyptian Bedouin. Taylor & Francis Group, 2013.

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44

Hammond, Andrew. Pop Culture in North Africa and the Middle East. ABC-CLIO, LLC, 2017. http://dx.doi.org/10.5040/9798400698972.

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Ideal for students and general readers, this single-volume work serves as a ready-reference guide to pop culture in countries in North Africa and the Middle East, covering subjects ranging from the latest young adult book craze in Egypt to the hottest movies in Saudi Arabia. Part of the new Pop Culture around the World series, this volume focuses on countries in North Africa and the Middle East, including Algeria, Egypt, Iran, Iraq, Israel, Jordan, Kuwait, Lebanon, Libya, Morocco, Saudi Arabia, Syria, the United Arab Emirates, and more. The book enables students to examine the stars, idols, and fads of other countries and provides them with an understanding of the globalization of pop culture. An introduction provides readers with important contextual information about pop culture in North Africa and the Middle East, such as how the United States has influenced movies, music, and the Internet; how Islamic traditions may clash with certain aspects of pop culture; and how pop culture has come to be over the years. Readers will learn about a breadth of topics, including music, contemporary literature, movies, television and radio, the Internet, sports, video games, and fashion. There are also entries examining topics like key musicians, songs, books, actors and actresses, movies and television shows, popular websites, top athletes, games, and clothing fads and designers, allowing readers to gain a broad understanding of each topic, supported by specific examples. An ideal resource for students, the book provides Further Readings at the end of each entry; sidebars that appear throughout the text, providing additional anecdotal information; appendices of Top Tens that look at the top-10 songs, movies, books, and much more in the region; and a bibliography.
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45

Murray, G. W. Sons of Ishmael: A Study of the Egyptian Bedouin. Taylor & Francis Group, 2018.

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46

Sons of Ishmael: A Study of the Egyptian Bedouin. Taylor & Francis Group, 2012.

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47

Smith, R. S. Two Sons From Egypt: The Story of Thutmose III and Moses. AuthorHouse, 2006.

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48

Leuchter, Mark. Egypt, Land, and the Patron Deity in Emergent Israel. Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780190665098.003.0002.

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Emergent Israel’s position in the central Canaanite and Transjordanian highlands can be traced to an earlier culture of conflict between Egyptian forces and a precursor group identified in the Merneptah stele as “Israel” in the last decade of the thirteenth century BCE. This community eventually gave rise to Iron Age Israel, an agrarian population characterized by the leadership of chieftains who conceived of their patron deity (a form of the Canaanite El) as their own divine kinsman, protecting their settlements against threats from Egypt and pro-Egyptian Canaanite regents. The Song of the Sea (Exod 15:1b–18) bears early witness to the myth of group identity forged through these experiences, where Israel’s deity clears the sacred landscape of the Egyptian foe and then plants his people therein. This reflects the foundations upon which the Levites would come to build their own nascent ideology in subsequent decades.
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49

Dillery, John D. Clio's Other Sons: Berossus and Manetho. University of Michigan Press, 2015.

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50

Bowen, A. J. Aeschylus: Suppliant Women. Liverpool University Press, 2013. http://dx.doi.org/10.3828/liverpool/9781908343789.001.0001.

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Aeschylus starts his tetralogy boldly, making the Danaids themselves prologue, chorus and protagonist. Guided by their father Danaus, these girls have fled from Egypt, where their cousins want to marry them, to seek asylum in Argos: they claim descent from Io, who was driven to Egypt five generations earlier when Zeus' love for her was detected by jealous Hera. In the long first movement of the play, the Danaids argue their claim, pressing it with song and dance of pathos and power, upon the reluctant Argive king. He, forced eventually by their threat of suicide, puts the case to his people, who vote to accept the girls, but while they sing blessings on Argos, Danaus spies their cousins' ships arriving. Left on their own when he goes for help, they sing more seriously of suicide, and seek sanctuary upstage when the Egyptians enter. A remarkable tussle of two choruses ensues; in the nick of time the king arrives, sees off the Egyptians (but they promise a return) and offers his hospitality. The girls want their father, however, and go when guided by him and his escort of Argive soldiers. Their final song has elements of wedding song in it; they share it, provocatively, with the Argives. The rest of the tetralogy is lost, but enough is known to indicate that marriage is the theme. Aeschylus probably surprised his first audience in his use of the myth; his command of theatre and poetry is fully mature.
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