Academic literature on the topic 'Songs'
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Journal articles on the topic "Songs"
Petrinovich, Lewis. "Individual Stability, Local Variability and the Cultural Transmission of Song in White-Crowned Sparrows (Zonotrichia Leucophrys Nuttalli)." Behaviour 107, no. 3-4 (1988): 208–40. http://dx.doi.org/10.1163/156853988x00359.
Full textWafa, Mochammad Usman, Neli Purwani, and Abdul Malik. "Characteristics of Titounis Children Songs: A Study of Songs, Music Instruments and Onomatopoeia." Harmonia: Journal of Arts Research and Education 20, no. 2 (December 27, 2020): 161–66. http://dx.doi.org/10.15294/harmonia.v20i2.25539.
Full textKennelly, Tim, and Paul D. Berger. "HOW LOUDNESS, SONG NEGATIVITY AND PLAYLIST PERSONALIZATION CAN INCREASE SPOTIFY’S CUSTOMER RETENTION." EPH - International Journal of Business & Management Science 4, no. 1 (March 27, 2018): 23–31. http://dx.doi.org/10.53555/eijbms.v4i1.63.
Full textR, Jaisankar. "Psychoanalytical Approach in Kuruntokai." International Research Journal of Tamil 4, S-18 (December 8, 2022): 188–93. http://dx.doi.org/10.34256/irjt224s1824.
Full textNavin Kamuni. "Enhancing Music Genre Classification through Multi-Algorithm Analysis and User-Friendly Visualization." Journal of Electrical Systems 20, no. 6s (April 29, 2024): 2274–81. http://dx.doi.org/10.52783/jes.3178.
Full textStephenson, Jean. "“Quizás, quizás, quizás”. Translators’ dilemmas and solutions when translating spanish songs into english." DEDiCA Revista de Educação e Humanidades (dreh), no. 6 (March 1, 2013): 139–51. http://dx.doi.org/10.30827/dreh.v0i6.6968.
Full textDong, Aoran, Ruizhe Qiu, and Zhen Ye. "Regression Analysis of Song Popularity based on Ridge, K-Nearest Neighbors and Multiple-Layers Neural Networks." Highlights in Science, Engineering and Technology 39 (April 1, 2023): 609–17. http://dx.doi.org/10.54097/hset.v39i.6602.
Full textPark, Young Shin, Hyunjin Moon, and Yunhee Seung. "A Study on the Aspects of Children's Song Festival Winning Songs Included in Elementary School Music Textbooks." Korean Association For Learner-Centered Curriculum And Instruction 22, no. 19 (October 15, 2022): 533–50. http://dx.doi.org/10.22251/jlcci.2022.22.19.533.
Full textLennox, Stephen J. "Song of Songs." Bulletin for Biblical Research 22, no. 3 (January 1, 2012): 428–29. http://dx.doi.org/10.2307/26424583.
Full textNakano, Tomoyasu, Kazuyoshi Yoshii, and Masataka Goto. "Musical Similarity and Commonness Estimation Based on Probabilistic Generative Models of Musical Elements." International Journal of Semantic Computing 10, no. 01 (March 2016): 27–52. http://dx.doi.org/10.1142/s1793351x1640002x.
Full textDissertations / Theses on the topic "Songs"
Junkermann, Penelope Robin. "The relationship between Targum Song of Songs and Midrash Rabbah Song of Songs." Thesis, University of Manchester, 2011. https://www.research.manchester.ac.uk/portal/en/theses/the-relationship-between-targum-song-of-songs-and-midrash-rabbah-song-of-songs(d9749f55-93cb-4b58-b235-36d5a0f9a697).html.
Full textRostig, Grace. "Ambiguity in the Song of Songs." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2000. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp01/MQ47791.pdf.
Full textMunro, Jill M. "The imagery of the 'Song of Songs'." Thesis, University of Edinburgh, 1992. http://hdl.handle.net/1842/27082.
Full textClarke, Rosalind S. "Canonical interpretations of the Song of Songs." Thesis, University of Aberdeen, 2013. http://digitool.abdn.ac.uk:80/webclient/DeliveryManager?pid=203507.
Full textStewart, Andrew Philip. "Participant identity in the Song of songs." Online full text .pdf document, available to Fuller patrons only, 2003. http://www.tren.com.
Full textJuma, Dorcas Chebet. "Encountering the female voice in the Song of Songs : reading the Song of Songs for the dignity of Kenyan women." Thesis, Stellenbosch : Stellenbosch University, 2014. http://hdl.handle.net/10019.1/95821.
Full textENGLISH ABSTRACT: This study investigates one of the central aspects of a Kenyan woman’s identity, namely the notion of sexuality, which unfortunately also underlies numerous socio-economic and developmental challenges currently confronting Kenyan women. The research shows that in Kenya, patriarchal ideologies are used to control the sexuality of women in the name of ‘our culture’. Thus, it is and has been difficult for many Kenyan women to live with dignity as beings equally created in the image and likeness of God. The study, therefore, sought to identify, expose, criticize, destabilize and to deconstruct patriarchal ideologies that deny Kenyan women the right to live with dignity. Patriarchal ideologies that have been used to mute the voices of Kenyan women on matters of sex and sexuality are challenged by introducing the voices of Kenyan women. The latter is done with reference to poetry that reflects the voices and experiences of Kenyan women as a means of expressing who they really are in the midst of a society that silences them. It is shown that, by means of poetry, the full power and energy of these women may be mobilized. Moreover, the voices and experiences of Kenyan women offer a contextual re-reading of the Song of Songs for their dignity. The study presents the female voice in the Song of Songs (a text from a male pen) as responding in a new way to the patriarchal Old Testament society on matters of sex and sexuality. In the process, a twofold strategy is proposed with which negative perceptions of the sexuality of women in the worldview of Kenya may be addressed: First, this study proposes that it is important to purposefully steer conversations regarding issues of sex and sexuality. The latter is done in the conviction that this is one way of creating a platform for addressing other gender-based injustices that deny Kenyan women the right to live with dignity. Second, by focusing on Kenyan poetry, as well as on the female voice in the Song of Songs, there is a possibility of reconstructing positive aspects of the sexuality of Kenyan women, which may allow them to live with dignity. To achieve the aim of this study, to re-read the Song of Songs for the dignity of Kenyan women, an African Women’s Theological approach is used within the broader context of feminist and womanist approaches to the Song. Through an African Women’s approach to the Song of Songs, the study asks how the female voice that spoke boldly in the patriarchal setting of the Old Testament can also be liberating in the Kenyan patriarchal setting. The female voice in Song of Songs presents issues of sex and sexuality in a new way. As such, it is proposed that the latter voice, read through the hermeneutical lens of Kenyan women’s poetry or poetry on Kenyan women, has the potential to inform and therefore to transform the patriarchal setting of the Kenyan society. It is only if Kenyan women are empowered to negotiate safe sex and to express their sexuality on their own terms and conditions, that this will be fully realized.
AFRIKKANSE OPSOMMING: Hierdie studie ondersoek een van die sentrale aspekte van ’n Keniaanse vrou se identiteit, naamlik die idee van seksualiteit, wat ongelukkig ook onderliggend is aan talle sosio-ekonomiese en ontwikkelingsuitdagings wat Keniaanse vroue tans konfronteer. Die navorsing toon in Kenia word patriargale ideologieë gebruik om die seksualiteit van vroue te beheer in die naam van ‘ons kultuur’. Dit is dus moeilik vir baie Keniaanse vroue om met waardigheid te leef as gelyk-geskape na die beeld en gelykenis van God. Hierdie studie poog om patriargale ideologieë wat Keniaanse vrouens die reg om met waardigheid te leef ontneem te identifiseer, te kritiseer, te destabiliseer en te dekonstrueer. Die studie daag patriargale ideologieë uit wat gebruik is en word om die stemme van Keniaanse vrouens oor seks en seksualiteit stil te maak. Dit word spesifiek gedoen deur die stemme en ervarings van Keniaanse vrouens in poësie te gebruik (soms in die gedigte van manlike digters!) as uitdrukking van hulle lewens te midde van ”’n patriargale samelewing. Dit word getoon hoedat hiedie gedigte die krag en energie van hierdie vroue kan mobiliseer. Meer nog, die stemme van Keniaanse vrouens bied die geleentheid tot ’n kontekstuele herlees van Hooglied met die oog op die erkening en beskerming van hulle waardigheid. Die vroulike stem in Hooglied word verstaan as ’n nuwe reaksie op die Ou Testamentiese samelewing met betrekking tot kwessies soos seks en seksualiteit. In die proses word daar met ’n tweeledige strategie voorendag gekom waarmee die negatiewe opvattings oor die seksualiteit van vroue in die wêreldbeeld van Keniaanse mans aangespreek kan word. Eerstens word die noodsaak voorgestel van ’n doelbewuste rigtinggewing aan gesprekke oor seks en seksualiteit. Dit word gedoen vanuit die oortuiging dat dit een manier is om ’n platform te skep waar gelsagsgebasseerde ongeregtighede wat Keniaanse vroue die reg op ’n menswaardige lewe ontsê aangespreek kan word. Tweedens, deur op Keniaanse poësie en die vroulike stem in Hooglied te fokus, word voorgestel dat dat posititewe aspekte van die seksualiteit van Keniaanse vroue herkonstrueer kan word, wat dan kan meewerk om hulle met waardigheid te kan laat leef. Ten einde bogenoemde doelwit van hierdie studie te bereik, word ’n Afrika-vrouebenadering toegepas in die lees van Hooglied. Dit vind plaas binne ’n breër konteks van Feministiese en sogenaamde “Womanist” benaderings tot die boek. Met ’n Afrika vroue benadering as leesstrategie, word aangedui dat en hoe die vroulike stem wat vreesloos in haar eie patriargale, Ou Testamentiese konteks spreek ook bevrydend kan funksioneer binne die Keniaanse patriargale konteks. Daar word dus getoon dat die vroulike stem in Hooglied seks en seksualiteit op ’n nuwe manier aanbied. Gevolglik stel hierdie studie voor dat die vroulike stem in Hooglied, gelees deur die hermeneutiese lens van Keniaanse gedigte oor of deur vroue, die potensiaal het om die patriargale konteks van die Keniaanse samelewing eendersyds te ontbloot en andersyds te transformeer. Dit is slegs wanneer Keniaanse vroue bemagtig word om vir veilige seks te kan onderhandel en hulle seksualiteit op hulle eie terme uit te kan druk, dat hulle menswaardigheid ten volle gerealiseer sal word.
Gault, Brian P. "The adjuration repetend in the Song of songs." Theological Research Exchange Network (TREN) Access this title online, 2005. http://www.tren.com.
Full textBaxter, Brian A. "An exegesis of Song of Songs 2:15." Theological Research Exchange Network (TREN), 2007. http://www.tren.com/search.cfm?p001-1168.
Full textBlack, Fiona Catherine. "The grotesque body in the Song of Songs." Thesis, University of Sheffield, 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.311696.
Full textHuber, Daniel A. "The rhetorical structure of the Song of Songs." Online full text .pdf document, available to Fuller patrons only, 2001. http://www.tren.com.
Full textBooks on the topic "Songs"
Jeanne Marie Bouvier de La Motte Guyon. Song of songs. New Kensington, PA: Whitaker House, 1997.
Find full textHughesdon, Beverley. Song of Songs. London: Century, 1988.
Find full textGalle, Rita. Song of Songs. Woodmere, N.Y: Pardes Rimonim Press, 1990.
Find full text1958-, House Paul R., ed. Song of songs. Nashville: Thomas Nelson Publishers, 2004.
Find full textClairvaux, Bernard of. Song of Songs I. Edited by Kilian Walsh OCSO. Piscataway, NJ, USA: Gorgias Press, 2010. http://dx.doi.org/10.31826/9781463218218.
Full textBicknell, Jeanette, and John Andrew Fisher. Song, songs, and singing. Malden, MA: John Wiley & Sons, 2013.
Find full textKeel, Othmar. The Song of songs. Minneapolis: Fortress Press, 1994.
Find full textHarold, Bloom, ed. The Song of songs. New York: Chelsea House Publishers, 1988.
Find full textMoore, David George. Ecclesiastes, Song of Songs. Edited by Akin Daniel L. 1957- and Anders Max E. 1947-. Nashville, Tenn: Broadman & Holman, 2003.
Find full textNyeta, Paul, and Terry Borchard. Ipili songo tupa: Ipili Songs. Wabag, Enga Province, Papua New Guinea: GLC, 1999.
Find full textBook chapters on the topic "Songs"
del Rosario, Ingeborg. "Song of Songs." In Encyclopedia of Psychology and Religion, 2226–27. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-24348-7_790.
Full textRothenberg, Naftali. "Song of Songs." In Rabbi Akiva's Philosophy of Love, 91–110. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-58142-2_5.
Full textRosario, Ingeborg. "Song of Songs." In Encyclopedia of Psychology and Religion, 1684–85. Boston, MA: Springer US, 2014. http://dx.doi.org/10.1007/978-1-4614-6086-2_790.
Full textCyrous, Sam, Carol L. Schnabl Schweitzer, Stacey Enslow, Paul Larson, Rod Blackhirst, Morgan Stebbins, Erel Shalit, et al. "Song of Songs." In Encyclopedia of Psychology and Religion, 861–62. Boston, MA: Springer US, 2010. http://dx.doi.org/10.1007/978-0-387-71802-6_790.
Full textWestbrook, Deeanne. "Wordsworth’s Song of Songs." In Wordsworth's Biblical Ghosts, 123–43. New York: Palgrave Macmillan US, 2001. http://dx.doi.org/10.1057/9780312299330_6.
Full textAstell, Ann W., and Catherine Rose Cavadini. "The Song of Songs." In The Wiley-Blackwell Companion to Christian Mysticism, 25–40. Chichester, UK: John Wiley & Sons, Ltd, 2012. http://dx.doi.org/10.1002/9781118232729.ch2.
Full textAstell, Ann W., and Catherine Rose Cavadini. "The Song of Songs." In The Wiley-Blackwell Companion to Christian Mysticism, 25–40. Chichester, UK: John Wiley & Sons, Ltd, 2013. http://dx.doi.org/10.1002/9781118232736.ch2.
Full textBlanc, Luis F. Girón. "Song of Songs in Song of Songs Rabbah." In Encyclopaedia of Midrash, 857–70. BRILL, 1987. http://dx.doi.org/10.1163/9789004531352_018.
Full text"Song of Songs:." In Fierce, 89–95. 1517 Media, 2017. http://dx.doi.org/10.2307/j.ctt1gr7fb8.15.
Full text"Song of Songs." In Proverbs, Qoheleth and Song of Songs According to the Syriac Peshitta Version with English Translation, 1–30. Gorgias Press, 2022. http://dx.doi.org/10.31826/9781463239787-008.
Full textConference papers on the topic "Songs"
Silva, Mariana O., and Mirella M. Moro. "Collaboration-Aware Hit Song Analysis and Prediction." In Anais Estendidos do Simpósio Brasileiro de Sistemas Multimídia e Web. Sociedade Brasileira de Computação - SBC, 2021. http://dx.doi.org/10.5753/webmedia_estendido.2021.17603.
Full textĆalić, Maja R., and Jelena R. Grkić Ginić. "Odlike i funkcionalnost pesama u udžbenicima za muzičku kulturu za treći razred osnovne škole." In Nauka i obrazovanje – izazovi i perspektive. University of Kragujevac, Faculty of Edaucatin in Uzice, 2022. http://dx.doi.org/10.46793/noip.415c.
Full textShan, Yong, Jinchao Zhang, Huiying Ren, Yao Qiu, and Jie Zhou. "LingGe: An Automatic Ancient Chinese Poem-to-Song Generation System." In Thirty-Second International Joint Conference on Artificial Intelligence {IJCAI-23}. California: International Joint Conferences on Artificial Intelligence Organization, 2023. http://dx.doi.org/10.24963/ijcai.2023/842.
Full textYu, Zhesong, Xiaoshuo Xu, Xiaoou Chen, and Deshun Yang. "Temporal Pyramid Pooling Convolutional Neural Network for Cover Song Identification." In Twenty-Eighth International Joint Conference on Artificial Intelligence {IJCAI-19}. California: International Joint Conferences on Artificial Intelligence Organization, 2019. http://dx.doi.org/10.24963/ijcai.2019/673.
Full textFolorunso, S. O., O. O. Banjo, J. B. Awotunde, and F. E. Ayo. "Machine Learning Analysis of Music Based on Music Information Retrieval Tasks." In International Workshop on Social Impact of AI for Africa 2022. AIJR Publisher, 2024. http://dx.doi.org/10.21467/proceedings.157.3.
Full textYeganeh, Nashmin, Ivan Makarov, Snorri Steinn Stefánsson Thors, Hafliði Ásgeirsson, Árni Kristjánsson, and Rúnar Unnþórsson. "Vibrotactile Sleeve to Improve Music Enjoyment of Cochlear Implant Users." In ASME 2022 International Mechanical Engineering Congress and Exposition. American Society of Mechanical Engineers, 2022. http://dx.doi.org/10.1115/imece2022-95591.
Full textLiu, Tse. "The main directions of development of patriotic education of students by means of vocal art in the People's Republic of China." In Наука России: Цели и задачи. НЦ "LJournal", 2021. http://dx.doi.org/10.18411/sr-10-04-2021-69.
Full textStan, Alina-Lucia. "The land of the foresters, Hunedoara, a pillar area for ethnomusicological research." In Valorificarea și conservarea prin digitizare a colecțiilor de muzică academică și tradițională din Republica Moldova. Academy of Music, Theatre and Fine Arts, Republic of Moldova, 2023. http://dx.doi.org/10.55383/digimuz2023.16.
Full textLaitonjam, Nishma, Vineet Padmanabhan, Arun K. Pujari, and Rajendra Prasad Lal. "Topic Modelling for Songs." In 2015 International Conference on Information Technology (ICIT). IEEE, 2015. http://dx.doi.org/10.1109/icit.2015.47.
Full textPanëels, Sabrina, Fanny Le Morellec, and Margarita Anastassova. ""smiles, kids, happy songs!"." In CHI '14: CHI Conference on Human Factors in Computing Systems. New York, NY, USA: ACM, 2014. http://dx.doi.org/10.1145/2559206.2581308.
Full textReports on the topic "Songs"
A., Šeļa. Russian songs corpus 1800-1840ss. Institute of Russian Literature, Russian Academy of Science, 2020. http://dx.doi.org/10.31860/openlit-2019.11-c003.
Full textManhiça, Anésio, Alex Shankland, Kátia Taela, Euclides Gonçalves, Catija Maivasse, and Mariz Tadros. Alternative Expressions of Citizen Voices: The Protest Song and Popular Engagements with the Mozambican State. Institute of Development Studies (IDS), November 2020. http://dx.doi.org/10.19088/ids.2020.001.
Full textHadida, Avraham E. The Reflection of Israeli Society in Popular War Songs. Fort Belvoir, VA: Defense Technical Information Center, June 2015. http://dx.doi.org/10.21236/ad1012786.
Full textBerrian, Brenda F. Chestnut Women: French Caribbean Women Writers and Singers. Inter-American Development Bank, July 2001. http://dx.doi.org/10.18235/0007945.
Full textMizrach, Amos, Michal Mazor, Amots Hetzroni, Joseph Grinshpun, Richard Mankin, Dennis Shuman, Nancy Epsky, and Robert Heath. Male Song as a Tool for Trapping Female Medflies. United States Department of Agriculture, December 2002. http://dx.doi.org/10.32747/2002.7586535.bard.
Full textHaggett, Matthew. Songs and Stories that Only You Know: Multiplicity, Meaning, & the Metaphorical Bridge. Portland State University Library, January 2000. http://dx.doi.org/10.15760/etd.7067.
Full textHeynderickx, Haley. A Musical Analysis of the Past: America is in the Heart by Carlos Bulosan Re-told through the Craft of Folk Songs. Portland State University Library, January 2015. http://dx.doi.org/10.15760/honors.179.
Full textBentley-Gray, Daisy. Talanoa: Pushing Boundaries to Promote Pacific Ways of Being in Aotearoa New Zealand Tertiary Education. Unitec ePress, September 2023. http://dx.doi.org/10.34074/ocds.102.
Full textShaba, Varteen Hannah. Translating North-Eastern Neo-Aramaic Idioms into English. Institute of Development Studies, January 2023. http://dx.doi.org/10.19088/creid.2023.002.
Full textBerlanga, Cecilia, Emma Näslund-Hadley, Enrique Fernández García, and Juan Manuel Hernández Agramonte. Hybrid parental training to foster play-based early childhood development: experimental evidence from Mexico. Inter-American Development Bank, May 2023. http://dx.doi.org/10.18235/0004879.
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