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Journal articles on the topic 'Songlines'

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Published: 4 June 2021
Last updated: 19 February 2023

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1

Willbanks, Ray, and Bruce Chatwin. "Songlines." World Literature Today 62, no. 4 (1988): 724. http://dx.doi.org/10.2307/40144766.

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2

Greenhalgh, T. "Songlines." BMJ 324, no. 7353 (June 29, 2002): 1591a—1591. http://dx.doi.org/10.1136/bmj.324.7353.1591/a.

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3

MITCHELL, TONY. "AOTEAROA SONGLINES." Perfect Beat 8, no. 3 (October 4, 2015): 68–75. http://dx.doi.org/10.1558/prbt.v8i3.28701.

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4

Morphy, Howard. "Behind the Songlines." Anthropology Today 4, no. 5 (October 1988): 19. http://dx.doi.org/10.2307/3032752.

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5

Nicholls, Christine. "A Wild Roguery: Bruce Chatwin’s "The Songlines" Reconsidered." Text Matters, no. 9 (November 4, 2019): 22–49. http://dx.doi.org/10.18778/2083-2931.09.02.

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This article revisits, analyzes and critiques Bruce Chatwin’s 1987 bestseller, The Songlines, more than three decades after its publication. In Songlines, the book primarily responsible for his posthumous celebrity, Chatwin set out to explore the essence of Central and Western Desert Aboriginal Australians’ philosophical beliefs. For many readers globally, Songlines is regarded as a—if not the—definitive entry into the epistemological basis, religion, cosmology and lifeways of classical Western and Central Desert Aboriginal people. It is argued that Chatwin’s fuzzy, ill-defined use of the word-concept “songlines” has had the effect of generating more heat than light. Chatwin’s failure to recognize the economic imperative underpinning Australian desert people’s walking praxis is problematic: his own treks through foreign lands were underpropped by socioeconomic privilege. Chatwin’s ethnocentric idée fixe regarding the primacy of “walking” and “nomadism,” central to his Songlines thématique, well and truly preceded his visits to Central Australia. Walking, proclaimed Chatwin, is an elemental part of “Man’s” innate nature. It is argued that this unwavering, preconceived, essentialist belief was a self-serving construal justifying Chatwin’s own “nomadic” adventures of identity. Is it thus reasonable to regard Chatwin as a “rogue author,” an unreliable narrator? And if so, does this matter? Of greatest concern is the book’s continuing majority acceptance as a measured, accurate account of Aboriginal belief systems. With respect to Aboriginal desert people and the barely disguised individuals depicted in Songlines, is Chatwin’s book a “rogue text,” constituting an act of epistemic violence, consistent with Spivak’s usage of that term?
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6

Jasanoff, S. "The Songlines of Risk." Environmental Values 8, no. 2 (May 1, 1999): 135–52. http://dx.doi.org/10.3197/096327199129341761.

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7

Jones, Norman L. "Do We Need Guidelines or ‘Songlines’?" Canadian Respiratory Journal 8, no. 2 (2001): 65–66. http://dx.doi.org/10.1155/2001/237830.

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8

Byrne, Alex. "Trax4transition: Traversing the Songlines of a Career." ANZTLA EJournal, no. 9 (December 18, 2013): 32–39. http://dx.doi.org/10.31046/anztla.vi9.232.

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9

Leonard, Keith D., and Michael S. Harper. "Songlines in Michaeltree: New and Selected Poems." African American Review 36, no. 2 (2002): 342. http://dx.doi.org/10.2307/1512277.

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10

Galey-Sacks, Penelope. "Songlines and Entropy in Ron Silliman's Ketjak." Études anglaises 65, no. 2 (2012): 181. http://dx.doi.org/10.3917/etan.652.0181.

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11

Caulfield, Margaret, and Joy Norton. "ANZSJA's Songlines and Haerenga model of training." Journal of Analytical Psychology 53, no. 1 (January 16, 2008): 61–62. http://dx.doi.org/10.1111/j.1468-5922.2007.00702_1.x.

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12

Forbes, Dean. "Jambalaya and the songlines of New Orleans." Asian Studies Review 15, no. 2 (November 1991): 226–29. http://dx.doi.org/10.1080/03147539108712794.

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13

Judge, Anthony JN. "From information highways to songlines of the noosphere." Futures 30, no. 2-3 (March 1998): 181–87. http://dx.doi.org/10.1016/s0016-3287(98)00025-1.

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14

Malpass, Alice, James Dodd, Gene Feder, Jane Macnaughton, Arthur Rose, Oriana Walker, Tina Williams, and Havi Carel. "Disrupted breath, songlines of breathlessness: an interdisciplinary response." Medical Humanities 45, no. 3 (August 1, 2019): 294–303. http://dx.doi.org/10.1136/medhum-2018-011631.

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Health research is often bounded by disciplinary expertise. While cross-disciplinary collaborations are often forged, the analysis of data which draws on more than one discipline at the same time is underexplored. Life of Breath, a 5-year project funded by the Wellcome Trust to understand the clinical, historical and cultural phenomenology of the breath and breathlessness, brings together an interdisciplinary team, including medical humanities scholars, respiratory clinicians, medical anthropologists, medical historians, cultural theorists, artists and philosophers. While individual members of the Life of Breath team come together to share ongoing work, collaborate and learn from each other’s approach, we also had the ambition to explore the feasibility of integrating our approaches in a shared response to the same piece of textual data. In this article, we present our pluralistic, interdisciplinary analysis of an excerpt from a single cognitive interview transcript with a patient with chronic obstructive pulmonary disease. We discuss the variation in the responses and interpretations of the data, why research into breathlessness may particularly benefit from an interdisciplinary approach, and the wider implications of the findings for interdisciplinary research within health and medicine.
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15

RYAN, ROBIN. "TRACING THE URBAN SONGLINES Contemporary Koori Music in Melbourne." Perfect Beat 2, no. 1 (October 7, 2015): 20–37. http://dx.doi.org/10.1558/prbt.v2i1.28799.

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16

Clarke, Robert. "Star traveller: celebrity, Aboriginality and Bruce Chatwin'sThe Songlines(1987)." Postcolonial Studies 12, no. 2 (May 18, 2009): 229–46. http://dx.doi.org/10.1080/13688790902887197.

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17

Quintais, Luís. "Do canto: uma leitura de Songlines de Bruce Chatwin." Revista de História das Ideias 33 (2012): 47–55. http://dx.doi.org/10.14195/2183-8925_33_4.

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18

Johnson, Steve. "Singing Saltwater Country: Journey to the Songlines of Carpentaria." Australian Journal of Anthropology 22, no. 3 (December 2011): 432–33. http://dx.doi.org/10.1111/j.1757-6547.2011.00162.x.

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19

Featherstone, Kerry. "EVERYTHING FITTED INTO A SUITCASE: POSSESSIONS AND NOMADISM IN CHATWIN'STHE SONGLINES." Studies in Travel Writing 5, no. 1 (January 2001): 83–105. http://dx.doi.org/10.1080/13645145.2001.9634912.

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20

Montgomery-Andersen, Ruth, and Ina K. Borup. "Songlines and Touchstones: A study of perinatal health and culture in Greenland." AlterNative: An International Journal of Indigenous Peoples 9, no. 1 (March 2013): 87–101. http://dx.doi.org/10.1177/117718011300900107.

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21

Morrison, Glenn. "Walking, Frontier and Nation: Re/tracing the Songlines in Central Australian Literature." Journal of Intercultural Studies 40, no. 1 (December 23, 2018): 118–40. http://dx.doi.org/10.1080/07256868.2018.1552571.

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22

Curran, Georgia. "The Dynamics of Collaborative Research Relationships: Examples from the Warlpiri Songlines Project." Collaborative Anthropologies 6, no. 1 (2013): 353–72. http://dx.doi.org/10.1353/cla.2013.0016.

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23

Maud, Ralph. "The Egotistical Predicament: Parsing through Customs: Essays by a Freudian Folklorist ; The Songlines." Anthropology Humanism Quarterly 14, no. 2 (June 1989): 75–76. http://dx.doi.org/10.1525/ahu.1989.14.2.75.3.

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24

Perry, Lawrence, and Leanne Holt. "Searching for the Songlines of Aboriginal education and culture within Australian higher education." Australian Educational Researcher 45, no. 3 (January 11, 2018): 343–61. http://dx.doi.org/10.1007/s13384-017-0251-x.

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25

Wilson, Helen. "Review: Songlines to Satellites: Indigenous Communication in Australia, the South Pacific and Canada." Media International Australia 103, no. 1 (May 2002): 144–45. http://dx.doi.org/10.1177/1329878x0210300122.

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26

King, Lesley. "Editorial." Ata: Journal of Psychotherapy Aotearoa New Zealand 8, no. 1 (November 1, 2022): 3–4. http://dx.doi.org/10.9791/ajpanz.2002.01.

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In his book The Songlines (1988), Bruce Chatwin describes how as a young man he awoke one morning to find himself blind. Understandably he smartly sought a medical consultation. His consultant suggested that he had been en-grossed in examining paintings in fine detail for too long (he was an art expert at Sotheby's), and should take time to explore long horizons. His sight had returned by the time he reached the airport. I read about this in Australia's Northern Territory, a place of long and broad horizons. I was clearing my head, perhaps my vision, after a period of intense focus both within my practice and in our Association as a whole. Professions call for such a focus, and psychotherapy is no exception.
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27

Buchtmann, Lydia. "Digital Songlines: The Use of Modern Communication Technology by an Aboriginal Community in Remote Australia." Prometheus 18, no. 1 (March 2000): 59–74. http://dx.doi.org/10.1080/08109020050000663.

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28

Morland, Leigh. "Values added in speciality coffee." International Journal of Entrepreneurship and Innovation 19, no. 2 (March 7, 2018): 113–24. http://dx.doi.org/10.1177/1465750318761648.

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This conceptual article explores the notion of ‘values added’ in the emerging context of speciality coffee. Previous studies have not considered the impact of shared values across the sector, through the supply chain to coffee shops. It is proposed that shared values contribute to differentiation in speciality coffee, resulting in distinctive coffee products and coffee shop experiences. ‘Values added’ are explored through the Aboriginal meaning system of songlines. This represents a playful approach to contextual theorizing, providing a new way of identifying and understanding the transfer of shared values across the sector. Four categories of shared values are identified relating to: ‘ecology’, ‘journey’, ‘integration’ and ‘attention to detail’, which are used to inform a values-added conceptual framework. Finally, the study makes recommendations for further research within the context of speciality coffee, emphasizing the importance using and aligning theory to enhance the understanding of differentiation.
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29

Rossetto, Maurizio, Emilie J. Ens, Thijs Honings, Peter D. Wilson, Jia-Yee S. Yap, Oliver Costello, Erich R. Round, and Claire Bowern. "From Songlines to genomes: Prehistoric assisted migration of a rain forest tree by Australian Aboriginal people." PLOS ONE 12, no. 11 (November 8, 2017): e0186663. http://dx.doi.org/10.1371/journal.pone.0186663.

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30

Wenjun, Sun. "On the comparative study of N.V. Gogol's early prose and Pu Songling's short stories." World of Russian-speaking countries 2, no. 12 (2022): 73–88. http://dx.doi.org/10.20323/2658-7866-2022-2-12-73-88.

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The article provides a theoretical basis for a comparative study of N. V. Gogol's book Evenings on a Farm near Dikanka and Pu Songling's collection of short stories Descriptions of the Miraculous from Liao's Study, and also gives an example of such an analysis. To address these problems, the author undertakes a historical and theoretical review of the concept “typological connection” in comparative literary studies. There is a review of the main works of Russian and foreign researchers, as well as various theoretical concepts of comparative literary studies, which leads to the conclusion that the analysis of typological relations is not currently limited to the social context and involves a fundamental study of certain authors' poetics. The article demonstrates that comparing the poetics of N. V. Gogol and Pu Songling allows us to better understand the uniqueness and originality of their work. From this point of view, the typological study of their fantasy prose - Gogol's “Evenings on a Farm near Dikanka” and Pu Songling's “Descriptions of the Miraculous from Liao's Study” – seems quite relevant. The article concludes that the experience of comparative literary studies in examining genetically unrelated texts shows the possibility of comparing the works of Gogol and Pu Songling in terms of reflecting fantasy and folk demonology in their works. The prospect of studying this problem is illustrated by the analysis of two texts by these authors. The results suggest that the comparative poetics of Gogol and Pu Songling will allow a deeper understanding of both these authors' originality as well as that of Russian and Chinese literature.
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31

Norton, Joy. "Part Two: The development and implementation of the Australian and New Zealand Songlines and Haerenga training model." Journal of Analytical Psychology 53, no. 1 (January 16, 2008): 71–89. http://dx.doi.org/10.1111/j.1468-5922.2007.00702_3.x.

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32

Mulvaney, John. "Bruce Chatwin. The Songlines. 293 pages. 1987. London: Jonathan Cape; ISBN 0-224-02452-3 hardback £10.95." Antiquity 62, no. 234 (March 1988): 178–79. http://dx.doi.org/10.1017/s0003598x00073701.

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33

Porter, Eleanor. "Mother Earth and the Wandering Hero: Mapping Gender in Bruce Chatwin's The Songlines and Robyn Davidson's Tracks." Journal of Commonwealth Literature 32, no. 1 (March 1997): 35–46. http://dx.doi.org/10.1177/002198949703200104.

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34

Blanch, Faye. "YOUNG DARK EMU: A TRUER HISTORY; LITTLE BIRD’S DAY; COOEE MITTTIGAR: A STORY ON DARUG SONGLINES; BABY BUSINESS." TESOL in Context 29, no. 1 (December 30, 2020): 115–18. http://dx.doi.org/10.21153/tesol2020vol29no1art1440.

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YOUNG DARK EMU: A TRUER HISTORYPascoe, B.Magabala Books, 2019 LITTLE BIRD’S DAYMorgan, S. & Warrkatja Malibirr, J.Magabala Books, 2019 COOEE MITTTIGAR: A STORY ON DARUG SONGLINESSeymour, J. & Mulgo Watson, L.Magabala Books, 2019 BABY BUSINESSSeymour, J.Magabala Books, 2019
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35

Aykutalp, Aycin, John H. Wise, Marco Spaans, and Rowin Meijerink. "SONGLINES FROM DIRECT COLLAPSE SEED BLACK HOLES: EFFECTS OF X-RAYS ON BLACK HOLE GROWTH AND STELLAR POPULATIONS." Astrophysical Journal 797, no. 2 (December 8, 2014): 139. http://dx.doi.org/10.1088/0004-637x/797/2/139.

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36

Wang, Shengyu. "Pu Songling’s “Shibian” 尸變 and Vampiric Chases in the Chinese Tradition of Strange Narratives." T’oung Pao 108, no. 5-6 (November 10, 2022): 738–77. http://dx.doi.org/10.1163/15685322-10805005.

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Abstract “Shibian” is a famous seventeenth-century horror tale by Pu Songling that culminates in a terror-stricken traveler’s deadly pursuit by a reanimated corpse. This article explores the tale’s close connection to two groups of similar narratives about corpse reanimation, which the author designates as “Temple of Horror” anecdotes and “House of Death” accounts, respectively. Though recognizing “Shibian” as essentially a “House of Death” account, this article argues that a version of “Temple of Horror” also contributed narrative elements that were key to the intricacy and intense horror of Pu Songling’s tale.
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37

Storozhuk, Alexander G. "Pu Songling’s Short-Story “Pupils’ Talk”." Oriental Studies 20, no. 4 (2021): 135–44. http://dx.doi.org/10.25205/1818-7919-2021-20-4-135-144.

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The article covers the plot and translation peculiarities of the short-story by Pu Songling (蒲松齡, 1640–1715) “Pupils’ Talk”. The connection between Pu Songling’s ideas and tradition of Chinese popular medicine and Taoist concepts of soles and spirits of a human body is thoroughly analyzed; along with that the tradition of the story’s interpretation in Russian is also studied. The issue of special spirits inhabiting all organs and anatomical areas of a human has been thoroughly worked out in both parts of “Huang Di’s Inner Classic” as well as in “Huang ting Classic” and was a part of a common knowledge in traditional Chinese routine. Special medical treatises known as “Suishu” gave their own recipes of traditional medication combined with exorcism, and Pu Songling happened to be an author of such a treatise in two parts. Thus one has to admit that Pu Songling must be quite well acquainted with the tradition of Chinese folksy medicine based on the stated integrity of human physical organization with controlling spirits of each and every body-part. Therefore with the undeniable influence of Ming fiction on “Pupils’ Talk” one can’t help acknowledging that the descriptive means of expression as well as the chief idea of the story are authentic and independent. Taoist ideas about human anatomy and physiology can be met not only in this story, but in other pieces of the “Strange Tales from a Chinese Studio” (Liao Zhai zhi yi). Artistic peculiarities of the text as well as fundamentals of the translation are divisively demonstrated. A new variant of translation of the whole text is provided.
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38

Mellis, James. "“Miles Is a Mode; Coltrane Is, Power”: Notes on John Coltrane as Poetic Muse and Michael Harper’s “Alone” in Songlines in Michaeltree (2000)." Humanities 11, no. 5 (September 9, 2022): 115. http://dx.doi.org/10.3390/h11050115.

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This article looks at the ways jazz legend John Coltrane was a muse for many Black Arts era poets and proceeds to discuss how Michael Harper rendered Coltrane in his work, focusing on editorial changes between the 1970 and 2000 versions of Michael Harper’s poem, “Alone”. In it, the author argues that the change marks a revision of the centrality of Coltrane as Harper’s muse from his early to later career.
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39

Daly, Garry. "Mapping glider songlines: development of a landscape management policy for the Yellow-bellied GliderPetaurus australis(Shaw 1791) in the Eurobodalla Shire on the south coast of New South Wales." Australian Zoologist 33, no. 2 (December 2005): 180–87. http://dx.doi.org/10.7882/az.2005.014.

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40

Birch, Tony. "A Songline for Minoru." Cultural Studies Review 10, no. 2 (August 12, 2013): 9–10. http://dx.doi.org/10.5130/csr.v10i2.3468.

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41

Zhang, Guangying. "Study on the Change Ruleof Soil Water in Land of Different Use Types in Taihang Mountain Area." E3S Web of Conferences 136 (2019): 07025. http://dx.doi.org/10.1051/e3sconf/201913607025.

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This paper first studies the vertical structure and soil physical properties of Songlin Plot and Huangshan Plot in Chongling Small Watershed. Then, based on a series of field experiments, this paper obtains the basic parameters and infiltration characteristics of soil water movement in two runoff Plots with different land use types. After that, this paper analyzes the seasonal variation, vertical spatial change and the response to precipitation of land with different use types based on the data monitored in the runoff Plots under natural rainfall conditions. The result shows that the changes of soil water at different depths of Songlin Plot and Huangshan Plot are basically the same and that the soil water supply is completely controlled by precipitation. The water storage capacity of Songlin Plot is stronger, while the soil moisture variation of Huangpo Plot is higher, which indicates that Songlin Plot is more stable in terms of soil moisture content and stronger in self-adjustment.
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42

TSO, Wing Bo Anna. "Repressed Sexual Modernity: A Case Study of Herbert Giles’ (1845 - 1935) Rendition of Pu Songling’s Strange Stories from a Chinese Studio (1880) in the late Qing." Acta Linguistica Asiatica 7, no. 2 (December 29, 2017): 9–18. http://dx.doi.org/10.4312/ala.7.2.9-18.

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Translation studies in English and Chinese has long been of great interest to academics. Yet, Chinese scholars who have translation training and linguistic expertise are often found to “give excessive attention to listing facts and probing linguistic matters, to the neglect of the cultural and contextual considerations that have given rise to translation in China in the first place” (Lin, 2002, p. 170). Much emphasis has been placed on translation strategies, while translation “in connection with power and patronage” (Lefereve, 1992, p. 10) is overlooked, leaving “existing ideology” or “existing poetics” (Lefereve, 1992, p. 10), such as gender unexplored. In light of this, this paper attempts to take the literary and cultural approach and focus on examining the gender ideologies in Pu Songling’s Strange Stories from a Chinese Studio (1740) and Herbert Giles’ English rendition (1880). By comparing the source and target texts, the paper reveals that in many of Pu Songling’s stories, spirit-freelove and sexual pleasure are celebrated. A witty parody of the imitative structures of gender can be found in Pu Songling’s “Painted Skin” too. Unfortunately, to a large extent, such transgressive gender views are repressed in Giles’ English rendition.
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43

Abdujabbor qizi, Khasanova Shakhzoda. "Lexical Properties Of Pu Songling Novels." American Journal of Social Science and Education Innovations 02, no. 07 (July 30, 2020): 331–35. http://dx.doi.org/10.37547/tajssei/volume02issue07-43.

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44

Zeitlin, Judith T. "Pu Songling shiji zhushu xinkao [A new investigation into Pu Songling's life and work]. By Yuan Shishuo. Jinan: Qilu chuban she, 1988. xvi, 432 pp. RMB 4.90." Journal of Asian Studies 48, no. 3 (August 1989): 608–9. http://dx.doi.org/10.2307/2058669.

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45

Ziyamukhamedov, J. "BUDDHIST AND TAOIST MOTIFS IN PU SUNGLING'S "LIAO JAI'S STORIES OF MIRACLES"." Builders Of The Future 02, no. 01 (May 1, 2022): 181–88. http://dx.doi.org/10.37547/builders-v2-i2-27.

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46

Zavidovskaia, Ekaterina A. "Illustrated Editions and Popular Woodblock Prints nianhua Featuring Short Stories by Pu Songling." Oriental Studies 19, no. 4 (2020): 94–107. http://dx.doi.org/10.25205/1818-7919-2020-19-4-94-107.

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The paper studies connections between the illustrated lithographic edition of Pu Songling’s 蒲松齡 (1640–1715) “Strange Stories from a Chinese Studio with annotations, poems, and illustrations” (詳註聊齋誌異圖詠Xiangzhu liaozhai zhiyi tuyong, 1886), a collection of illustrations by Shanghai publishing house Tongwenshuju 同文書局 and several popular woodblock prints 年畫 nianhua found in Russian collections (Peter the Great Museum of Ethnography and Anthropology of the Russian Academy of Sciences, State Hermitage, Geographic Society) in order to learn how Pu Songling’s stories circulated in the society of late Qing China, and the perception of literature written in classical language by the wider public. The conclusions are that the aforementioned illustrated lithographic edition may have prompted creation of woodblock prints based on Pu Songling’s stories, where nianhua artists borrowed poetic inscriptions and composition of the lithographic illustrations. The small amount of such prints in comparison with those illustrating classical Ming-Qing novels such as Romance of The Three Kingdoms 三國演義, Journey to the West 西遊記, Dream of the Red Chamber 紅樓夢 allows to suggest that novels remained the favourite among the literati, while illiterate consumers of popular prints could appreciate their auspicious meaning more than the story. The fact that majority of the discovered nianhua pictures were produced at the oldest and largest printing shops in Yangliqing 楊柳青 – Dai lianzeng 戴廉增 and Qi jianlong 齊健隆 famous for their fine artistic quality proves that their customer base was mostly comprised of wealthier and more literate public.
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47

Whyke, Thomas William, and Zhongli Yu. "Becoming-Woman in Pu Songling’s Strange Tales." Journal of Chinese Humanities 6, no. 1 (December 29, 2020): 92–113. http://dx.doi.org/10.1163/23521341-12340085.

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Abstract This article examines the animal–human erotic encounters in Pu Songling’s strange [zhiguai 志怪] tales, using Gilles Deleuze and Félix Guattari’s theories of becoming-woman and affect to think through several intersecting kinds of otherness, including the queer, the woman, the animal, and the strange. Zhiguai is a genre of writing that features ghosts, magical animal–human shapeshifting, dreams that intervene in reality, and other supernatural characters and events. The traditional scholarly approach to the zhiguai tales has been to understand queerkind in these tales as purely allegorical representations of humans and human society. This article approaches them from the perspective of their distinct supernatural qualities or the importance of hybrid human-animal bodies in the stories, as opposed to an anthropocentric reading of the zhiguai tales. It argues that the bodily transformations in the zhiguai tales are Deleuzian becoming-woman, which are sexually transgressive when eroticized queerkind bodies and desires queer the Confucian feminine norm of chaste women.
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48

Renes, Cornelis M. B. "Alexis Wright’s The Swan Book: Indigenous-Australian Swansong or Songline?" Humanities 10, no. 3 (July 15, 2021): 89. http://dx.doi.org/10.3390/h10030089.

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The Swan Book (pub. 2013) by the Indigenous-Australian author Alexis Wright is an eco-dystopian epic about the Indigenous people’s tough struggle to regain the environmental balance of the Australian continent and recover their former habitat. The book envisions a dire future in which all Australian flora and fauna—humans included—are under threat, suffering, displaced, and dying out as the result of Western colonization and its exploitative treatment of natural resources. The Swan Book goes beyond the geographical and epistemological scope of Wright’s previous two novels, Plains of Promise (pub. 1997) and Carpentaria (pub. 2006) to imagine what the Australian continent at large will look like under the ongoing pressure of the Western, exploitative production mode in a foreseeable future. The occupation of Aboriginal land in Australia’s Northern Territory since 2007 has allowed the federal government to intervene dramatically in what they term the dysfunctional remote Aboriginal communities; these are afflicted by transgenerational trauma, endemic domestic violence, alcoholism, and child sexual and substance abuse—in themselves the results of the marginal status of Indigeneity in Australian society—and continued control over valuable resources. This essay will discuss how Wright’s dystopian novel exemplifies an Indigenous turn to speculative fiction as a more successful way to address the trials and tribulations of Indigenous Australia and project a better future—an enabling songline rather than a disabling swansong.
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49

SCHIELE, Alexandre. "Pu Songling’s All Too Human Surreal Worlds: A Study of the Narrative Structure of Pu Songling’s Supernatural Stories." Comparative Literature: East & West 20, no. 1 (March 2014): 40–47. http://dx.doi.org/10.1080/25723618.2014.12015485.

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50

Barr, Allan. "Pu Songling and the Qing Examination System." Late Imperial China 7, no. 1 (1986): 87–111. http://dx.doi.org/10.1353/late.1986.0000.

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