Relevant bibliographies by topics / Song thrush

Academic literature on the topic 'Song thrush'

Author: Grafiati
Published: 4 June 2021
Last updated: 19 February 2022

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Journal articles on the topic "Song thrush"

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Whitney, Carl L., and Joan Miller. "Distribution and Variability of Song Types in the Wood Thrush." Behaviour 103, no. 1-3 (1987): 49–67. http://dx.doi.org/10.1163/156853987x00260.

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AbstractCompared to the song of other oscine species, wood thrush song shows little macro-geographical variation: 1) Most song types defined for a local population are widespread over the geographical range, 2) the relative abundances of different song types are similar in samples taken from different locations, and 3) a given song type is no more variable in structure over the geographical range than within a local population. Wood thrush song also shows little microgeographical variation. The degree of song type sharing does not vary as a function of the distance between males in a local population. Song remains stable over time in a local population, as indicated by a similarity in the relative abundances of song types in samples taken 14 years apart. Regarding the distribution of song types among repertoires, 1) Different combinations of song types within repertoires occur no more or less often than expected by chance, 2) different versions of a single song type are distributed at random among repertoires, 3) large repertoires do not contain a greater proportion of rare (unclassified) songs than small repertoires, and 4) rare songs are not clustered in the repertoires of certain individuals.
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Whitney, Carl L., and Joan Miller. "Song learning in the wood thrush." Canadian Journal of Zoology 65, no. 4 (April 1, 1987): 1038–42. http://dx.doi.org/10.1139/z87-165.

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A typical wood thrush (Hylocichla mustelina) song has three phrases. The first (A) is a series of low pitched sounds, the second (B) consists of loud flutelike notes, and the third (C) is usually a trill. Males have repertoires of two to eight different B phrases, which they use in different songs. In a previous study, males reared in isolation of adult song developed songs that were normal except for the structure of the B phrases. We tutored young males (at age 20–80 days) with recorded B phrases. The phrases were of four previously defined structural types, with four variants of each type, giving a total of 16 phrases. The variants of each type differed only in frequency (Hz). The objectives of the experiment were to determine (i) if wood thrushes copy the structure of B phrases that they hear as juveniles, and (ii) if they copy selectively in such a way as to develop repertoires of highly contrasting phrases. Results were obtained for five males. The B phrase repertoires developed by four subjects consisted entirely of phrases (N = 17) copied from the tutor tape. The repertoire of the fifth subject was of phrases (N = 4) that appeared not to be copied. The males that copied from the tutor tape showed no tendency to develop repertoires of highly contrasting B phrases. Three of the four males developed multiple versions of one or more phrase types, while ignoring other types, and in some cases these versions were very similar in frequency and other details of structure.
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Whitney, Carl L. "Serial order in wood thrush song." Animal Behaviour 33, no. 4 (November 1985): 1250–65. http://dx.doi.org/10.1016/s0003-3472(85)80185-8.

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Whitney, Carl L. "Geographical Variation in Wood Thrush Song." Behaviour 111, no. 1-4 (1989): 49–60. http://dx.doi.org/10.1163/156853989x00574.

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Sorjonen, Jorma. "Temporal and Spatial Differences in Traditions and Repertoires in the Song of the Thrush Nightingale (Luscinia Luscinia)." Behaviour 102, no. 3-4 (1987): 196–211. http://dx.doi.org/10.1163/156853986x00126.

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AbstractDifferences in the song repertoires of males and in the song-pools of the thrush nightingale populations were studied in 1972, 1983 and 1984 in southern Finland. Changes in male repertoires and in the song-pool of one population were monitored in 1972 and 1980-1985. The thrush nightingales in a local population had repertoires that were more similar to each other than to those of the males in other local populations. The similarity of the repertoires decreased with increasing distance, but there were no clear-cut dialect boundaries between local populations. The song repertoire of a male was more similar to that of the adjacent males than to his own repertoire of the previous year. The similarity of the repertoires of adjacent singers increased during the singing period. This similarity was partly due to the same song-types being used with about equal frequency, but obviously the males were also able to learn new songs from their adjacent singers. After dispersal to a breeding area thrush nightingales learn at least some new song-types, even at the age of two to four years. Some old breeders were able to copy new song-types from the immigrants (mostly young males) or the playback tape. The newly copied song-types were loud and simple in structure, whereas the song-types soon to be abandoned were weak in amplitude. In one population, studied from 1980 to 1985, the repertoires of the males tended to become more similar in successive years. This tendency, however, did not occur in 1984 when the proportion of immigrants in the population was unusually high. The major changes in local song traditions were due to "cultural diffusion" by males originating from areas with other traditions; this diffusion greatly enriched the local song-pool, especially in years when the rate of immigration was high.
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Ishizuka, Toru. "Song Structure, Song Repertoire and Individual Identification by Song of the Grey Thrush Turdus cardis." Journal of the Yamashina Institute for Ornithology 37, no. 2 (2006): 113–36. http://dx.doi.org/10.3312/jyio.37.113.

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Sorjonen, Jorma. "Song Structure and Singing Strategies in the Genus Luscinia in Different Habitats and Geographical Areas." Behaviour 98, no. 1-4 (1986): 274–85. http://dx.doi.org/10.1163/156853986x01008.

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AbstractThe structure of song and song propagation of studied populations of the Finnish thrush nightingale, the Mediterranean nightingale and the bluethroat (L. svecica) are in accordance with the prediction that birds living in less open habitat and usually singing inside the forest canopy, use more whistles and modulated elements and less trilled syllables (especially fast trills) in their songs than the species in more open habitats. However, the effects of the geographical location and other species in song communities are greater than that of habitat. The birds also seem to be able to improve their long distance communication easier by change in singing behaviour than by change in song-structure. The thrush nightingale males in the northern population improved detectability of their song by singing at midnight when most other species in the bird community are silent. At the same time the males increased song length and decreased intersong pauses, which increased their total vocalizing time and improved the receivers' possibility to detect their acoustic information. This strategy presumably improves rapid pair formation, which is important for long distance migrants in the northern latitudes with short favorable season for breeding and subsequent moulting.
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Lowe, Willoughby P. "The Song of the Thrush, Turdus ericetorum ericetorum Turton." Ibis 86, no. 3 (April 3, 2008): 410. http://dx.doi.org/10.1111/j.1474-919x.1944.tb04100.x.

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HIGGINS, R. McR. "TEMPERATURE-RELATED VARIATION IN THE DURATION OF MORNING SONG OF THE SONG THRUSH TURDUS ERICETORUM." Ibis 121, no. 3 (April 3, 2008): 333–36. http://dx.doi.org/10.1111/j.1474-919x.1979.tb06853.x.

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Sitko, Jiljí, and Petr Heneberg. "Emerging helminthiases of song thrush (Turdus philomelos) in Central Europe." Parasitology Research 119, no. 12 (October 8, 2020): 4123–34. http://dx.doi.org/10.1007/s00436-020-06911-0.

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Dissertations / Theses on the topic "Song thrush"

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Congdon, Nicola Maree. "Life-history traits and potential causes of clutch-size decline in the introduced song thrush (Turdus philomelos) in New Zealand." Thesis, University of Canterbury. School of Biological Sciences, 2010. http://hdl.handle.net/10092/3954.

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The song thrush (Turdus philomelos) was introduced to New Zealand from Britain during the mid 19th century and has become one of the most common terrestrial bird species in New Zealand. In this study, I surveyed a range of life-history traits in New Zealand song thrushes for comparison with traits of British thrushes. Clutch size, egg size and nest size have decreased, while the nestling period is shorter and the incubation period longer. This combination of changes suggests birds are investing less energy into each reproductive bout. Birds also appear unable to raise large broods, as nestling starvation is common in New Zealand, which suggests that food is limiting. I experimentally tested the ability of song thrushes to incubate enlarged clutches and broods, but productivity was not higher for enlarged broods and natural 3- and 4-egg clutches produced similar numbers of fledglings. Thus reduced clutch size may be an adaptation to the local environment. Differences in female incubation behaviour, with 3- and 4-egg clutches receiving higher levels of incubation and more visits per hour than 5-egg clutches, also suggest New Zealand thrushes have difficulty coping with clutches as large as those in Britain. The decrease in clutch size between New Zealand and Britain is in the direction and magnitude expected based on the change in latitude, which supports the hypothesis that factors affecting foraging time and food availability, such as daylength, temperature and rainfall, may be selecting for smaller clutches. Egg size was also found to have decreased in New Zealand, though this may be the result of smaller adult size. Hatchling mass was related to egg volume, but I found no effect of egg volume or clutch size on hatching success. However, nests containing more pointed eggs (i.e., abnormally-shaped eggs), had lower survival and hatching/fledgling success. Data from the national nest record database and my study both suggest that differences in song thrush productivity are the result of differential survival of nestlings. Nestling mortality due to starvation was common at Kowhai Bush, but rare in Britain, so either adult condition or food availability may be lowering reproductive success in New Zealand. High rates of nest failure (>65%) could also affect clutch size, but the strong directional selection imposed by food limitation during the nestling period suggests that increases in food supply would result in increased reproductive success even with the same levels of nest failure. When comparing clutch size throughout New Zealand, I found a significant, positive relationship with rainfall, which further suggests that food limitation may be the main factor driving changes in life-history traits of song thrushes in New Zealand.
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Watkins, Nigel G. "Ecological correlates of bird damage in a Canterbury vineyard." Lincoln University, 1999. http://hdl.handle.net/10182/508.

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Birds are a major pest in vineyards both in New Zealand and overseas. There is a need for new behavioural research on birds' foraging habits and feeding preferences in vineyards, as much of the literature to date is anecdotal. Research on cues to birds' feeding will provide a basis on which new deterrent and control strategies can be devised. Spatial-and temporal bird damage in a small vineyard block was mapped to find if damage was correlated with grape maturity and environmental factors. Vineyard and field observations of bird behaviour using video technology combined with preference experiments aimed to establish the relative roles of grape sugar concentration and colour in avian selection. Proximity of vineyards to bird roosts affects damage levels, regardless of differing maturity between locations. The rate of damage tends to increase exponentially once grape maturity has passed a threshold of 13 °Brix. Bunches positioned closest to the ground receive more damage if blackbirds or song thrushes are the predominant pests. Both sugar concentration and grape colour were found to affect birds' feeding preference, but the importance of the two factors varied between years. Black and green grape varieties were differentially preferred by blackbirds (Turdus merula) and song thrushes (Turdus philomelos) while silvereyes (Zosterops lateralis) appeared to have no strong colour preference. It was apparent that there were other, not assessed, grape factors that also affect selection. In small unprotected vineyards that are adjacent to bird roosts the entire grape crop can be taken by bird pests. Besides removing the roosts, which can be beneficial shelterbelts in regions exposed to high winds, growers currently may have no alternative other than to use exclusion netting to keep crops intact. The differential preferences between bird species for variety characteristics suggest that any new deterrents and other strategies to deflect birds from grape crops may need to be species-specific.
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Rådelius, Elias. "Songs of an epidemic : responding to HIV/AIDS through song, poetry and drama in Nakuru, Kenya." Thesis, Södertörns högskola, Institutionen för naturvetenskap, miljö och teknik, 2012. http://urn.kb.se/resolve?urn=urn:nbn:se:sh:diva-18248.

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This study examines the use of songs, poems and drama to raise awareness of, and respond to the HIV/AIDS epidemic in Nakuru, Kenya. The primary focus is that of youth-oriented interventions, but additional examples are also examined and analyzed. A qualitative approach is used and the study is based on semi-structured interviews with teachers, performers, students, NGO-representatives and former students conducted during four weeks in November and December 2012. Additionally, songs, poems and dramas have been collected and observed and finally analyzed using a theoretical framework that combines the Health Belief Model, the Social Cognitive Theory as well as principles of the research discipline of Medical Ethnomusicology. The study shows that songs, poems and drama are important methods to communicate messages and play an important role in shaping the local HIV/AIDS discourse. Due to its effectiveness, it is vital that the messages promoted are culturally appropriate as well as correct since the study shows that false information through these methods can hamper a desired behavior change.
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Rogers, Andrew D. "Calling sons to a life worth living a father and son study through Ecclesiastes." Theological Research Exchange Network (TREN), access this title online, 2006. http://dx.doi.org/10.2986/tren.091-0050.

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Rider, Gard Anna Elizabeth. "Pathways of love through song: the composer’s intention." Kansas State University, 2015. http://hdl.handle.net/2097/19142.

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Master of Music
Department of Music, Theatre, and Dance
Amy Underwood
The following report is extended program notes that focus on the expression of love in various ways. These songs were presented on a graduate recital March 31, 2015 in All Faiths Chapel at Kansas State University. It is in partial fulfillment of the requirements for the Master of Music degree in vocal performance. The works included are by Bellini, Bernstein, Hahn, Koechlin, Obradors, Saint-Saëns, Schumann, and Sullivan. Below is a detailed description explaining the focus of the report. Many musicians discuss the musical elements including key signatures, time signatures, harmony, rhythm, and melody. They may also discuss the understanding of the music through the viewpoint of the vocal text. The musical elements and how the subject matter connects the two together is important to understand when giving a recital. It makes the music come alive for the audience and it is a true interpretation of how it should be performed. Love is a topic which many composers explore because of the natural emotion people feel about its perception. Different feelings and emotions conjured in the hearts and minds of humankind. Love is a personal feeling, and after studying the poetry and music, I assigned an adjective or verb to each song that describes a more specific facet of love’s emotional spectrum. These adjectives and their portrayal by various composers will comprise the focus of this paper.
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Lyu, Sanggeol. "The considerations of interpretation through the function of imagery in the Song of Songs and its application to the current believing community." Lynchburg, Va. : Liberty University, 2001. http://digitalcommons.liberty.edu.

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Cherry-Reid, Katharine A. "Singing queer : archiving and constructing a lineage through song." Thesis, University of British Columbia, 2015. http://hdl.handle.net/2429/56285.

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Using an arts-based approach, this research examines how songs written by queer and lesbian musicians can account for and archive queer lived existence while constructing a musical genealogy for listeners and artists alike. By examining my own experience of listening to and attending performances of certain queer and lesbian identified musicians, and then composing and performing my own songs in public spaces, I make a case for the corporeal mobility of songs, and a process I have termed “queer musical lineaging.” Much of the research around music to date has centred on how it impacts and influences brain activity, and how it brings together subcultures and publics. The significance of this project lies in the research around musical processes and practices (listening, composing, performing) as corporeal acts that connect bodies to one another, and build kinships. This research draws mainly upon primary sources of autoethnographic, written accounts in the form of journal entries, stories, poems and song lyrics, and conducts an interpretive analysis of six “queer” songs, five composed by the author of this thesis, and one composed in collaboration with a trans* youth. This project will contribute to research on arts-based practices as archival work, as well as the impact that songs have on people’s lives by broadening our understanding of music’s corporeal effects and genealogical role in lived experience.
Arts, Faculty of
Gender, Race, Sexuality and Social Justice, Institute for
Graduate
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Prosch, Tina Marie. "Incorporating environmental education into the curriculum through the use of children's literature." CSUSB ScholarWorks, 1996. https://scholarworks.lib.csusb.edu/etd-project/1263.

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Bergvall, Sven. "Through the mirror : perspectives on brand heritage /." Stockholm : Skolan för industriell teknik och management, Kungliga Tekniska högskolan, 2009. http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-11651.

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Milligan, Karen Victoria. "Attachment and depression, communication and perception of emotion through song." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2000. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp03/MQ53472.pdf.

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Books on the topic "Song thrush"

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Song of the thrush. Yarrow: Weproductions, 1998.

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Chai, Qingfa. Hua mei niao zhi chuang. Taibei Shi: Shu xin chu ban she, 1986.

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Melde, Manfred. Die Singdrossel: Turdus philomelos. Wittenberg Lutherstadt: Ziemsen, 1991.

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The song of the wood thrush. Hazelwood, MO: Word Aflame Press, 2004.

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Sacred song of the hermit thrush: A Native American legend. Summertown, Tenn: Book Pub. Co., 1993.

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Dominic, Gloria. Song of the hermit thrush: An Iroquois legend. Vero Beach, Fla: The Rourke Corporation, 1996.

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Zhang, Hong. Chinese through song. Albany: State University of New York Press, 2011.

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Zhang, Hong. Chinese through song. Albany, NY: State University of New York Press, 2014.

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Liao, Yiwu. For a song and one hundred songs: A poet's journey through a Chinese prison. Boston: Houghton Mifflin Harcourt, 2013.

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Liao, Yiwu. For a song and one hundred songs: A poet's journey through a Chinese prison. Boston: Houghton Mifflin Harcourt, 2013.

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Book chapters on the topic "Song thrush"

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Baillie, Stephen R., Stephen P. Brooks, Ruth King, and Len Thomas. "Using a State-Space Model of the British Song Thrush Turdus philomelos Population to Diagnose the Causes of a Population Decline." In Modeling Demographic Processes In Marked Populations, 541–61. Boston, MA: Springer US, 2009. http://dx.doi.org/10.1007/978-0-387-78151-8_23.

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Griffith, Paul A. "Spiritual Adventure through Song." In Afro-Caribbean Poetry and Ritual, 135–57. New York: Palgrave Macmillan US, 2010. http://dx.doi.org/10.1057/9780230106529_7.

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Cocks, Geoffrey. "Fathers and sons." In History Flows through Us, 147–56. Abingdon, Oxon ; New York, NY : Routledge, 2018. |: Routledge, 2017. http://dx.doi.org/10.4324/9781315267173-11.

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Llewelyn, John. "The Responsibility of Saving the World Through Song." In The Middle Voice of Ecological Conscience, 146–73. London: Palgrave Macmillan UK, 1991. http://dx.doi.org/10.1007/978-1-349-21624-6_7.

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Teixeira, João Marcelo, Dicksson Almeida, Edvar Neto, and Veronica Teichrieb. "Improving Song Guessing Games Through Music Track Composition." In Design, User Experience, and Usability: Interactive Experience Design, 303–14. Cham: Springer International Publishing, 2015. http://dx.doi.org/10.1007/978-3-319-20889-3_29.

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Zervas, Theodore G. "Learning Informally Through Story, Song, and Children’s Shadow Theater." In Formal and Informal Education during the Rise of Greek Nationalism, 111–35. New York: Palgrave Macmillan US, 2016. http://dx.doi.org/10.1057/978-1-137-48415-4_5.

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Wallace, Mark I. "Song of the Wood Thrush." In When God Was a Bird, 20–49. Fordham University Press, 2018. http://dx.doi.org/10.5422/fordham/9780823281329.003.0002.

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Chapter 1 begins with the song of the wood thrush and then focuses on divine animals in the Bible. It examines the Gospels’ “pigeon God” in which the Spirit-bird alights on Jesus at the time of his baptism, signaling the unity of all things: divine life and birdlife, divinity and animality, spirit and flesh. And it argues that the Bible’s seeming prohibitions against animal deities is vitiated by Moses’ and Jesus’ ophidian shamanism that privileges snake-totemism as a source of salvation in Numbers and John, respectively. It examines intimations of “Christian animism”—the belief that all things, including so-called inanimate objects, are alive with sacred presence—in George E. “Tink” Taylor, Lynn White Jr., and the Martyrdom of Polycarp, a second-century CE avian spirit possession narrative. It concludes that insofar as the Spirit is ornithomorphic, it behooves us to care for the natural world as the site of God’s daily presence.
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"Chapter 1. Song of the Wood Thrush." In When God Was a Bird, 20–49. Fordham University Press, 2020. http://dx.doi.org/10.1515/9780823281343-003.

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Davis, Ellen F. "Job and the Song of Songs." In Opening Israel's Scriptures, 347. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780190260545.003.0035.

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These are books of impassioned dialogue and language that pushes the boundaries of intelligible religious speech. The book of Job does not treat God’s character or yield fresh thinking about theodicy. Rather, it is a book of wisdom theology (exploring the limits of human knowledge), of creation theology (considering the human place in the created order), and of mystical theology (exploring how character is transformed through suffering and, finally, through direct encounter with God). Options for interpreting the Song are now more contested than at any time since early in the Common Era. Origen’s approach is exemplary, with his lack of moralism and recognition of the Song’s poetics of relationality. Primarily through intertextual references, the Song uses the language of desire to evoke a longing that may include sexual desire and present ways to transcend it.
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Church, Joseph. "Popular Song vs. Theatre Song." In Rock in the Musical Theatre, 15–38. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780190943462.003.0003.

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Chapter 2 follows up on the material of earlier chapters with an extensive description and comparison of rock songs and theatre songs. First, the commonalities of all songs are reviewed, and a connection is made between song and human behavior. The notion of popular song and musical theatre as commercial enterprises is established. Following this is a detailed breakdown of the essential yet separate qualities of popular songs and theatre songs, both music and lyrics, and the connection between text and music. Each genre is examined through its definitive characteristics, then the two types of song are compared. Last is a discussion of the integration of popular songs and rock styles into theatre scores, divided into archetypal themes for songs of all kinds.
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Conference papers on the topic "Song thrush"

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Mondal, Uttam Kr, and J. K. Mandal. "Song authentication technique through concealment of secret song (SATCon)." In 2011 International Conference on Recent Trends in Information Technology (ICRTIT). IEEE, 2011. http://dx.doi.org/10.1109/icrtit.2011.5972306.

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Yusa, I. Made Marthana. "Dunia Sekar Branding Development through 2D Animation Illustrated Song." In Proceedings of the International Conference on Innovation in Research (ICIIR 2018) – Section: Economics and Management Science. Paris, France: Atlantis Press, 2019. http://dx.doi.org/10.2991/iciir-18.2019.19.

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Gunawan, Fahmi, and Zulaeha Zulaeha. "Analysing Character Education Values at SDIT Al-Qalam Through Song Lyrics." In International Conference on Ethics in Governance (ICONEG 2016). Paris, France: Atlantis Press, 2017. http://dx.doi.org/10.2991/iconeg-16.2017.11.

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Rinjani, Riyan, and Prayoga Bestari. "Harmony Choir: Strenghtening Nationalism Through the Activity of Singing National Song." In 2nd Annual Civic Education Conference (ACEC 2019). Paris, France: Atlantis Press, 2020. http://dx.doi.org/10.2991/assehr.k.200320.052.

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Badriyah, Aulia Ul, Febby Ristyadewi, and Nila Fitria. "Gross Motor Ability in Early Childhood Through Motion and Song Activities." In ICLIQE 2020: The 4th International Conference on Learning Innovation and Quality Education. New York, NY, USA: ACM, 2020. http://dx.doi.org/10.1145/3452144.3452169.

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Link, Martin. "Signum et gens – Zur Gendersemiotik in Clara und Robert Schumanns Liederzyklus Liebesfrühling." In Jahrestagung der Gesellschaft für Musikforschung 2019. Paderborn und Detmold. Musikwissenschaftliches Seminar der Universität Paderborn und der Hochschule für Musik Detmold, 2020. http://dx.doi.org/10.25366/2020.62.

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The marriage between Clara and Robert Schumann is one of the most popular relationships in music history. In 1840, a song cycle named Liebesfrühling with songs from Clara Schumann as well as from her husband was collectively published under their names. Despite the fact that the married couple did not specify the voice register and gender of the vocal parts within the score, some hints indicating the gender of the personas can be found for instance in the personal pronouns of the text. Yet, some parts of the song cycle do not provide such clues, leaving the question, to which gender the vocal parts are ascribed, completely open. Nevertheless, some scholarly examinations like Melinda Boyd’s publication Gendered voices. The “Liebesfrühling” Lieder of Robert and Clara Schumann try to answer this question using semiology as a method to indicate gender assignments. However, this raises the question of how far gender aspects can be examined through semiotic approaches. What symbols are used to specify gender? Did this change in history? And can these ascriptions be found in the music of Clara and Robert Schumann? The chosen method will show difficulties because of its time-constraint and the problem of relevancy. This is why the proposed theses of Boyd will be inspected regarding the text and the score of the song cycle Liebesfrühling. At the same time, the investigation will try to consider the importance of contemporary performance practice.
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Handayani, Sri, and Yuyun Rosliyah. "Internalization of Character Values Through Project-Based Learning, Specifically Children’s Song Translation." In Proceedings of the 3rd International Conference on Learning Innovation and Quality Education (ICLIQE 2019). Paris, France: Atlantis Press, 2020. http://dx.doi.org/10.2991/assehr.k.200129.156.

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Shakspo, N. Ts. "THE KESAR SAGA THROUGH LADAKHI SONGS AND DANCE." In The Epic of Geser — the spiritual heritage of the peoples of Central Asia. BSC SB RAS, 2020. http://dx.doi.org/10.31554/978-5-7925-0594-0-2020-34-37.

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9

Ulfa, Maria. "Muslim Pop: Voicing Da’wa through Contemporary English Nasyid Love Song Lyrics in Southeast Asia." In International Conference on Culture and Language in Southeast Asia (ICCLAS 2017). Paris, France: Atlantis Press, 2018. http://dx.doi.org/10.2991/icclas-17.2018.53.

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Kim, Jin-Sung, and Mun-Koo Kang. "A Study on English Teaching Models for Slow Learners through Pop Song Hunminglish(PSH)." In Education 2013. Science & Engineering Research Support soCiety, 2013. http://dx.doi.org/10.14257/astl.2013.36.24.

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Reports on the topic "Song thrush"

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Heynderickx, Haley. A Musical Analysis of the Past: America is in the Heart by Carlos Bulosan Re-told through the Craft of Folk Songs. Portland State University Library, January 2015. http://dx.doi.org/10.15760/honors.179.

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Serneels, Pieter, and Stefan Dercon. Aspirations, Poverty and Education: Evidence from India. Research on Improving Systems of Education (RISE), October 2020. http://dx.doi.org/10.35489/bsg-rise-wp_2020/053.

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Abstract:
This paper investigates whether aspirations matter for education, which offers a common route out of poverty. We find that mother aspirations are strongly related to the child’s grade achieved at age 18. The relation is nonlinear, suggesting there is a threshold, and depends on caste, household income and the village setting. The coefficients remain large and significant when applying control function estimation, using firstborn son as instrument. A similar strong relation is observed with learning outcomes, including local language, English and maths test results, and with attending school, but not with attending private education. These results are confirmed for outcomes at age 15. The findings provide direct evidence on the contribution of mother aspirations to children’s education outcomes and point to aspirations as a channel of intergenerational mobility. They suggest that education outcomes can be improved more rapidly by taking aspirations into account when targeting education programmes, and through interventions that shape aspirations.
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