Relevant bibliographies by topics / Sonate, Klavier op. 58

Academic literature on the topic 'Sonate, Klavier op. 58'

Author: Grafiati
Published: 27 July 2024
Last updated: 29 July 2024

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Journal articles on the topic "Sonate, Klavier op. 58"

1

Busch, Regina. "Leopold Spinner: A List of his works." Tempo, no. 154 (September 1985): 22–35. http://dx.doi.org/10.1017/s004029820002146x.

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When René Leibowitz was preparing the first performance of the Piano Concerto op.4 in 1949 (it was for this occasion that Spinner made the transcription for chamber orchestra, which is the only version of the piece that is known, printed, and performed), he asked Spinner for some details about his work and himself. The answer was characteristic:…Nun schliesslich, Sie würden gerne Einzelheiten von mir wissen: Ich bin 42, habe eine Frau und ein Kind (Margaret, 6 Jahre), das ist ganz privat narürlich (aber für mich sehr wichtig, darum erwähne ich es)! Ich habe bei Webern studiert. Was ich bis jetzt geschrieben habe, fängt mit der Sonate für Violin und Klavier op.1 an, dann ein Streichquartett op.2, eine Sonate für Klavier op.3. Op.4 kennen Sie bereits.
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Roesner, Linda Correll, Robert Schumann, Hans Joachim Kohler, Wolfgang Boetticher, and Hans-Martin Theopold. "Grande Sonate Fmoll, Op. 14; fur Klavier." Notes 41, no. 3 (March 1985): 596. http://dx.doi.org/10.2307/941198.

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3

Sichardt, Martina. "Narrativität in der Musik?" Die Musikforschung 58, no. 4 (September 22, 2021): 361–75. http://dx.doi.org/10.52412/mf.2005.h4.640.

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In der Schlussfuge in Ludwig van Beethovens Sonate für Violoncello und Klavier op. 102/2 wird in Takt 143 ein neues Kontrasubjekt eingeführt. Da hier erstmals die vorher fast durchgängige Achtelbewegung aufgegeben wird, lässt sich diese Episode im Sinne der Narrativitätstheorie als eine Art Rückblick beschreiben. bms online (Schöner, Oliver)
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4

Niemöller, Klaus. "Sonate und Sonatina für Violoncello und Klavier von Kodály im gattungsgeschichtlichen Zusammenhang." Studia Musicologica 50, no. 1-2 (March 1, 2009): 49–74. http://dx.doi.org/10.1556/smus.50.2009.1-2.3.

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The history of the genre of the sonata written for violoncello and pianoforte begins in 1796 with the five sonatas by Beethoven opp. 5, 69 and 102. The sonata op. 69 is a model for its special role until the 20th century: the lyrical character of the opening theme with a fantasy-like closing solo-cadenza and a fermata. Since the 1st Sonata of Brahms (1865), it was mostly young composers like Strauss (op. 6), Pfitzner (op. 1), Reger (op. 5) and Dohnányi (op. 8) who followed this tradition. As also the Sonata op. 4 by the young composer Kodály (1909) whose opening Adagio as “Fantasia” has the same conceptions: rhapsodic melody with closing cadenza and a fermata. The final return of the Adagio establishes a cyclic unity. The first performance of the sonata in 1910 with string quartets by Kodály and Bartók founded the beginning of modern music in Hungary. Also the Sonatina, originally the 3rd part of Sonata, published in 1922, has a Lento-introduction with rhapsodic-like parts wich begins a process-like evolution of composition. A relationship with the special features of the Sonata for Cello and Piano in the history of the genre includes also works by Debussy (1915) and Hindemith (1919).
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Chadwick, N. "Alban Berg, Sonate fur Klavier op. 1 UE33070. Ed. by Klaus Lippe." Music and Letters 89, no. 2 (May 1, 2008): 302–3. http://dx.doi.org/10.1093/ml/gcm091.

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Sobaskie, James William. "Franck's Sonata in A Major for Violin and Piano (1886) and Faure's Sonata No. 1 in A Major for Violin and Piano Op. 13 (1875-6), and: Sonate Nr. 2 e-Moll Opus 108 fur Violine und Klavier, and: Deuxieme Sonate Op. 117 fur Violoncello und Klavier, and: Elegie Op. 24 fur Violoncello und Klavier, and: Papillon op. 77 aus "Les Soirees Intimes" fur Violoncello und Klavier, and: Anthology of Selected Pieces for Cello and Piano, and: Elegie Op. 24, Sicilienne Op. 78 for Violoncello and Piano, and: Antholo." Notes 61, no. 2 (2004): 556–61. http://dx.doi.org/10.1353/not.2004.0164.

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7

"Scores Received - Beethoven Ludwig van, Konzert Nr. 2 in B für Klavier und Orchester/ Concerto No. 2 in B-flat major for Pianoforte and Orchestra, op. 19, ed. Jonathan Del Mar (Kassel, Bärenreiter, 2013), Score, Piano, and Piano Reduction, 74, 35, and 46 pp. - Beethoven Ludwig van, Sonate in f für Klavier/ Sonata in F minor, op. 57, “Appassionata,” ed. Jonathan Del Mar (Kassel, Bärenreiter, 2014), 47 pp. - Beethoven Ludwig van, Concerto No. 4 in G major for Pianoforte and Orchestra, op. 58, ed. Jonathan Del Mar (Kassel, Bärenreiter, 2015), Critical Commentary, 54 pp. - Dvořák Antonín, Smyčcový kvintet G dur/ String Quintet in G major/Streichquintett G-Dur, op. 77, ed. František Bartoš, Antonín Pokorný (Kassel, Bärenreiter, 2014), Miniature Score, 50 pp. - Dvořák Antonín, Smyčcový kvartet č. 2 B dur/ String Quartet No. 2 in B-flat major/Streichquartett Nr. 2 B-Dur, B 17, ed., Antonín Pokorný, Karel Šolc (Kassel, Bärenreiter, 2014), Miniature Score, 73 pp. - Schubert Franz Peter, Sonate in c für Klavier/ Sonata I C minor for Piano, D958, ed. Walburga Litschauer (Kassel, Bärenreiter, 2015), 42 pp. - Schulhoff Erwin, Sonáty č 1-3 pro klavír/ Sonatas Nos. 1-3 for Piano/ Sonaten Nr. 1-3 für Klavier, ed. Michael Kube (Kassel, Bärenreiter, 2014), 66 pp. - Schumann Robert, Liederkreis von Joseph Freiherrn von Eichendorff, op. 39, ed. Hansjörg Ewert (Kassel, Bärenreiter, 2015), 39 pp. - Verdi Giuseppe, Messa da Requiem, ed. Marco Uvietta (Kassel, Bärenreiter, 2014), Score, 321 pp." Nineteenth-Century Music Review 12, no. 2 (September 4, 2015): 415. http://dx.doi.org/10.1017/s1479409815000440.

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Dissertations / Theses on the topic "Sonate, Klavier op. 58"

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Lee, Wan-Ling, and 李宛玲. "An Analysis and Interpretation of Sonate in B-Dur, Op.121 für Flöte und Klavier by Sigfrid Karg-Elert." Thesis, 2012. http://ndltd.ncl.edu.tw/handle/10915879455400807966.

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碩士
輔仁大學
音樂研究所
100
Sigfrid Karg-Elert (1877-1933), a German composer during first half twentieth century. He was also an organist, a musicologist and a music educationalist. Base on his outstanding harmonic theory, he often used a simple music element to develop as a skillful and emotional master works. During World War one (1914-1918) Sigfrid Karg-Elert has met the member of Gewandhaus Orchestra, and made a lot of works on woodwinds composition. This thesis is a research of Sonata in B flat major for flute Op.121 as made in 1918, in order to give to his best friend Carl Bartuźat who was a flutist in the military. Sigfrid Karg-Elert has modified this work as a trio which included flute, violin and piano. This thesis contains five chapters. The first chapter covered the motive and method of this research. In the second chapter, the composer’s biography, compositional style, and technique were presented. The third chapter was discussed about this specific composition analysis includes the frameworks, use of elements, motives, and development. The fourth chapter focused on the interpretation according to the performance. In the conclusion, it summarizes the personality and background which had influence on Sigfrid Karg-Elert. It presents the whole feature and characteristic of Sonata in B flat major for flute Op.121.
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Peng, Chao-Hsiang, and 彭炤翔. "Analysis and Performance practice of Sonate op.58 pour Hautbois et Piano by Charles Koechlin（1867∼1950）/Chao-Hsiang Peng Oboe Rectial." Thesis, 2008. http://ndltd.ncl.edu.tw/handle/24w337.

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碩士
東吳大學
音樂學系
96
Charles Koechlin was born November 27, 1867 in Paris; he died on December 31, 1950 in the south of France in Rayol-Canadel-sur-Mer. He was a French composer, theorist, and musicologist. His achievements are well known; however, his most famous works are "The Jungle Book" (La loi de la Jungle) and The Seven Stars' Symphony(film music). This dissertation is an analysis of his oboe sonata, which contains three parts: Koechlin's biography and his musical periods, a theoretical analysis, and a performance practice. Using these three approaches, we can understand the structure of this work and try to better understand some practical musical terms, such as interpretations of the melodies, performing techniques of the instrument, etc. This is also a chance to provide oboe players in Taiwan to know this exotic, special, amazing oboe sonata, which has only been performed once in Taiwan so far. Hopefully, this thesis can provide the reader some ideas and let the player better understand how to perform this amazing piece.  Chao-Hsiang Peng Oboe Recital Program: 1.A. Vivaldi（1675∼1741）： Sonata RV. 53 in c-minor for Oboe and Basso 2.B. Moligue（1802∼1869）：Concertino in g-moll für Oboe und Orchester 3.Ch. Koechlin（1867∼1950）： Monodie Op.216 no11 pour Cor Anglais 4.A. Reicha（1770∼1836）： Recitative and Rondo for English horn and Piano 5. F. Krommer（1759∼1831）： Konzert Op.52 in F-dur für Oboe und Orchester 6.B. Britten（1913∼1976）： Temporal Variations for Oboe and Piano
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Books on the topic "Sonate, Klavier op. 58"

1

Laera, Palma. La Sonata op. 58 per pianoforte di Fryderick Chopin: Aspetti analitici, con uno sguardo sul processo compositivo. Milano: Rugginenti, 2011.

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2

Mendelssohn-Bartholdy, Felix. Sonate f-Moll für Violine und Klavier, op. 4. Hofheim: F. Hofmeister, 1999.

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Wolpe, Stefan. 1. Sonate für Klavier op. 1 (1925) ; Sechs Märsche op. 10 (1928-1934). Hamburg: Peer Musikverlag, 1995.

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4

Zimmermann, Ewald, ed. Sonate für Klavier und Violoncello, g-moll, Opus 65: Sonata for piano and violoncello in g minor, op. 65. München: G. Henle : distributed in the USA by Hal Leonard Corporation, 1997.

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5

Schumann, Robert. Sonate für Violine und Klavier Nr. 1 a-Moll =: Sonata for violin and piano no. 1 in A minor, op. 105. Wiesbaden: Breitkopf & Härtel, 1994.

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6

Sonate für Violine und Klavier op. 18 (1887). Vienna: Universal Edition, 2007.

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Sonate F-Dur für Violoncello und Klavier op. 6 (1883). Wien: Universal Edition, 2010.

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8

Reich, Urte. Ludwig Van Beethoven, Sonate Für Klavier und Violoncello Op 102. GRIN Verlag GmbH, 2008.

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BRAHMS, JOHANNES. Sonate für Klarinette (oder Bratsche) und Klavier f-Moll Op. 120 No. 1. SCHOTT, 2000.

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