Journal articles on the topic 'Sonatas (Piano) Analysis'
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Kemova, Ksenia S. "Sonatas for Piano Four Hands by Muzio Clementi." Observatory of Culture 18, no. 5 (October 29, 2021): 506–19. http://dx.doi.org/10.25281/2072-3156-2021-18-5-506-519.
Full textLebedeva, N. S. "Sonatas № 2 end № 9 as Milestones in the Evolution of the Piano Style of A. Scriabin." Culture of Ukraine, no. 71 (April 2, 2021): 86–93. http://dx.doi.org/10.31516/2410-5325.071.11.
Full textAnatolii, Tarabanov. "Performance and existential chronotope of clavier sonatas of the late Baroque and Classicism." Problems of Interaction Between Arts, Pedagogy and the Theory and Practice of Education 61, no. 61 (December 31, 2021): 50–75. http://dx.doi.org/10.34064/khnum1-61.03.
Full textSerhiі, Dikarev. "Genre and style specifics of Sonata for Double Bass and Piano by Paul Hindemith." Aspects of Historical Musicology 24, no. 24 (October 13, 2021): 127–47. http://dx.doi.org/10.34064/khnum2-24.07.
Full textAnatolii, Tarabanov. "Performance Chronotope in the Piano Sonatas by Beethoven (op. 27 No. 2) and Schubert (D. 958)." Problems of Interaction Between Arts, Pedagogy and the Theory and Practice of Education 62, no. 62 (September 16, 2022): 55–78. http://dx.doi.org/10.34064/khnum1-62.04.
Full textMikhieieva, Nadiia. "The clarinet and the viola in Sonatas op. 120 by J. Brahms and a pianist’s performing strategy." Problems of Interaction Between Arts, Pedagogy and the Theory and Practice of Education 59, no. 59 (March 26, 2021): 145–57. http://dx.doi.org/10.34064/khnum1-59.10.
Full textIvanova, I. L. "“3 Piano Sonatas for the Young” op. 118 in a context of last works by Robert Schumann." Aspects of Historical Musicology 13, no. 13 (September 15, 2018): 26–45. http://dx.doi.org/10.34064/khnum2-13.03.
Full textНrebeniuk, Nataliіa. "F. Schubert’s last Piano Sonatas in the aspect of his song-like thinking." Aspects of Historical Musicology 21, no. 21 (March 10, 2020): 150–63. http://dx.doi.org/10.34064/khnum2-21.10.
Full textPiechnat, Mateusz. "Scriabin – piano music in the context of the composer’s creative ideology. Part 2." Notes Muzyczny 2, no. 10 (December 20, 2018): 103–21. http://dx.doi.org/10.5604/01.3001.0012.9814.
Full textKutluieva, Dar’ia. "PIANO QUARTETS OF L. BEETHOVEN: MOZART’S PROTOTYPES AND AUTHOR’S INITIO." Problems of Interaction Between Arts, Pedagogy and the Theory and Practice of Education 58, no. 58 (March 10, 2021): 9–22. http://dx.doi.org/10.34064/khnum1-58.01.
Full textMedvednikova, Tatiana. "THE DRAMATURGY OF THE SONATA CYCLE BY L. VAN BEETHOVEN (on the example Sonata № 3 С-dur оp. 2)." Музикознавча думка Дніпропетровщини, no. 18 (November 13, 2020): 84–92. http://dx.doi.org/10.33287/222019.
Full textGranot, Roni Y., and Nori Jacoby. "Musically puzzling I: Sensitivity to overall structure in the sonata form?" Musicae Scientiae 15, no. 3 (July 6, 2011): 365–86. http://dx.doi.org/10.1177/1029864911409508.
Full textKutluieva, Daria. "Piano quartets by F. Mendelssohn as a phenomenon of the Romantic era." Aspects of Historical Musicology 16, no. 16 (September 15, 2019): 143–57. http://dx.doi.org/10.34064/khnum2-16.08.
Full textRenat, Maryla. "The synthesis of tradition and avant-garde techniques in selected polish violin sonatas from the second half of the 20th century." Notes Muzyczny 2, no. 12 (December 13, 2019): 199–216. http://dx.doi.org/10.5604/01.3001.0013.7175.
Full textAlessandri, Elena, Hubert Eiholzer, and Aaron Williamon. "Reviewing critical practice: An analysis ofGramophone’s reviews of Beethoven’s piano sonatas, 1923–2010." Musicae Scientiae 18, no. 2 (February 4, 2014): 131–49. http://dx.doi.org/10.1177/1029864913519466.
Full textXANKIŞIYEVA, İlhame. "A LOOK AT AZER DADASHOV’S PIANO WORK." IEDSR Association 6, no. 15 (September 20, 2021): 1–10. http://dx.doi.org/10.46872/pj.302.
Full textDomagała, Jarosław. "Teaching qualities in piano works by Henryk Pachulski in the context of the development of piano technique in children and youth. Part 1." Notes Muzyczny 2, no. 16 (December 30, 2021): 59–86. http://dx.doi.org/10.5604/01.3001.0015.5488.
Full textСидір, Наталія. "Ballade for Piano and Orchestra in the First Half of the 20th Century: Stylistic and Form-building elements." Edukacja Muzyczna 16 (2021): 149–60. http://dx.doi.org/10.16926/em.2021.16.09.
Full textShchetynsky, Oleksandr. "Valentyn Bibik: reaching artistic maturity." Aspects of Historical Musicology 23, no. 23 (March 26, 2021): 42–64. http://dx.doi.org/10.34064/khnum2-23.03.
Full textYust, Jason, Jaeseong Lee, and Eugene Pinsky. "A Clustering-Based Approach to Automatic Harmonic Analysis: An Exploratory Study of Harmony and Form in Mozart’s Piano Sonatas." Transactions of the International Society for Music Information Retrieval 5, no. 1 (2022): 113–28. http://dx.doi.org/10.5334/tismir.114.
Full textSun, Natalia. "Sonatinas for Piano in the Context of Mao-Shuen Chen’s Composer and Pedagogical Activities." Aspects of Historical Musicology 19, no. 19 (February 7, 2020): 247–67. http://dx.doi.org/10.34064/khnum2-19.14.
Full textVARVARICHI, Leona, and Alina-Maria NAUNCEF. "Wilhelm Georg Berger’s Music: Elements of compositional style and instrumental techniques necessary for the public performance." BULLETIN OF THE TRANSYLVANIA UNIVERSITY OF BRASOV SERIES VIII - PERFORMING ARTS 14 (63), no. 1 (2021): 97–108. http://dx.doi.org/10.31926/but.pa.2021.14.63.1.11.
Full textShcherbakova, Olga. "Sonata for violin and piano as a Serafim Orfeyev’s creative views." Collection of scientific works “Notes on Art Criticism”, no. 39 (September 1, 2021): 149–53. http://dx.doi.org/10.32461/2226-2180.39.2021.238711.
Full textBraus, Ira. "Elliott Carter's Analysis of his Piano Sonata (1945-46)." Current Musicology 108 (November 6, 2021): 53–80. http://dx.doi.org/10.52214/cm.v108i.3593.
Full textKharenko, Alina. "Musical dramaturgy as a creative method in jazz art: the example of the piano art by Sergey Davydov." Problems of Interaction Between Arts, Pedagogy and the Theory and Practice of Education 55, no. 55 (November 20, 2019): 155–69. http://dx.doi.org/10.34064/khnum1-55.11.
Full textOwczarek-Ciszewska, Joanna. "Hammer mechanism instruments and their role in shaping the composition style of pieces written for keyboard instruments in the period of 1730-1780, part 3 – Keyboard instruments in concert halls and in the high society." Notes Muzyczny 1, no. 11 (June 28, 2019): 43–64. http://dx.doi.org/10.5604/01.3001.0013.3521.
Full textSediuk, I. O. "The originality of neoclassic principles reflection in the Sonata for two pianos by Paul Hindemith." Problems of Interaction Between Arts, Pedagogy and the Theory and Practice of Education 56, no. 56 (July 10, 2020): 154–68. http://dx.doi.org/10.34064/khnum1-56.10.
Full textObolenska, M. M. "The Accompanist as the Lord of Time (on the Example of Sonata for French Horn and Piano by Jane Vignery)." Problems of Interaction Between Arts, Pedagogy and the Theory and Practice of Education 54, no. 54 (December 10, 2019): 93–107. http://dx.doi.org/10.34064/khnum1-54.06.
Full textQian, Jie. "Analysis of the Similarities between the Third Movement of Beethoven: Piano Sonata "Passion"(OP.57) and the Third Movement of the Piano Concerto NO 5 "Emperors" (OP.73)." Highlights in Art and Design 1, no. 3 (November 13, 2022): 15–18. http://dx.doi.org/10.54097/hiaad.v1i3.2706.
Full textGilmore, Bob. "SPECTRAL TECHNIQUES IN HORATIU RADULESCU'S SECOND PIANO SONATA." Tempo 64, no. 252 (April 2010): 66–78. http://dx.doi.org/10.1017/s0040298210000197.
Full textYoon, Moonyoung, and Jiyoung Yoon. ""A Musical Analysis of Sonata for Flute and Piano by Paul Hindemith -Focusing on Neoclassical Characteristics "." Journal of Humanities and Social sciences 21 12, no. 4 (August 31, 2021): 1493–504. http://dx.doi.org/10.22143/hss21.12.4.106.
Full textFrățilă, Lioara. "An Analysis of the Piano Sonata in C Minor, Op. 4 by Frédéric Chopin." Studia Universitatis Babeş-Bolyai Musica 66, no. 1 (June 30, 2021): 245–72. http://dx.doi.org/10.24193/subbmusica.2021.1.16.
Full textObolenska, Mariia. "Emotional Intelligence of a Pianist-Accompanist (on the Example of C. Franck's Violin Sonata Performed by Martha Argerich)." Bulletin of Kyiv National University of Culture and Arts. Series in Musical Art 5, no. 2 (December 22, 2022): 127–40. http://dx.doi.org/10.31866/2616-7581.5.2.2022.269639.
Full textVan Dyck, Elias. "A Multi-Layered Monolith : Beyond the Surface of Loudness in Galina Ustvolskaya's Sixth Piano Sonata." Music Theory and Analysis (MTA) 8, no. 1 (April 30, 2021): 152–65. http://dx.doi.org/10.11116/mta.8.1.8.
Full textBallengee, Christopher. "Tonality and Neoclassicism in Stravinsky’s Sonata for Piano, Mvt. 2 (1924)." Interdisciplinary Studies in Musicology, no. 21 (November 1, 2021): 9–21. http://dx.doi.org/10.14746/ism.2021.21.1.
Full textPorębski, Adam. "Piano Sonatas by Ryszard Bukowski – a search of interpretative keys." Notes Muzyczny 2, no. 12 (December 13, 2019): 115–36. http://dx.doi.org/10.5604/01.3001.0013.7171.
Full textJakobidze-Gitman, Alexander S. "WHY WAS VLADIMIR LENIN ALWAYS HAPPY TO LISTEN TO BEETHOVEN’S APPASSIONATA?" Articult, no. 1 (2022): 6–17. http://dx.doi.org/10.28995/2227-6165-2022-1-6-17.
Full textSTEELE, KENNETH M. "Do Rats Show a Mozart Effect?" Music Perception 21, no. 2 (2003): 251–65. http://dx.doi.org/10.1525/mp.2003.21.2.251.
Full textTaran, Vladimir. "CREATIONS WITH THE PARTICIPATION OF THE BASSOON SIGNED BY VLADIMIR ROTARU." Akademos 60, no. 1 (June 2021): 134–36. http://dx.doi.org/10.52673/18570461.21.1-60.18.
Full textRumiantseva, A. Yu. "Lucas Debargue’s performing interpretation as a new horizon for understanding the artistic space of N. Medtner’s Sonata fmoll, op. 5." Culture of Ukraine, no. 75 (March 21, 2022): 103–8. http://dx.doi.org/10.31516/2410-5325.075.13.
Full textGranot, Roni Y., and Nori Jacoby. "Musically puzzling II: Sensitivity to overall structure in a Haydn E-minor sonata." Musicae Scientiae 16, no. 1 (November 23, 2011): 67–80. http://dx.doi.org/10.1177/1029864911423146.
Full text박지영. "Analysis of Mozart’s Piano Sonata Form: the Second Part of Exposition." journal of Ewha Music Research Institute 22, no. 2 (June 2018): 1–36. http://dx.doi.org/10.17254/jemri.2018.22.2.001.
Full textOhgushi, Kengo. "An analysis of timing microstructure in Mozart’s piano sonata K.331." Journal of the Acoustical Society of America 120, no. 5 (November 2006): 3204. http://dx.doi.org/10.1121/1.4788101.
Full textLee, Ju-Hyun, and Jong-Kun Lee. "Analysis and Modeling of Piano Sonata(K.332) through Petri nets." Journal of Korea Multimedia Society 17, no. 11 (November 30, 2014): 1296–306. http://dx.doi.org/10.9717/kmms.2014.17.11.1296.
Full textSaulova, Inessa. "SONATA FOR VIOLIN AND PIANO BY VLADIMIR ROTARU: PECULIARITIES OF THE MUSICAL LANGUAGE, COMPOSITION AND DRAMATURGY." Studiul artelor şi culturologie: istorie, teorie, practică, no. 1(42) (August 2022): 54–58. http://dx.doi.org/10.55383/amtap.2022.1.10.
Full textGheorghieva, Maria. "THE TEXTURE OF SONATA-REMINISCENZA (ОР. 38, NO.1) BY NIKOLAY MEDTNER THROUGH THE PRISM OF INTERPRETATIVE TASKS." Studiul artelor şi culturologie: istorie, teorie, practică, no. 1(42) (September 2022): 91–97. http://dx.doi.org/10.55383/amtap.2022.1.17.
Full textBrown, Julie Hedges. "Study, Copy, and Conquer." Journal of Musicology 30, no. 3 (2013): 369–423. http://dx.doi.org/10.1525/jm.2013.30.3.369.
Full textГо, Шаоин. "Violin sonata fis-moll by Paul Natorp in the context of genre development." Вестник Адыгейского государственного университета, серия «Филология и искусствоведение», no. 2(277) (October 6, 2021): 189–94. http://dx.doi.org/10.53598/2410-3489-2021-2-277-189-194.
Full textTudor, Brînduşa. "Number 13 / Part I. Music. 11. Great Contemporary Pianists in Interpretative Dialogue: Alfred Brendel and Murray Perahia." Review of Artistic Education 13, no. 1 (March 1, 2017): 93–98. http://dx.doi.org/10.1515/rae-2017-0011.
Full textTsybikova-Danzyn, Inessa Aleksandrovna. "Realization of ethnic traditions in piano music of the Buryat composer Y. I. Irdyneev." Человек и культура, no. 4 (April 2020): 151–61. http://dx.doi.org/10.25136/2409-8744.2020.4.33027.
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