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Books on the topic 'Sonatas (Piano) Analysis'

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Author: Grafiati

Published: 10 December 2022

Last updated: 29 January 2023

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1

Beethoven piano sonatas. London: Ariel Music, 1986.

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2

Studien zum Verhältnis von Harmonik, Metrik und Form in den Klaviersonaten Ludwig van Beethovens. München: E. Katzbichler, 1987.

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3

Kämper, Dietrich. Die Klaviersonate nach Beethoven: Von Schubert bis Skrjabin. Darmstadt: Wissenschaftliche Buchgesellschaft, 1987.

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4

Beethoven's piano sonatas: A short companion. New Haven: Yale University Press, 2002.

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5

A companion to Beethoven's pianoforte sonatas: (bar-to-bar analysis). London: Associated Board of the Royal Schools of Music, 1989.

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6

1949-, Cooper Barry, ed. b companion to Beethoven's pianoforte sonatas: Bar by bar analysis. London: Associated Board of Music of the Royal Schools of Music, 1998.

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7

Drake, Kenneth. The Beethoven sonatas and thecreative experience. Bloomington: Indiana University Press, 1994.

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8

Reti, Rudolph Richard. Thematic patterns in sonatas of Beethoven. New York, NY: Da Capo Press, 1992.

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9

Beethoven, the Moonlight and other sonatas, op. 27 and op. 31. Cambridge, UK: Cambridge University Press, 1999.

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10

Smirnov, Dmitriĭ. The anatomy of theme in Beethoven's piano sonatas. Berlin: Kuhn, 2008.

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11

Guy, Stockton, and Herschkowitz Philip 1906-1989, eds. The anatomy of theme in Beethoven's piano sonatas. Berlin: Kuhn, 2008.

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12

Thomson, Warren. Schubert: The piano sonatas : background to all of the sonatas & analysis of the eleven complete sonatas. Taren Point, N.S.W: Alfred Publishing, 1997.

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13

Stewart-MacDonald, Rohan H. New perspectives on the keyboard sonatas of Muzio Clementi. Bologna: Ut Orpheus, 2006.

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14

Feder, Georg. Klaviersonaten.: Kritischer Bericht. München: G. Henle, 2007.

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15

Andreas, Krause. Die Klaviersonaten Franz Schuberts: Form, Gattung, Ästhetik. Kassel: Bärenreiter, 1992.

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16

Konzerthausgesellschaft, Wiener, ed. Beethovens Klaviersonaten: 32 Hörerlebnisse. Wien: Doblinger, 2000.

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17

N, Khokhlov I͡U. Fortepiannye sonaty Frant͡sa Shuberta. Moskva: Ėditorial URSS, 1998.

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18

Raab, Claus. Beethovens Kunst der Sonate: Die drei letzten Klaviersonaten op. 109, 110, 111 und ihr Thema. Saarbrücken: Pfau, 1996.

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19

Nowik, Wojciech. Chopinowski idiom sonatowy. Warszawa: Akademia Muzczna im. Fryderyka Chopina, 1998.

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20

Goedicke, Ruth. Sergej Prokofjews viersätzige Klaviersonaten: Studien zu Form und Gehalt. Berlin: E. Kuhn, 2004.

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21

Schuberts letzte drei Klaviersonaten (D958-960): Entstehungsgeschichte, Entwurf und Reinschrift, Werkanalyse. Baden-Baden: V. Koerner, 1985.

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22

Ovsi︠a︡nkina, G. Fortepiannye sonaty Borisa Tishchenko: Issledovatelʹskiĭ ocherk. Moskva: Rossiĭskai︠a︡ akademii︠a︡ muzyki im. Gnesinykh, 2001.

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23

Architektonik der Leidenschaften: Eine Studie zu den Klaviersonaten von Johannes Brahms. Kassel: Bärenreiter, 2005.

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24

Kloppenburg, W. C. M. De pianosonates van Franz Schubert. Katwijk: Panta Rhei, 1997.

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25

Zilkens, Udo. Beethovens Finalsätze in den Klaviersonaten: Allgemeine Strukturen und individuelle Gestaltung : Vergleichende Analysen als Einblick in die Kompostionsweise Beethovens : Skizzen und Autographe als Schlüssel zum Kompositionsprozess. Köln-Rodenkirchen: P.J. Tonger, 1994.

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26

Nowik, Wojciech. Chopinowski idiom sonatowy. Warszawa: Akademia Muzyczna im. Fryderyka Chopina, 1998.

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27

Ludwig van Beethoven, die Klaviersonaten: Betrachtungen zu Werk und Gestalt. Altenburg: Kamprad, 2011.

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28

Plath, Wolfgang. Klaviersonaten. Kassel: Bärenreiter, 1998.

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29

Deryck, Cooke, ed. Thematic patterns in sonatas of Beethoven. New York: Da Capo Press, 1992.

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30

Ulrichs, Friedrich W. Johannes Brahms und das verschwundene Adagio: Entstehen, Aufnahme, Beschreibung der Sonaten für Pianoforte und Violoncello opus 38, e-Moll und Opus 99, F-Dur. Göttingen: Puch, 1996.

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31

Berman, Boris. Prokofiev's piano sonatas: A guide for the listener and the performer. New Haven: Yale University Press, 2008.

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32

Berman, Boris. Prokofiev's piano sonatas: A guide for the listener and the performer. New Haven: Yale University Press, 2008.

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33

The Beethoven sonatas and the creative experience. Bloomington: Indiana University Press, 2000.

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34

Drake, Kenneth. The Beethoven sonatas and the creative experience. Bloomington: Indiana University Press, 1994.

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35

The classical piano sonata: From Haydn to Prokofiev. London: Kahn & Averill, 2004.

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36

Analyse von Beethovens Violinsonaten. Aachen: Edition Serapion, 2002.

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37

Heinzel, Mark Alexander. Die Violinsonaten Wolfgang Amadeus Mozarts. Karlsruhe: M.A. Heinzel, 1996.

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38

Ludwig van Beethoven: Die Sonaten für Klavier und Violine: Gedanken zu ihrer Interpretation. München: Piper u.a., 1991.

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39

Körner, Klaus. Die Violinsonaten von Johannes Brahms: Studien. Augsburg: B. Wissner, 1997.

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40

Carl Philipp Emanuel Bach: Frühe Klaviersonaten : eine Studien zur "Form" der ersten Sätze nebst einer kritischen Untersuchung der Quellen. Hamburg: Verlag der Musikalienhandlung K.D. Wagner, 1988.

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41

Beethoven, the sonatas for piano and violin: Thoughts on their interpretation. [London]: Toccata Press, 1985.

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42

Il tempo della musica: Le sonate per pianoforte di Carlo Alessandro Landini. Milano: Rugginenti, 2002.

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43

Incardona, Antonietta. Il tempo della musica: Le sonate per pianoforte di Carlo Alessandro Landini. Milano: Rugginenti, 2002.

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44

Le sonate per pianforte e violoncello di Johannes Brahms: Contesto, testo, interpretazione. Lucca: Libreria musicale italiana, 2005.

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45

Salvetti, Guido. Le sonate per pianforte e violoncello di Johannes Brahms: Contesto, testo, interpretazione. Lucca: Libreria musicale italiana, 2005.

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46

Jarvis, Gerald. Bētōven no sekai. Kameoka-shi: Kameoka-shi, 1991.

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47

Die Klaviersonaten und späten Préludes Alexander Skrjabins: Wechselbeziehungen zwischen Harmonik und Melodik. Berlin: Ernst Kuhn, 2004.

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48

Giegling, Franz. Werke zweifelhafter Echtheit. Kassel: Bärenreiter-Verlag, 1996.

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49

Harmonik, Form, poetischer Inhalt: Untersuchungen zu Sonaten der Liszt-Schüler Reubke, Draeseke und Viole. Mainz: Are Music Verlag GmbH, 2013.

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50

Nancy, Arganbright, ed. Schubert's music for piano four-hands: A comprehensive guide to performing and listening to the dances, fantasies, marches, polonaises, sonatas, variations, waltzes and other duets. White Plains, N.Y: Pro/Am Music Resources, 1990.

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