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1

Maria, Shevtsova. Sociology of theatre and performance. Verona, Italy: QuiEdit, 2009.

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2

Dennis, Brissett, and Edgley Charles, eds. Life as theater: A dramaturgical sourcebook. 2nd ed. New York: Aldine de Gruyter, 1990.

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3

Exeter), International Conference on Researching Drama and Theatre in Education (5th 2005 University of. Drama as social intervention. Concord, ON: Captus University Publications, 2006.

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4

Clum, John M. Something for the boys: Musical theater and gay culture. New York: St. Martin's Press, 1999.

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5

Elkana, Yehuda. Anthropologie der Erkenntnis: Die Entwicklung des Wissens als episches Theater einer listigen Vernunft. Frankfurt am Main: Suhrkamp, 1986.

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6

Akademii︠a︡ mystet︠s︡tv Ukraïny. Instytut problem suchasnoho mystet︠s︡tva, ed. Teatralʹna kulʹtura rubez︠h︡u XIX-XX stolitʹ: Realizm, dyskurs. Kyïv: Feniks, 2013.

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7

Tellier, Frédéric. La société et son double: Essai sur les formes sociales. Castelnau-le-Lez: Climats, 2003.

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8

1961-, Inomata Takeshi, and Coben Lawrence A, eds. Archaeology of performance: Theaters of power, community, and politics. Lanham, MD: Altamira Press, 2006.

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9

Herbert, Willems, ed. Theatralisierung der Gesellschaft. Wiesbaden: VS, Verlag für Sozialwissenschaften, 2009.

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10

Qaraʻān, Mīsāʾ ʻAbd Allāh Darwīsh. Sūsiyul̄ūjīyā al-fann al-masraḥī ladá al-Akhawayn al-Raḥbanī. Ẓuq Mikāyil: Dār Bashārīyā, 2002.

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11

Martin, Jurga, and Willems Herbert, eds. Inszenierungsgesellschaft: Ein einführendes Handbuch. Opladen: Westdeutscher Verlag, 1998.

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12

A, Miller D. Place for us: Essay on the Broadway musical. Cambridge, Mass: Harvard University Press, 1998.

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13

Redon, Gaëlle. Sociologie des organisations théâtrales. Paris, France: L'Harmattan, 2006.

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14

Pozzi, Emilio. Sociologia dello spettacolo teatrale. Milano: Cisalpino, 1992.

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15

Fisi︠u︡k, T. T. Teatralizat︠s︡ii︠a︡ kak sot︠s︡ialʹno-kulʹturnyĭ fenomen: Istoriko-tekhnologicheskiĭ aspekt (20--90-e gody XX veka). Barnaul: Izd-vo Altaĭskoĭ gos. akademii kulʹtury i iskusstv, 2009.

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16

William, Brooks, and Yarrow Philip John, eds. The dramatic criticism of Elizabeth Charlotte, Duchesse D'Orleans: With an annotated chronology of performances of the popular and court theatres in France 1671-1722, reconstructed from her letters. Lewiston: E. Mellen Press, 1996.

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17

Friedrich-Alexander-Universität Erlangen-Nürnberg. Institut für Lerninnovation (FIM Neues Lernen), ed. In between cultural heritage, identity and the integration process: German-American life, theater, music and social events in Pittsburgh, 1843-1873, as reflected in English- and German-language local media : a historic case study. Erlangen: Institut für Lerninnovation (FIM Neues Lernen), Friedrich-Alexander-Universität Erlangen-Nürnberg, 2008.

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18

Robertson, Jennifer Ellen. Takarazuka: Sexual politics and popular culture in modern Japan. Berkeley: University of California Press, 1998.

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19

Facuse, Marisol. Le monde de la compagnie Jolie Môme: Pour une sociologie du théâtre militant. Paris: Harmattan, 2013.

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20

Congrès international de sociologie du théâtre (5th 1997 Mons, Belgium). La médiation théâtrale: Sociologie du théâtre : actes du 5e Congrès international de sociologie du théâtre organisé à Mons (Belgique), mars 1997. Carnières-Morlanwelz (Belgique): Lansman, 1998.

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21

Merriman, Victor. Austerity and the Public Role of Drama: Performing Lives-in-Common. Palgrave Pivot, 2019.

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22

Edgley, Charles, and Dennis Brissett. Life As Theater: A Dramaturgical Sourcebook (Communication and Social Order) (Communication and Social Order). Aldine Transaction, 1990.

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23

Al-Kadhi, Amrou. Life As a Unicorn: A Journey from Shame to Pride and Everything in Between. HarperCollins Publishers Limited, 2019.

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24

Littlejohn, Stephen W., and Roberta Gray. Learning and Using Communication Theories: A Student Guide for Theories of Human Communications (Speech and Theater). 5th ed. Wadsworth Publishing Company, 1996.

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25

Rojō no esunogurafi: Chindon'ya kara gurafiti made. Tōkyō: Serika Shobō, 2007.

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26

Goodlander, Jennifer. Puppets and Cities: Articulating Identities in Southeast Asia. Methuen Drama, 2018.

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27

Goodlander, Jennifer. Puppets and Cities: Articulating Identities in Southeast Asia. Bloomsbury Publishing Plc, 2020.

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28

Solga, Kim, and D. J. Hopkins. Performance and the Global City. Palgrave Macmillan, 2013.

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29

Rasmussen, Tom, and Crystal Rasmussen. Diary of a Drag Queen. Farrar, Straus & Giroux, 2020.

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30

Rasmussen, Crystal. Diary of a Drag Queen. Ebury Publishing, 2020.

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31

Rasmussen, Crystal. Diary of a Drag Queen. Ebury Publishing, 2019.

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32

(Editor), Takeshi Inomata, and Lawrence S. Coben (Editor), eds. Archaeology of Performance: Theaters of Power, Community, and Politics (Archaeolog in Society). AltaMira Press, 2006.

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33

(Editor), Takeshi Inomata, and Lawrence S. Coben (Editor), eds. Archaeology of Performance: Theaters of Power, Community, and Politics (Archaeology in Society). AltaMira Press, 2006.

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34

Archaeology of performance: Theaters of power, community, and politics. Lanham, MD: AltaMira Press, 2006.

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35

Coben, Lawrence S., and Takeshi Inomata. Archaeology of Performance: Theaters of Power, Community, and Politics. AltaMira Press, 2006.

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36

Katyal, Anjum. Sacred to Profane: Writings on Performance and Worship. Seagull Books, 2006.

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37

Clum, John M. Something for the Boys: Musical Theater and Gay Culture. St. Martin's Press, 2001.

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38

Clum, John M. Something for the Boys: Musical Theater and Gay Culture. St. Martin's Press, 1999.

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39

Harris, Tina M., and Mark P. Orbe. Interracial Communication: Theory Into Practice (with InfoTrac) (Speech & Theater Series). Wadsworth Publishing, 2000.

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40

Theatre & War. Vernon Press, 2018.

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41

Theatre & War. Vernon Press, 2019.

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42

Participatory Theatre and the Urban Everyday in South Africa. Taylor & Francis Group, 2019.

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43

Halligey, Alexandra. Participatory Theatre and the Urban Everyday in South Africa: Place and Play in Johannesburg. Taylor & Francis Group, 2019.

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44

Halligey, Alexandra. Participatory Theatre and the Urban Everyday in South Africa: Place and Play in Johannesburg. Taylor & Francis Group, 2019.

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45

Theatre and War. Open Book Publishers, 2016.

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46

Staging Spectators in Immersive Performances: Commit Yourself! Taylor & Francis Group, 2019.

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47

Kolesch, Doris, Theresa Schütz, and Sophie Nikoleit. Staging Spectators in Immersive Performances: Commit Yourself! Taylor & Francis Group, 2019.

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48

Kolesch, Doris, Theresa Schütz, and Sophie Nikoleit. Staging Spectators in Immersive Performances: Commit Yourself! Taylor & Francis Group, 2019.

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49

Kolesch, Doris, Theresa Schütz, and Sophie Nikoleit. Staging Spectators in Immersive Performances: Commit Yourself! Taylor & Francis Group, 2019.

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50

Kolesch, Doris, Theresa Schütz, and Sophie Nikoleit. Staging Spectators in Immersive Performances. Taylor & Francis Group, 2020.

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