Relevant bibliographies by topics / Socialist realism

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Socialist realism'

Author: Grafiati
Published: 4 June 2021
Last updated: 30 July 2024

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Journal articles on the topic "Socialist realism"

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Zavedeeva, Irina, Albina Ozieva, and Jeremy Howard. "Socialist Realism and Socialist Realist Romanticism." Art in Translation 8, no. 2 (April 2, 2016): 259–77. http://dx.doi.org/10.1080/17561310.2016.1216058.

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Haber, Maya. "Socialist Realism and the Study of Rural Life, 1945–1958." Soviet and Post-Soviet Review 41, no. 2 (July 10, 2014): 194–219. http://dx.doi.org/10.1163/18763324-04102007.

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The campaign against cosmopolitanism (1946–1953) forced social scientists to develop a methodology that captured socialist transformation in a socialist realist vernacular. The article examines the way socialist realism served as a prism through which to identify, categorize, and order research objects. Focusing primarily a 1951 ethnographic expedition to Voronezh province and its search for a “typical” village, the article argues that ethnographers, like other social scientists, perceived themselves as social engineers and their mission as molding soviet society into a socialist realist form. In this sense, scientists used socialist realism as a mechanism to distill reality into socialism. The article suggests that rather than discuss the truth value of soviet social scientific knowledge, historians should conceptualize these scholars’ work as manifestations of a unique soviet impulse to transform society.
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Abror, Robby Habiba. "Diskursus Estetika Realisme Sosialis: Kajian Filsafat Pendidikan Moral atas Sastrawan Kreatif di Bandung." Refleksi Jurnal Filsafat dan Pemikiran Islam 18, no. 1 (January 30, 2018): 17–26. http://dx.doi.org/10.14421/ref.v18i1.1854.

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Culture and art attached to the city of Bandung. The dialectical process in the realm of aesthetics becomes an integral part of the discourse of literaryists and literary connoisseurs in the flower city. Although it is debatable whether Bandung poets purely ideological socialist, realist, or religious maybe even a combination of socialist socialist or socialist realism, did not reduce the passion of creativity of creative writers in Bandung to give birth to various forms of literary artwork needed by its citizens to build a city with a moral breath and heed the elements of nature in harmonizing modernity and local culture. The digital age makes the media a locus of creative literary education and praxis to build the aesthetic of socialist realism based on morality.[Kebudayaan dan kesenian melekat pada Kota Bandung. Proses dialektik dalam ranah estetika menjadi bagian integral dalam diskursus para sastrawan dan penikmat sastra di kota kembang itu. Kendati masih diperdebatkan apakah para sastrawan Bandung murni berideologikan sosialis, realis, ataukah religius bahkan mungkin juga kombinasi realisme sosialis atau sosialis religius, tak mengurangi gairah kreativitas para sastrawan kreatif di Bandung untuk melahirkan berbagai bentuk karya seni sastra yang dibutuhkan warganya untuk membangun kota dengan nafas moral dan mengindahkan unsur alam dalam mengharmoniskan modernitas dan budaya lokal. Era digital menjadikan media sebagai lokus pendidikan sastra kreatif dan praksis untuk membangun estetika realisme sosialis berdasarkan moralitas.]
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Silverberg, Laura. "Between Dissonance and Dissidence: Socialist Modernism in the German Democratic Republic." Journal of Musicology 26, no. 1 (January 1, 2009): 44–84. http://dx.doi.org/10.1525/jm.2009.26.1.44.

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Abstract Both communist party officials and western observers have typically interpreted the composition of modernist music in the Eastern Bloc as an act of dissidence. Yet in the German Democratic Republic (GDR), the most consequential arguments in favor of modernism came from socialists and party members. Their advocacy of modernism challenged official socialist realist doctrine, but they shared with party bureaucrats the conviction that music ought to contribute to the development of socialist society. Such efforts to reform musical life from a Marxist-Leninist standpoint were typical of the first generation of East Germany's intelligentsia, who saw socialist rule as the only guarantee against the reemergence of German fascism. Two of East Germany's most prominent composers, Hanns Eisler and Paul Dessau, routinely used the twelve-tone method in works carrying an explicitly socialist text. During preparations for the 1964 Music Congress, aesthetician Güünter Mayer drew from Eisler's Lenin Requiem and Dessau's Appell der Arbeiterklasse to argue that modernist techniques were highly appropriate for giving expression to contemporary social conditions. The efforts of these socialists to reconcile modernist techniques with their understanding of socialism undermine basic divisions between communism and capitalism, complicity and dissent, and socialist realism and western modernism.
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Kozlova, Nataliia. "Socialist Realism." Russian Social Science Review 39, no. 5 (September 1998): 4–19. http://dx.doi.org/10.2753/rss1061-142839054.

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Kozlova, Nataliia. "Socialist Realism." Russian Studies in History 35, no. 4 (April 1997): 35–51. http://dx.doi.org/10.2753/rsh1061-1983350435.

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Zivancevic, Jelena. "Soviet in content - people’s in form: The building of Farming Cooperative Centres and the Soviet-Yugoslav dispute, 1948-1950." Spatium, no. 25 (2011): 39–49. http://dx.doi.org/10.2298/spat1125039z.

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It was not until 1948, when the Cominform conflict escalated, that the Communist Party of Yugoslavia began a thorough implementation of the Soviet model in Yugoslav agriculture - due to the Soviet criticism, the CPY made immediate legislative changes and started a class struggle in Yugoslav villages. Simultaneously, and just a few months before the Fifth Congress, Josip Broz Tito initiated a competition for building 4,000 Farming Cooperative Centres throughout Yugoslavia - they were built in accordance with the social-realist ?national in form - socialist in content? slogan. Once the building started, in his Congress speech, Radovan Zogovic, a leader of the Serbian Agitprop department, offered the first official proclamation of Socialist Realism in the post-war period by a political authority. This article analyses the process of planning, designing and building of the Farming Cooperative Centres; discusses their political, ideological and formal implications; and inquires into the specific role of architecture, joined with the theory of Socialist Realism, in building Yugoslav socialism.
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Marik, Soma. "Representing Women in the Struggle for Socialism: Alexandra Kollontai and Lydia Chukovskaia as Alternatives to Socialist Realism." Contemporary Issues of Literary Studies - International Symposium Proceedings 16 (December 11, 2023): 299–308. http://dx.doi.org/10.62119/cils.16.2023.7562.

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Mainstream Socialist Realism had a fundamentally gender stereotyping of women from the 1930s. By contrast, Alexandra Kollontai in the 1920s (The Love of Worker Bees) was socialist, feminist, and realist, but not Socialist Realist. She presented a critique of an emergent new hierarchy, and also challenged the re-inscription of patriarchal norms. Lydia Chukovskaya, writing immediately after the Great Terror, (Sofia Petrovna, written 1939-40) produced a text that started in a typical Socialist Realist mode only to reveal the brutality of Stalinist terror and subverted the Socialist Realist structure by positing the possibility that only horizontal solidarity of communities of the oppressed, rather than a top-down party led hierarchy, could provide wider ideas and awareness.
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Videkanić, Bojana. "Yugoslav Postwar Art and Socialist Realism: An Uncomfortable Relationship." ARTMargins 5, no. 2 (June 2016): 3–26. http://dx.doi.org/10.1162/artm_a_00145.

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This text examines the first official exhibition of the Yugoslav Association of Fine Artists, and the theoretical, socio-political, and institutional contexts of the Socialist Realist period in Yugoslav art (spanning roughly the years between1945 and 1954). Post-war artistic and cultural environment, the first exhibition, and critical aesthetic debates around Socialist Realism exemplify Yugoslavia's struggle to make sense of, and implement, Socialist Realism as an official artistic, cultural, and political category. Its development paralleled the state's own wrestling with notions of socialist governance and its proper implementation. Difficulties with Socialist Realist aesthetic and the ensuing paradoxes in its adaptation in Yugoslav art are at the core of the dialogs, theoretical discourses, and critical responses to the first exhibition. My analysis uses accounts and reviews of the exhibition, as well as official writings and arguments presented by the state and cultural officials to argue that Yugoslav art of the time was in fact transgressive, a hybrid of modernism and Socialist Realism. Rather than reading its hybridity as a failure, as some have argued, I read the hybridity of Yugoslav art as a space of possibilities that would have opened a new art praxis in Yugoslavia of the time.
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Kiaer, Christina. "Lyrical Socialist Realism." October 147 (January 2014): 56–77. http://dx.doi.org/10.1162/octo_a_00166.

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The thirty-three-year-old artist Aleksandr Deineka was given a large piece of wall space at the exhibition 15 Years of Artists of the RSFSR at the Russian Museum in Leningrad in 1932. At the center of the wall hung his most acclaimed painting, The Defense of Petrograd of 1928, a civil-war-themed canvas showing marching Bolshevik citizens, defending against the incursions of the White armies on their city, arrayed in flattened, geometric patterns across an undifferentiated white ground. The massive 15 Years exhibition attempted to sum up the achievements of Russian Soviet art since the revolution as well as point toward the future, and Deineka, in spite of his past association with “leftist” (read: avant-garde) artistic groups such as OST (the Society of Easel Painters) and October, was among those younger artists who were anointed by exhibition organizers as leading the way forward toward Socialist Realist art—a concept that was being formulated through both the planning of and critical response to this very display of so many divergent Soviet artists. Known for his magazine illustrations and posters, Deineka had also established himself at a young age as a major practitioner of monumental painting in a severe graphic style that addressed socialist themes, such as revolutionary history (e.g., Petrograd), and, as his other works displayed at the Leningrad exhibition demonstrate, proletarian sport (Women's Cross-Country Race and Skiers, both 1931) the ills of capitalism (Unemployed in Berlin, 1932), and the construction of the new Soviet everyday life (Who Will Beat Whom?, 1932).
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Dissertations / Theses on the topic "Socialist realism"

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Lai, Wood-yan, and 黎活仁. ""Socialist realism" in China." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1987. http://hub.hku.hk/bib/B31231184.

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Esteba, López Joaquin. "La sindicació de les arts plàstiques a Catalunya durant la Guerra Civil (1936-1939). Institucions d’operacions ideològiques i polarització entre l’art d’avantguarda i el realisme." Doctoral thesis, Universitat de Girona, 2019. http://hdl.handle.net/10803/667199.

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This thesis is focused on conceptions of the avant-garde and realism during the Spanish Civil War in Catalonia from two main mainstays: the conception of the nationalism implicit into the conflict itself, and the mandatory unionisation artists had to follow, from the summer of the 1936. The need of alphabetizing the current civil society had was met by those two mainstays. How did them allow the artist to create from freedom? Since the widening of aesthetics in fields such as politics based on the dichotomy: committed art/ commitment of art, the position of the artist in front of realism, neo romanticism, "wided aesthetics", and the Avant-garde is analysed. In which way the political question is related with the anti-fascist Popular Front and the Spanish revolution is synchronized on the theoretical basis of realism and avant-garde?
El focus de la present tesi el posem en la concepció del realisme i de l'avantguarda durant la Guerra Civil espanyola a Catalunya des de dos grans pilars: la concepció del nacionalisme implícit en el conflicte i la sindicació obligatòria dels artistes plàstics des de l’estiu de l’any 1936, que van suposar la institucionalització de la cultura en la seva necessitat d’alfabetització de la societat civil del moment. De quina manera aquests pilars van permetre una llibertat estètica per part de l’artista? Des de l’eixamplament de l’estètica en àmbits com la política en base la dicotomia art compromès / compromís de l’art, analitzem la posició dels artistes davant del realisme, el neoromanticisme, l’art d’avançada, les Avantguardes. De quina manera la qüestió política relacionada amb el Front Popular antifeixista i la revolució espanyola es sincronitza en la fonamentació teòrica del realisme i de l'avantguarda?
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Whittle, Maria Karen. "Subverting Socialist Realism: Vasily Grossman's Marginal Heroes." Scholarship @ Claremont, 2012. http://scholarship.claremont.edu/pomona_theses/70.

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Soviet writer Vasilii Grossman has been renowned in the West as a dissident author of Life and Fate, which multiple sources, including The New York Times have called "arguably the greatest Russian novel of the 20th century." Grossman, however, was not a dissident, but an official state writer attempting to publish for a Soviet audience. Grossman's work was criticized by Soviets as being "too Jewish", while Jewish scholars have called it "not Jewish enough." And, despite his modern critical acclaim, little scholarship on Grossman exists. In my thesis, I explore these paradoxes. I argue that Grossman attempts to reinterpret traditional state ideas of Sovietness into a more inclusive, democratic version by creating heroes from traditionally marginalized groups. To do this, he reinterprets and inverts traditional tropes of the Socialist Realist genre. Genric limitations on his worldview, however, prevent this vision from being completely realized in the course of his work. I trace Grossman's work from his early short fiction to his Khruschev era novels and show how this trope develops during his career as a Soviet writer and citizen.
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Jebsen, Peter. "Bolshevik for Capitalism: Ayn Rand & Soviet Socialist Realism." Scholarship @ Claremont, 2011. http://scholarship.claremont.edu/cmc_theses/134.

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Since the late 1950s, Russian-American novelist and philosopher Ayn Rand has been “the ultimate gateway drug to life on the right.” Her philosophy – “Objectivism” – combined militant atheism, libertarian natural rights, and a philosophical commitment to what she called “the virtue of selfishness,” and earned her the admiration of such luminaries as Alan Greenspan: a remarkable achievement for an immigrant woman who learned to speak English in her late 20s. What is less-often observed is that Rand’s work, especially her mature novels The Fountainhead (1943) and Atlas Shrugged (1957), bear a close stylistic resemblance to the Soviet Socialist Realist novel. This thesis identifies these similarities and attempts to answer the question of why a heavily Soviet-inflected writer was able to reach such cultural and political prominence in, of all places, America.
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Martinac, Krunoslav. "Red flags flying: Elements of socialist realism in Australian art." Thesis, Martinac, Krunoslav (2002) Red flags flying: Elements of socialist realism in Australian art. PhD thesis, Murdoch University, 2002. https://researchrepository.murdoch.edu.au/id/eprint/52755/.

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This thesis examines the emergence and development of Socialist Realism in Australia. Among twentieth century cultural narratives a significant position is occupied by the theme of realism in the visual arts as related to the social and particularly to the political or ideological context. The issue of reality transformed into a visual representation of social relations plays an especially important role in Eastern European artistic practices, dominated by the Soviet model of Socialist Realism. Socialist Realism is a worldwide artistic and cultural phenomenon that arose under the influences of the social changes in Russia at the end of the nineteenth and the beginning of the twentieth century. This already defined aesthetic influenced thereafter the other European communist and non-communist countries, the United States of America and Australia. Historical approaches to the problem of Socialist Realist doctrine have established a number of cliches which should be thoroughly challenged by new interpretations, questioning the fixed definition of historical avant-gardes as supposedly positive and progressive while traditional realistic practices are seen as regressive and totalitarian. This thesis provides an insight into the artistic practice of Australian painters Noel Counihan. Yosl Bergner and Victor O’Connor, whose work embodies most of the contradictions and conflicts of the early Australian modernist scene. Modem art in Australia reflected the social and cultural situation in Europe in the 1930s and 1940s which shaped the emergence of Modernism in general in Australia. Australian artists in the Contemporary Art Society (1938) drew on European ideas in their attempts to develop a modem artistic practice that was both international and at the same time recognisably Australian. Important amongst these were a number of Socialist Realist artists whose artistic activity was strongly concerned about contemporary social issues, nationalism, national identity, economic depression and war, and the future of Australian society. This study grows out of some recent interdisciplinary initiatives in language theory and new directions in the study of visual art. The analytical model of systemic-functional semiotics of art, as developed in the work of Michael Halliday and Michael O’Toole is applied to an interpretation of a selection of key works by Australian Socialist Realists. Through a close semiotic analysis internal visual facts and the historical and social context of their work are integrated into a complex structure of signs and their meanings in an endeavour to interpret the appearance and development of the doctrine as a significant practice in Australia in the period of the 1930s and 1940s. This thesis is written in the conviction that visual representations are realisations of the social semiotic out of which they have grown, but at the same time they are a contribution to that social semiotic, participating in changing the context. My analysis of the Socialist Realist method which attempts to locate the picture within a rational system of perceptual codes suggests that works of art can be a starting point from which most of the aesthetic and social-political concerns of the period can be deduced.
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Girard, Jordan C. "Stalin's false culture : origins and development of Socialist Realism in the USSR /." View abstract, 2001. http://library.ccsu.edu/ccsu%5Ftheses/showit.php3?id=1647.

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Thesis (M.S.)--Central Connecticut State University, 2001.
Thesis advisor: Paul A. Karpuk. " ... in partial fulfillment of the requirements for the degree of Master of Science in International Studies." Includes bibliographical references (leaves 52-53). Also available via the World Wide Web.
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Hignett, C. "The new Realism of Carlos de Oliveiva." Thesis, University of Oxford, 1987. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.232985.

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Kirk, Ned Charles. "Grażyna Bacewicz and social realism /." Thesis, Connect to this title online; UW restricted, 2001. http://hdl.handle.net/1773/11372.

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Morrison, Simon. "Sergei Prokofiev's Semyon Kotko as a representative example of socialist realism." Thesis, McGill University, 1992. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=26048.

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Shortly after returning to Moscow in 1936, Prokofiev composed his first Soviet opera, Semyon Kotko (Opus 81). The libretto was taken from Valentin Kataev's novel I am a Son of the Working People, a tale of revolution and war in a small Ukrainian village and one that adheres to the tenets of Socialist Realism. Kataev encouraged Prokofiev to set this text in a highly conservative song style. Prokofiev was also influenced in the project by Vsevolod Meyerhold, an innovative artist who advocated using continuous declamation as a means of achieving "dramatic truth" in music.
This essay examines the extent to which Semyon Kotko can be considered a conformist opera. Part One is a survey of Socialist Realism and its manifestation in Soviet literature and music during the 1930's; Parts Two and Three examine the text and music of Semyon Kotko as representative of the doctrine. Consideration is given throughout the study to the opposing influences of Kataev and Meyerhold on Prokofiev, and to the political events surrounding the opera's composition.
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Rutecka, Monika Alicja. "A history and various aspects of Polish socialist realism (1949-1954)." Thesis, University of Kent, 2011. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.580370.

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Socialist Realism in Poland, as an official art form, was short-lived. Modelled on the Soviet example, it was introduced in 1949 by the Polish communist authorities to serve the function of an ideological tool of educating and indoctrinating the society in accordance to the principles of the communist doctrine. However, the images projected by the state to the masses were better thought of not only as images to condition the social ideology of the people and give them aspirations and ideals, but as a mirror in which the socialist state sought to fashion a self-image of sorts. This thesis consists of five chapters, in which various aspects of Polish Socialist Realism, in relation to the Soviet model of this form of art, are analyzed. Chapter one outlines the historical background of Socialist Realism in Poland in the context of historical changes throughout the 1930s, 1940s and 1950s. It includes analysis of the pre-war situation of Polish art, followed by an examination of the Polish national and cultural scene during World War II and the immediate post-war period, leading to the proclamation of Socialist Realism. In the following chapters different themes of Socialist Realism are investigated. Chapter two, for example, looks at different representations of a 'new man' in the context of gender, whilst in chapter three the concept of the 'new man' is analysed through the prism of youth. In chapter four there is an analysis of different forms of visualisation of mass state celebrations both in the Soviet Union and Poland, explaining the techniques of discipline and control used by the communist authorities. The final chapter looks at the theme of the 'enemy of the system' and analyses its imagery.
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Books on the topic "Socialist realism"

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1947-, Scriven Michael, and Tate Dennis, eds. European socialist realism. Oxford, UK: Berg, 1988.

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1964-, Bek Mikuláš, Chew Geoffrey, and Macek Petr 1967-, eds. Socialist realism and music. Praha: KLP, 2004.

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Thomas, Lahusen, and Dobrenko E. A, eds. Socialist realism without shores. Durham, N.C: Duke University Press, 1997.

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Dobrenko, E. A. Political economy of socialist realism. New Haven, CT: Yale University Press, 2008.

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Dobrenko, E. A. Political economy of socialist realism. New Haven: Yale University Press, 2007.

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Augusto, Razetto Francesco, ed. Socialistický realismus Československo 1948-1989 =: Socialist realism Czechoslovak 1948-1989 = Realismo socialista Cecoslovacchia 1948-1989. Praha: Nadační fond Eleutheria, 2008.

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Razetto, Francesco Augusto, and Ottaviano Maria Razetto. Realismo socialista Cecoslovacchia 1948-1989: Socialist realism Czechoslovak 1948-1989 = Socialistický realismus Československo 1948-1989. [Praha]: Fondazione Eleutheria, 2012.

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Museum, P. S. 1., ed. The Aesthetic arsenal: Socialist realism under Stalin. New York: Institute for Contemporary Art, P.S. 1 Museum, 1993.

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Museum, P. S. 1., ed. The aesthetic arsenal: Socialist realism under Stalin. New York: Institute for Contemporary Art, P.S.1 Museum, 1993.

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Li, Qingquan. From critical realism to socialist realism: A historical survey of realism in modern Chinese literature. New York: P. Lang, 1996.

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Book chapters on the topic "Socialist realism"

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Kemp-Welch, A. "Socialist Realism." In Stalin and the Literary Intelligentsia, 1928–39, 142–60. London: Palgrave Macmillan UK, 1991. http://dx.doi.org/10.1007/978-1-349-21447-1_5.

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Gifford, Henry. "Socialist realism." In The Novel in Russia, 176–84. London: Routledge, 2021. http://dx.doi.org/10.4324/9781003091899-17.

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Russell, Robert. "Towards Socialist Realism." In Russian Drama of the Revolutionary Period, 144–67. London: Palgrave Macmillan UK, 1988. http://dx.doi.org/10.1007/978-1-349-09721-0_9.

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Scriven, Michael. "Interwar Socialist Realism." In Paul Nizan: Communist Novelist, 87–112. London: Palgrave Macmillan UK, 1988. http://dx.doi.org/10.1007/978-1-349-19401-8_6.

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Flaker, Aleksandar. "Presuppositions of Socialist Realism." In The Culture of the Stalin Period, 97–109. London: Palgrave Macmillan UK, 1990. http://dx.doi.org/10.1007/978-1-349-20651-3_5.

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Arandelovic, Biljana. "Socialist Realism in Art." In Public Art and Urban Memorials in Berlin, 257–77. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-73494-1_6.

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Newton, K. M. "Georg Lukács: ‘Critical Realism and Socialist Realism’." In Twentieth-Century Literary Theory, 163–66. London: Macmillan Education UK, 1997. http://dx.doi.org/10.1007/978-1-349-25934-2_33.

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Yin, Yanfei. "Realism or Modernism?" In Art and Modernism in Socialist China, 25–39. New York: Routledge, 2024. http://dx.doi.org/10.4324/9781003450535-4.

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Clark, Katerina. "Socialist Realism in Soviet Literature." In From Symbolism to Socialist Realism, edited by Irene Masing-Delic, 419–32. Boston, USA: Academic Studies Press, 2019. http://dx.doi.org/10.1515/9781618111449-042.

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Kaganovsky, Lilya. "The Sound of Socialist Realism." In The Routledge Companion to Global Film Music in the Early Sound Era, 715–33. New York: Routledge, 2023. http://dx.doi.org/10.4324/9780429504471-53.

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Conference papers on the topic "Socialist realism"

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Ovcharenko, S. V. "The creativity of Borys Lyatoshinsky through the prism of socialist realism." In PARTICULARITIES OF ART’S INFLUENCE ON PERSONALITY DEVELOPMENT. Baltija Publishing, 2024. http://dx.doi.org/10.30525/978-9934-26-402-3-1.

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Yang, Zhiya. "THE DIFFERENT INTERPRETATIONS OF GORKY’S THOUGHTS IN CHINESE LITERATURE OF THE 1930s." In 9th International Conference ISSUES OF FAR EASTERN LITERATURES. St. Petersburg State University, 2021. http://dx.doi.org/10.21638/11701/9785288062049.34.

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Joseph Stalin, as the ruler of the USSR, invited Maxim Gorky (who was living in Europe at that time) to return home to preach and consolidate socialist realism, and so socialist realism was established in Russia in the 1930s. Gorky played an important role in Russian literature during this time, while in China, different writers also introduced socialist realism through various literary translations of Russian writers, among which Gorky’s works were the most translated. Gorky advocated for the combination of realism and romanticism. He described positive heroes in his works and valued humanity. These thoughts, however, were interpreted in diverse ways by various Chinese writers, which were split into two teams. One team was represented by Zhou Yang (周 扬) and Xiao San (萧三), who underlined the political function of literature; the other team was represented by Hu Feng (胡风) and Mao Dun (茅盾), who were instead in favor of the fusion of the idea of humanism with socialist realism. This article begins with an introduction of Gorky’s thought through various literary works translated in the 1930s, representing the spread of Gorky’s ideas throughout China. The author then focuses on the different interpretations of his thoughts presented by Zhou Yang, Xiao San together with Hu Feng, and Mao Dun. The purpose of this article is first to elaborate on the significance of Gorky’s thoughts for Chinese literature in the 1930s, then to analyze the different interpretations of his thoughts, which serves to explain the reasoning for different interpretations and the objectives of these Chinese writers who put forward different perceptions of Gorky’s word. Finally, this article will conclude by analyzing whose interpretation is closer to Gorky’s original thoughts.
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Kopcakova, Slavka. "SOCIALIST REALISM IN SLOVAK MUSIC - WHY DID TOTALITARIAN REGIMES NEED MUSIC AESTHETICS?" In 4th International Multidisciplinary Scientific Conference on Social Sciences and Arts SGEM2017. Stef92 Technology, 2017. http://dx.doi.org/10.5593/sgemsocial2017/hb61/s16.59.

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Barros, C. G. "A SURVEY ON THE CONCEPT OF SOCIALIST REALISM IN WESTERN MUSIC HISTORIOGRAPHY." In ТЕРМИНЫ, ПОНЯТИЯ И КАТЕГОРИИ В МУЗЫКОВЕДЕНИИ. Казань: Казанская государственная консерватория имени Н.Г. Жиганова; Московская государственная консерватория имени П. И. Чайковского, 2021. http://dx.doi.org/10.48201/9785854012843_103.

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Ndreçka, Olisa, and Florian Nepravishta. "The Impact of Socialist Realism Ideology in the Albanian Architecture from 1945-1990." In University for Business and Technology International Conference. Pristina, Kosovo: University for Business and Technology, 2013. http://dx.doi.org/10.33107/ubt-ic.2013.7.

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Kozorezenko, P., and I. Orlov. "The soviet «Servere style» - a drink of freedom or crisis of socialist realism." In Scientific achievements of the third millennium. SPC "LJournal", 2021. http://dx.doi.org/10.18411/scienceconf-03-2021-57.

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Shinta, Diesta Noor, Trie Hartiti Retnowati, and Hadjar Pamadhi. "Contemporary Socialist Realism Within Indonesian Local Toss up Cards in the 1940s–1950s Era." In 4th International Conference on Arts and Arts Education (ICAAE 2020). Paris, France: Atlantis Press, 2021. http://dx.doi.org/10.2991/assehr.k.210602.026.

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Ryabov, A. V. "The course on "socialist realism" (From the history of the Russian avant-garde 1920-1930 years)." In Scientific dialogue: Questions of philosophy, sociology, history, political science. ЦНК МОАН, 2019. http://dx.doi.org/10.18411/spc-01-08-2019-01.

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Muzakka, Moh, and Mirya Anggrahini. "Ideological Battle of Socialist Realism Against The Ideology of Feudalism Religious in Novels of Pramoedya Ananta Toer Study of Hegemony Gramscian." In Proceedings of the First International Conference on Culture, Literature, Language Maintenance and Shift, CL-LAMAS 2019, 13 August 2019, Semarang, Central Java, Indonesia. EAI, 2019. http://dx.doi.org/10.4108/eai.5-12-2019.162288.

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Motter, Talitha Bueno. "O realismo socialista no clube de gravura de Porto Alegre: intersecções e disjunções." In Encontro da História da Arte. Universidade Estadual de Campinas, 2014. http://dx.doi.org/10.20396/eha.10.2014.4193.

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O Clube de Gravura de Porto Alegre (CGPA), fundado em finais de 1950 por Carlos Scliar e Vasco Prado, tinha entre seus propósitos: congregar artistas e interessá-los na arte da gravura; criar um público capaz de adquirir obras a preços acessíveis e unir o conteúdo nacional a uma forma realista de elevada qualidade artística. A referência do realismo socialista (RS) parece ser significativa na determinação desses propósitos, sendo citada por diversos autores. No entanto, essa aproximação deve ser feita com cautela, de modo a não se entender aí uma equivalência. A análise, que aqui se apresenta como inicial, se centrará na produção de Scliar, principal porta-voz dos ideais do Clube e um dos integrantes que mais realizou gravuras naquele momento.
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Reports on the topic "Socialist realism"

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Muller, Ruehl. On Laotian socialist realism in the statuescape of Vientiane: a conversation with Maising Chanbouthdy. Critical Asian Studies, November 2022. http://dx.doi.org/10.52698/mcsf2052.

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Kolomiiets, Viacheslav. Ballet Art of Soviet Ukraine from the Late 1910s to the Early 1930s: Classical Performances, Modern Intentions, Socialist Realism Canon. Intellectual Archive, April 2024. http://dx.doi.org/10.32370/ia_2024_03_11.

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The article conceptualizes the development of ballet art in Soviet Ukraine from the late 1910s to the early 1930s. The active use of ballets of classical heritage (Corsair, Futile Warning, Swan Lake, etc.) in the repertoire of opera theaters of Kyiv, Kharkiv, Odesa and the penetration of modern features into the ballet stage (Flying Ballet) were demonstrated. It is noted that elements of modern dance were cultivated in the activities of private choreographic and theater studios. The collapse of modernism with the introduction of the method of socialist realism in art with a focus on ideology, nationalism, and partisanship is noted. It was concluded that the state of ballet art in Soviet Ukraine from the late 1910s to the early 1930s can be qualified as a transition from modernization intentions, which were not realized, to the gradual introduction of the socialist realist method of artistic creation as the only one officially recognized by the Soviet authorities.
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Kolomiiets, Viacheslav. Ballet Art of Soviet Ukraine from the Late 1910s to the Early 1930s: Classical Performances, Modern Intentions, Socialist Realism Canon. Intellectual Archive, April 2024. http://dx.doi.org/10.32370/ia_2024_01_11.

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The article conceptualizes the development of ballet art in Soviet Ukraine from the late 1910s to the early 1930s. The active use of ballets of classical heritage (Corsair, Futile Warning, Swan Lake, etc.) in the repertoire of opera theaters of Kyiv, Kharkiv, Odesa and the penetration of modern features into the ballet stage (Flying Ballet) were demonstrated. It is noted that elements of modern dance were cultivated in the activities of private choreographic and theater studios. The collapse of modernism with the introduction of the method of socialist realism in art with a focus on ideology, nationalism, and partisanship is noted. It was concluded that the state of ballet art in Soviet Ukraine from the late 1910s to the early 1930s can be qualified as a transition from modernization intentions, which were not realized, to the gradual introduction of the socialist realist method of artistic creation as the only one officially recognized by the Soviet authorities.
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Molina, Carlos Gerardo. Entrega de servicios sociales: Modalidades y cambios recientes en América Latina. Inter-American Development Bank, April 2002. http://dx.doi.org/10.18235/0012062.

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En los últimos años, han ocurrido en América Latina cambios importantes en el financiamiento y organización de sus servicios sociales. Ejemplos de estos cambios son: el financiamiento de la demanda; el creciente papel asignado a los mercados; la focalización; la descentralización y la participación comunitaria. Es a través de ellos que se empiezan a forjar nuevas tendencias que permean la discusión y el quehacer públicos y a recomponer el intrincado andamiaje que define la política social de un país. La proliferación de nuevas modalidades de entrega de los servicios sociales en la región, es, en parte, el desenlace de las reformas económicas y los cambios institucionales ocurridos en la última década, como también el fruto del reconocimiento de que, a través de ellos, se pueden mejorar los resultados de los servicios sociales, que, hoy por hoy, son inferiores a sus posibilidades reales, sobre todo en la satisfacción de las necesidades de la población. Este documento presenta las distintas modalidades de entrega de servicios sociales -financiación y organización- y analiza alcances, limitaciones e impacto.
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Cediel Domínguez, Andrea Nathalia, and Juan Camilo Vega Guerrero. La competitividad endógena en emprendimientos sociales en la ciudad de Bucaramanga. Universidad Nacional Abierta y a Distancia- UNAD, October 2022. http://dx.doi.org/10.22490/ecacen.6310.

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El presente trabajo de investigación se desarrolla en el marco de las temáticas de emprendimiento social, competitividad y marketing en organizaciones sociales de la ciudad de Bucaramanga y su área metropolitana. El objetivo del estudio es identificar las variables que inciden en la competitividad interna en organizaciones sociales que atienden niños en estado de vulnerabilidad de la ciudad de Bucaramanga mediante la aplicación de un cuestionario durante el segundo semestre de 2021. El análisis de los factores de competitividad se realiza mediante el análisis de frecuencias y de tendencia central, para establecer la dinámica de las variables de competitividad interna de mercadeo en las organizaciones participantes con respecto a: Identificación de la oferta social, estructuración de las capacidades sociales al mercado, administración en emprendimiento e innovación sociales El estudio se articula con el proyecto de investigación de la ECACEN denominado: La competitividad endógena de marketing en organizaciones de emprendimiento social en Colombia. Los principales resultados del estudio nos permiten inferir que los directores de estas organizaciones sociales consideran relevantes todos los componentes evaluados para desarrollar la competitividad interna de mercado en sus organizaciones. Se logró identificar que para las mujeres es muy importante la identificación de la oferta social y la estructuración de las capacidades sociales al mercado.
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Martínez Franzoni, Juliana. Set de datos de la investigación: Familias y transferencias monetarias. Universidad de Costa Rica, 2023. http://dx.doi.org/10.15517/kerwa.91450.

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Posterior a los procesos investigación de la colección 'Fuera de Serie' del Instituto de Investigaciones Sociales de la UCR, y la serie bajo el nombre 'Opinión pública sobre las transferencias monetarias en América', se realizó el análisis de la información en este set de datos, desde la aplicación R.
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Canto, Patricia, ed. LA CONTRIBUCIÓN DEL PLAN DE CIENCIA, TECNOLOGÍA E INNOVACIÓN EUSKADI 2030 A LOS ODS. Universidad de Deusto, 2024. http://dx.doi.org/10.18543/jtvq3054.

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El documento tiene como objetivo medir la contribución del Plan de Ciencia, Tecnología e Innovación Euskadi 2030 (PCTI 2030) a los Objetivos de Desarrollo Sostenible (ODS). Para ello, se realiza un análisis del estado del arte respecto a la medición de la contribución de la I+D+i a los ODS, y sobre esta base, el informe presenta una propuesta metodológica de medición y un primer diagnóstico del nivel de contribución actual del plan a los ODS recogidos en el PCTI, ordenados por retos sociales. En concreto los retos sociales y ODS relacionados, que estructuran el informe son los siguientes: Reto social: salud (ODS 3. Salud y bienestar). Reto social: igualdad de género (ODS 5. Igualdad de género). Reto social: energía y cambio climático (ODS 7. Energía asequible y no contaminante. ODS 11. Ciudades y comunidades sostenibles. ODS 13. Acción por el clima). Reto social: empleo de calidad (ODS 8. Trabajo decente y crecimiento económico). Reto social: transformación digital (ODS 9. Industria, innovación e infraestructuras).
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Castro Gutierrez, Carlos Arturo. Clasificación de riesgo fiscal de los hospitales públicos según la Resolución 851 de 2023 de MINSALUD. Contraloría General de Antioquia, December 2023. http://dx.doi.org/10.58373/obscga.023.

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Este artículo presenta un análisis detallado de la evolución del riesgo fiscal y financiero en las Empresas Sociales del Estado (ESE), basándose en la investigación titulada “Tendencias de Riesgo Financiero en las Empresas Sociales del Estado Fiscalizadas por la Contraloría General de Antioquia”, llevada a cabo en 2022. Esta investigación se enmarca en el Observatorio de la Gestión Fiscal de la Contraloría General de Antioquia (CGA). El estudio realiza una comparación exhaustiva entre diversas categorizaciones de riesgo fiscal: los resultados de la investigación mencionada, la categorización de riesgos del Ministerio de Salud y Protección Social según la Resolución 851 de 2023, y los valores del indicador de equilibrio presupuestal con recaudo, calculado a partir de los resultados financieros del año 2022 para las ESE incluidas en la muestra. Esta muestra comprende 116 ESE, representando la totalidad de dichas entidades públicas vigiladas por la CGA. A través de un análisis correlacional de las tres variables mencionadas, se evidencia una relación directa en la mayoría de los casos entre ellas, indicando que las tendencias de riesgo se mantienen constantes a lo largo del tiempo.
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Bensión, Alberto. Las reformas del Estado en Chile a partir de la década del noventa y sus lecciones. Inter-American Development Bank, December 2006. http://dx.doi.org/10.18235/0010194.

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La presente nota técnica consiste en un estudio del proceso de reforma y modernización del Estado en Chile y de una serie de áreas recomendadas para la acción futura. El trabajo abreva en dos fuentes principales de información: a) la revisión de los estudios recientes sobre el proceso de modernización del Estado chileno, y b) las entrevistas y consultas a autoridades, académicos y otros expertos en la temática. La selección de las reformas posteriores a la década del noventa que se entendieron fundamentales para fortalecer la capacidad institucional del Estado se realizó en base a tres criterios principales: la importancia de su efecto sobre la evolución económica de Chile, la dimensión de la transformación institucional planteada y la importancia de su efecto sobre ciertos sectores sociales del país.
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Beato, Paulina. Participación del sector privado en los sistemas de agua potable y saneamiento: Ventajas, riesgos y obstáculos. Inter-American Development Bank, December 1997. http://dx.doi.org/10.18235/0009766.

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El objetivo de este trabajo es analizar la incorporación del sector privado a los servicios de agua y saneamiento desde una doble perspectiva. De un lado, se discute en qué medida la incorporación del sector privado permite romper el círculo de ineficiencia en la que están atrapados la mayoría de los servicios de agua y alcantarillado en la región y promover la eficiencia en la provisión de estos servicios. De otro, se analizan los riesgos y los obstáculos para dicha participación. Aunque los obstáculos son reales, los mismos se agrandan por la presión de algunos grupos sociales interesados en provocar alarma social durante los procesos de incorporación privada. El rechazo social es, en muchas ocasiones, el obstáculo mayor para la implementación de los procesos.
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