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Books on the topic 'Social sciences -> philosophy -> aesthetics'

Author: Grafiati

Published: 26 July 2024

Last updated: 27 July 2024

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1

W, Wartofsky Marx, Gould Carol C, and Cohen R. S, eds. Artifacts, representations, and social practice: Essays for Marx Wartofsky. Dordrecht: Kluwer Academic Publishers, 1994.

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2

Thyssen, Ole. Iagttagelse og blindhed: Om organisation, fornuft og utopi. København: Handelshøjskolens Forlag, 2000.

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3

Gabriel, Rockhill, and Watts Philip 1961-, eds. Jacques Rancière: History, politics, aesthetics. Durham: Duke University Press, 2009.

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4

Boudinet, Gilles. Des arts et des idées au XXe siècle: Musique, peinture, philosophie et sciences humaines : fragments croisés. Paris: L'Harmattan, 1998.

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5

Boudinet, Gilles. Des arts et des idées au XXe siècle: Musique, peinture, philosophie, sciences humaines et intermezzos poétiques, fragments croisés. 2nd ed. Paris: Harmattan, 2000.

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6

Matjus, Ülo. Kõrb kasvab. Tartu: Ilmamaa, 2003.

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7

Zhui xun shi yi de qi ju: Xian dai xing yu shen mei jiao yu. Beijing: Ren min chu ban she, 2009.

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8

Sysoli͡atin, V. V. Filosofii͡a, naukovedenie, sot͡siologii͡a, chelovekoznanie, ėtika, ėstetika. Ti͡umenʹ: [s.n.], 1993.

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9

Social contract, masochist contract: Aesthetics of freedom and submission in Rousseau. Albany: State University of New York Press, 2014.

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10

Hughes, Jon. Facing modernity: Fragmentation, culture and identity in Joseph Roth's writing in the 1920's. London: Maney Pub. for the Modern Humanities Research Association and the Institute of Germanic and Romance Studies, University of London, 2006.

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11

Facing modernity: Fragmentation, culture and identity in Joseph Roth's writing in the 1920's. London: Maney Pub. for the Modern Humanities Research Association and the Institute of Germanic and Romance Studies, University of London, 2006.

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12

Hughes, Jon. Facing modernity: Fragmentation, culture and identity in Joseph Roth's writing in the 1920's. London: Maney Pub. for the Modern Humanities Research Association and the Institute of Germanic and Romance Studies, University of London, 2006.

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13

Mosakusuru bigaku: Avan gyarudo shakai shisōshi. Tōkyō: Ronsōsha, 2014.

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14

Leppert, Richard D. The sight of sound: Music, representation, and the history of the body. Berkeley: University of California Press, 1993.

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15

Leppert, Richard D. The sight of sound: Music, representation, and the history of the body. Berkeley: University of California Press, 1993.

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16

Shaun, Nichols, ed. The architecture of the imagination: New essays on pretence, possibility, and fiction. Oxford: Clarendon Press, 2006.

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17

Barasch, Moshe. Theories of art. New York: Routledge, 2000.

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18

Barasch, Moshe. Theories of art: From Plato to Winckelmann. New York: New York University Press, 1985.

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19

I͡Arskai͡a, V. N. Vremi͡a v ėvoli͡ut͡sii kulʹtury: Filosofskie ocherki. Saratov: Izd-vo Saratovskogo universiteta, 1989.

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20

Durst, David C. Zur politischen Ökonomie der Sittlichkeit bei Hegel und der ästhetischen Kultur bei Schiller: Eine Studie zur politischen Vernunft. Wien: Passagen, 1994.

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21

1972-, Porter Robert, ed. Dramatizing the political: Deleuze and Guattari. Houndmills, Basingstoke, Hampshire: Palgrave Macmillan, 2011.

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22

"Aleteĭi︠a︡", Izdatelʹstvo, ed. Idealy i palliativy v russkoĭ tradit︠s︡ii i kulʹture. Sankt-Peterburg: Aleteĭi︠a︡, 2018.

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23

Derek, Robbins, ed. Jean-François Lyotard. London: SAGE, 2004.

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24

Cohen, R. S., and C. Gould. Artifacts, Representations and Social Practice. Springer, 2012.

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25

The Aesthetic Reconstruction of Social Philosophy (St Andrews). Imprint Academic, 2008.

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26

Artifacts, Representations and Social Practice: Essays for Marx Wartofsky. Springer, 2011.

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27

Cohen, Robert S., and C. Gould. Artifacts, Representations and Social Practice: Essays for Marx Wartofsky. Springer London, Limited, 2012.

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28

Castoriadis, Cornelius. Figures of the Thinkable (Meridian: Crossing Aesthetics). Stanford University Press, 2007.

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29

Castoriadis, Cornelius. Figures of the Thinkable (Meridian: Crossing Aesthetics). Stanford University Press, 2007.

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30

(Editor), C. Gould, and R. S. Cohen (Editor), eds. Artifacts, Representations and Social Practice: Essays for Marx Wartofsky (Boston Studies in the Philosophy of Science). Springer, 1993.

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31

Aesthetics of Science. Taylor & Francis Group, 2020.

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32

Lopes, Dominic McIver. Aesthetics and Philosophy of Art. Edited by Herman Cappelen, Tamar Szabó Gendler, and John Hawthorne. Oxford University Press, 2016. http://dx.doi.org/10.1093/oxfordhb/9780199668779.013.11.

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Abstract:

This article focuses on aesthetics and the philosophy of art as branches of so-called analytic philosophy. It begins with a historical overview of aesthetics and the philosophy of art before turning to a discussion of how the philosophy of art bears upon human culture. It then considers the methods used in attacking problems in aesthetics and the philosophy of art by highlighting the distinctions between pure and applied philosophy, between internal and external perspectives on aesthetic and artistic phenomena, and between first-order and second-order methods. It also examines how aesthetics and the philosophy of art are affected as the arts evolve and as empirical studies of aesthetic and artistic phenomena become well established in the social and behavioural sciences as well as the humanities.

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33

Ästhetische Aufklärung: Kunst und Kritik in der Theorie Theodor W. Adornos. Juventa Verlag GmbH, 2016.

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34

Sviták, Ivan. The Windmills of Humanity: On Culture and Surrealism in the Manipulated World. Charles H. Kerr, 2015.

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35

Curado, Manuel, Dena Shottenkirk, and Steven S. Gouveia. Perception, Cognition and Aesthetics. Taylor & Francis Group, 2019.

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36

Curado, Manuel, Dena Shottenkirk, and Steven S. Gouveia. Perception, Cognition and Aesthetics. Taylor & Francis Group, 2019.

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37

Curado, Manuel, Dena Shottenkirk, and Steven S. Gouveia. Perception, Cognition and Aesthetics. Taylor & Francis Group, 2019.

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38

Curado, Manuel, Dena Shottenkirk, and Steven S. Gouveia. Perception, Cognition and Aesthetics. Taylor & Francis Group, 2019.

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39

Curado, Manuel, Dena Shottenkirk, and Steven S. Gouveia. Perception Cognition and Aesthetics. Taylor & Francis Group, 2021.

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40

Perception Cognition and Aesthetics. Taylor & Francis Group, 2019.

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41

Nietzsche, Friedrich. The Gay Science: With a Prelude in Rhymes and an Appendix of Songs. Vintage, 2010.

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42

Politics Of Culture And The Spirit Of Critique Dialogues. Columbia University Press, 2011.

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43

French, Steven, and Milena Ivanova. Aesthetics of Science: Beauty, Imagination and Understanding. Taylor & Francis Group, 2022.

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44

FRENCH, STEVEN, and Milena Ivanova. Aesthetics of Science: Beauty, Imagination and Understanding. Taylor & Francis Group, 2020.

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45

FRENCH, STEVEN, and Milena Ivanova. Aesthetics of Science: Beauty, Imagination and Understanding. Taylor & Francis Group, 2020.

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46

FRENCH, STEVEN, and Milena Ivanova. Aesthetics of Science: Beauty, Imagination and Understanding. Taylor & Francis Group, 2020.

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47

FRENCH, STEVEN, and Milena Ivanova. Aesthetics of Science: Beauty, Imagination and Understanding. Taylor & Francis Group, 2020.

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48

Thinking about Science, Reflecting on Art: Bringing Aesthetics and Philosophy of Science Together. Taylor & Francis Group, 2017.

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49

Lopes, Dominic McIver. Aesthetics on the Edge. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198796657.001.0001.

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Recent years have seen an explosion of research on the biological, neural, and psychological foundations of artistic and aesthetic phenomena, which had previously been the province of the social sciences and the humanities. Meanwhile, it is a boom time for meta-philosophy, many new methods have been adopted in aesthetics, and philosophers are tackling the relationship between empirical and theoretical approaches to aesthetics. These eleven essays propose a methodology especially suited to aesthetics, where problems in philosophy are addressed principally by examining how aesthetic phenomena are understood in the human sciences. Since the human sciences include much of the humanities as well as the social, behavioural, and brain sciences, the methodology promises to integrate arts research across the academy. The volume opens with four essays outlining the methodology and its potential. Subsequent essays put the methodology to work, shedding light on the perceptual and social-pragmatic capacities that are implicated in responding to works of art, especially images, but also music, literature, and conceptual art.

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50

Reitz, Charles. Art, Alienation, and the Humanities: A Critical Engagement With Herbert Marcuse (Suny Series in the Philosophy of the Social Sciences). State University of New York Press, 2000.

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