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Relevant bibliographies by topics / Social network (Motion picture)

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Academic literature on the topic 'Social network (Motion picture)'

Author: Grafiati

Published: 29 July 2024

Last updated: 31 July 2024

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Journal articles on the topic "Social network (Motion picture)"

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Asokan, R., and T. Vijayakumar. "Design of WhatsApp Image Folder Categorization Using CNN Method in the Android Domain." September 2021 3, no. 3 (October 16, 2021): 180–95. http://dx.doi.org/10.36548/jucct.2021.3.003.

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Recently, the use of different social media platforms such as Twitter, Facebook, and WhatsApp have increased significantly. A vast number of static images and motion frame pictures posted on such platforms get stored in the device folder making it critical to identify the social network of the downloaded images in the android domain. This is a multimedia forensic job with major cyber security consequences and is said to be accomplished using unique traces contained in picture material (SNs). Therefore, this proposal has been endeavoured to construct a new framework called FusionNet to combine two well-established single shared Convolutional Neural Networks (CNN) to accelerate the search. Moreover, the FusionNet has been found to improve classification accuracy. Image searching is one of the challenging issues in the android domain besides being a time-consuming process. The goal of the proposed network's architecture and training is to enhance the forensic information included in the digital pictures shared on social media. Furthermore, several network designs for the categorization of WhatsApp pictures have been compared and this suggested method has shown better performance in the comparison. The proposed framework's overall performance was measured using the performance metrics.

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Kim, Taegu, Jungsik Hong, and Pilsung Kang. "Box Office Forecasting considering Competitive Environment and Word-of-Mouth in Social Networks: A Case Study of Korean Film Market." Computational Intelligence and Neuroscience 2017 (2017): 1–16. http://dx.doi.org/10.1155/2017/4315419.

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Accurate box office forecasting models are developed by considering competition and word-of-mouth (WOM) effects in addition to screening-related information. Nationality, genre, ratings, and distributors of motion pictures running concurrently with the target motion picture are used to describe the competition, whereas the numbers of informative, positive, and negative mentions posted on social network services (SNS) are used to gauge the atmosphere spread by WOM. Among these candidate variables, only significant variables are selected by genetic algorithm (GA), based on which machine learning algorithms are trained to build forecasting models. The forecasts are combined to improve forecasting performance. Experimental results on the Korean film market show that the forecasting accuracy in early screening periods can be significantly improved by considering competition. In addition, WOM has a stronger influence on total box office forecasting. Considering both competition and WOM improves forecasting performance to a larger extent than when only one of them is considered.

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Hoyler, Michael, and Allan Watson. "Framing city networks through temporary projects: (Trans)national film production beyond ‘Global Hollywood’." Urban Studies 56, no. 5 (October 3, 2018): 943–59. http://dx.doi.org/10.1177/0042098018790735.

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This article advances research on external urban relations by drawing attention to the role of temporary project-based economic organisation in the formation of inter-firm links between cities. Through a novel empirical examination of (trans)national co-production in the motion picture industry, we reveal how such projects transcend the boundaries of individual production clusters and link urban centres within specific network configurations. Stripping away the ‘top layer’ of Hollywood’s commercially successful feature films, we undertake a social network analysis of film productions in four markets across three continents – China, Germany, France and Brazil – to provide a unique comparative analysis of networked urban geographies. Our findings show that film production networks are grounded in existing structural relations between cities. The spatial forms of these networks range from monocentric in the case of the French film market, to dyadic in the case of China and Brazil, to polycentric in the case of the German film market. Conceptually, we argue that adopting an inter-firm project-based approach can account for the ways in which complex patterns of inter-firm production relations accumulate to form (trans)national city networks. Viewing city networks in this way provides an important alternative perspective to dominant conceptualisations of global urban networks as formed through corporate intra-firm relations.

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Cattani, Gino, and Simone Ferriani. "A Core/Periphery Perspective on Individual Creative Performance: Social Networks and Cinematic Achievements in the Hollywood Film Industry." Organization Science 19, no. 6 (December 2008): 824–44. http://dx.doi.org/10.1287/orsc.1070.0350.

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The paper advances a relational perspective to studying creativity at the individual level. Building on social network theory and techniques, we examine the role of social networks in shaping individuals' ability to generate a creative outcome. More specifically, we argue that individuals who occupy an intermediate position between the core and the periphery of their social system are in a favorable position to achieve creative results. In addition, the benefits accrued through an individual's intermediate core/periphery position can also be observed at the team level, when the same individual works in a team whose members come from both ends of the core/periphery continuum. We situate the analysis and test our hypotheses within the context of the Hollywood motion picture industry, which we trace over the period 1992–2003. The theoretical implications of the results are discussed. This work is licensed under a Creative Commons Attribution 4.0 International License. You are free to copy, distribute, transmit and adapt this work, but you must attribute this work as “Organization Science. Copyright © 2017 INFORMS. https://doi.org/10.1287/orsc.1070.0350 , used under a Creative Commons Attribution License: http://creativecommons.org/licenses/by/4.0/ .”

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Fovet, Frederic. "120 BPM [Motion Picture]." Journal of Homosexuality 66, no. 11 (October 18, 2018): 1626–28. http://dx.doi.org/10.1080/00918369.2018.1517498.

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Wakabayashi, Akio, and Asami Katsumata. "The Motion Picture Mind-Reading Test." Journal of Individual Differences 32, no. 2 (January 2011): 55–64. http://dx.doi.org/10.1027/1614-0001/a000034.

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The Motion Picture Mind Reading (MPMR) Test is a novel naturalistic mind-reading task, designed to measure individual differences in a young adult population in Japan. Short scenes from TV films showing characters in social situations were presented to 128 university students; participants judged the mental state of a character in these films. The distribution of task performance (MPMR Test) of participants was approximately normal and its psychometric properties were found to be satisfactory. The MPMR Test scores correlated positively with those of the Eyes Test and also with scores on the empathy quotient (EQ); they correlated negatively with scores on the systemizing quotient (SQ). The MPMR Test provides a further method for assessing subtle individual differences in mind-reading ability in the general population.

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Cirlin, Bernard D., and Jack N. Peterman. "Pre-Testing a Motion Picture: A Case History." Journal of Social Issues 3, no. 3 (April 14, 2010): 39–41. http://dx.doi.org/10.1111/j.1540-4560.1947.tb02212.x.

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Lee, Sangjoon. "Creating an anti-communist motion picture producers’ network in Asia: the Asia Foundation, Asia Pictures, and the Korean Motion Picture Cultural Association." Historical Journal of Film, Radio and Television 37, no. 3 (March 10, 2016): 517–38. http://dx.doi.org/10.1080/01439685.2016.1157292.

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Cummings, Chailin. "An Empirical Examination of Network Ambidexterity in the Contemporary Motion Picture Industry." Academy of Management Proceedings 2012, no. 1 (July 2012): 15395. http://dx.doi.org/10.5465/ambpp.2012.15395abstract.

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Ju, Yang. "Study of Human Motion Recognition Algorithm Based on Multichannel 3D Convolutional Neural Network." Complexity 2021 (May 26, 2021): 1–12. http://dx.doi.org/10.1155/2021/7646813.

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Aiming at the problem that it is difficult to balance the speed and accuracy of human behaviour recognition, this paper proposes a method of motion recognition based on random projection. Firstly, the optical flow picture and Red, Green, Blue (RGB) picture obtained by the Lucas-Kanade algorithm are used. Secondly, the data of optical flow pictures and RGB pictures are compressed based on a random projection matrix of compressed sensing, which effectively reduces power consumption. At the same time, based on random projection compression data, it can effectively find the optimal linear representation to reconstruct training samples and test samples. Thirdly, a multichannel 3D convolutional neural network is proposed, and the multiple information extracted by the network is fused to form an output recognizer. Experimental results show that the algorithm in this paper significantly improves the recognition rate of multicategory actions and effectively reduces the computational complexity and running time of the recognition algorithm.

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Dissertations / Theses on the topic "Social network (Motion picture)"

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Tang, Yi. "A bird known by its note : identity legitimacy, network dynamics, and actor performance in the Hong Kong film industry, 1970-1997 /." View abstract or full-text, 2009. http://library.ust.hk/cgi/db/thesis.pl?MGTO%202009%20TANG.

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Santos, Fernanda Bornancin. "Deslocamentos tecnológicos e artísticos na prática dos microrroteiros da cidade." Universidade Tecnológica Federal do Paraná, 2016. http://repositorio.utfpr.edu.br/jspui/handle/1/2032.

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CAPES
Esta pesquisa propõe uma reflexão sobre como a dimensão tecnológica na prática dos Microrroteiros da Cidade se constitui como fator fundamental de seus processos de co-construção e mediação de circulações, dinâmicas e possibilidades de desdobramento. Criado em 2009 pela artista e roteirista paulistana Laura Guimarães, o projeto consiste em pequenas intenções de roteiro que convidam à visualização de histórias e situações vivenciadas por pessoas que transitam e/ou habitam a cidade de São Paulo. A linguagem utilizada nos textos dos microrroteiros é, ao mesmo tempo, uma relativização do roteiro de cinema e do código técnico de escritura do Twitter – uma plataforma de microblogging que prioriza o compartilhamento por meio de mensagens curtas de até 140 caracteres. Por meio de levantamento fotográfico, entrevista e coleta de dados, realizamos um mapeamento dos trânsitos dessas dinâmicas e, posteriormente, desenvolvemos uma análise das opções tipográficas, dos variados suportes, composições e das conexões entre diferentes espaços geográficos identificados. A fundamentação da pesquisa é realizada a partir da Teoria Crítica da Tecnologia de Andrew Feenberg e da leitura do autor sobre as considerações de Herbert Marcuse em relação à tecnologia e a arte. Refletimos também a respeito de deslocamentos de processos artísticos e comunicacionais desencadeados a partir da década de 1960 por um viés teórico latino-americano, sustentado por Néstor García-Canclini e Jesús Martín-Barbero, no intuito de analisarmos como a prática dos Microrroteiros da Cidade e suas dimensões técnico-estéticas se constituem nas dinâmicas das redes sociais e dos códigos urbanos em que se localiza. Desse modo, compreendemos as hibridações de linguagens expressas nessa prática artística como deslocamentos que ocorrem não de modo linear, mas de maneira cruzada e simultânea, borrando fronteiras de autoria e de fruição passiva, possibilitando outras construções de visualidades, coletivos e randômicos, mediando processos de ressignificação e reapropriação da cidade.
This research proposes a reflection about how the technological dimension in the practice of Microrroteiros da Cidade constitutes a fundamental factor of its co-construction and mediation processes of circulation, dynamics and deployment possibilities. Microrroteiros’s project was created in 2009 by the artist and screenwriter Laura Guimarães. Its approach involves small script intentions that invites São Paulo’s population to imagine and visualize scenes that happen in the city. The language used in microrroteiros texts is, at the same time, a relativization of screenplay and Twitter’s technical code – a microblogging plataform that priorizes the share of 140 character messages. Through photographic survey, interview and collection of data, we made a transit mapping of this dynamics and, after that, we developed an analysis of the typographic options, the various media, compositions and connections between different geographic areas identified. The theoretical foundation of this research is based on Andrew Feenberg’s Critical Theory of Technology, and on considerations that this author does about Herbert Marcuse’s theorical position on technology and art. Supported by Néstor García-Canclini and Jesús Martín-Barbero, we observe some shifts of artistic and communication processes triggered from the 1960s by a Latin American theoretical bias, in order to analyze how the practice of Microrroteiros da Cidade and their technical and aesthetic dimensions are constitutive in the dynamics of social media and urban codes in which it is located. Thus, we understand the hybridizations of this artistic practice as displacements that occur in a nonlinear way, but crossed and simultaneous, blurring boundaries of autorship and enabling other visual, collective and random constructions, mediating processes of reinterpretation and reappropriation of the city.

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Pope, Naomi Elizabeth. "Beyond Hollywood the social and spatial division of labor in the motion picture industry /." Diss., Restricted to subscribing institutions, 2008. http://proquest.umi.com/pqdweb?did=1579190531&sid=1&Fmt=2&clientId=1564&RQT=309&VName=PQD.

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Aguad-Rodríguez, Shadia. "Análisis del marketing digital en el cine peruano : casos Asu Mare 2 y Desaparecer." Bachelor's thesis, Universidad de Lima, 2016. http://repositorio.ulima.edu.pe/handle/ulima/3654.

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El presente trabajo académico tiene como objetivo principal analizar el papel que desempeñó el marketing digital en la promoción y resultados de las películas Asu Mare 2 y Desaparecer; identificando la correlación que hubo entre la interacción en las redes sociales y los resultados de taquilla en las semanas que ambas películas estuvieron en cartelera.
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Brown, Anna Marie. "Cinerati." PDXScholar, 2012. https://pdxscholar.library.pdx.edu/open_access_etds/808.

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From the polluted canals of turn-of-the-century Birmingham, England, William Moxley is an ineffectual captain of industry burning for a Music Hall life. With his unlikely bride Elvina in tow, he journeys to the west coast of the United States, only to shipwreck against his lifelong dream--a vaudeville hall called "The Sunshine." In "Dear Clara," a depression-era love story, Warren Wilkerson has been a Sunshine fixture since the age of six; suddenly forced out by the theatre's back-stabbing, bootlegging "owner," Warren must resort to desperate measures in order to pay for his dying wife's insulin. Freewheeling philosopher Holly Jo is a Seattleite sausage cart owner with a bun in the oven. Having recently lost her parents, she forges a new family from the fringes of 1974 arthouse--it's "The Labor of Holly Jo Daffodil." In "Chapter Eleven," foul-mouthed Red--the Helios's manager--learns that his boss is selling out to evil Emerald Cinemas; the news triggers a long-overdue heart attack, which turns out to be the least of his worries. Beginning with the birth of the feature length and ending at the onset of the digital age, Cinerati is a comic salute to the celluloid era--a grand era spanning over a century. Featuring an eccentric ensemble where a bit player in one decade can take a lead role in the next, Cinerati celebrates the venues in which cinema was meant to be seen, and the strange families that pop up wherever the projectors flicker.

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Ng, Hei Tung. "The representation of the mothers in J-horror." HKBU Institutional Repository, 2007. http://repository.hkbu.edu.hk/etd_ra/836.

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Lam, Sui-kwong Sunny, and 林萃光. "The impact of translated Japanese comics on Hong Kong cinematic production: cultural imperialism or localredeployment?" Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1996. http://hub.hku.hk/bib/B29902289.

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Chiarini, Ludovica, and Nadia Khedachi. "Sustainability reporting in project-based industries: a European study with a focus on the motion picture industry." Thesis, Malmö universitet, Fakulteten för kultur och samhälle (KS), 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:mau:diva-23260.

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Project-based industries (PBIs) and more specifically the motion picture industry (MPI) are industries with fluid workflows composed of non-standardised routines. The constant and massive employment of resources on an industrial level (energy usage, waste production, ephemeral decors, food consumption, transportation) generates a considerable negative impact on the environment. These industries are not striving towards sustainable development due to their ever changing work processes but have still not suffered from consumers’ backlash as many others are currently experiencing (fast fashion).Nonetheless, sustainability reporting (SR) is a rising phenomenon among MPIs due to an increased awareness about climate change and the need to shift business priorities towards a triple bottom line approach.With the employment of the major theories traditionally used to explore sustainability reporting, this thesis analysed the current stage of sustainability reporting practices in project-based industries with a focus on the motion picture industries in Europe (UK, France, Italy and Sweden). To reach this purpose, a theoretical tryptic supported the argumentation: the institutional theory, legitimacy theory and stakeholder theory were employed in synergy.Eventually, researchers confirm that SR is a rising practice and that it is not harmonised among its users. Given the lack of tailored legislative framework, organisations adventure themselves into self-assessment and third-party assessment with incohesive methodologies. Overall the motivations behind such a transition mainly emanate from personal conviction for sustainability, rather than established institutional or social pressure. Lastly, collaboration and stakeholders considerations are a reality and contribute to a more genuine engagement of MPIs into SR.

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Enders, Mark Enders Mark. "No laughing matter an exploration of the role of the protagonist in Australian feature films classified as social comedies /." Connect to this title online, 2004. http://adt.library.qut.edu.au/adt-qut/public/adt-QUT20050224.101747/.

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Mills, Jane Kathryn. "Hollywood and its others : porous borders and creative tensions in the transnational screenscape." Thesis, View thesis, 2007. http://handle.uws.edu.au:8081/1959.7/19823.

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This dissertation challenges how Hollywood is typically imagined as monolithic, homogenous and homogenising, and separated from other cinemas by fixed and impermeable borders. This influential cinematic paradigm posits a centre-periphery model underpinned by binary oppositions in which most cinemas are negatively defined as Hollywood’s ‘other’ and perceived as fixed in permanent states of opposition and assimilation. It is a perception reinforced by the influential critical paradigm which focuses on the films’ formal stylistic and narrative properties. This conceptualisation ignores, or fails to observe, the larger picture, in which global, national and local cinemas relate to each other in complex and volatile ways. My argument is that a paradigm shift is required in which the main question asked is not ‘What is Hollywood?’ but ‘Where is Hollywood?’ Location is a crux of my argument because it offers a way of questioning the widespread conception of Hollywood as bounded and fixed in a stable cultural landscape. I apply Arjun Appadurai’s framework of disjunctive global cultural flows to the analysis of cinema to show the existence of a more dynamic and chaotic screenscape than is popularly imagined. I also develop a new model of textual analysis involving traces and tracings. This troubles the notion of impermeable borders by finding the traces of global cultural flows within the film frame and tracing their trajectories outside the frame to and from their points of origin and destination. From the creative tensions caused by these asymmetrical and, multidirectional flows a previously unobserved screenscape emerges in which it is possible to see globalising processes as hybridising processes. Within this interpretive framework Hollywood is decentred and can no longer be perceived as fixed and bounded, or as the paradigm by which most cinemas define themselves and are judged. It reveals that heterogeneity and flux rather than homogeneity and fixity characterise intercinematic relations. It shows the existence of porous borders permitting transnational flows. In linking a film’s formal stylistic properties to the disjunctions in the global flows, the new model I develop for textual analysis offers a way of re-imagining Hollywood within the transnational imaginary.

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Books on the topic "Social network (Motion picture)"

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Linder, Ralf A. Von Citizen Kane bis The Social Network: Die Darstellung der Wirtschaft im US-amerikanischen Spielfilm : eine Analyse. Stuttgart: Ibidem-Verlag, 2011.

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Universität Bremen. Zentrum für Medien-, Kommunikations- und Informationsforschung, ed. Filmerfahrung und Zuschauer: Zwischen Kino, Museum und sozialen Netzwerken. Berlin: Bertz + Fischer, 2014.

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Garófano, R. Crónica social del cine en Cádiz. Cádiz: Quorum Libros Editores, 1996.

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Said, Salim. Shadows on the silver screen: A social history of Indonesian film. Edited by McGlynn John H and Boileau Janet P. Jakarta: Lontar Foundation, 1991.

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1941-, Schenk Irmbert, and Bremer Symposium zum Film (4th : 1999?), eds. Erlebnisort Kino. Marburg: Schüren, 2000.

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Nanci, Fernandes, ed. Cinema: Arte & industria. São Paolo: Editora Perspectiva, 2002.

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Pires, Vieira Else Ribeiro, ed. City of God in several voices: Brazilian social cinema as action. Nottingham, Eng: Critical, Cultural and Communication Press, 2005.

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Macmillan, Peter. Explaining post-war cinema attendance in Great Britain. St. Andrews: St. Salvator's College, Dept. of Economics, 2000.

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Agnihotri, Ram Awatar. Artistes and their films of modern Hindi cinema: Cultural and sociopolitical impact on society, 1931-1991. New Delhi: Commonwealth Publishers, 1992.

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Zhan, Qingsheng. Yu wang yu jin ji: Dian ying yu le de she hui kong zhi = Desires vs. taboos : a study on the social control of film entertainment. 8th ed. Beijing: Qing hua da xue chu ban she, 2011.

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Book chapters on the topic "Social network (Motion picture)"

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Imamura, Misato, and Takashi Yoshino. "Development of Body Conversion System with Motion Picture for Presenting Other’s Bodily Sensations." In Collaboration Technologies and Social Computing, 117–29. Singapore: Springer Singapore, 2016. http://dx.doi.org/10.1007/978-981-10-2618-8_10.

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Kong, Yuqi, Yao Wang, Yang Hong, Rongguang Ye, Wenzheng Chi, and Lining Sun. "A Generative Adversarial Network Based Motion Planning Framework for Mobile Robots in Dynamic Human-Robot Integration Environments." In Social Robotics, 427–39. Cham: Springer Nature Switzerland, 2022. http://dx.doi.org/10.1007/978-3-031-24667-8_38.

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Meiseberg, Brinja, and Thomas Ehrmann. "Performance Implications of Network Structure, Resource Investment, and Competition in the German Motion Picture Industry." In Contributions to Management Science, 347–72. Heidelberg: Physica-Verlag HD, 2008. http://dx.doi.org/10.1007/978-3-7908-2058-4_19.

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Ushijima, Ken, Neni Sintawardani, and Mayu Ikemi. "Social Relationships and Material Flow in the Co-Creation of Sanitation Systems." In Global Environmental Studies, 227–60. Singapore: Springer Nature Singapore, 2022. http://dx.doi.org/10.1007/978-981-16-7711-3_13.

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AbstractThis chapter describes the challenges of co-creating sanitation system design based on material flow and social network with value flow in urban slums in Indonesia. The challenges are described in three phases: first, to understand and describe the current material flow of sanitation and environment; second, to extend our understanding of the wider meaning of material flow and value flow network; and, third, to evolve the solution through a co-creation process with local players. Through the first phase, we could understand the overall problem of sanitation in the research field by applying material flow analysis; the strength was the ability to catch all the related processes based on a logical mass balance point of view. However, its weakness was too strict rule and it is difficult to describe each player’s motivation; in other words, “driving force” of the system. Therefore, in the second phase, we applied social relationship analysis and could draw reasonable picture of sanitation value flow network. Based on that picture, we had started co-creation approach in order to create new sanitation system with local players, and it is still ongoing. We found that the combination of material flow and social relationship provides reasonable and effective picture of wholistic sanitation system; also, that it is important to validate and update the picture through co-creation process among a team consisting of not only various researchers but also local players.

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Le, Hai, Van-Sang Doan, Dai Phong Le, Thien Huynh-The, and Van-Phuc Hoang. "Micro-motion Target Classification Based on FMCW Radar Using Extended Residual Neural Network." In Lecture Notes of the Institute for Computer Sciences, Social Informatics and Telecommunications Engineering, 104–15. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-77424-0_9.

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Chowdhury, Debasish Roy, and John Keane. "Motion Sickness." In To Kill A Democracy, 97–113. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780198848608.003.0005.

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This chapter focuses on India’s public transport system. If cities are democratic laboratories that nurture free and equal motion, then India fails the test every day. In Mumbai, for example, up to sixteen people can find themselves packed into a one-square-metre space inside a carriage during peak hours as Indian Railways fails to provide enough trains and coaches to the financial capital’s arterial rail network. Travelling like animals, risking their lives for livelihood, has been the lot of Mumbai’s daily commuters for as long as they can remember. Away from the cities, where 70 per cent of India lives, the picture is even bleaker, with virtually no state-run public transport system—buses or trains. The daily indignities and inconveniences of travelling prevents citizens from freely accessing goods, services, and social networks that are key to the pursuit of their chosen life strategies. By hindering everyday mobility, hazardous and insufficient transport options have the anti-democratic effect of perpetuating social inequities and dispersing communities into isolated silos that prevent collective assembly, deliberation, and action. Other than dilapidated or non-existent public transport systems, elitist policies, and poor government oversight hinder movement—and democracy—in various other ways.

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Lee, Sangjoon. "Introduction." In Cinema and the Cultural Cold War, 1–14. Cornell University Press, 2020. http://dx.doi.org/10.7591/cornell/9781501752315.003.0001.

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This chapter examines the historical, social, cultural, and intellectual constitution of the first postwar pan-Asian cinema network during the two decades after the Korean War armistice in July 1953. It argues that Asia's film cultures and industries were shaped by the practice of transnational collaboration and competition between newly independent and colonial states, with financial and administrative support from US institutions. It also looks at the network of motion picture executives, creative personnel, policy makers, and intellectuals in Asia at the height of the Cold War and beyond. The chapter shows how Asians aspired to rationalize and industrialize a system of mass production by initiating a regional organization. It identifies the cultural, economic, and political logic that gave rise to and modified the Federation of Motion Picture Producers in Southeast Asia and the Southeast Asian Film Festival.

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Luong, Hy Van. "A Mobile Trading Network from Central Coastal Vietnam: Growth, Social Network, and Gender." In Traders in Motion, 89–104. Cornell University Press, 2018. http://dx.doi.org/10.7591/cornell/9781501719820.003.0008.

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This chapter examines the significant growth of a mobile Vietnamese trading network in the past two decades, from Ho Chi Minh City to the entire southern half of Vietnam. The prominence of villagers from one lowlands village in the central coastal province of Quảng Ngãi in this trading niche highlights the importance of social network in Vietnamese political economy. About half of the traders in this trading network are male, and half, female, in contrast to the common dominance of women in Vietnamese petty trade. In relation to the literature on gender and trade in Vietnam and the rest of Southeast Asia, the chapter also examines how malleable gender is in Vietnamese trading activities.

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Luong, Hy Van. "Chapter Five. A Mobile Trading Network from Central Coastal Vietnam: Growth, Social Network, and Gender." In Traders in Motion, 89–104. Cornell University Press, 2018. http://dx.doi.org/10.1515/9781501721342-011.

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Anitha R, Surya Koti Kiran A, Anurag K, and Nikhil Y. "An Efficient Algorithm for Movie Recommendation System." In Advances in Parallel Computing Technologies and Applications. IOS Press, 2021. http://dx.doi.org/10.3233/apc210124.

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Now a day’s recommendation system has changed the fashion of looking the items of our interest. OTT Movie Application Recommendation for mobile users is crucial. It performs a complete aggregation of user preferences, reviews and emotions to help you make suitable movies. It needs every precision and timeliness, however,this can be info filtering approach that’s accustomed predict the preference of that user. Recommender System may be a system that seeks to predict or filter preferences in keeping with the user’s selections. The very common purpose where recommender system is applied are OTT platforms, search engines, articles, music, videos etc During this work we tend to propose a Collaborative approach-based Movie Recommendation system. it is supported collaborative filtering approach that creates use of the knowledge provided by users, analyzes them so recommends the flicks that’s best suited to the user at that point. The suggested motion picture list is sorted in keeping with the ratings given to those movies by previous users. It conjointly helps users to search out of their selections supported the movie expertise of alternative users in economical and effective manner while not wasting a lot of time in useless browsing [1]. Therefore, we tend to offer the item-oriented methodology of the analysis of social network as the steering force of this method to further improve accuracy within the recommendation system. We tend to propose economic healthcare associates during this paper The algorithmic rule of the Film Recommendation supported improved KNN strategy that measures simpler advisory system accuracy. However, to evaluate performance, the k closest victimized neighbors, the maximum inner circles, as well as the basic inner strategies are used [2]. The exception to this is the projected results, which use algorithms to check for (supposedly) involvement.The performance results show that the projected strategies improve additional accuracy of the Movie recommendation system than the other strategies employed in this experiment.

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Conference papers on the topic "Social network (Motion picture)"

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Meda, Shashwath, Mike Stevens, Erwin Boer, Catherine Boyle, Greg Book, Nicolas Ward, and Godfrey Pearlson. "Brain-behavior relationships of simulated naturalistic automobile driving under the influence of acute cannabis intoxication: A double-blind, placebo-controlled study." In 2022 Annual Scientific Meeting of the Research Society on Marijuana. Research Society on Marijuana, 2022. http://dx.doi.org/10.26828/cannabis.2022.02.000.32.

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Background: Driving is a complex everyday activity that requires the use and integration of different cognitive and psychomotor functions, many of which are known to be affected when under the influence of cannabis (CNB). Given legal implications of drugged-driving and rapidly increasing use of CNB nationwide, there is an urgent need to better understand the effects of CNB on such functions in the context of driving. This longitudinal, double-blind placebo-controlled study investigated the effects of CNB on driving brain-behavior relationships in a controlled simulated environment using functional MRI (fMRI). Methods: N=26 frequent cannabis users were administered 0.5 grams of 13% THC or placebo flower cannabis via a Stortz+Bickel ‘Volcano’ vaporizer using paced inhalation, on separate days at least 1 week apart. On each study day, participants drove a virtual driving simulator (steering wheel, brake, gas pedal) inside an MRI scanner approximately 40 minutes post-dosing. Each fMRI driving session presented a naturalistic simulated environment that unobtrusively engaged drivers with scenarios that tested specific driving skills and response. There were three, approximately 10 min epochs where drivers engaged in task of lane keeping/weaving (LK), lead car following (CF), and safe overtaking (OT). fMRI data were prepared for analyses using the Human Connectome Project pipeline, then subjected to group independent component analysis (ICA) to isolate 50 spatially independent networks. 40 ICA networks were deemed valid and non-noisy. Network regions in these components were identified using 387 parcel locations, incorporating a cortical parcellation atlas (Glasser et al 2016) and detailed subcortical labels. A placebo minus high difference connectivity map was generated for each subject. A similar placebo minus high behavioral score was generated for each subject and then subjected to a principal component analysis (PCA) to reduce it to 8 orthogonal behavioral factors. Of the 8 driving behavior factors, two represented CF events (F1 and F5), three LK (F3, F4, and F8), and three OT (F2, F6, and F7). Driving behavior factors were evaluated for linear association with connectivity maps via FSL’s randomize (p<0.01 FWE-corrected significance). Results:Across all components examined, we found connectivity differences between placebo v high THC within right motion-sensitive visual cortex (parcel FST) (visual) and right superior temporal gyrus (social cognition) to positively correlate with LK driving performance. The strongest brain-behavior relationships were found for OT-related behavioral factors. Connectivity in left dorsolateral parcel a9-46v (cognitive flexibility) and right motor cortex parcel 3b (somatosensory) correlated negatively with F6 (OT). A left superior frontal parcel (higher order cognition/working memory) correlated negatively with F7 (OT) and finally R inferior frontal gyrus (response inhibition and reward deduction) correlated positively with F7 (OT). Conclusion: Our preliminary analyses yield a complex yet informative picture of key brain areas sensitive to acute CNB exposure on different driving behaviors using a simulated environment, further underscoring the impact of substance use on driving as a potential public safety issue.

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Guo, Huiyu. "On Strategies of Using Picture Books to Dredge Childrenrs Negative Emotions." In 8th International Conference on Social Network, Communication and Education (SNCE 2018). Paris, France: Atlantis Press, 2018. http://dx.doi.org/10.2991/snce-18.2018.197.

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Satta, R., and P. Stirparo. "Picture-to-Identity linking of social network accounts based on Sensor Pattern Noise." In 5th International Conference on Imaging for Crime Detection and Prevention (ICDP 2013). Institution of Engineering and Technology, 2013. http://dx.doi.org/10.1049/ic.2013.0266.

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He, Feng. "Practice Research on English Reading Teaching Based on Picture Story Books in Primary School." In 8th International Conference on Social Network, Communication and Education (SNCE 2018). Paris, France: Atlantis Press, 2018. http://dx.doi.org/10.2991/snce-18.2018.32.

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"On the Usage of Sensor Pattern Noise for Picture-to-Identity Linking through Social Network Accounts." In International Conference on Computer Vision Theory and Applications. SCITEPRESS - Science and and Technology Publications, 2014. http://dx.doi.org/10.5220/0004682200050011.

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Jin, Fang, Rupinder Paul Khandpur, Nathan Self, Edward Dougherty, Sheng Guo, Feng Chen, B. Aditya Prakash, and Naren Ramakrishnan. "Modeling mass protest adoption in social network communities using geometric brownian motion." In KDD '14: The 20th ACM SIGKDD International Conference on Knowledge Discovery and Data Mining. New York, NY, USA: ACM, 2014. http://dx.doi.org/10.1145/2623330.2623376.

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Gang, Qin, and Chen Yi-Xian. "Research and Design of Wearable Human Motion Capture System." In 2017 7th International Conference on Social Network, Communication and Education (SNCE 2017). Paris, France: Atlantis Press, 2017. http://dx.doi.org/10.2991/snce-17.2017.58.

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Seung-Chan Kim, Byung-Kil Han, Soo-Chul Lim, Junseok Park, and Dong-Soo Kwon. "Haptics in a social network service: Tweeting with motion for sharing physical experiences." In 2011 IEEE World Haptics Conference (WHC 2011). IEEE, 2011. http://dx.doi.org/10.1109/whc.2011.5945504.

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Tushar, Bansal M., Mohammed Saqib Rahman, Ali S. Jaffer, and M. Indumathy. "Face Mask and Social Distancing Detection Using Faster Regional Convolutional Neural Network." In International Research Conference on IOT, Cloud and Data Science. Switzerland: Trans Tech Publications Ltd, 2023. http://dx.doi.org/10.4028/p-a0t134.

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Face masks and social distancing is essential for many infectious diseases that spread through micro-droplets. According to WHO, the preventive measure for COVID-19 is to follow social distancing. Face Detection has expanded as a widespread concern in Computer Vision and Image processing. Many unique algorithms are developed using Convolutional Architectures to curate the algorithm as accurately as possible. First, the person in the video frames is pinpointed with the aid of Deep Learning (DL). The second step is to calculate the span between any two individuals through approaches of image processing. We aim to use a binary face classifier which will help us analyze the frame and help in detecting any face present irrespective of its alignment. Our proposed technique helps in generating accurate face segmentation masks from any random-sized input picture. We start by using an RGB image of any size, the approach uses Predefined Training for feature extraction. Faster Regional Convolutional Neural Networks are used for training. Here we segment out the faces present in the given image or frame semantically. Faster Regional Convolutional Neural Network (FRCNN) processes the given data faster with higher accuracy. The precision and decision-making are very elevated in Faster RCNN compared to others.

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Jianyu, Ma, Yang Fang, and Xue Yujun. "Analysis on Kinematics and Dynamics for A Planar Flexible Driving Target Motion Simulation System." In 2017 7th International Conference on Social Network, Communication and Education (SNCE 2017). Paris, France: Atlantis Press, 2017. http://dx.doi.org/10.2991/snce-17.2017.20.

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Reports on the topic "Social network (Motion picture)"

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Visa Barbosa, M., T. Serés Seuma, and J. Soto Merola. From the family portrait to the profile picture. Uses of photography in the Facebook social network. Revista Latina de Comunicación Social, April 2018. http://dx.doi.org/10.4185/rlcs-2018-1278en.

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Funaro, Rita. Ideas for Development in the Americas (IDEA): Volume 10 : May-August, 2006: Bond Markets: A Spare tire for the Domestic Financial System? Inter-American Development Bank, August 2006. http://dx.doi.org/10.18235/0008219.

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Bond development in Latin America presents something of a mixed picture. This edition of IDEA looks at how local bond markets have grown in size and liquidity but continue to lag behind emerging economies in Asia in a number of dimensions. How long will it take Latin America to develop deep and liquid bond markets? In addressing this question, the newsletter draws heavily on the 2007 issue of the Economic and Social Progress Report titled Living with Debt and on the results of the Latin American Research Network project on the Development of Bond Markets in Latin America.

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