Journal articles on the topic 'Social imaginaries theory'

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1

Steele, Meili. "Social imaginaries and the theory of the normative utterance." Philosophy & Social Criticism 43, no. 10 (July 14, 2017): 1045–71. http://dx.doi.org/10.1177/0191453717715294.

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From Charles Taylor to Marcel Gauchet, theorists of the social imaginary have given us new ways to talk about the shared structures of meanings and practices of the West. Theorists of this group have argued against the narrow horizons of meaning that are deployed by deliberative political theories in developing their basic normative concepts and principles, providing an alternative to the oscillation between the constructivism and the realism. Theorists of the imaginary have enabled us to think about normatively charged collective imaginaries as logically prior to the construction of normative principles. What theorists of the imaginary have not done is make specific connections between the ontological background of social imaginaries and the normative utterance. This lacuna has left them vulnerable to the charges of ‘normative deficit’ and vagueness that Habermas and others famously make against philosophies of ‘world disclosure’. This article develops a conception of the normative utterance that enables us to reason through social imaginaries. In such reasoning, claims are not expressed in the propositional form of the Rawlsian or Habermasian justification, but through a complex engagement with the worldhood that informs normative judgements.
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Adams, Suzi, and Johann P. Arnason. "A Further Conversation on Social Imaginaries." International Journal of Social Imaginaries 1, no. 2 (November 25, 2022): 328–53. http://dx.doi.org/10.1163/27727866-bja00007.

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Abstract The conversation begins with a discussion of political philosophy, a critique of a priori normativist approaches to that field, and reflections on the distinction between politics and the political. It moves on to clarify the place of the political within an ontology of the social-historical; while the pioneering contribution of Castoriadis to such an ontology is acknowledged, the need for a more elaborate theory of creative action, with due allowance for its involvement in historical processes, is emphasized. After some considerations on the role of ideology and utopia within the social-historical context, the conversation moves back to the questions of autonomy, creativity and the imaginary, and underlines the need to theorize autonomy as an imaginary signification in its own right, rather than merely a new attitude to imaginary significations. Implications of that view for the idea of reflective autonomy are discussed, with particular emphasis on confronting the omnipresent temptation of hubris, the condition of value pluralism and the fundamental fact of uncertainty about the future. The conversation concludes with some comments on diagnoses of our times, and a critique of various “postisms” as well as of the attempts to reduce contemporary societies to a single denominator.
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Blokker, Paul. "Symposium on Zoran Oklopcic’s ‘Beyond the People: Social Imaginary and Constituent Imagination’ – Introductory remarks." International Journal of Social Imaginaries 1, no. 2 (November 25, 2022): 219–32. http://dx.doi.org/10.1163/27727866-bja00017.

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Abstract This symposium discusses Zoran Oklopcic’s book Beyond the People: Constitutional Imaginaries and Constituent Imagination. The book is an important contribution to the emerging debate on constitutional imaginaries and imagination in constitutional theory, of which this introduction delineates the contours.
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Yepez-Reyes, Veronica. "Connective Action for Global Fairness: Building Social Imaginaries." HERMES - Journal of Language and Communication in Business, no. 58 (December 22, 2018): 215–30. http://dx.doi.org/10.7146/hjlcb.v0i58.111686.

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Social imaginaries are frameworks within which people organise their collective world; where imagination, not simply reason, plays a part in the construction of social practices. Through a grounded theory approach, this article asks whether and how social imaginaries of global fairness are present in connective action, a type of digital interaction for advocacy. From January 2014 to June 2015, the study followed the Facebook accounts of five advocacy organisations: Hivos, Oxfam IBIS, Intermon-Oxfam, SSNC and Vredeseilanden. Connective action, more than just accomplishing an expressing function of posting and sharing – which could be considered as ‘slacktivism’– denotes cooperating and acting by means of dialogic learning involving reflection and action. The research suggests that current social imaginaries may be built in connective action involving topics of nature conservation, equality, eco-farming, among others. Thus, the field of connective action remains open to theorizing how these imaginaries could constitute a strong foundation upon which communication for social change (CFSC) strategies may be grounded.
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Rahder, Micha. "Home and Away." Environment and Society 10, no. 1 (September 1, 2019): 158–77. http://dx.doi.org/10.3167/ares.2019.100110.

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This article examines the reinvigoration of outer space imaginaries in the era of global environmental change, and the impacts of these imaginaries on Earth. Privatized space research mobilizes fears of ecological, political, or economic catastrophe to garner support for new utopian futures, or the search for Earth 2.0. These imaginaries reflect dominant global discourses about environmental and social issues, and enable the flow of earthly resources toward an extraterrestrial frontier. In contrast, eco-centric visions emerging from Gaia theory or feminist science fiction project post-earthly life in terms that are ecological, engaged in multispecies relations and ethics, and anticapitalist. In these imaginaries, rather than centering humans as would-be destroyers or saviors of Earth, our species becomes merely instrumental in launching life—a multispecies process—off the planet, a new development in deep evolutionary time. This article traces these two imaginaries and how they are reshaping material and political earthly life.
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Doucet, Andrea. "What does Rachel Carson have to do with family sociology and family policies? Ecological imaginaries, relational ontologies, and crossing social imaginaries." Families, Relationships and Societies 10, no. 1 (March 1, 2021): 11–31. http://dx.doi.org/10.1332/204674321x16111320274832.

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In the past decade, multiple compounding crises ‐ ecological, racial injustices, ‘care crises’ and multiple recent crises related to the COVID-19 pandemic ‐ have reinforced the powerful role of critical and social policy researchers to push back against ‘fake news’, ‘alternative facts’, and a post-truth era that denigrates science and evidence-based research. These new realities can pose challenges for social scientists who work within relational, ontological, non-representational, new materialist, performative, decolonising, or ecological ‘turns’ in social theory and epistemologies. This article’s overarching question is: How does one work within non-representational research paradigms while also attempting to hold onto representational, authoritative and convincing versions of truth, evidence, facts and data? Informed by my research on feminist philosopher and epistemologist Lorraine Code’s 40-year trajectory of writing about knowledge making and ecological social imaginaries, I navigate these dilemmas by calling on an unexpected ally to family sociology and family policy: the late American environmentalist Rachel Carson. Extending Code’s case study of Carson, I argue for an approach that combines (1) ecological relational ontologies, (2) the ethics and politics of knowledge making, (3) crossing social imaginaries of knowledge making and (4) a reconfigured view of knowledge makers as working towards just and cohabitable worlds.
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Wang, Zhe, and Lawal Marafa. "Tourism Imaginary and Landscape at Heritage Site: A Case in Honghe Hani Rice Terraces, China." Land 10, no. 4 (April 20, 2021): 439. http://dx.doi.org/10.3390/land10040439.

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The relationship between tourism and landscape has been extensively studied, but a conceptual framework to study cultural relationships between tourism and landscape is not specified in the literature. On the basis of the theory of social imaginary, this article takes China’s Honghe Hani Terraces as an example to study how the landscape is imagined in tourism and the potential cultural conflicts. Content analysis on tourist discourses and images in social media was conducted in order to identify tourist imaginaries about the landscape. A gap between tourism imaginaries and the Hani landscape was found: the latter was imagined as an overlooking view of stereotyped terraced imagery, a schema separated and independent from other landscape components. In-depth interviews on stakeholders and participant observations were used to study the production process of tourism imaginaries. Findings show that the viewing platforms and roads provided an enclave space from local contexts, wherein the Hani landscape was staged for gazing. The tourism company’s strategies dominated the process, leading to local communities’ marginalization and threats to the landscape. We suggest that tourism planning and marketing should maintain the integrity of landscape in tourism imaginaries and empower the local communities, thereby reducing cultural tensions between tourism and the landscape.
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Phadke, Shruti, Mattia Samory, and Tanushree Mitra. "Characterizing Social Imaginaries and Self-Disclosures of Dissonance in Online Conspiracy Discussion Communities." Proceedings of the ACM on Human-Computer Interaction 5, CSCW2 (October 13, 2021): 1–35. http://dx.doi.org/10.1145/3479855.

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Online discussion platforms provide a forum to strengthen and propagate belief in misinformed conspiracy theories. Yet, they also offer avenues for conspiracy theorists to express their doubts and experiences of cognitive dissonance. Such expressions of dissonance may shed light on who abandons misguided beliefs and under what circumstances. This paper characterizes self-disclosures of dissonance about QAnon-a conspiracy theory initiated by a mysterious leader "Q" and popularized by their followers ?anons"-in conspiratorial subreddits. To understand what dissonance and disbelief mean within conspiracy communities, we first characterize their social imaginaries-a broad understanding of how people collectively imagine their social existence. Focusing on 2K posts from two image boards, 4chan and 8chan, and 1.2 M comments and posts from 12 subreddits dedicated to QAnon, we adopt a mixed-methods approach to uncover the symbolic language representing the movement,expectations,practices,heroes and foes of the QAnon community. We use these social imaginaries to create a computational framework for distinguishing belief and dissonance from general discussion about QAnon, surfacing in the 1.2M comments. We investigate the dissonant comments to characterize the dissonance expressed along QAnon social imaginaries. Further, analyzing user engagement with QAnon conspiracy subreddits, we find that self-disclosures of dissonance correlate with a significant decrease in user contributions and ultimately with their departure from the community. Our work offers a systematic framework for uncovering the dimensions and coded language related to QAnon social imaginaries and can serve as a toolbox for studying other conspiracy theories across different platforms. We also contribute a computational framework for identifying dissonance self-disclosures and measuring the changes in user engagement surrounding dissonance. Our work provide insights into designing dissonance based interventions that can potentially dissuade conspiracists from engaging in online conspiracy discussion communities.
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Mandoki, Katya. "Point and Line Over the Body: Social Imaginaries Underlying the Logic of Fashion." Journal of Popular Culture 36, no. 3 (January 2003): 600–622. http://dx.doi.org/10.1111/1540-5931.00023.

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Brugidou, Jeremie, and Clouette Fabien. "‘AnthropOcean’: Oceanic perspectives and cephalopodic imaginaries moving beyond land-centric ecologies." Social Science Information 57, no. 3 (August 28, 2018): 359–85. http://dx.doi.org/10.1177/0539018418795603.

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We sought contributions from the widest possible spectrum, asking the authors to reflect upon the notion of ‘AnthropOcean’: theory, fiction, journal, ethological accounts, or ethnographic material from time spent at sea, testimony by those who have gained experience from the ocean, encounters with ocean inhabitants (no species preferred), etc. The aim is to build imagination and sensitivity upon these contributions in order to invent new narrative forms coherent with our contemporary experiences of an animated world. We would like to suggest that oceanic sensitive-anthropology can provide precious sense-ideas in order to think, feel and imagine the contemporary ecological crisis. Considering our present as anything but an ‘end of the world’, and more as a profound transformative process, how can ocean-sense-ideas bring useful intuitions? How can ocean inhabitants, ecosystems and dynamics, teach us a lesson in imagination? Can we dream other dreams than that of industrial exploitation?
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Pottin, Ange. "Power and Operations. Simondon and the Imaginaries of the Nuclear Industry." Trilogía Ciencia Tecnología Sociedad 13, no. 25 (November 30, 2021): e1758. http://dx.doi.org/10.22430/21457778.1758.

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In this paper, I use a theoretical framework inspired by Simondon to analyze the closed fuel cycle strategy implemented by the French nuclear industry in the 1970's. I confront the technocratic conception of technical ensembles, which sees them as the instantiation of a power over nature, with their technological understanding as systems of operations, i.e., points of mediation between technical invention and the natural environment. I argue that the closed fuel cycle strategy can be understood as relying on an imaginary ecology. I propose here a form of critical epistemology, which I compare with Jasanoff's theory of sociotechnical imaginaries, leading to a sociopolitical comprehension of the social efficiency and motives of such a representation. Finally, I question the complementarity conditions between those two frameworks, one normative and the other explanatory.
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Massó Soler, Perla Dayana. "La catalanidad al norte y al sur de los Pirineos: representaciones sociales y cooperación transfronteriza." Frontera norte 31 (January 1, 2019): 1–22. http://dx.doi.org/10.33679/rfn.v1i1.2044.

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This article explores the symbolic construction of the border by actors in cooperation projects in the cross-border Catalan region. Drawing on Jerome Bruner’s narrative approach (with an emphasis on self-stories and micro-narratives) and the theory of social representations, this work provides an insight into the multi-dimensional relationship between borders and identities, and the connections between social representations and practices that illustrate cross-border aspects. Thus, the key focus of this analysis is to determine how current practices in terms of flows, passage, and cooperation in Europe influence imaginaries and the discursive construction of the border.
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Sørensen, Estrid. "STS goes to school: Spatial imaginaries of technology, knowledge and presence." Outlines. Critical Practice Studies 9, no. 2 (September 1, 2007): 15–27. http://dx.doi.org/10.7146/ocps.v9i2.2078.

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The following text presents a revised and extended version of the public defence of my Ph.D. thesis, which I presented at the Faculty of Social Sciences on 18th November 2005, Copenhagen University. The thesis applies and develops theoretical perspectives from Science and Technology Studies – especially Actor-Network Theory – on the empirical field of primary education. This field has not prior been approached by these theories. Based on ethnographic field studies the thesis presents and compares what I call spatial imaginaries of interactions of humans and learning materials in a traditional classroom and in a computer lab. The study describes and discusses the forms of knowledge and the forms of presence performed through these socio-material interactions. The study thus contributes a definition of materialities that takes the understanding of technology in education beyond the dominant humanist approach to schooling.
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Belfrage, Claes Axel, and Felix Hauf. "Operationalizing cultural political economy: towards critical grounded theory." Journal of Organizational Ethnography 4, no. 3 (October 12, 2015): 324–40. http://dx.doi.org/10.1108/joe-01-2015-0002.

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Purpose – The purpose of this paper is to take conceptual and methodological steps towards the elaboration of the critical grounded theory (CGT) method. Design/methodology/approach – Starting from conceptual issues with mapping everyday discourses and practices in their broader societal context in organisational ethnography, cultural political economy (CPE) is proposed as a suitable theoretical framework for integrating the cultural dimension of discourses and imaginaries into political-economic analyses of organisation and management. The CGT method is introduced for empirical operationalisation. Findings – Grounded theory tools for working with ethnographic data can be employed within critical approaches such as CPE although they originate from positivist social science. The need to combine ethnographic fieldwork with substantial theoretical work and/or critical discourse analysis may be met by CGT, which affords the ethnographic strengths of grounded theory without, however, bracketing the critical-theoretical insights of CPE. Research limitations/implications – The usefulness of CGT has been tentatively tested, but requires thorough meta-theoretical and methodological development, which is what is undertaken here. Social implications – CGT expects and takes account of the social implications of its employment in the field. Originality/value – First steps towards a new critical method for organisation and management studies are taken. Although originating from concern with CPE, the CGT method may appeal to a wider audience of critical scholars across the social sciences.
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Cantó-Milà, Natàlia, Mudhaffar Ali, Amjad Bosata, Leshker Berho, Sarmad Malla Ali, Maria Mateo i Ferrer, and Swen Seebach. "Researching imaginaries of the future as a tool for engendering grounded utopias for individual and social transformation and empowerment in educational environments." Artnodes, no. 29 (February 16, 2022): 1–10. http://dx.doi.org/10.7238/artnodes.v0i29.393285.

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This article is the result of a shared collaborative research project between the Oberstufen-Kolleg Bielefeld, the faculty of pedagogy of the University of Bielefeld and a research group based at the Open University of Catalonia (Universitat Oberta de Catalunya). It presents and discusses a human, sociological and pedagogical project in participatory action research, in which we sought to follow Appadurai’s call for research as a human right and put it into practice. The article shares and analyzes a pedagogical practice in which the work with imaginaries was rendered an essential part of the educative process, becoming especially important for students who felt they were somehow excluded from full participation in social life. Furthermore, the article provides ideas about the relevance of putting imaginaries into participatory research, to relate society’s members in shared research processes as well as the remarkable reciprocal effects that might result from these practices.
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Johnson, Anne Warren. "A Mexican Conquest of Space? Cosmopolitanism, Cosmopolitics, and Cosmopoetics in the Mexican Space Industry." Review of International American Studies 13, no. 2 (December 31, 2020): 123–44. http://dx.doi.org/10.31261/rias.9808.

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Mexico cannot be considered a 'spacefaring nation,' as it does not have the capability to build or launch space crafts into orbit. However, for many engineers, scientists, students, and entrepreneurs, outer space represents an important opportunity for economic development and job creation, as well as the resolution of earthly social problems, and a means to globally position the Mexican technology sector. Although they rely on international agreements for scientific, technical, and logistical collaboration, many of these space enthusiasts allude to a “Mexican Conquest of Space,” a discursively potent term given Mexico’s colonial history. In this paper, I examine how Mexican imaginaries of outer space, tied to perceptions of past knowledge, present social issues and future projections, are limited by geopolitical realities, even as they are informed by cosmic imaginaries at various scales. I focus on the recently created Mexican Space Agency, its programs, practices, discourses and alliances, as a starting point for a Mexican astronoetics, a term coined by the philosopher Hans Blumenberg during the Space Race in an attempt to balance the centripetal and centrifugal forces exerted by outer space. From this perspective, I reflect on the ways in which being tethered to Mexico influences the possibility of being untethered to Earth.
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Gibbs, Matt. "Roman Social Imaginaries: Language and Thought in Contexts of Empire, written by Ando, C." Mnemosyne 69, no. 6 (November 18, 2016): 1081–84. http://dx.doi.org/10.1163/1568525x-12342257.

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Lundberg, Anita, André Vasques Vital, and Shruti Das. "Tropical Imaginaries and Climate Crisis: Embracing Relational Climate Discourses." eTropic: electronic journal of studies in the Tropics 20, no. 2 (September 10, 2021): 1–31. http://dx.doi.org/10.25120/etropic.20.2.2021.3803.

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In this Introduction, we set the Special Issue on 'Tropical Imaginaries and Climate Crisis' within the context of a call for relational climate discourses as they arise from particular locations in the tropics. Although climate change is global, it is not experienced everywhere the same and has pronounced effects in the tropics. This is also the region that experienced the ravages – to humans and environments – of colonialism. It is the region of the planet’s greatest biodiversity; and will experience the largest extinction losses. We advocate that climate science requires climate imagination – and specifically a tropical imagination – to bring science systems into relation with the human, cultural, social and natural. In short, this Special Issue contributes to calls to humanise climate change. Yet this is not to place the human at the centre of climate stories, rather we embrace more-than-human worlds and the expansion of relational ways of knowing and being. This paper outlines notions of tropicality and rhizomatics that are pertinent to relational discourses, and introduces the twelve papers – articles, essays and speculative fiction pieces – that give voice to tropical imaginaries and climate change in the tropics.
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Germes, Mélina, Luise Klaus, and Svea Steckhan. "Mapping “drug places” from below. The lived cities of marginalized drug users." Drugs and Alcohol Today 21, no. 3 (August 28, 2021): 201–12. http://dx.doi.org/10.1108/dat-12-2020-0085.

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Purpose On top of their legal, economic, social and institutional marginalization, marginalized drug users (MDUs) also experience political marginalization: drug policies shape their lives without their political participation. From a scientific as well as a political perspective, the inclusion of their various viewpoints and situated knowledge is a major challenge, and one to which this paper aims to contribute in light of the experiences and imaginaries of MDUs urban spaces in several German cities. Design/methodology/approach Following a socio-geographical approach, this paper interrogates how MDUs appropriate and imagine the city, drawing on Lefebvre’s Production of Space and mixing critical cartographic with grounded theory, in the attempt to both understand and reconstruct the world from the situated perspective of MDUs based on their own words, drawings and emotions. Findings The narratives and drawings of participants show another cityscape, radically different from the hegemonic discourses and mappings antagonizing MDUs and making their existence a social problem. Space appears as a means of marginalization: there are barely any places that MDUs can legitimately appropriate-least of all so-called “public space.” By contrast, MDUs’ imaginaries of an ideal city would accommodate their existence and address further social justice issues. Originality/value The notion of “public places” appears unable to express MDU’s experiences. Instead of focusing on the problem of public spaces, policymakers should tackle the question of placemaking for MDUs beyond the level of solely drug-related places.
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Schreiber, Rebecca M. "Visions of Refuge: The Central American Exodus and the Floating Ladder." American Literary History 34, no. 3 (August 19, 2022): 1015–40. http://dx.doi.org/10.1093/alh/ajac076.

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Abstract This essay focuses on two performative acts. The first is the fall 2018 caravan, a work of political performance, which involved thousands of Central American migrants/refugees fleeing their countries in response to structural and other forms of violence. These caravaneros (caravaners) traveled collectively through Honduras, Guatemala, and Mexico to protect themselves from being targeted by state and nonstate actors en route to the US–Mexico border. The second performative act, which took place in Tijuana in January 2019, involved an artistic collaboration between Caleb Duarte and a group of caravaneros temporarily residing at El Barretal, a heavily guarded Mexican government-run refugee camp. Together, Duarte and the caravaneros co-authored a sculptural performance, creating a fabric ladder tied to helium balloons, which the wind lifted above the camp. I argue that Floating Ladder enacts how these caravaneros imagine their movement and mobility, as it challenges the regional immigration regime aiming to block migrants/refugees from making asylum claims in the US. Both the fall 2018 caravan and Duarte’s collaborative artwork with caravaneros are political acts by migrants/refugees that entailed the construction of social and political imaginaries beyond the constraints and violence of national borders. Both the fall 2018 caravan and Duarte’s collaborative artwork with caravaneros (caravaners) are political acts by migrants/refugees that entailed the construction of social and political imaginaries beyond the constraints and violence of national borders.
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Dubatti, Ricardo. "LA GUERRA DE MALVINAS (1982) EN LOS IMAGINARIOS SOCIALES Y EN EL TEATRO: PENSAR LAS REPRESENTACIONES A TRAVÉS DE LA DRAMATURGIA SALTEÑA." Acotaciones. Revista de Investigación y Creación Teatral 44 (June 10, 2020): 205–32. http://dx.doi.org/10.32621/acotaciones.2020.44.07.

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La Guerra de Malvinas (2 de abril-14 de junio de 1982) constituye un acontecimiento indispensable para entender la historia argentina reciente. Consiste en el último conflicto bélico internacional argentino, el único ocurrido a lo largo del siglo XX y uno de los pocos que se ha entablado contra una potencia internacional como el Reino Unido. Al mismo tiempo, su presencia atraviesa de manera fundante tanto la posguerra como la posdictadura, proyectándose hasta la actua- lidad. El presente artículo se desprende de una investigación mayor (R. Dubatti, 2017a, 2019a) que busca reflexionar sobre las singularidades del teatro como medio para las representaciones (Chartier, 1992, 2007). Para ello, ofrecemos un análisis sobre el estado de la cuestión y los ante- cedentes de la bibliografía vinculada al tema. Finalmente, proponemos un breve análisis del texto dramático de En un azul de frío (2002) de Ra- fael Monti, dramaturgo nacido en la provincia de Salta.
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Rockhill, Gabriel, and Jennifer Ponce de León. "Materialist Deconstruction, Anticolonial Geographies, and the Limits of Genealogy." Philosophy Today 63, no. 1 (2019): 217–35. http://dx.doi.org/10.5840/philtoday2019613263.

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In this wide-ranging interview, Gabriel Rockhill discusses his most recent book, Counter-History of the Present, in the broader context of his research to date on aesthetics, politics and history, as well as its relationship to important interlocutors like Jean-François Lyotard, Michel Foucault, Jacques Rancière, Jacques Derrida, Frantz Fanon and Simone de Beauvoir. He explains the similarities and important differences between genealogy and counter-history, and he elucidates how his work performs a materialist deconstruction that contests the idealist logocentrism operative in purely textualist modes of interpretation. The interview also develops an account of “radical geography” that calls into question culturalist spatial imaginaries, which plague certain forms of decolonial theory that diminish or efface social stratification and class conflict. The discussion thereby contributes to the development of a new model for critical social theory with an internationalist perspective, which seeks to weave these conceptual innovations into a rigorous and radical materialism.
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Ørskov, Frederik Forrai. "From Nordic Romanticism to Nordic Modernity: Danish Tourist Brochures in Nazi Germany, 1929–39." Journal of Contemporary History 55, no. 1 (February 4, 2019): 29–51. http://dx.doi.org/10.1177/0022009418815319.

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This article examines Danish tourist brochures and other promotional material distributed in Germany from 1929–39. Through an analysis of a number of publications, it traces how the Tourist Association of Denmark invoked tourist imaginaries related to Nordic race theory and Nordic romanticism in the material in a variety of ways throughout the decade. Ultimately, however, it is shown that a certain discourse of Nordic modernity would come to dominate towards the end of the 1930s, also in the promotional material distributed in Nazi Germany, a society otherwise highly susceptible to the visual language of Nordic romanticism and Nordic race theory. Thus, the postwar image of the social democratic Norden was powerful already in the tourist marketers' negotiations of national self-identification and belonging during the last pre-war years.
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Tidwell, Jacqueline Hettel, and Abraham S. D. Tidwell. "Energy ideals, visions, narratives, and rhetoric: Examining sociotechnical imaginaries theory and methodology in energy research." Energy Research & Social Science 39 (May 2018): 103–7. http://dx.doi.org/10.1016/j.erss.2017.11.005.

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Haugen, Øyvind R., and Jens Preil. "We can't help feeding the monster: the social handling of uncertainty in an environment of high-risk and fast-paced change." Organisational and Social Dynamics 20, no. 1 (June 30, 2020): 79–100. http://dx.doi.org/10.33212/osd.v20n1.2020.79.

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In this article the authors present a case study that they conducted in the research and development organisation of a global pharmaceutical company. The aim of the study was to explore the social handling of uncertainty in a business environment characterised by high-risk and fast-paced change. The authors present a new methodological approach in which they combine grounded theory and depth hermeneutic analysis to gain access to the social reality of the organisation. The creation of work role identities and social imaginaries were the two main variables emerging from the data. The authors discuss how certain coping strategies against anxiety and emotional distress affect the design and execution of work processes. Furthermore, they explore to what extent social-scientific research methods can be applied to study the unique observations and interpretations made by the organisation's members, and how this knowledge can inform the development of organisations and management of change processes.
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Machado, Bruno Amaral, and Maria Stela Grossi Porto. "Social Representations of Homicide Investigations by Judges, Prosecutors and Police: A Case Study from the Metropolitan Area of Brasilia." International Journal for Crime, Justice and Social Democracy 8, no. 1 (February 18, 2019): 85–99. http://dx.doi.org/10.5204/ijcjsd.v8i1.935.

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This article examines homicide in the Metropolitan Area of Brasilia (MAB), analysing social representations from elites in the criminal justice system, including police chiefs, prosecutors and judges. It draws on the theory of social representations (TSR) to explore the imaginaries constructed around the criminal justice system’s inability to adequately investigate the rise in homicides. The representations from focus group participants highlight a lack of resources, infrastructure, equipment and human resources, as well as unsatisfactory working conditions. In seeking to understand and situate themselves in new realities and contexts, these elite criminal justice actors ultimately place themselves within the available reserve of knowledge, in which they claim that ‘nothing works’. Hence, this enables these powerful actors to justify themselves and blame others, while denying their inability to adequately investigate homicides. A hidden rationale emerges that represents the homicide victims of drug crimes and gang feuds as unworthy of investigation.
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Eriksen, Annelin. "The Human Version 2.0." Social Analysis 65, no. 1 (March 1, 2021): 70–88. http://dx.doi.org/10.3167/sa.2020.650104.

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This article investigates new ethnography on AI development relating to imaginaries of technoscientific forms of immortality. As a Think Piece in Analytics, it engages in a somewhat experimental comparative endeavor as I set concepts from the ethnographic field of transhumanism in a comparative relation to concepts developed in the anthropological theory of Christianity, mainly Dumont’s concept of the ‘individual-in-the-world’. I argue that through such a comparison we can understand recently developed ideas about the (technologically) immortal human being in a new light. The article points to how technoscientific immortality echoes core cultural themes, but it also considers a major difference in the perception of the social. When death is made redundant, the question of how sociality is reproduced moves center stage.
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Eriksen, Annelin. "The Human Version 2.0." Social Analysis 65, no. 1 (March 1, 2021): 70–88. http://dx.doi.org/10.3167/sa.2021.650104.

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Abstract This article investigates new ethnography on AI development relating to imaginaries of technoscientific forms of immortality. As a Think Piece in Analytics, it engages in a somewhat experimental comparative endeavor as I set concepts from the ethnographic field of transhumanism in a comparative relation to concepts developed in the anthropological theory of Christianity, mainly Dumont's concept of the ‘individual-in-the-world’. I argue that through such a comparison we can understand recently developed ideas about the (technologically) immortal human being in a new light. The article points to how technoscientific immortality echoes core cultural themes, but it also considers a major difference in the perception of the social. When death is made redundant, the question of how sociality is reproduced moves center stage.
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Tajuddin, Tajuddin, Supratman Supratman, Darmawan Salman, and Yusran Yusran. "Bridging social forestry and forest management units: Juxtaposing policy imaginaries with implementation practices in a case from Sulawesi." Forest and Society 3, no. 1 (April 23, 2019): 97. http://dx.doi.org/10.24259/fs.v3i1.6049.

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As the priority forestry development programs in Indonesia in recent years, Social Forestry policies (SF) and Forest Management Units (FMU or KPH) still indicate low performance. The SF program in particular, is dependent on the role of the KPH as an institution in realizing its expected goals. Using the theory of bureaucratic politics, this article presents the implementation of the SF program under the KPH system and how both programs can mutually support or inhibit the development of the other. The research was conducted using policy content analysis in the implementation of SF and KPH programs by applying interview methods, questionnaires and field observations that are presented both qualitatively and descriptively. We find that the development of SF cannot be separated from the role of the KPH bureaucracy due to the absence of bureaucratic institutions at the site level. SF sites are located in KPH working areas and perform a central role in all aspects of SF management. However, SF programs are not clearly stated as one of the main tasks and functions of KPHs and the existence of KPH interests in realizing independence without special budget allocations for the development of SF are obstacles to its implementation. KPH also still face regulatory issues that have not fully supported KPH operations resulting in weak institutions and independence to governing hierarchies due to the strong influence of the bureaucracy at the central and provincial levels. On the other hand, the SF program is still perceived as a rival of KPHs in forest management areas and further suffer from rigid regulations that are difficult to apply, making it challenging for SF to support the objectives of KPH programming. Under these conditions, KPH tend to limit SF schemes, thus privileging specific different forestry partnership schemes that are anticipated to support the independence of the KPH.
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Kroulík, Milan. "Pandemics and 'Zombies': How to Think Tropical Imaginaries with Cinematic Cosmologies." eTropic: electronic journal of studies in the Tropics 20, no. 1 (April 19, 2021): 315–39. http://dx.doi.org/10.25120/etropic.20.1.2021.3768.

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The tropics in occidental imaginaries are typically coded as either edenic paradise or as hell. It is in the latter mode that they come to be linked with zombies, diseases, and questions relating to the autonomy of the human body. In this article I first summarise historical connections between colonialism and the tropics as expressed through dealings with disease set against a background of Christian-secular cosmology. I then further think the issue with two films that approach disease and the tropics through the zombie, which I conceive of as radical heteronomy. One film, Zombi 2, is a Euro-American engagement with the tropics as imagined from a temperate zone and a Christian tradition. The other, Cemetery of Splendor, is a Thai film that engages notions of disease and the autonomy of the human body from within the tropics and a Buddhist imaginary. I tie these questions of disease, ‘zombies’ and the tropics in with more general discussions of cosmologies, including those of the moderns. The displacement of modern ontological certainty (which is imagined through the zombie and conditioned by cultural and ideological imagination) opens a space for engaging the problem of a pandemic with notions of subjectivity and corporeality. An underlying thematic throughout this article is an argument for the importance of the cinema image in dealing with bio/socio/political issues. Here, in this translation of the cinematic world into discourse we are engaged at the intersection of tropics, disease, bodies and heteronomy.
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OKLOPCIC, ZORAN. "Three arenas of struggle: A contextual approach to the constituent power of ‘the people’." Global Constitutionalism 3, no. 2 (July 2014): 200–235. http://dx.doi.org/10.1017/s2045381714000069.

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AbstractAgainst recent contributions to the debate about the constituent power of the people, the article proposes to reorient the debate by analytically distinguishing three dominant arenas of political struggle – democratic, social and national – in which the vocabulary of ‘the people’ and its constituent power is invoked. The invocation of the ‘will of the people’ and its constituent power in these arenas is associated with different assumptions, risks and implicit ideational trade-offs that must be laid bare. A contextual approach to constituent power counsels caution in dignifying pro-democratic constitutional transformations with the name of ‘the people’. It invites those who theorize constituent power with social struggles in mind to rebalance their attention to constituent power – and devote more attention to imaginaries and strategies that minimize moral hazards implicit in the vocabulary of peoplehood and to maximize the likelihood of the new order’s survival. Finally, a contextual approach rejects the role for constituent power in national struggles, arguing that constitutional theory is incapable of arbitrating between competing assertions of popular sovereignty. In the final part of the paper, I defend the contextual approach against the theoretical interventions currently on offer, and gesture towards its potential in crafting aprovincializedconstitutional theory.
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Kennedy, Jenny. "Theorising sharing practice in relation to digital culture." Media International Australia 168, no. 1 (July 17, 2018): 108–21. http://dx.doi.org/10.1177/1329878x18783035.

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Sharing is a distinct form of interaction championed in digital contexts. Yet the term ‘sharing’ is a site of contestation. There are multiple overlapping imaginaries of sharing, such as sharing as an inherent social norm; sharing as a frictionless form of communication through social technologies; sharing as a fraught practice that, when over-performed, undermines and breaks down relationships and reputations; and sharing as an economic model. Furthermore, the term ‘sharing’ has been appropriated by specific cultural intermediaries at the cost of understanding the material and affective significance of sharing in everyday life. Yet still, there is no sufficient theory or formalisation of sharing, only reappropriations of existing theories – such as gift, reciprocity, knowledge and commodity exchange, and boundary work – that partially explain certain practices of sharing to the exclusion of others. Based on this observation, I argue that we are in need of a framework for theorising sharing as it is experienced in the contexts of digital device use. In response to this need, I set out a theory of sharing as a coherent and consistent set of elements, comprising competencies, materiality and symbolic values.
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Cheong, Pauline Hope, and Pratik Nyaupane. "Smart campus communication, Internet of Things, and data governance: Understanding student tensions and imaginaries." Big Data & Society 9, no. 1 (January 2022): 205395172210926. http://dx.doi.org/10.1177/20539517221092656.

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In recent years, universities have been urged to restructure and re-evaluate their ability to trace and monitor their students as the “smart campus” is being built upon datafication, while networked apps and sensors serve as the means through which its constituents are connected and governed. This paper advances a dialectical and communication-centered approach to the Internet of Things campus ecosystem and provides an empirical investigation into (a) the tensions experienced by students and (b) the ways that these students envision alternative practices that support their digital engagement. Drawing upon student focus group interviews in a large American research and innovation intensive university, dialectical tensions identified include convenience–annoyance, integration–independence, and safety–insecurity, brought upon by students’ ongoing and prospective negotiations with Internet of Things. Furthermore, in a bid to understand students’ alternative data imaginaries, this project examined students’ preferred Internet of Things-related communication practices with campus digital application platforms, analog and older forms of digital media, as well as in-person interactions with traditional authorities within classroom and group settings. Finally, this contribution presents a discussion of the findings for theory and praxis, particularly for smart campus innovation and social data governance, in terms of potential growing challenges involving complexifying student privacy concerns, data normalization and coercion, and tertiary digital divides and inequalities.
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Chao, Sophie, and Dion Enari. "Decolonising Climate Change: A Call for Beyond-Human Imaginaries and Knowledge Generation." eTropic: electronic journal of studies in the Tropics 20, no. 2 (September 10, 2021): 32–54. http://dx.doi.org/10.25120/etropic.20.2.2021.3796.

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This article calls for transdisciplinary, experimental, and decolonial imaginations of climate change and Pacific futures in an age of great planetary undoing. Drawing from our personal and academic knowledge of the Pacific from West Papua to Samoa, we highlight the need for radical forms of imagination that are grounded in an ethos of inclusivity, participation, and humility. Such imaginations must account for the perspectives, interests, and storied existences of both human and beyond-human communities of life across their multiple and situated contexts, along with their co-constitutive relations. We invite respectful cross-pollination across Indigenous epistemologies, secular scientific paradigms, and transdisciplinary methodologies in putting such an imagination into practice. In doing so, we seek to destabilise the prevailing hegemony of secular science over other ways of knowing and being in the world. We draw attention to the consequential agency of beyond-human lifeforms in shaping local and global worlds and to the power of experimental, emplaced storytelling in conveying the lively and lethal becoming-withs that animate an unevenly shared and increasingly vulnerable planet. The wisdom of our kindred plants, animals, elements, mountains, forests, oceans, rivers, skies, and ancestors are part of this story. Finally, we reflect on the structural challenges in decolonising climate change and associated forms of knowledge production in light of past and ongoing thefts of sovereignty over lands, bodies, and ecosystems across the tropics.
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Lundberg, Anita, Kalala Ngalamulume, Jean Segata, Arbaayah Ali Termizi, and Chrystopher J. Spicer. "Pandemic, Plague, Pestilence and the Tropics: Critical Inquiries from Arts, Humanities and Social Sciences." eTropic: electronic journal of studies in the Tropics 20, no. 1 (April 19, 2021): 1–41. http://dx.doi.org/10.25120/etropic.20.1.2021.3802.

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The Tropics have long been associated with exotic diseases and epidemics. This historical imaginary arose with Aristotle’s notion of the tropics as the ‘torrid zone’, a geographical region virtually uninhabitable to temperate peoples due to the hostility of its climate, and persisted in colonial imaginaries of the tropics as pestilential latitudes requiring slave labour. The tropical sites of colonialism gave rise to urgent studies of tropical diseases which lead to (racialised) changes in urban planning. The Tropics as a region of pandemic, plague and pestilence has been challenged during the COVID-19 pandemic. The novel coronavirus did not (simply) originate in the tropics, nor have peoples of the tropics been specifically or exclusively infected. The papers collected in this Special Issue disrupt the imaginary of pandemics, plague and pestilence in association with the tropics through critical, nuanced, and situated inquiries from cultural history, ethnography, cultural studies, science and technology studies, Indigenous knowledge, philosophy, anthropology, urban studies, cultural geography, literature and film analyses, and expressed through distinctive academic articles, poetry and speculative fiction.
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Khomyakov, Maxim. "Russia: Colonial, anticolonial, postcolonial Empire?" Social Science Information 59, no. 2 (June 2020): 225–63. http://dx.doi.org/10.1177/0539018420929804.

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This article is devoted to the discussion of Russian colonial and anti-colonial social imaginaries. It starts by delving into the definitions of colony and colonization, and proceeds to the analysis of the colonial experience of the Russian continental Empire. The internal colonization thesis is also analyzed in the context of the imperial reality. The complex Soviet experience is understood as, on the one hand, a radical break with the past, through decolonization and anti-colonialism. The author, on the other hand, agrees with those who claim that Stalinism can also be understood in terms of an internal colonialism theory. This article, however, emphasizes the metaphoric nature of the internal colonialism arguments. In conclusion, the author describes different features of Russian colonial/anti-colonial experience as aspects of what he calls the modernity of control and what he describes as the dominance of the rational mastery discourses over imaginary signification of autonomy.
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Orihuela, Sharada Balachandran. "Insurgent Afterlife: Latin America, the Left, and Contemporary U.S. Multiethnic Literature." Comparative Literature Studies 59, no. 1 (February 1, 2022): 94–122. http://dx.doi.org/10.5325/complitstudies.59.1.0094.

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ABSTRACT This article explores how a range of U.S. writers have generically, representationally, and linguistically engaged with radical left-wing social movements in the Global South. In staging their revolutions in Latin America and in employing insurgencies “from below” as a mode for imagining a political afterlife for the United States, these writers employ a deterritorialized and relational use of the term “Global South” to broadly refer to the kinds of “resistant political imaginaries” shared by persons of color and marginalized communities across the hemisphere and the world. However, this article argues the Global South in these multiethnic works is more than a simple device to connect to a collective memory shared by marginalized communities in the United States and populations who suffered under dictatorial regimes in Latin America. In fact, its deployment mimics the most effective counterinsurgency campaigns launched in the Global South. By taking the Global South as a dynamic framework for analyzing multiethnic U.S. literature, my essay prompts us to read the canon of U.S. multiethnic literature very differently and to see the long afterlife of the limits and failures of coopting Latin American social movements to imagine alternative futures in the United States.
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Grzymski, Jan. "EUROPE’S BORDERS AND NEIGHBOURHOOD: GOVERNMENTALITY AND IDENTITY." CBU International Conference Proceedings 6 (September 27, 2018): 589–94. http://dx.doi.org/10.12955/cbup.v6.1218.

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This article argues that the EU's neighbourhood policy is deeply entrenched in the Eurocentric spatial imaginaries of the EU as the universal core of and pole of attraction to its neighbours. This is especially clear in the European Neighbourhood Policy (ENP) and Eastern Partnership (EaP) concept of an asymmetrical partnership and neighbourhood. The ENP and EaP constituted the EU as a fully European core, while simultaneously othering its neighbourhood as not-fully European with an uncertain status of being between the inside and outside. This article attempts to expose how the ENP and EaP's practices draw a border for the EU/Europe and its neighbourhood with the use of specific EU policy instruments, which are not just technical or professional tools. To the contrary, these instruments hold some potential power in constituting and envisioning the EU's closest outside neighbours. This article will move beyond application-oriented research and draw on critical social theory, especially the already-existing governmentality research as well as Michel Foucault's theory of power. The article concludes with the exposed mechanisms of constructing the political and cultural space of neighbourhood (and ultimately Europe too) through the ENP and EaP's governmental rationalities of their border practices.
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Sabolius, Kristupas. "Traversing Life and Thought." Social Imaginaries 5, no. 2 (2019): 37–57. http://dx.doi.org/10.5840/si20195213.

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Simondon’s poorly examined theory of imagination reveals a number of interesting possibilities. On the one hand, by grounding the function of images within the idea of a cycle, it provides an attempt of reconciliation between the assumptions that privilege either reproduction or creativity. On the other hand, his view might also be conceived as a serious alternative to various theoretical stances that characterize the problem of imagination strictly within a dichotomy between individual subject and social imaginaries. The paper proposes a reading of Simondon’s lectures given between 1965 and 1966 in Sorbonne in the broader context of his philosophy and outlines the role of imagination that exceeds imagining subject as well as establishing the mode of correlation with associated milieu, which performs the conditioning of its potentiality. Rejecting the primacy of representation, Simondon’s take enables one to draw the conclusion that imagination can be attributed to all living beings and conceived as the function of life.
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Villacampa-Morales, Ester, Maddalena Fedele, and Sue Aran-Ramspott. "YouTubers between postfeminism and popular feminism: Dulceida’s and Yellow Mellow’s construction and performance of gender identity." Revista Mediterránea de Comunicación 12, no. 2 (July 1, 2021): 117. http://dx.doi.org/10.14198/medcom.19602.

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Participatory culture (Jenkins, 2006) has opened up the possibility of prosumption for the youngest users, who use social media as a tool for building their (gender) identities. At the same time, as part of a juvenile digital culture they share with their audiences, influencers, and more specifically YouTubers, they act as role models in this process. While YouTube and other social media continue to reproduce the post-feminist sensibility, recent studies indicate that it also embraces manifestations of popular feminism. This research focuses on two popular female Spanish YouTubers, Dulceida and Yellow Mellow, and its aim is to analyse how they build and represent their gender identity. Particular emphasis is put on the negotiation and/or integration of feminist precepts into those identities, in order to determine whether they contribute to the creation of new gender imaginaries. A qualitative methodology, which includes four models of analysis, is used to cover the representations from the audio-visual, socio-semiotic and textual aspects. The results show a certain ambivalence regarding gender, since popular feminism and queer theory coexist with postfeminism, and values such as diversity with the acritical acceptance of individualism.
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Jepsen, Kim Sune, and T. Margareta Bertilsson. "Wired to freedom: Life science, public politics, and the case of Cochlear Implantation." Public Understanding of Science 26, no. 2 (August 3, 2016): 164–78. http://dx.doi.org/10.1177/0963662515602849.

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Cochlear Implantation is now regarded as the most successful medical technology. It carries promises to provide deaf/hearing impaired individuals with a technological sense of hearing and an access to participate on a more equal level in social life. In this article, we explore the adoption of cochlear implantations among Danish users in order to shed more light on their social and political implications. We situate cochlear implantation in a framework of new life science advances, politics, and user experiences. Analytically, we draw upon the notion of social imaginary and explore the social dimension of life science through a notion of public politics adopted from the political theory of John Dewey. We show how cochlear implantation engages different social imaginaries on the collective and individual levels and we suggest that users share an imaginary of being “wired to freedom” that involves new access to social life, continuous communicative challenges, common practices, and experiences. In looking at their lives as “wired to freedom,” we hope to promote a wider spectrum of civic participation in the benefit of future life science developments within and beyond the field of Cochlear Implantation. As our empirical observations are largely based in the Scandinavian countries (notably Denmark), we also provide some reflections on the character of the technology-friendly Scandinavian welfare states and the unintended consequences that may follow in the wake of rapid technology implementation of life science in society.
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Valentin, Koné Bognan, Fokou Gilbert, Kouadio Baya Bouaki, Brigit Obrist, Roch Yao Gnabeli, and Bassirou Bonfoh. "Pratique d’Interdits Alimentaires: Entre Logique Identitaire, Enjeux Sanitaires Et Conservation De La Biodiversité Chez Les Agni De Bongouanou (Côte d’Ivoire)." European Scientific Journal, ESJ 14, no. 27 (September 30, 2018): 82. http://dx.doi.org/10.19044/esj.2018.v14n27p82.

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Social norms are depriving Agni communities of Bongouanou in central-eastern Côte d’Ivoire of certain foods adding to a state of food insecurity. Based on significant cases of food restrictions, this study analyzed nutritional practices that position individuals and groups in social normative frameworks. This work focused on institutional frameworks where health and food taboo aspects were most shared. This study aims to analyze the social imaginaries associated with food restriction and their link to health in a context of food insecurity. More particularly, it aims at exploring beliefs and representations associated with health risks due to food restrictions. Based on a qualitative approach using data collection techniques as direct observation, semi-structured interviews and focus group discussions, this study was conducted in four villages where the consumption of catfish by local populations is totally prohibited. Social identity theory and the cultural materialism perspective were used for analysis and interpretation of knowledge and beliefs associated with food restrictions. The non-consumption of catfish from the Socotè Lake participated to sociability and the preservation of the indigenous "Agni of Bongouanou" identity. Additionally, food restrictions are determinants of physical and reproductive health of members of the social group. In fact, the collective imaginary of Agni from Bongouanou establishes a causal link between the consumption of this restricted food and health problems. Finally, it has emerged that this food practice could impact the cultural well-being of the community while contributing to the conservation of biodiversity.
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Chakraborty, Sanchayita Paul, and Dhritiman Chakraborty. "Bengali Women’s Writings in the Colonial Period: Critique of Nation, Narration, and Patriarchy." Zeitschrift für Anglistik und Amerikanistik 66, no. 1 (March 28, 2018): 19–34. http://dx.doi.org/10.1515/zaa-2018-0004.

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Abstract Critical engagements like the first autobiography written by a Bengali woman, Rasasundari Devi, and the non-fictions by Kailashbasini Devi, Krishnabhabini Das, and other women writers in the second half of the nineteenth century contested the imagined idealization of the Hindu domesticity and conjugality as spaces of loveableness and spiritual commitment. They criticized coercion in child-marriages and the forceful injunctions of the Hindu scriptures on both married and widowed women. Such rhetoric of quasi empowerment needs to be disaggregated to perpetuate issues of ‘double colonization,’ ‘dual-hold’ in feminism in India. The question is whether there can be any grounds of women’s agency in the Indian tradition. Eurocentric critiques are ill-equipped to politicize all modalities of a culture of social exclusion in Hindu imaginaries. Henceforth, as questions of equality, emancipation, and empowerment are fiercely debated in the public domain in contemporary India, we need to argue how immanent dissenting woman subjectivity can originate to counteract multiple patriarchies formed in Indian immediacies.
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Martín, Mónica. "Time’s Up for a Change of Political Focus: Katniss Everdeen’s Ecofeminist Leadership in The Hunger Games Film Series." Atlantis. Journal of the Spanish Association for Anglo-American Studies 43, no. 1 (June 28, 2021): 89–109. http://dx.doi.org/10.28914/atlantis-2021-43.1.06.

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This article explores Katniss Everdeen’s ecofeminist political agency in The Hunger Games film series (2012-2015) in the light of global social movements in the late 2010s. As a young destitute woman who defies the oppressive rules of an oligarchic and patriarchal totalitarian order, Katniss (Jennifer Lawrence) represents the utopian potential of intersectional politics forged across class, gender, racial and geopolitical borders. In opposition to ecocidal and patriarchal conceptions of progress, Katniss’s ecofeminist heroism is illustrative of the emergence of cosmopolitan political imaginaries that advocate sustainable, egalitarian collective futures constructed beyond the methodological frameworks of neoliberal globalisation and material dialectics. Contemporary with young activists like Greta Thunberg, one of the founders of the ecological movement Fridays for Future, Katniss can be taken as a cinematic representative of a new generation of utopian political actors for whom individual well-being is tied to ecosocial welfare and cosmopolitan inclusion.
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Horgan, Shane, Ben Collier, Richard Jones, and Lynsay Shepherd. "Re-territorialising the policing of cybercrime in the post-COVID-19 era: towards a new vision of local democratic cyber policing." Journal of Criminal Psychology 11, no. 3 (January 18, 2021): 222–39. http://dx.doi.org/10.1108/jcp-08-2020-0034.

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Purpose The purpose of this study is to develop the theorisation of cybercrime in the context of the pandemic, and to sketch out a vision of how law enforcement might respond to a transformed landscape of online crime and offending. Design/methodology/approach This conceptual paper draws on empirical evidence from a range of sources (including official statistics) and the existing research literature, and revisits routine activities theory to illuminate the way that cybercrime patterns are being transformed by the pandemic. Findings The pandemic is reshaping the routine activities of societies en masse, leading to changes in the ecology of risk and opportunity for cybercrime. There is evidence of a large increase in the prevalence of cybercrime as a result, yet much of this has a paradoxically “local” character. Practical implications The authors identify specific practical implications for law enforcement, namely, that the role of local police in policing cybercrime should be re-envisioned, with a democratic, community-oriented approach at its heart. Originality/value The theoretical perspective outlined is a novel and critical development of a well-established framework, opening up new paths to the theorisation of cybercrime and cybercrime policing. The authors’ suggestions for practitioners have the potential for direct impact, both at the level of practice and in terms of broader imaginaries and organisation of police and policing.
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Shao, Xuesong, and Sheldon Lu. "Reconfiguring the Chronotope." Prism 19, no. 1 (March 1, 2022): 67–85. http://dx.doi.org/10.1215/25783491-9645912.

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Abstract This article adopts Mikhail Bakhtin's conception of the chronotope to analyze the 2015 film Laopaoer 老炮兒 (Mr. Six), directed by Guan Hu 管虎 and starring Feng Xiaogang 馮小剛, exploring its representation and reconfiguration of the real as well as the imagined time-spaces of Beijing. Revolving around generational conflicts against the grain of a globalized and gentrified Beijing, Mr. Six creates a strong nostalgic appeal and laments the withering of mores from the past. The film not only attends to the physiognomic remapping of contemporary Beijing but also incorporates topographical imaginaries from the culture of the martial arts. By invoking hybrid sites of memory, Guan Hu mobilizes cultural legacies associated with Beijing and creates a palimpsestic urban chronotope. Furthermore, this article compares Mr. Six to its literary and filmic predecessors, probing its insights and oversights in restoring cultural memories and in capturing the zeitgeist of contemporary China. With gaps and conflicts on textual, contextual, and intertextual levels calling into question the efficacy of Mr. Six's exposé of China's social stratification and urban gentrification, the stories in, of, and around Mr. Six reiterate the coordination between cultural elites and consumer culture.
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Castro Picón, Natalia. "The Sleep of Neoliberal Reason: Denialism, Conspiracies and Storytelling on Crises through Ventajas de viajar en tren." Humanities 11, no. 3 (May 23, 2022): 64. http://dx.doi.org/10.3390/h11030064.

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Do fictional figurations and their formal characteristics determine our relationship with the world? In a historical moment in which several crises overlap (economic, environmental, health), what cultural imaginaries circulate and with what consequences? One of the effects of this multilevel crisis, resulting from unrestrained neoliberalism, has been the rise of conspiracy theories of all kinds. The narrative of these conspiracies converges in many ways with the discursive structure of storytelling and fiction. Such narratives seem to serve as a model to interpret the present, overflowing the realm of representation. This article will explore commonalities between narrativity and conspiracy theories. In doing so, it will analyze Ventajas de viajar en tren, a novel by Antonio Orejudo and subsequent film adaptation Aritz Moreno. The story consists of a formal exploration of creating writing from a plot that addresses issues, such as conspiracy and mental health. I propose to invert this scheme to analyze how conspiracy theory operates as an act of discursive creation and what effects it has on our experience of the present and our relationship with the present and future in social, political and cultural terms.
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Sumiala, Johanna, Minttu Tikka, Jukka Huhtamäki, and Katja Valaskivi. "#JeSuisCharlie: Towards a Multi-Method Study of Hybrid Media Events." Media and Communication 4, no. 4 (October 10, 2016): 97–108. http://dx.doi.org/10.17645/mac.v4i4.593.

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This article suggests a new methodological model for the study of hybrid media events with global appeal. This model, developed in the project on the 2015 <em>Charlie Hebdo</em> attacks in Paris, was created specifically for researching digital media—and in particular, Twitter. The article is structured as follows. Firstly, the methodological scope is discussed against the theoretical context, e.g. the theory of media events. In the theoretical discussion, special emphasis is given to i) disruptive, upsetting, or disintegrative media events and hybrid media events and ii) the conditions of today’s heterogeneous and globalised media communication landscape. Secondly, the article introduces a multi-method approach developed for the analysis of hybrid media events. In this model, computational social science—namely, automated content analysis (ACA) and social network analytics (SNA)—are combined with a qualitative approach—specifically, digital ethnography. The article outlines three key phases for research in which the interplay between quantitative and qualitative approaches is played out. In the first phase, preliminary digital ethnography is applied to provide the outline of the event. In the second phase, quantitative social network analytics are applied to construct the digital field for research. In this phase, it is necessary to map a) what is circulating on the websites and b) where this circulation takes place. The third and final phase applies a qualitative approach and digital ethnography to provide a more nuanced, in-depth interpretation of what (substance/content) is circulating and how this material connects with the ‘where’ in the digital landscape, hence constituting links and connections in the hybrid media landscape. In conclusion, the article reflects on how this multi-method approach contributes to understanding the workings of today’s hybrid media events: how they create and maintain symbolic battles over certain imagined constructs of social imaginaries of solidarity, belonging, contestation, and exclusion, a topic of core value for the theory of media events.
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Fedorenko, Olga. "The Advertising Museum in Seoul: Dream-Images and the Freedom to Advertise." positions: asia critique 30, no. 4 (November 1, 2022): 763–92. http://dx.doi.org/10.1215/10679847-9967344.

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Abstract This article examines how the Korea Advertising Museum in Seoul participates in constructing narratives of past and present in postmillennial South Korea, and how historical advertisements create ambiguities within those narratives. The analysis is inspired by Benjaminian scholarship on collective dreamworlds and on advertisements as dream-images, while the curatorial choices are situated against, first, the historical-cultural specificity of advertising in South Korea and, second, the social-political imaginaries of the mid-2000s, when the museum was developed and opened. The article details how the Advertising Museum constructs the post-democratization South Korean present as the dreamed-of future, by equating historical progress with a triumphant march of technological, political, and aesthetic freedom to advertise. When museumified old advertisements are brought into the present as technologically and aesthetically archaic, they support the hegemonic narrative of progress and arrival. However, the article also shows how the dream-images of old advertisements are not perfectly contained. Old advertisements still may shock because their collective utopias remain unattainable in the postmillennial present, despite its technological and industrial sophistication and despite it being declared the hoped-for future.
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50

Croon, Anna. "Thinking with care in human–computer interaction." Feminist Theory 23, no. 2 (April 2022): 232–46. http://dx.doi.org/10.1177/14647001221082294.

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In this article, human–computer interaction (HCI) is explored as a design-oriented practice nurturing the becoming of what is not-yet in future-oriented and speculative manners. Such approaches have evolved over time and now the field seems ready to take leaps targeting social and culturally infused contexts, such as those suggested by critical design, design things, adversarial design, making futures, pluriversal design and critical fabulations. It is in this respect that feminist theories, methods and imaginaries are rendered important. Feminist theory is in this article considered an important companion and part of the practical tool-kit necessary for generative, speculative and ethical approaches within the field of HCI. How to think with care is explored as a meta-design strategy directed and informed by feminist onto-epistemologies – a strategy intended to ‘seed’ speculative and social justice-oriented design endeavours through generative figurations and critical dilemmas to foster abilities and sensibilities for dealing with difference differently. What is advanced is the need for meta-design space in HCI, in this article referred to as a contact zone, a feminist figuration with the intention to open up for design explorations with ethical imperatives. Four other interrelated feminist figurations are also loosely explored in order to frame how thinking with care in HCI could be advanced further, i.e. diffractive thinking, intra-activism, becoming-with and response-ability. By considering serious feminist accounts of situated knowledges and touching visions, it is argued that feminist thinking is well on its way to offering real alternatives of great importance for HCI.
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