Relevant bibliographies by topics / Skepticism in literature – Germany – 18th century

Academic literature on the topic 'Skepticism in literature – Germany – 18th century'

Author: Grafiati
Published: 10 March 2023

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Journal articles on the topic "Skepticism in literature – Germany – 18th century"

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Markov, Georgi. "Three Large Chess Variants from India and Germany: a note on their rules." Board Game Studies Journal 16, no. 2 (October 1, 2022): 1–16. http://dx.doi.org/10.2478/bgs-2022-0017.

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Abstract This paper deals with three historical large chess variants, Hyderabad Decimal Chess from late 18th century India and the 19th century German games Kaiserspiel (or Emperor's Game, played on a 10×10 board) and Sultanspiel (Sultan's game, 11×11), and their treatment in the literature. For each game, a set of rules is suggested and discussed.
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Jansen, Steen. "Avec Goldoni à travers l’Europe." Revue Romane / Langue et littérature. International Journal of Romance Languages and Literatures 49, no. 1 (May 27, 2014): 88–119. http://dx.doi.org/10.1075/rro.49.1.05jan.

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This paper looks at how a given text, Carlo Goldoni’s comedy Un curioso accidente, has been translated, received and used in different adaptations in France, Germany and Denmark. In France and Germany the comedy is met with great interest already in the 18th century, mostly through very different adaptations (in France by François Roger and in Germany by Johann Christian Bock) used with considerable success on stage, less for the actual translations. Later the comedy was forgotten in those two countries. In the rest of Europe, the comedy is not translated till the 19th century ; in Denmark it is discovered about 1850, not least because Johanne Louise Heiberg, leading actress at the Royal Theatre, is enchanted by the female lead character Giannina. At the end of the century the play is restaged, but now — in agreement with the general spirit of the time — in much more realistic productions by William Bloch.
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Boguszewska, Kamila Lucyna. ""Poplars and Cypresses” – that is the phenomenon of popularity of Populus Italica in the Kingdom of Poland in the 19th century." Teka Komisji Architektury, Urbanistyki i Studiów Krajobrazowych 16, no. 4 (December 30, 2020): 40–51. http://dx.doi.org/10.35784/teka.2307.

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Lombardy poplar is a tree with a distinctive cypress shape, which grows very fast and has little soil requirements. The species probably originated at the turn of the 17th and 18th century in Lombardy, where it spread via France and Germany, arriving at the territory of the Crown in the second half of the 18th century. However, it was only in the 19th century that its popularity reached its peak. The Lombardy poplar was being planted as a popular avenue plant. It was also an important part of the park complexes designed in a sentimental landscape style inspired by the work of Jean Jacques Rousseau. The article analyses the phenomenon of the popularity of poplar trees on the territory of the Kingdom of Poland in the context of the then literary and philosophical programme of the garden, whose two key sources are to be found in Arcadian literature – J. Milton's Paradise Lost, J. J. Rousseau's works such as New Heloise or Jacques Dellille's Gardens.
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Arnold, Antje. "Raum für Unterhaltung(en): Der frühneuzeitliche Salon." Daphnis 44, no. 3 (September 1, 2016): 340–59. http://dx.doi.org/10.1163/18796583-04403004.

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‘Entertainment’ in the Early Modern Age is preferably situated in so called literary ‘salons’. The article aims to develop a theory of ‘Unterhaltung’ from a study that traces the spatial conditions and effects of entertainment. It sheds light on the case of Madeleine de Scudéry, who embodied conversational theory and practice and therefore became a role-model for early 18th century Germany. Her “carte de tendre” distributed the popular game of pre-sensitive conversation. This is embedded in Scudérys novel Clélie that influenced both poetics and ‘entertainment’ theories.
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Hübner, Klaus. "Linguistic spaces of the world between. On the „Chamissa” literature." Tekstualia 3, no. 46 (July 4, 2016): 121–28. http://dx.doi.org/10.5604/01.3001.0013.4209.

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German Literature, written by Authors whose First Language is different to German, has a long tradition (18th and 19th Century). In the 1960s und 1970s a new Generation of Authors entered the Stage of Literature. This Essay deals with History and Development of their kind of German Literature from its beginnings as „Gastarbeiterliteratur“ until today, outlinig several of its phases: Immigration from Turkey, Italy, Yugoslavia and other Countries into Germany 1960–1985, Literature and Changes in Europe’s Political Map 1989/90, Growing Variety of Literary Styles 1990–2005, Success and Recognition of „Chamisso-Literature“ in the last ten years (Feridun Zaimoglu, Yoko Tawada, Ilija Trojanow, Artur Becker, Ilma Rakusa, Terézia Mora, and Others), Present Situation.
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POIRIER, JEAN-PAUL. "The 1755 Lisbon disaster, the earthquake that shook Europe." European Review 14, no. 2 (April 12, 2006): 169–80. http://dx.doi.org/10.1017/s1062798706000172.

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The Lisbon earthquake is famous for its central role in the 18th century ‘quarrel of Optimism’. The accounts of the disaster by some witnesses are presented and the contributions that the earthquake inspired to many European authors, less well-known than Voltaire, in the domains of science, literature, religion and philosophy, are summarily reviewed. The paper emphasizes the repercussions the earthquake had in Germany, quite remote from the disaster area, but intellectually much alive, at the time of Frederic II.
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Poliakov, R. B. "The legal regulation of the competitive process in Germany in the 18th century." Прикарпатський юридичний вісник, no. 3 (2022): 44–47. http://dx.doi.org/10.32782/pyuv.v3.2022.10.

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Gaidash, Anna, Olga Shapochkina, Svitlana Kadubovska, and Nataliia Kishchenko. "The Representations of Ageing (Old Age) in German-Language Literature." Revista Romaneasca pentru Educatie Multidimensionala 14, no. 4 (December 6, 2022): 180–95. http://dx.doi.org/10.18662/rrem/14.4/636.

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The relevance to study the representations of ageing is conditioned by the necessity to understand the variety between generations, differences in age psychological attitudes and increased life expectancy, in particular in European countries. All this is reflected in fiction. The aim of this work is to outline the main features of artistic representations (indirect, «secondary» prototypes and images) of ageing (old age) in German-language literature of Germany, Austria and Switzerland, especially during modernism, postmodernism and the formation of modern society. The twentieth century in the literature is characterized by the development of such directions as modernism and postmodernism. The last one was originated as an ideological signpost associated with a certain unity of philosophical, theoretical, and methodological approaches. The concept of a human in these theories was marked by skepticism on the world caused by The First and The Second World Wars, sarcasm, irony, despair and hopelessness about the absurdity of the world. In the hieratic works of the twentieth-century German-language literature, representations of old age and gerontological motives were very rarely central. Therefore, in social, physical and psychological dimensions, the ageing process has become richer over time. Artistic representations of the elderly were mostly stereotyped. Since the early twentieth century the problem of depicting the elderly has acquired existential sense, postmodern view on human life, the search for human sense of life, human loneliness in society, the role of an individual in the periods before, during and after the two World Wars.
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Shavit, Zohar. "Cultural Agents and Cultural Interference." Target. International Journal of Translation Studies 9, no. 1 (January 1, 1997): 111–30. http://dx.doi.org/10.1075/target.9.1.07sha.

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Abstract This paper deals with the major role played by translated literature in the emergence of a new system of books for Jewish children in the German-speaking countries at the end of the 18th century and the beginning of the 19th. This role was due to the remarkable status of German culture in the eyes of the Haskala (Jewish Enlightenment movement), and to the absence of appropriate original texts which could serve the needs of the new system. As a result, translated texts were privileged in the system of Jewish children's literature, to the extent that, to the best of our knowledge, all books for children published by the Haskala in Germany were either official translations, pseudotranslations, or original texts based on existing German models.
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Zhdanov, Sergey S. "German Borders and Germany as a Boundary: Images of the Liminal Space in the Russian Literature of the Late 18th – Early 20th Centuries." Imagologiya i komparativistika, no. 14 (2020): 186–209. http://dx.doi.org/10.17223/24099554/14/9.

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The paper examines the spatial images of German borders in the Russian literature of the late 18th – early 20th centuries. These ‘liminal’ descriptions of Germany come in several variations. The first is the image of the boundary as a syncretic and transit locus between Russia and Germany, i.e. between Us and Them respectively. Their features are mixed there as in cases of Karamzin’s Livonia or Skalkovsky’s Kurland. Secondly, the booundary can be presented as a certain point, reaching which the narrator / hero finds themselves in a new space, for example, Travemünde during a sea voyage or Eydtkuhnen when traveling by rail. The description of this conventional point follows several traditions in the travel literature. One was set up by N.M. Karamzin’s Letters of a Russian Traveler ”, when the voyager is aware of his transition into Their space and experiences an emotional uplift. Over time, however, this “attack of topophilia” becomes the object of a travesty game and ridicule of the literary tradition, as, for example, in Myatlev’s poem “Sensations and Comments by Madame Kurdyukova Abroad, Dans L’etranger”. Topophilia, interest in the Other, can also be encouraged by the feeling of getting into a more free locus, which marks Germany in particular and Western Europe in general as spaces of freedom (in the travelogues by K.A. Skalkovsky, M.E. Saltykov-Shchedrin). Another variant of a Russian traveler’s reaction to crossing the German border is frustration, which is felt in Fonvisin’s letters abroad. Their author feels disenchantment With each new point on the journey, D.I. Fonvizin feel inauthentic German space as the embodiment of the European Other. This generates a third variant of the German liminal locus, when the entire Germany becomes a border, a transitory, boring, semiotically empty place on the way to real Europe, for example, France (texts by D.I. Fonvizin, F.M. Dostoevsky and others). Probably, it determines the perception of the German nation as an average nation without any strongly pronounced characteristics. In addition, the situation of crossing the border with Germany can also be trivialized as opposed to Karamzin’s tradition, as in A.T. Averchenko’s travelogue. Along with topophilia, frustration and indifference in texts about the borders of Germany in the second half of the 19th century describe the motif of topophobia, fear of the Other in its version of the new German Empire, generating images of a latent or obvious threat, aggression, for example, in the texts by M.E. Saltykov-Shchedrin, N.A. Leikin. Finally, early travelogues of this period emphasise the internal borders between German lands, while by the early 20th century the images of the internal German borders fade and become trivial.
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Dissertations / Theses on the topic "Skepticism in literature – Germany – 18th century"

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TODESCO, Fabio. "Lector scepticus : la recezione della tradizione scettica e la formazione del pubblico in area tedesca (1680-1750)." Doctoral thesis, 1998. http://hdl.handle.net/1814/6000.

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Defence date: 12 October 1998
Examining board: Prof. Dr. Daniel Roche (Paris I - supervisor) ; Prof. Dr. Laurence Fontaine (IUE) ; Prof. Dr. Geroges D. Benrekassa (Paris VII) ; Dr. Gianfranco Bonola (Bologna)
PDF of thesis uploaded from the Library digitised archive of EUI PhD theses completed between 2013 and 2017
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(8722203), Ricardo Quintana Vallejo. "CHILDREN OF GLOBALIZATION: DIASPORIC COMING-OF-AGE NOVELS IN GERMANY, ENGLAND, AND THE UNITED STATES." Thesis, 2020.

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Children of Globalization: Diasporic Coming-of-age Novels in Germany, England, and the United States is an exploration of contemporary Diasporic Coming-of-age Novels written in the context of globalized and de facto multicultural societies. Framed in the long tradition of Bildungsroman studies, this study illuminates the structural transformations that the coming-of-age genre has undergone in contemporary diasporic communities. Children of Globalization analyzes the complex identity formation of first- and subsequent-generation migrant protagonists in globalized rural and urban environments and dissects the implications that these diasporic formative processes have for the tercentennial genre. While the most traditional iteration of the Bildungsroman genre follows male middle-class heroes who forge their identities in a process of complex introspection to become citizens and workers, contemporary Diasporic Coming-of-age Novels represent formative processes that fit into, resist, or even disregard, narratives of nationhood. Recent changes in the global genre are the direct consequence of the intricacies of the formative processes of culturally-hybrid protagonists who must negotiate their access into adulthood and citizenship, and puzzle over sexuality and gender identity, in host societies that at times regard them with contempt and distrust. The study spans three centuries as it traces both perennial and volatile elements of the genre through its contemporary state. In doing so, it identifies thematic and structural seeds which, planted through the centuries in varied locations, have bloomed into nuanced explorations of the self in an interconnected world where regional and national definitions of identity are increasingly contested and in flux.

In order to contextualize the genre and provide evidence of its enduring malleability, the study begins in Germany, tracing what I term Proto-Bildungsromane, long medieval narrative poems that follow the formative processes of knights and heroes in grandiose style. Wolfram von Eschenbach’s thirteenth-century poem Parzival and the coeval Gottfried von Straßburg’s Die Geschichte der Liebe von Tristan und Isolde ponder the development of the self but too heavily rely on destiny to be considered Bildungsromane. Still in Germany, I illustrate the fundamental characteristics of the genre in Wolfgang von Goethe’s Wilhelm Meisters Lehrjahre. In order to showcase the flexibility of the genre, I analyze its early transformations in England in prominent works by Jane Austen, Charles Dickens, and E. M. Forster. The last four chapters focus on the exciting development of Diasporic Coming-of-age Novels in England, the United States, and Germany. Despite the stark differences between these societies and the particular cultural wealth of diasporic groups that have migrated there, the Diasporic Coming-of-age Novel has enabled sophisticated explorations of identity and belonging in all three countries. As the chapter summaries show, contemporary writers have used the Diasporic Coming-of-age Novel to untangle complicated formative processes, understand the expectations of their social environments, and achieve different levels of belonging and maturity.

With Children of Globalization, I seek to deepen our understanding of the exciting influence that contemporary diasporic movements have on the coming-of-age genre in particular and literary studies in general. Additionally, it is my hope that the exploration of Diasporic Coming-of-age Novels contributes to a capacious understanding of the important role of literature in the study of migration.

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Hesse, Angelika. "Eichendorffs Kritik romantischer Fehlentwicklungen." Diss., 1998. http://hdl.handle.net/10500/16941.

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Summary in English
Romanticism as a broad movement of thought developed as a reaction against rationalism and empiricism in the period of Enlightenment. In his critical evaluation of Getman literature Eichendorff as a historian exammes the excessiveness of esoteric theories in the work of the young intellectuals of the early romantic period in Getmany. The romanticists' idealist celebration of the self, and their tendency to overestimate the power of the imagination and the supreme value of art led to self-adulation and subjectivism which was unacceptable to Eichendorff s understanding of art and religion. The "romantic" attempt at creating a new mythology usmg art as a new kind of religion and thereby making the poet an omnipotent creator could only be rejected by Eichendorff whose moral convictions were strongly based on Christian Catholic beliefs. The young romanticists replaced ethics with aesthetics. Eichendorffs judgement of this development is devastating. He describes the early romantic movement as a "premature abortion".
Classics and Modern European Languages
M.A. (German)
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Books on the topic "Skepticism in literature – Germany – 18th century"

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Bannet, Eve Tavor. Scepticism, society, and the eighteenth-century novel. New York: St. Martin's Press, 1987.

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Nature's hidden terror: Violent nature imagery in eighteenth-century Germany. Columbia, SC, USA: Camden House, 1991.

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James, Chamberlain Timothy, ed. Eighteenth century German criticism. New York: Continuum, 1992.

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Elaine, Goozé Marjanne, ed. Challenging separate spheres: Female Bildung in eighteenth- and nineteenth-century Germany. Bern: P. Lang, 2007.

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The decline and fall of Virgil in eighteenth-century Germany: The repressed muse. Rochester, NY: Camden House, 2006.

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Leidner, Alan C. The Impatient Muse: Germany and the Sturm und Drang. Chapel Hill: University of North Carolina Press, 1994.

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Leidner, Alan C. The impatient muse: Germany and the Sturm und Drang. Chapel Hill: University of North Carolina Press, 1994.

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Kenny, Neil. The uses of curiosity in early modern France and Germany. Oxford: Oxford University Press, 2004.

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The moral tale in France and Germany, 1750-1789. Oxford: Voltaire Foundation, 2002.

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The discourse on Yiddish in Germany from the enlightenment to the Second Empire. Rochester, N.Y: Camden House, 2000.

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Conference papers on the topic "Skepticism in literature – Germany – 18th century"

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Carneiro De Carvalho, Vânia. "Decoration and Nostalgia - Historical Study on Visual Matrices and Forms of Diffusion of Fêtes Galantes in the 20th Century." In 13th International Conference on Applied Human Factors and Ergonomics (AHFE 2022). AHFE International, 2022. http://dx.doi.org/10.54941/ahfe1001365.

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In São Paulo/Brazil, between the years 1950 and 1980, porcelain sculptures representing courtesy scenes were fashionable in wealthy and middle-class homes. Several Brazilian factories started to produce such images and many others were imported, the most of them from Germany. These representations were inspired by the fêtes gallants, a rococo style genre from the 18th century. Factories like Meissen, Limoges and Capodimonte produced thousands of copies which circulated in Western Europe and the Russian Empire. During the 19th century, from French institutional policies, the fêtes galantes were revalued along with the recovery of the rococo. This political and cultural movement resulted not only in domestic interiors decorated with authentic pieces from the 18th century gathered together by collectors, but also in the production of new objects. Following decorative practices, studies anachronistically reclassified 18th artisans as artists, constructing their biographies, circumscribing their peculiarities, and identifying their works. Many pieces from the privates collections ended in museums. The porcelain aristocratic figures won the world and are produced until today. It was at the end of the 19th century, in the region of Thuringia, that the technique of lace porcelain emerged. Produced by women in a male-dominated environment, the technique involved the use of cotton fabric soaked with porcelain mass which was then sewed and molded over the porcelain bodies of male and female figures. After that, the piece was placed in the oven at high temperature, burning the fabric and leaving the lace porcelain. It is significant and relevant for the purposes of this research that the lace porcelain technique was never recognized as a object of interest by the academic literature on porcelain. It is likely that the presence of the female labor, the practice of sewing and the use of fabric have been interpreted by the male academic and amateur elite as discredit elements. Added to this, the lace porcelain became very popular in the 20th century. The reinterpretation of rococo in the 20th century was also understood as a lack of artistic inventiveness associated with marketing interests, which resulted in the marginalization of these sculptures. What is proposed here is to study these objects as pieces of domestic decoration practices, recognizing in them capacities to act on the production of social, age and gender distinctions. I intend, therefore, to demonstrate how these small and seemingly insignificant objects were associated with decorative practices of fixing women in the domestic space in Brazil during the 20th century. They acted not alone but in connection with other contemporary phenomena such as post-war fashion, the glamorization of personalities from the American movie and European aristocracy and the rise of Disney movies, which promoted the gallant pair as a romantic idea for children in the western world.
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