Books on the topic 'Sixth Dynasty'

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1

Living in the past: Studies in archaism of the Egyptian Twenty-sixth Dynasty. London: Kegan Paul International, 1994.

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2

Zsolt, Vasáros, ed. The mortuary monument of Djehutymes II: Finds from the New Kingdom to the Twenty-sixth Dynasty. Budapest: Archaeolingua, 2008.

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3

Tang Song wen xue liu shi jia: Sixty writers of Tang and Song dynasties. Guilin: Guangxi shi fan da xue chu ban she, 2014.

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4

Publishing, KCI Sports. Dynasty - The New England Patriots Sixth NFL Championship. KCI Sports Publishing, 2019.

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5

Studies in archaism of the Egyptian Twenty-sixth Dynasty. 1990.

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6

Delpak, Heady. Thutmose the Great, the Sixth Egyptian Pharaoh of the Eighteenth Dynasty. Independently Published, 2022.

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7

Manuelian, Peter Der. Studies in Archaism of the Egyptian Twenty-Sixth Dynasty (Studies in Egyptology). Kegan Paul, 1993.

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8

Manuelian, Peter Der. Living in the Past: Studies in Archaism of the Egyptian Twenty-Sixth Dynasty. Taylor & Francis Group, 2021.

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9

Manuelian, Peter Der. Living in the Past: Studies in Archaism of the Egyptian Twenty-Sixth Dynasty. Taylor & Francis Group, 2021.

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10

Manuelian, Peter Der. Living in the Past: Studies in Archaism of the Egyptian Twenty-Sixth Dynasty. Taylor & Francis Group, 2021.

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11

Manuelian, Peter Der. Living in the Past: Studies in Archaism of the Egyptian Twenty-Sixth Dynasty. Taylor & Francis Group, 2021.

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12

Manuelian, Peter Der. Living in the Past: Studies in Archaism of the Egyptian Twenty-Sixth Dynasty. Taylor & Francis Group, 2022.

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13

History, Captivating. Hammurabi: A Captivating Guide to the Sixth King of the First Babylonian Dynasty, Including the Code of Hammurabi. Independently Published, 2018.

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14

Fitzsimmons, Michael P. The Fifth Edition Superseded. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190644536.003.0007.

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The second class of the Institut National had been given the task of preparing the sixth edition of the dictionary. The class had several Napoleonic loyalists, ensuring control of its content, and the regime was eager to see it appear, but Bonaparte abdicated before that occurred. The restored Bourbon dynasty was less concerned about control of language but equally desired to see the project concluded. Turmoil associated with a massive purge in 1816 slowed work, but the Académie completed editing of the dictionary in 1825. Rather than advance the sixth edition to publication, however, it decided to revise the earlier portion and the Bourbon regime fell in 1830 before it was published. The sixth edition appeared only in 1835 and, although it was more current than the fifth edition had been, it elided the Revolution and Empire in many entries through the use of the phrase “at a certain epoch.”
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15

Fitzsimmons, Michael P. The Place of Words. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190644536.001.0001.

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From its initial appearance in 1694 and through successive editions in 1718, 1740, and 1762, the Dictionnaire de l’Académie Française had risen to become the definitive arbiter of the French language. Preparation of the fifth edition was at an advanced state when the French Revolution began in 1789 but it remained unfinished when the National Convention suppressed academies in August 1793. Seeking to codify the language of the Revolution, the Convention commissioned two Parisian publishers to complete the fifth edition, hoping that it would be a vehicle for promoting the ideals of the Revolution in the manner that the earlier editions had for the values of absolute monarchy. When it appeared during the year VI (1798), however, it was completely anachronistic and barely took note of the Revolution except for a brief supplement of “words in use since the Revolution” that comprised only a small fraction of its content. Another Parisian publisher believed its deficiencies offered an opportunity to publish a competing edition, which he did, along with a partner, in 1802. The holders of the rights to the fifth edition took them to court for piracy, initiating protracted legislation in which they ultimately prevailed. Preparation of the sixth edition had been entrusted to the Institut National and the Napoleonic regime was eager to see it completed, but Bonaparte fell before that occurred. The restored Bourbon dynasty was also eager to see the new edition completed but it was overthrown in 1830. The sixth edition appeared only in 1835 and, similar to the fifth edition it supplanted, it glossed over the Revolution—as well as the Napoleonic period—but in a different manner. Although the dictionary included definitions from the revolutionary and Napoleonic era, it frequently elided the period through the phrase “at a certain epoch.”
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16

Drelichman, Mauricio, and Hans-Joachim Voth. Serial Defaults, Serial Profits. Princeton University Press, 2017. http://dx.doi.org/10.23943/princeton/9780691151496.003.0007.

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This chapter looks at the profitability of banking families. Lending to the king of Spain made good business sense; it was hugely profitable on average, despite periodic defaults and restructurings. Defaults and reschedulings reduced the rate of return, but profitability net of these losses was still high—and markedly higher than the return on alternative investments. The same conclusion emerges from analyzing the profitability of loans by the banking dynasty. Of the sixty families that lent to Philip, only five failed to earn their likely opportunity cost of capital—and these bankers provided only a negligible proportion of the short-term loans taken out by the king. As a consequence, few financiers ever stopped lending to Philip II.
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17

Egypt at Its Origins 6: Proceedings of the Sixth International Conference Origin of the State. Predynastic and Early Dynastic Egypt , Vienna, 10th - 15th September 2017. Peeters Publishers & Booksellers, 2021.

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18

Jeske, Ann-Kathrin, Friederike Junge, Nora Kuch, and E. Christiana Köhler. Egypt at Its Origins 6: Proceedings of the Sixth International Conference 'Origin of the State. Predynastic and Early Dynastic Egypt', Vienna, 10th - 15th September 2017. Peeters Publishers & Booksellers, 2021.

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19

Kendrick, Robert L. Fruits of the Cross. University of California Press, 2018. http://dx.doi.org/10.1525/california/9780520297579.001.0001.

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This study of some sixty-odd Italian-language music-theater pieces for Holy Week in seventeenth-century Vienna addresses the issues of Habsburg dynastic piety, memory and commemoration, Passion devotion, and political meaning in the works. It further considers some surprising conjunctions of poetic conceptualism in connection with surprising—and theatrical—musical techniques. The pieces were meant to be performed in front of a constructed replica of Christ’s tomb—hence their Italian sobriquet, sepolcri—and often with an additional stage-set. Flourishing during the reign of Emperor Leopold I (1657–1705), the genre was also indebted to the patronage and piety of the women around him, including his stepmother, the Dowager Empress Eleonora, his three wives, and several of his daughters. The libretti, many by the famed Nicolo Minato, show unusual textual strategies in the recollection of Christ’s Passion, as they are imagined to take place after his burial. But they also involve wider realms of the dynastic’s self-image, material possessions, and political ideology. Although both the texts and the music—the latter by a variety of composers, most notably Giovanni Felice Sances and Antonio Draghi, along with Leopold himself—are little studied today, they also combined in performance to provide a sonic enactment of mourning according to the most recent norms of Italian musical dramaturgy.
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