Academic literature on the topic 'Sisters of St. Francis of Dillingen'

“Theology is Taught by God, Teaches of God and Leads to God.”(Theologia a Deo docetur, Deum docet, et ad Deum ducit)—Thomas AquinasIn 1972, I was twenty-two years old and had recently made my first vows with the Sisters of St. Francis. The sisters gave me a New American Bible; I had never before owned a Bible, and I promptly put it in my storage trunk for the move to my new mission to teach fifth grade in Minneapolis. Once I arrived, the Bible remained in the trunk.

An 1894 biography of St. Francis of Assisi was a milestone in the lives of two young urban missionaries. They were “Sisters of the People” at the dynamic and progressive Wesleyan Methodist West London Mission in Soho, a poor and overcrowded central London district. Sister Mary Neal and Sister Emmeline Pethick would eventually distinguish themselves nationally, Emmeline as a militant suffragist in tandem with her husband Frederick Pethick-Lawrence, and later as a feminist and peace activist; Mary as a music educator and folklorist. French protestant clergyman Paul Sabatier's scholarly but lyrical biography of Francis enthralled the mission's leaders, including the superintendent, Hugh Price Hughes. Francis's rejection of his family's wealth, his insistence on absolute poverty for himself and his followers, and his devotion to the poor presented a compelling model of Christian service, one that the two young Sisters found especially exciting. They resigned the Sisterhood in 1895 to live cheaply in workers' housing just north of their old turf. This decision launched them into a national community of Franciscan-inspired settlers, philanthropists, “simple livers,” and collective farmers—offering us a new perspective on fin de siècle social activism.

On 3 October 2020 Pope Francis issued his third encyclical, Fratelli Tutti. Signed in the symbolic location of Assisi, home of St Francis, the encyclical represented the pope's response to the fears and anxieties wrought by the COVID-19 pandemic, as well as the burning injustices of racism, global inequality and climate change. The encyclical explicitly invoked human rights, criticising the ways in which, ‘in practice, human rights are not equal for all’. As nations and societies succumb to ‘disenchantment and disappointment’, ‘the temptation to build a culture of walls’ to keep out the ‘other’ grows ever greater. The antidote, Francis insisted, is a ‘culture of encounter’ in which it is again possible to ‘rediscover the needs of the brothers and sisters who orbit around us’. Priority, too, must be given to ‘the dignity of the poor’ and ‘respect for the natural environment,’ rather than the privileges of the affluent to continue to amass wealth at all costs. Only then – by aligning human rights with the global common good – can rights become truly universal.

In the papal letter “Mira circa nos”, published on the occasion of the canonization of Francis of Assisi in July 1226, Gregory IX, using many references to biblical figures and events, presented to the believers some selected elements of his spiritual profile. These elements not only provided insight into the profile of the new saint but, also by referring to the community of Friars Minor he had founded, marked out for them a well-defined direction of activity in the Church. This article analyzes and describes two very characteristic biblical references by means of which Gregory IX presents St. Francis as a zealous preacher, reformer and apostle sent by God to work in the Church, leading others along the path of salvation. The references to the workers of the eleventh hour from Jesus’ parable and to the biblical sisters Rachel and Leah to strongly emphasize the value and need of apostolic life, read in the context of the Church’s ongoing reform and the texts of earlier authors, show a clear trace of the Holy See’s policy toward the order founded by Francis.

The article analyses the iconographic programme of the altars of St Trinity Church of the convent of former Bernardine nuns (Sisters of the Third Order of St Francis) in Kaunas until its closure in 1864 and reveals the expression of the spirituality of this order in the sacral art as far as the surviving few sources and heritage allow. In order to achieve the goal, the following objectives were established: (1) to reconstruct the old interior of the altar ensemble, (2) to reveal the most important peculiarities of the Bernardines’ spirituality, and (3) to highlight the logical connections between art and Bernardine spirituality in church art through the icono-theological approach. Scarce earliest sources indicate that the most venerated representation of the Virgin Mary and the relics of the True Cross were in the church in the first half of the seventeenth century, and the Feast of the Discovery and Exaltation of the Holy Cross was celebrated. These hints suggest that piety to the Crucifix and the Mother of God was prevalent at that time. The cult of the Crucifix is associated with the common origin of Franciscan religious devotion, which encourages following the example of St Francis by contemplating the suffering of Jesus Christ. Also, it is not difficult to infer that based on the name of the church, the high altar should have been dedicated to the Holy Trinity; therefore, there should have been appropriate piety practices. It is believed that the fraternity of the Holy Trinity was active from the time of the completion of the church. The main accents of iconography of the altars of the Bernardine Church in Kaunas were formed after the disasters in the mid-seventeenth century, the last fire in 1668. The Holy Trinity was the dominant accent of piety. A painting dated to the early eighteenth century that reflects the post-Tridentine recommendations for visual arts decorated the high altar of the same name. In the early eighteenth century, the exceptional piety to St Joseph also gains prominence: in 1703, the fraternity of St. Joseph was established and a separate altar was dedicated to this saint. The feasts of the Holy Trinity and St Joseph were celebrated. It is believed that the Bernardine nuns in Vilnius, who had settled in the city a little earlier, influenced the piety to the Holy Trinity. A highly developed and majestic iconography distinguished their high altar, visually emphasising the figure of the Crucifix. The exceptional piety of the Bernardine nuns of Krakow to St Joseph influenced the cult of this saint. The first Bernardine nuns came to Lithuania from Krakow and, without doubt, the Lithuanian nuns must have kept in touch with the nuns from Krakow. Devotion to the Virgin Mary and the Crucifix was further developed. Two altars in the church were dedicated to the Mother of God (Mary, Consoler of the Afflicted and Our Lady of Sorrows); also, there were altars of Jesus at the Pillar and the Crucifix. The relics of the True Cross preserved and venerated in the altar of the Crucifix are mentioned from the first half of the seventeenth century. The Feast of the Discovery and Exaltation of the Holy Cross was celebrated. The Bernardine nuns venerated the Franciscan saints and close followers and brothers of St Francis. This is confirmed by the altars of St Francis of Assisi (stigmatisation plot), St Clare, and St Anthony of Padua in the church. A closer study into the lives of the lesser-known saints who can be easily confused with other popular saints of the same name revealed a rich gallery of Franciscan saints, especially females, among them. Bernardine nuns had a separate altar and a feast dedicated to St Elizabeth of Hungary, the patron of the Third Order of St Francis and one of the most venerable followers of the example of St Francis’ life. In the context of other Bernardine monasteries in the Grand Duchy of Lithuania, the Bernardine nuns in Kaunas stood out for their veneration of this saint. Bernardine nuns also distinguished St Rose of Viterbo, St Agnes of Assisi, and St Barbara, whose cult is associated with active devotion of the Lithuanian Bernardines to this saint. The iconography of the Bernardine Church was influenced by the Convent of St George the Martyr in Kaunas, whose church was naturally richer and whose iconographic programme covered a broader spectrum. Interestingly, it also contained images or sculptures of all the above-mentioned saints associated with the Franciscan Observants, including the female saints lesser known to other communities of believers, while individual altars were dedicated to St Rose from Viterbo and St Barbara. The ensemble of church altars, which had been gradually evolving from the seventeenth century, and the practices of piety hardly changed until the closure of the convent in 1864. It is unfortunate that due to the lack of sources, many assumptions and questions remain, and one can only hope that further research into the interior of the church will lead to more discoveries.

Name of the work: Religious Teaching Institute in Chrudim and its contribution to the girl's education in the years 1894-1942 This work describes girl's education in the Czech lands during the 19th century and the first half of the 20th century with emphasis on teachers' education and girl schools conducted by religious orders. The work contains a brief outline of the history of the Congregation of the School Sisters of St. Francis and its educational activities. Special attention is paid to one of its institutions, Teacher Training School in Chrudim, including its history, teachers and educational methods.

Abstract This chapter considers Beale’s activity and life in the early and mid 1570s. After working for a time in Paris, Beale became a clerk of the Privy Council in 1572, and later a Member of Parliament. In response to the St Bartholomew’s Day massacres in Paris and elsewhere, Beale penned a discourse on the perils that threatened England, with special attention paid to Mary Queen of Scots and the threat she posed to Protestant England. If Beale had previously been a specialist on German affairs, he had also become increasingly knowledgeable in French and Scottish affairs. Beale stayed in touch with Hubert Languet and gained further friends and patrons during these years, especially in Robert Dudley, earl of Leicester, and Francis Walsingham, with whom Beale had a family relationship because the two men married sisters and were, thus, brothers-in-law.