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Books on the topic 'Sion Sono'

Author: Grafiati

Published: 25 June 2021

Last updated: 2 February 2022

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1

Siou song: Roman. Montréal: Boréal, 1996.

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2

Sekiguchi, Bunzō. Tatakaiowatta sono hi kara. Tōkyō: Jūgatsusha, 1993.

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3

Symbols, sign, and song of America. Glenview, Ill: Pearson/Scott Foresman, 2008.

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4

Christopher, Miller. Simon Silber: Works for solo piano. Boston: Houghton Mifflin, 2002.

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5

Riege, Irene. Sign to the Lord a new song: A religious sign language dictionary. Milwaukee, WI: Mission for the Deaf and Hard of Hearing, Wisconsin Evangelical Lutheran Synod, 2003.

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6

Feng, Qin, ed. 1937--Song Hu hui zhan. Jinan Shi: Shandong hua bao chu ban she, 2005.

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7

Yoshinaga, Haruko. Shichisanʾichi: Tsuigeki sono toki kanbutachi wa. Tōkyō: Chikuma Shobō, 2001.

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8

Kou shu Song Hu kang zhan. Shanghai: Shanghai ren min chu ban she, 2007.

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9

Yokoyama, Tetsuzō. "Myōhin kōsaku" narazu: Shō Kaiseki, taisen shūketsu e no hisaku to sono shijitsu. Tōkyō: Tentensha, 1992.

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10

Song Hu huo xian shang. Beijing Shi: Sheng huo, du shu, xin zhi san lian shu dian, 2014.

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11

Antonio, Ranzolin, ed. La divina liturgia: "Ecco, io sono con voi-- sino alla fine del mondo". Città del Vaticano: Libreria editrice vaticana, 2002.

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12

Kitamura, Minoru. "Nankin Jiken" no tankyū: Sono jitsuzō o motomete. Tōkyō: Bungei Shunjū, 2001.

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13

Song Hu da hui zhan: 1937. Guiyang Shi: Guizhou ren min chu ban she, 2011.

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14

Joosse, Barbara M. The pitiful life of Simon Schultz. New York, NY: HarperCollins, 1991.

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15

Ming, Zhou, ed. 1937 Zhong Ri Song Hu zhan yi. Taibei Shi: Zhi bing tang chu ban she, 2011.

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16

Song, Feiru. Song Feiru wen ji. Taibei Shi: Hai xia xue shu chu ban she, 2006.

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17

Fang, Liu, ed. Jiang Jieshi Song Meiling zai Chongqing de ri zi. Beijing: Hua wen chu ban she, 2003.

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18

Simon, Paul. Classic Paul Simon: The solo years : a collection of all music from four landmark Paul Simon albums. London: Amsco, 1996.

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19

Xue rou mo fang: Song Hu hui zhan. Wuchang: Wuhan da xue chu ban she, 2009.

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20

Moracci, Giovanna, and Alberto Alberti, eds. Linee di confine. Florence: Firenze University Press, 2014. http://dx.doi.org/10.36253/978-88-6655-557-5.

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Il titolo di questo volume rimanda a una realtà presente, spesso drammaticamente, in tutti i territori in cui le culture slave, in diverse fasi storiche, si sono trovate a vivere a contatto con altre etnie. Al di là dei problemi di convivenza, complicati oggi da fenomeni quali globalizzazione e multiculturalismo che dissimulano i conflitti identitari, la storia degli slavi si è sempre intrecciata a quella di altri popoli. È sembrato opportuno dunque proporre il tema, non inedito, dei ‘confini’, che offre ampio spazio di riflessione su una molteplicità di aspetti delle culture slave. Ancora oggi dall’Italia si guarda ai paesi dell’Europa centro-orientale con un certo scetticismo. Le lingue e le tradizioni di quest’area restano poco o niente affatto note. I flussi migratori dei popoli di questi ultimi vent’anni hanno contribuito a creare l’immagine di un’Europa di secondaria importanza, arretrata, che vuole imporsi alla prima. Questo volume collettivo vuole invece mostrare come la nostra identità di europei si riesca a mettere a fuoco, e con difficoltà, solo allargando lo sguardo ad est e imparando la lezione dei territori dell’Europa centro-orientale. Anche se gli slavi occidentali e parte degli slavi meridionali hanno partecipato alla storia occidentale sin dal medioevo e ne sono stati poi divisi dagli eventi storici, si potrà forse forgiare una nuova identità europea solo riflettendo sulle vicende dell’intero mondo slavo, e sperimentando le stesse difficoltà di convivenza (quale è ora anche l’esperienza dell’Europa occidentale) fra residenti e immigrati, culture maggioritarie e minoritarie, identità e alterità.

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21

Jonell, Lynne. The sign of the cat. New York: Henry Holt & Company, 2015.

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22

Song Hu da hui zhan nei mu quan jie mi. Beijing: Jun shi ke xue chu ban she, 2005.

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23

Weng, Zhaoyuan. Song Hu xue zhan hui yi lu. [Beijing: Beijing zhong xian tuo fang ke ji fa zhan you xian gong si, 2012.

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24

Song Ziwen yu zhan shi wai jiao. Taibei Xian Xindian Shi: Guo shi guan, 1991.

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25

Gui jun yu Song Hu kang zhan. Shanghai: Shanghai ren min chu ban she, 2011.

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26

Kasahara, Tokushi. Taikensha 27-nin ga kataru Nankin Jiken: Gyakusatsu no "sono toki" to sonogo no jinsei. Tōkyō: Kōbunken, 2006.

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27

Zheng, Canhui. Song Qingling yu kang Ri jiu wang yun dong. 8th ed. Fuzhou: Fujian ren min chu ban she, 1986.

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28

Gesture, sign, and song: An interdisciplinary approach to Schumann's Liederkreis opus 39. New York: P. Lang, 1990.

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29

Dongbei jun yu Song Hu kang zhan. Shanghai: Shanghai shu dian chu ban she, 2014.

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30

Mills, Kevin. The prodigal sign: A parable of criticism. Brighton: Sussex Academic Press, 2009.

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31

Castro, Fidel. Esta deuda no solo es impagable, sino que ya, ademas, es una deuda incobrable. Havana: Editora Política, 1985.

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32

Nihon rōmanha, sono shūhen: Bungakusha no sensō sanbi wa ikani junbisareta ka. Tōkyō: Kōbunken, 1985.

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33

Shanghai Shi li shi bo wu guan, Zhongguo gong chan dang di yi ci quan guo dai biao da hui hui zhi ji nian guan, and Shanghai Song Hu kang zhan ji nian guan, eds. Si ge yue de zhan zheng: "ba yi san" Song Hu kang zhan ji shi. Shanghai: Shanghai she hui ke xue yuan chu ban she, 2004.

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34

Kurihara, Katsumaru. Nihon Rōman-ha, sono shūhen: Bungakusha no sensō sanbi wa ikani junbisareta ka. Tōkyō: Kōbunken, 1985.

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35

Re xue song: Jie fang jun ying mo shi ji. Beijing: Xin hua chu ban she, 1985.

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36

Camacho Sanabria, Carmen Amalia, Myriam Alba Zapata Jiménez, Amparo Novoa Palacios, Mario Ramírez-Orozco, and Wilson Acosta Valdeleón, eds. Dimensiones y configuraciones en la relación educación y sociedad. Bogotá. Colombia: Universidad de La Salle. Ediciones Unisalle, 2017. http://dx.doi.org/10.19052/9789585400115.

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Desde este espacio, sus participantes se han encontrado para hablar, compartir y, en ocasiones también, soñar en torno a los temas y problemas que desde las diferentes líneas del Doctorado en Educación y Sociedad permiten integrar la mirada sobre la educación, no solo desde el aula, sino también desde todas sus dimensiones y configuraciones.

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37

Yu xue Song Hu: "ba, yi san" da Shanghai bao wei zhan. Beijing: Jie fang jun wen yi chu ban she, 1995.

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38

15-nen Sensō to shakai fukushi: Sono ryōgisei no sekai o tadoru = 15 years War & social welfare. Tōkyō: Gakubunsha, 2012.

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39

Jing tian zhuang ju: Hu xue qiang jiu wen hua jing ying yu mi mi hu song min zhu ming liu. [Guangzhou Shi]: Guangdong ren min chu ban she, 2005.

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40

Mattson, Ivar T. Simon & Sons. BookSurge Publishing, 2007.

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41

Simon Garfunkel Piano Solo. Music Sales, 2012.

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42

Classic Paul Simon: The Solo Years (Paul Simon/Simon & Garfunkel). Paul Simon, 1996.

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43

Garfunkel, Simon and. Simon & Garfunkel: The Chord Song Book (Paul Simon/Simon & Garfunkel). Paul Simon, 2000.

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44

Simon Poems. Bayeux Arts, 2001.

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45

Sekiguchi, Bunzo. Tatakaiowatta sono hi kara. Jugatsusha, 1993.

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46

Simon, Paul. Paul Simon: Greatest Hits Song Tab Edition. Music Sales Corporation, 1997.

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47

Luna, María, Pablo Mora, and Daniela Samper, eds. Territorio y memoria sin fronteras: nuevas estrategias para pensar lo real. Editorial Pontificia Universidad Javeriana, 2021. http://dx.doi.org/10.11144/javeriana.9789587634532.

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La MidBo se ha consolidado como un lugar necesario para escudriñar lo real. A su vez, en enlace con Alados, fortalece a una comunidad de creadores-espectadores que consolida la práctica documental en Colombia, expande sus fronteras y, ante todo, construye un espacio-público que no solo nos invita a ver documentales, sino a hilar y a compartir reflexiones sobre sus modos de producción e interpretación. Territorio y memoria sin fronteras es una memoria selectiva de la primera etapa del Seminario Pensar lo Real (2015-2018) que tuvo cinco ejes: cartografías del documental iberoamericano, diálogos documentales, políticas del documental, claves de creación y nuevas etnografías. Ben Russell, María Luisa Ortega, Jorge La Ferla y María Fernanda Arias son algunos de los autores, cuyas voces se encuentran en esta nueva edición de Cuadernos de Alados para Pensar lo Real.

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48

Moya Barreto, John. Hablar en público en la universidad: un manual para desenvolverse ante una audiencia. Editorial Pontificia Universidad Javeriana, 2020. http://dx.doi.org/10.11144/javeriana.9789587815641.

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Hablar en público de forma apropiada es una habilidad con la que no todo el mundo cuenta. Sin embargo, hay ciertos ámbitos de la actividad humana que, para determinados momentos, exigen un dominio de ella, como lo son el académico, el organizacional o el social. Y si bien esta habilidad puede cultivarse en cualquier etapa de la vida, el periodo más propicio para ello es el paso por la universidad, no solo por la formación integral que esta brinda, sino también por el vínculo afectivo que existe entre el estudiante y su programa académico, sea de pregrado o posgrado. En vista de lo anterior, Hablar en público en la universidad tiene como propósito, por medio de los consejos prácticos que ofrece, guiar a los estudiantes universitarios en los procesos de preparación y ejecución de sus discursos orales, de modo que estos sean amenos, estéticos, claros, contundentes y efectivos.

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49

Sargon, Simon. Simon Sargon - A Solo Collection: Volume II: Shabbat. Transcontinental Music Publications, 2002.

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50

Simon, Paul, and Simon Paul. Paul Simon: Negotiations and Love Song 1971-1986. Music Sales Corporation, 1997.

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