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Books on the topic 'Singing – Physiological aspects'

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Author: Grafiati

Published: 4 June 2021

Last updated: 29 January 2023

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1

Rose, Bob. Contemporary singing techniques. Milwaukee, WI: H. Leonard Corp., 2003.

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2

Kohli, Didier. "Mâle-traité" de technique vocale: Sexe et voix. [Genève]: D. Kohli, 1998.

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3

Reid, Cornelius L. Essays on the nature of singing. Huntsville, TX: Recital Publications, 1992.

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4

Bunch, Meribeth. Dynamics of the singing voice. 3rd ed. Wien: Springer-Verlag, 1995.

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5

Dayme, Meribeth Bunch. Dynamics of the singing voice. 2nd ed. Wien: Springer-Verlag, 1993.

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6

Rose, Bob. Contemporary singing techniques: [women's edition]. Milwaukee, WI: Hal Leonard, 2003.

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7

Dayme, Meribeth Bunch. Dynamics of the singing voice. 3rd ed. Wien: Springer-Verlag, 1995.

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8

Dynamics of the singing voice. 4th ed. New York: Springer-Verlag, 1997.

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9

Doscher, Barbara M. The functional unity of the singing voice. Metuchen, N.J: Scarecrow Press, 1988.

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10

Doscher, Barbara M. The functional unity of the singing voice. 2nd ed. Metuchen, N.J: Scarecrow Press, 1994.

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11

L' oreille et la voix. Paris: R. Laffont, 1987.

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12

L' arte del recitar, danzar cantando: Monteverdi 1600, Carocci 1985. Roma: Soc. L.A.S.E.R., 1985.

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13

Jantscher, Heidrun. Das "A" und "U" des Singens: Die Bedeutung der Kehlkopfmuskeln für den Klang der Singstimme. Augsburg: Wissner-Verlag, 2011.

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14

Steve, Parker. Singing a song: How you sing, speak, and make sounds. New York: F. Watts, 1991.

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15

Alexander, Zeller Kurt, and Allen MaryJean, eds. What every singer needs to know about the body. San Diego: Plural Pub., 2008.

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16

Contemporary singing techniques: CD book reference text. San Francisco, CA: Easy Feat Music, 2001.

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17

Kia, Romeo Alavi. Stimme: Spiegel meines Selbst, ein Übungsbuch. 3rd ed. Braunschweig: Aurum, 1994.

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18

Bergen, Heinrich von. Unsere Stimme: Ihre Funktion und Pflege. 2nd ed. Bern: Musikverlag Müller & Schade AG, 1995.

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19

VoiceWorks: A "how-to" owner's manual for vocal students and teachers. [Van Nuys, CA]: Alfred Pub. Co., 2007.

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20

Cook, Orlanda. Singing with your own voice: A practical guide to awakening and developing the hidden qualities in your own singing voice. London: Nick Hern, 2001.

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21

Singing with your own voice: A practical guide to awakening and developing the hidden qualities in your own singing voice. London: Nick Hern Books, 2004.

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22

Fournier, Cécile. La voix, un art et un métier: Anatomie, physiologie, acoustique, phonétique : technique de la voix professionnelle. Seyssel, France: Ed. Comp'act, 1994.

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23

Dayme, Meribeth Bunch. The singing book. 2nd ed. New York: W. W. Norton, 2008.

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24

Dayme, Meribeth Bunch. The singing book. 2nd ed. New York: W. W. Norton, 2008.

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25

Dynamics of the singing voice. 2nd ed. Wien: Springer-Verlag, 1993.

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26

Bunch, Meribeth. Dynamics of the singing voice. 4th ed. Wien: Springer, 1997.

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27

Bunch, Meribeth. Dynamics of the singing voice. 3rd ed. Wien: Springer-Verlag, 1995.

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28

Adamek, Karl. Singen als Lebenshilfe: Zu Empirie und Theorie von Alltagsbewältigung : Plädoyer für eine "Erneuerte Kultur des Singens". Münster: Waxmann, 1996.

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29

Rosenberg, Marci Daniels. The vocal athlete: Application and technique for the hybrid singer. San Diego, CA: Plural Publishing, Inc., 2014.

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30

Tomatis, Alfred. The ear and the voice. Lanham, Md: Scarecrow Press, 2005.

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31

The handbook for working singers. 2nd ed. London: Schirmer Trade Books, 2008.

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32

Burton, Robert L. A videofluoroscopic and spectrographic analysis of the relationship between the formant frequencies of selected phonemes and the articulatory positions of the lips, tongue and mandible in male singers. Ann Arbor, Mich: Xerox University Microfilms, 1994.

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33

Thurman, Leon. Heartsongs: A guide to active pre-birth & infant parenting through-- language & singing. Englewood, Colo: Music Study Services, 1986.

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34

Bickel, Jan E. Vocal technique: A physiologic approach for voice class and studio. San Diego: Plural Pub., 2007.

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35

Bickel, Jan E. Vocal technique: A physiologic approach for voice class and studio. San Diego: Plural Pub., 2008.

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36

Pearson, Sirvart Kazandjian. L' instrument du chanteur, son corps. Marseille: Solal, 2004.

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37

Respiratory function in speech and song. Boston: College-Hill Press, 1987.

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38

Resonance in singing: Voice building through acoustic feedback. Princeton, NJ: Inside View Press, 2008.

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39

Miller, Donald Gray. Resonance in singing: Voice building through acoustic feedback. Princeton, NJ: Inside View Press, 2008.

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40

Miller, Donald Gray. Resonance in singing: Voice building through acoustic feedback. Princeton, NJ: Inside View Press, 2008.

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41

Miller, Donald Gray. Resonance in singing: Voice building through acoustic feedback. Princeton, NJ: Inside View Press, 2008.

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42

Miller, Donald Gray. Resonance in singing: Voice building through acoustic feedback. Princeton, NJ: Inside View Press, 2008.

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43

Compton-Christopher, Patti. Vocal ease: By Patti Compton Christopher. 2nd ed. [United States]: P.C. Christopher, 1993.

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44

Compton-Christopher, Patti. Vocal ease: By Patti Compton Christopher. 4th ed. [United States]: P.C. Christopher, 2004.

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45

Iskusstvo rezonansnogo penii︠a︡. Moskva: Iskusstvo i nauka, 2002.

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46

Valerie, Carpenter, ed. Free your voice: Awaken to life through singing. Boulder, Colorado: Sounds True, 2012.

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47

The singer's companion: A guide to improving your voice and performance. New York: Limelight, 2006.

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48

I︠U︡shmanov, V. I. Vokalʹnai︠a︡ tekhnika i ee paradoksy. Sankt-Peterburg: DEAN, 2001.

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49

Smith, W. Stephen. The naked voice: A wholistic approach to singing. Oxford: Oxford University Press, 2007.

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50

1956-, Grant David, ed. How to sing: The complete guide to singing, performing and recording. London: Carlton Books, 2011.

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