Academic literature on the topic 'Singing – Physiological aspects'
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Journal articles on the topic "Singing – Physiological aspects"
Cha, Junseo, Seong Hee Choi, and Chul-Hee Choi. "Can a natural singing voice be enhanced through digital processing? Implications of voice training and vocology in singers." Revista de Investigación e Innovación en Ciencias de la Salud 3, no. 2 (December 18, 2021): 72–86. http://dx.doi.org/10.46634/riics.119.
Full textHacki, Tamás. "Comparative speaking, shouting and singing voice range profile measurement: physiological and pathological aspects." Logopedics Phoniatrics Vocology 21, no. 3-4 (January 1996): 123–29. http://dx.doi.org/10.3109/14015439609098879.
Full textPETROVICI, Alexandru. "Operatic singing - Implications of technical means in changing vocal range." Bulletin of the Transilvania University of Braşov. Series VIII:Performing Arts 14(63), Special Issue (January 27, 2022): 137–46. http://dx.doi.org/10.31926/but.pa.2021.14.63.3.13.
Full textLã, Filipa M. B., and Mauro B. Fiuza. "Real-Time Visual Feedback in Singing Pedagogy: Current Trends and Future Directions." Applied Sciences 12, no. 21 (October 25, 2022): 10781. http://dx.doi.org/10.3390/app122110781.
Full textLyuchina, Yu E. "VOCAL PEDAGOGY AND PERFORMANCE: MYTHS AND REALITY. DEGREE AND FORM OF OPENING OF THE MOUTH WHEN INSENT." EurasianUnionScientists 3, no. 6(75) (July 21, 2020): 26–29. http://dx.doi.org/10.31618/esu.2413-9335.2020.3.75.840.
Full textSysoieva, Svetlana, Natalia Ovcharenko, and Olga Chebotarenko. "Professional training of future music art teachers for inclusive education: theoretical and technological aspects." SHS Web of Conferences 75 (2020): 04006. http://dx.doi.org/10.1051/shsconf/20207504006.
Full textLã, Filipa, Jane W. Davidson, William Ledger, David Howard, and Georgina Jones. "A Case-Study on the Effects of the Menstrual Cycle and the Use of a Combined Oral Contraceptive Pill on the Performance of a Western Classical Singer: An Objective and Subjective Overview." Musicae Scientiae 11, no. 2_suppl (July 2007): 85–107. http://dx.doi.org/10.1177/10298649070110s205.
Full textBall, Gregory F., Jacques Balthazart, Veronique Fiasse, and Phillipe Absil. "Effects of the Aromatase Inhibitor R76713 On Sexual Differentiation of Brain and Behavior in Zebra Finches." Behaviour 131, no. 3-4 (1994): 225–59. http://dx.doi.org/10.1163/156853994x00451.
Full textSun, Bo. "Emotional Analysis and Personalized Recommendation Analysis in Music Performance." Scientific Programming 2022 (April 23, 2022): 1–9. http://dx.doi.org/10.1155/2022/9548486.
Full textSgibnіeva, S. S. "The role of the person-centered approach in the vocal art of a dramatic actor." Problems of Interaction Between Arts, Pedagogy and the Theory and Practice of Education 51, no. 51 (October 3, 2018): 241–57. http://dx.doi.org/10.34064/khnum1-51.14.
Full textDissertations / Theses on the topic "Singing – Physiological aspects"
Wang, Dongning, and 王東寧. "The effect of augmented auditory feedback on pitch accuracy by untrained adults." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2013. http://hdl.handle.net/10722/196500.
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Speech and Hearing Sciences
Master
Master of Philosophy
Callaghan, Jean, University of Western Sydney, and School of Science. "The relationship between scientific understandings of voice and current practice in the teaching of singing in Australia." THESIS_XXX_SS_Callaghan_J.xml, 1997. http://handle.uws.edu.au:8081/1959.7/730.
Full textDoctor of Philosophy (PhD)
Whitaker, Sandra S. "Singers' resonance." Virtual Press, 1998. http://liblink.bsu.edu/uhtbin/catkey/1118238.
Full textSchool of Music
Van, Der Linde Byron-Mahieu. "A comparative analysis of the singer’s formant cluster." Thesis, Stellenbosch : Stellenbosch University, 2013. http://hdl.handle.net/10019.1/85563.
Full textENGLISH ABSTRACT: It is widely accepted that the singer’s formant cluster (Fs) – perceptual correlates being twang and ring, and pedagogically referred to as head resonance – is the defining trait of a classically trained voice. Research has shown that the spectral energy a singer harnesses in the Fs region can be measured quantitatively using spectral indicators Short-Term Energy Ratio (STER) and Singing Power Ratio (SPR). STER is a modified version of the standard measurement tool Energy Ratio (ER) that repudiates dependency on the Long-Term Average Spectrum (LTAS). Previous studies have shown that professional singers produce more Fs spectral energy when singing in ensemble mode than in solo mode; however for amateur singers, the opposite trend was noticed. Little empirical evidence in this regard is available concerning undergraduate vocal performance majors. This study was aimed at investigating the resonance tendencies of individuals from the latter target group, as evidenced when singing in two performance modes: ensemble and solo. Eight voice students (two per SATB voice part) were selected to participate. Subjects were recorded singing their parts individually, as well as in full ensemble. By mixing the solo recordings together, comparisons of the spectral content could be drawn between the solo and ensemble performance modes. Samples (n=4) were extracted from each piece for spectral analyses. STER and SPR means were highly proportional for both pieces. Results indicate that the singers produce significantly higher levels of spectral energy in the Fs region in ensemble mode than in solo mode for one piece (p<0.05), whereas findings for the other piece were insignificant. The findings of this study could inform the pedagogical approach to voice-training, and provides empirical bases for discussions about voice students’ participation in ensemble ventures.
AFRIKAANSE OPSOMMING: Dit word algemeen aanvaar dat die singer’s formant cluster (Fs) – die perseptuele korrelate is die Engelse “twang” en “ring”, en waarna daar in die pedagogie verwys word as kopresonansie – die bepalende eienskap is van ’n Klassiek-opgeleide stem. Navorsing dui daarop dat die spektrale energie wat ’n sanger in die Fs omgewing inspan kwantitatief gemeet kan word deur die gebruik van Short-Term Energy Ratio (STER) en Singing Power Ratio (SPR) as spektrale aanwysers. STER is ’n gewysigde weergawe van die standaard maatstaf vir energie in die Fs, naamlik Energy Ratio (ER), wat afhanklikheid van die Long-Term Average Spectrum (LTAS) verwerp. Vorige studies het getoon dat professionele sangers meer Fs energie produseer in ensemble konteks as in solo konteks, in teenstelling met amateur sangers waar die teenoorgestelde die norm is. Min empiriese data in hierdie verband is beskikbaar, m.b.t. voorgraadse uitvoerende sangstudente. Hierdie studie is daarop gemik om die tendense in resonansie by individue uit die laasgenoemde groep te ondersoek, soos dit blyk in die twee uitvoerende kontekste: ensemble en solo. Agt sangstudente (twee per SATB stemgroep) is geselekteer om aan die studie deel te neem. Die deelnemers het hul stempartye individueel en in volle ensemble gesing, en is by beide geleenthede opgeneem. Deur die soloopnames te meng, kon vergelykings van die spektrale inhoud gemaak word tussen die solo en ensemble konteks. ’n Steekproef (n=4) is uit elke stuk onttrek vir spektrale analise. Die STER en SPR gemiddeldes was eweredig vir beide stukke. Resultate toon dat die sangers beduidend hoër vlakke van spektrale energie in die Fs omgewing produseer in ensemble konteks as in solo konteks vir een stuk (p<0.05), terwyl die bevindinge vir die tweede stuk nie beduidend was nie. Die bevindinge van hierdie studie kan belangrik wees vir die pedagogiese benadering tot stemopleiding, en lewer empiriese basis vir gesprekke oor die betrokkenheid van sangstudente in die ensemble bedryf.
Tolin, Craig Edmond. "A Spectral Analysis of Selected Vowels Sung by Bass and Baritone Student Singers." Thesis, University of North Texas, 1990. https://digital.library.unt.edu/ark:/67531/metadc330963/.
Full textMathis, Barbara. "Selected Vocal Exercises and Their Relationship to Specific Laryngeal Conditions: a Description of Seven Case Studies." Thesis, University of North Texas, 1990. https://digital.library.unt.edu/ark:/67531/metadc331362/.
Full textRyan, Maree Carol. "Effects of premenstrual symptoms on young female singers." University of Sydney, 2006. http://hdl.handle.net/2123/1432.
Full textThroughout the 20th Century, female operatic singers in most of the major European opera houses were given “grace days” (where they were not required to sing) in recognition of the effect of hormonal changes on the singing voice. Financial constraints in professional companies have resulted in a reduction of such considerations, but to date, there has been no systematic study of the effects of hormonal fluctuations on the quality of the female singing voice, or of its potential adverse effects on the vocal apparatus for singers who are affected by pre-menstrual syndrome. This study investigated the effects of hormonal fluctuations on young professional female classical singers. Female and male professional singers in training (students) at the Sydney Conservatorium of Music, University of Sydney, were asked to participate as volunteers in the study by keeping daily diaries. The female singers kept a diary for two separate months beginning on the first day of menstruation, in which they recorded their daily basal temperature, mood, voice state and physical well being. The male control subjects kept daily diaries for one month. Acoustic analysis of two vocal samples taken during the second month, on days 1 and 14 of the cycle, were completed on the six most severely affected female subjects, who were identified through their diary ratings of changes in vocal quality during menstruation. The selected students assessed their own vocal samples, presented in random order, to determine whether they could reliably identify which of their samples were affected by menstruation. Vocal staff at the Conservatorium (pedagogues), who were blind to the purpose of the study, also assessed recordings presented randomly. Results indicated that self-perceived vocal quality varied over the course of the menstrual cycle, particularly during the first seven days of the cycle, that negative changes in mood affected the voice, and that fatigue, effort, hoarseness, weakness & peak performance were the most frequently affected vocal states. A surprising finding was that male self-perceived voice quality also varied over the course of one month of diary keeping. There was no consistent change in direction of scores during menstrual and non-menstrual phases. Five of the six most affected singers correctly identified their performance during menstruation but pedagogues were not consistently able to do so.. These results indicate that perceived quality of the voice through changes in the menstrual cycle may not be as obvious to a highly trained observer even though they were reliably perceived by the singer. This study demonstrates that menstruation has a discernible impact on the self-perception of female singers’ vocal quality and implies that the premenstrual or menstrual female may not feel able to present her peak performance at these times of hormonal fluctuation. Further detailed research in this area may be warranted on a larger scale to elaborate a more precise clinical management of the problem.
Wurz, Sarah. "The evolutionary origins of music." Thesis, Stellenbosch : University of Stellenbosch, 2009. http://hdl.handle.net/10019.1/2909.
Full textThe evolutionary origins of music, defined as “an intentional action in which complex, learned vocalizations (and/or instrumentally produced sound) are combined with the movement of the body in synchrony to a beat” is investigated through an appraisal of the musilanguage theory and relevant literature. The biological adaptations allowing the production and perception of music are identified and their evolutionary histories investigated. The critical adaptations that made rhythmical body movement possible evolved around 1.6 million years ago. These include habitual bipedalism and changes in the vestibular system. There is almost no fossil evidence to inform on the timing and nature of the complex, learned vocalization. However, that the thoracic vertebrate canal had modern proportions by 600 000 years ago indicates that archaic humans were able to achieve the respiratory control necessary to sing. The size of this canal is a proxy for the number of nerve cells that control respiration via the intercostal and abdominal muscles. Musicality is essential to the human mind. Infants are born with rudimentary musical skills with regard to melody, temporal sequences and vocal and bodily imitation. These capabilities are central to the newborns’ innate ability to elicit care by synchronizing their vocal and bodily actions with that of the caregivers. Musical rhythm is further used to entrain bodily and neural oscillations and this permit the creation of trust and social bonding. It is concluded that protomusic developed between 1.6 million and 600 000 years ago. Protomusic consisted of entrained rhythmical whole body movements initially combined with grunt-like vocalizations. The evidence investigated cannot be used to infer the origins of modern music. KEYWORDS: Music, Evolution, Synchronisation, Melody, Dance, Bipedality, Vestibular system, Thoracic vertebrate canal, Infant-directed communication, Neural entrainment
Williams, Bonnie Blu. "An Investigation of Selected Female Singing- and Speaking-Voice Characteristics Through Comparison of a Group of Pre-Menarcheal Girls to a Group of Post-Menarcheal Girls." Thesis, University of North Texas, 1990. https://digital.library.unt.edu/ark:/67531/metadc330681/.
Full textCottrell, Duane Coles. "Increasing glottal closure in an untrained male chorus by integrating historical, scientific, and clinical practice into choral voice building exercises." Thesis, connect to online resource, 2009. http://digital.library.unt.edu/permalink/meta-dc-10998.
Full textBooks on the topic "Singing – Physiological aspects"
Rose, Bob. Contemporary singing techniques. Milwaukee, WI: H. Leonard Corp., 2003.
Find full textKohli, Didier. "Mâle-traité" de technique vocale: Sexe et voix. [Genève]: D. Kohli, 1998.
Find full textReid, Cornelius L. Essays on the nature of singing. Huntsville, TX: Recital Publications, 1992.
Find full textBunch, Meribeth. Dynamics of the singing voice. 3rd ed. Wien: Springer-Verlag, 1995.
Find full textDayme, Meribeth Bunch. Dynamics of the singing voice. 2nd ed. Wien: Springer-Verlag, 1993.
Find full textRose, Bob. Contemporary singing techniques: [women's edition]. Milwaukee, WI: Hal Leonard, 2003.
Find full textDayme, Meribeth Bunch. Dynamics of the singing voice. 3rd ed. Wien: Springer-Verlag, 1995.
Find full textDynamics of the singing voice. 4th ed. New York: Springer-Verlag, 1997.
Find full textDoscher, Barbara M. The functional unity of the singing voice. Metuchen, N.J: Scarecrow Press, 1988.
Find full textDoscher, Barbara M. The functional unity of the singing voice. 2nd ed. Metuchen, N.J: Scarecrow Press, 1994.
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