Academic literature on the topic 'Sinetron'
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Journal articles on the topic "Sinetron"
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Rofil, Lily El ferawati. "Watching self from a distance: The whys of watching sinetrons among Malay-Javanese women in Malaysia." INFORMASI 47, no. 2 (December 28, 2017): 285. http://dx.doi.org/10.21831/informasi.v47i2.17377.
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This article discusses the cognitive reasoning behind the love for watching sinetron expressed by Malay-Javanese women in Malaysia. The Malay-Javanese women in this context refer to female members of Javanese communities within Malay society. Malaysians of Javanese descent are constitutionally considered as ethnic component of Malay racial group due to similarities in cultural customs and religion of Islam. However, they retain some semblance of Javanese cultural heritage including speaking the language in their everyday life. In the context of Malay-Javanese women under this study, it is identified that sinetrons have become the main source of their cultural consumption from television. Sinetrons are soap opera-like television productions from Indonesia—the country where their ancestors were originated from. The results from ethnographic fieldwork in Kampung Papitusulem of Selangor show how these women incline to watching sinetrons to a certain level, primarily due to three main reasons. First, the dialogues in the television productions fit their language preference. Second, they can find representations of their cultural identity in the images of sinetrons. Third, they watch the imported television program from Indonesia simply for the identification of sense of belonging. It is argued that viewing sinetrons for these women represents watching self from a distance, which is central discussion in cultural and media studies.Artikel ini membicarakan pemikiran kognitif di sebalik kecintaan menonton sinetrondalam kalangan wanita Melayu-Jawa di Malaysia. Wanita Melayu-Jawa dalam konteksini merujuk pada warga perempuan dari komunitas Jawa dalam masyarakat Melayu.Menurut Konstitusi Malaysia, warga negara Malaysia keturunan Jawa dianggapsebagai komponen etnik dari kelompok bangsa Melayu karena memiliki kesamaan adatbudaya dan keyakinan sebagai Muslim. Pada hakikatnya, mereka masih mengekalkanbeberapa komponen warisan budaya Jawa seperti penggunaan Bahasa Jawa dalamkeseharian mereka. Dalam konteks wanita Melayu-Jawa yang dibahas dalam artikel ini,diketahui bahwa sinetron telah menjadi salah satu sumber budaya termediakan olehtelevisi yang mengeratkan pertalian dengan asal usul mereka. Sinetron merupakanproduksi televisi yang tergolong genre opera sabun berasal dari Indonesia—negarayang menjadi tanah kelahiran pendahulu wanita tersebut. Hasil dari kerja lapanganetnografi, di Kampung Papitusulem, Selongor, menunjukan bagaimana wanita-wanitaini menyukai sinetron pada tahap tertentu karena tiga alasan utama. Pertama, dialogyang digunakan dalam sinetron sesuai dengan preferensi mereka. Kedua, mereka dapatmenemukan identifikasi identitas budaya mereka dalam representasi sinetron. Ketiga,mereka menonton program televisi yang diimport dari Indonesia sebagi ekspresi rasamemiliki terhadap Indonesia. Ini menunjukkan bahwa menonton sinetron bagi wanitaMelayu-Jawa mempunyai makna seperti melihat identitas diri dari kejauhan, dan inimerupakan diskusi sentral dalam kajian media dan budaya.
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Takariani, C. Suprapti Dwi. "Pengaruh Sinetron Remaja di Televisi Swasta terhadap Sikap mengenai Gaya Hidup Hedonis." Jurnal Penelitian Komunikasi 16, no. 1 (June 24, 2013): 39–54. http://dx.doi.org/10.20422/jpk.v16i1.30.
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Sinetrons are now almost dominated private television program. Most of the story contains glamorous and luxurious teenage lifestyle. The objective is to analyze the influence of the intensity of watching, attractiveness, and messages content of television's sinetrons. This study used Explanatory Survey Method. The population in this study are students of SMA Negeri 4Cimahi, West Java Province. Sampling technique used Stratified Proportional Random Sampling. Result showed teen sinetron affect significantly to the attitude of the hedonistic lifestyle.
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Lestari, Puji, Hanny Hafiar, and Kholidil Amin. "Pemetaan riset terkait tayangan sinetron televisi di Indonesia dalam perspektif akademik." ProTVF 5, no. 2 (September 30, 2021): 163. http://dx.doi.org/10.24198/ptvf.v5i2.35254.
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Tayangan drama atau sinetron populer di televisi dengan rating tinggi telah menarik perhatian sejumlah peneliti untuk mengkajinya dari berbagai aspek. Terdapat beberapa judul sinetron popular di Indonesia yang telah dikaji dalam berbagai bentuk penelitian. Tingginya jumlah kajian, menunjukkan semakin tingginya kesadaran peneliti untuk mengkaji realitas yang aktual, namun sekaligus menimbulkan kekhawatiran terjadinya pengulangan tema riset. Penelitian ini bertujuan untuk melakukan pemetaan hasil penelitian terkait sinetron popular di Indonesia. Metode yang digunakan adalah Bibliometrik. Hasil riset yang berlandaskan berpikir reflektif menunjukkan bahwa sinetron “Anak Jalanan” menjadi sinetron yang paling banyak diteliti. Tingginya jumlah riset tentang judul sinetron ini berkaitan dengan rating and share sinetron tersebut. Tren penelitian terkait sinetron populer juga cenderung meningkat setelah tahun kedua atau ketiga penayangan, dan trennya menurun setelahnya. Penelitian ini juga menemukan bahwa berakhirnya sinetron tidak langsung menghentikan keberlangsungan riset tentang sinetron tersebut. Temuan lainnya adalah terdapat enam klaster topik. Masing-masing klaster yang tercermin dalam kata kunci memiliki karakteristik khusus terkait topik riset-riset terdahulu tentang tayangan sinetron di Indonesia. Adapun implikasi dari temuan ini adalah adanya peningkatan jumlah kajian yang berkaitan dengan masa tayang dikhawatirkan mengarah kepada tren yang bersifat temporer. Terdapatnya similiaritas topik yang tercermin pada kata kunci menunjukkan adanya kesamaan minat, ide, dan penggunaan metode yang harus diantisipasi agar tidak terjadi pengurangan nilai originalitas dan aksiologi dari sebuah karya ilmiah.
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Satoto, Soediro. "Seni Sastra, Teater, dan Film dalam Konteks Perkotaan: Industrialisasi dan Urbanisme (Studi Kasus Serial Sinetron Film ”Intan”)." ATAVISME 13, no. 1 (June 30, 2010): 33–43. http://dx.doi.org/10.24257/atavisme.v13i1.142.33-43.
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Tulisan ini bertujuan memaparkan korelasi antara produksi seni sastra, seni teate, dan film serta menjelaskan keterkaitan yang erat antara urbanisasi, industrialisasi, dan urbanisme dengan perkembangan iptek dan seni, termasuk seni sastra, seni drama/teater, dan seni film/sinetron. Seirama dengan dinamika proses globalisasi di segala bidang, termasuk budaya dan seni, fenomena tersebut akan berdampak pada proses akulturasi lintas/silang budaya, perge- seran dan atau perubahan tata nilai dan identitas budaya bangsa. Akankah muncul identitas bu- daya ’baru’ (sebut yang khas ’urban’) dengan cara mengesampingkan atau membuang jauh-jauh identitas budaya ’lama’ (sebut tradisional) yang dianggap sudah ketinggalan zaman? Bagaimana sepantasnya ’masyarakat sastra, teater, dan film’ menyikapi fenomena-fenomena tersebut secara kritis, realistis, dinamis, dan arif? Serial Sinetron Film “Intan” dalam makalah ini diambil seba- gai studi kasus karena rating-nya yang relatif konstan tertinggi jika dibandingkan dengan serial sinetron film lainnya di media yang sama dalam kurun waktu yang sama.
Abstract:
This paper is aimed to describe correlation between literary, theater, and film art production and explain the strong interrelatedness between urbanization, industrialization, and urbanism by the development of science technology and art, including literary art, drama/theater art, and film/sinetron art. Along with the dynamic of globalization process in all aspects, including culture and art (literary, theater, and film art in this case), the phenomena will have influences to cross/inter-cultural acculturation process, shift and/or change in a nation’s cultural identity and values. Will a ‘new’ (call it urban) cultural identity emerge by putting aside or getting rid of the ‘old’ cultural identity (call it traditional) which is regarded as old fashion? How should a ‘literary, theater, and film community’ behave critically, realistically, and dynamically, and wisely to the phenomena? Sinetron series Intan in this article has been taken as a case study for its relatively-constant-high rating compared to other sinetrons in the same media and period.
Key Words: literary art, industrialization, urbanism
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Rambe, Salmiah, and Aep Wahyudin. "Konstruksi Makna Penonton Remaja atas Sinetron 'Dari Jendela SMP’." Jurnal Iman dan Spiritualitas 1, no. 3 (July 15, 2021): 245–52. http://dx.doi.org/10.15575/jis.v1i3.13055.
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Penayangan sinetron remaja Dari Jendela SMP banyak diprotes oleh masyarakat. Banyak pengaduan masyarakat ditujukan kepada KPI atas penayangan sinetron tersebut. Tayangan sinetron itu viral, menampilkan pergaulan remaja, pacaran di antara anak-anak SMP, banyak disukai anak dan remaja. Produser sinetron mengatakan sinteron tersebut bertujuan memberi pesan tentang pentingnya reproduksi atau pendidikan seks bagi remaja. Tapi sinetron tersebut jusru dimaknai oleh sebagian penonton remaja bahwa pacaran adalah sesuatu yang lumrah, termasuk pacaran di usia SMP. Bahkan penonton menafsirkan dalam sinetron tersebut telah terjadi kehamilan diluar pernikahan, kehamilan di usia SMP. Tulisan ini menggunakan metode penelitian kualitatif dengan studi deskriptif. Teknik pengambilan data dilakukan dengan menonton sinetron, membaca berita terkait dan mewawancarai 15 orang siswa SD dan SMP. Hasil penelitian adalah sinetron Dari Jendela SMP memberi dampak negatif kepada penonton remaja, sebagian menilai pacaran di kalangan usia SMP adalah sesuatu lumrah atau biasa, bukan hal yang melanggar norma agama.
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Malayati, Robi'ah Machtumah, and Sayidah Afyatul Masruroh. "Representasi Cinderella complex pada sinetron Ikatan Cinta." Bricolage : Jurnal Magister Ilmu Komunikasi 8, no. 2 (September 1, 2022): 201. http://dx.doi.org/10.30813/bricolage.v8i2.3066.
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Studi ini mendeskripsikan tentang bagaimana representasi sinetron Ikatan Cinta yang diproduksi oleh MNC Pictures yang meraih TV rating (TVR) hingga 14,8 dan TV sharing (TVS) hingga 51,5 persen. Angka tersebut tercatat sebagai capaian rating dan share program sinetron televisi tertinggi sepanjang pesinetronan di Indonesia. Yang artinya hampir separoh warga negara Indonesia menyalakan televisi pada jam tayang <em>prime</em> <em>time</em> sinetron Ikatan Cinta. Setidaknya ada tiga alasan mengapa sinetron tersebut menjadi menarik untuk diteliti. <em>Pertama</em>, Ikatan Cinta digemari sebagai tontonan televisi di saat penetrasi televisi mulai tergeser oleh youtube dan media sosial lainnya. <em>Kedua</em>, Ikatan Cinta mendapatkan banyak pujian sebagai sinetron berkualitas, di tengah sinetron Indonesia yang dinilai tidak bermutu. <em>Ketiga</em>, Ikatan Cinta menjadi hiburan saat warga berada dalam tekanan Pandemi Covid 19. Studi ini menggunakan pendekatan kualitatif deskriptif, dengan teori representasi Stuart Hall untuk menggambar bagaimana media dalam hal ini produser menggambarkan atau mencitrakan suatu objek sinetron untuk meraih penonton sebanyak-banyaknya. Melalui analisa data hasil rekam, observasi dari mencuplik (<em>sampling</em>) episode-episode sinetron sebagai sample penelitian, diperoleh hasil bahwa terdapat adegan-adegan Cinderella Compleks pada sinetron Ikatan Cinta yang menjadi daya pikat penonton. Cinderella compleks merupakan sindrom yang menurut Collete Dowling hampir dimiliki oleh setiap wanita, yaitu sebuah sindrom keengganan wanita untuk mandiri dan mengharapkan perlindungan dan pertolongan dari sosok pria idaman yang lebih superior darinya. Cinderella Complex oleh Collete Dowling dalam hal ini akan menjadi landasan konseptual untuk menggambarkan dan menjawab fokus penelitian sinetron Ikatan Cinta bisa mendapatkan rating dan sharing tertinggi sepanjang sejarah sinetron Indonesia.
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Handayani, Muslih Aris. "DAKWAH SINETRON MISTERI ILAHI “KABUT DOSA” (Analisis Dakwah Sinetron Keagamaan Di Indosiar)." KOMUNIKA: Jurnal Dakwah dan Komunikasi 1, no. 1 (November 18, 2016): 179–91. http://dx.doi.org/10.24090/komunika.v1i1.788.
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Da’wa recently can be done with various ways and media. One of them is via television, especially television cinema (sinetron). Sinetron becomes attractive program for audience because of its combination of colour design, lighting, picture configuration and sound that makes audience more pleasant. More over, sinetron tries to reveal the real life of human being. This article is to analyze the sinetron Misteri Ilahi Kabut Dosa. Which was broadcast by Indosiar in the first week of March 2007. Kabut Dosa is the sinetron containing massages of da ’wa such as that forbidden to muslim to permitted all things blindly.
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Rudin, Venia Nelvianti, and Elfiandri Elfiandri. "PERSEPSI REMAJA DESA BUKIT RANAH TERHADAP SINETRON DARI JENDELA SMP DI SCTV." Jurnal Riset Mahasiswa Dakwah dan Komunikasi 3, no. 2 (June 21, 2021): 95. http://dx.doi.org/10.24014/jrmdk.v3i2.12771.
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Penelitian ini bertujuan untuk mengetahui persepsi remaja Desa Bukit Ranah terhadap sinetron Dari Jendela SMP di SCTV. Penelitian ini dilatarbelakangi oleh sinetron Dari Jendela SMP yang tayang di SCTV yang mengisahkan seorang anak SMP yang hamil di luar nikah, dan mengisahkan tentang kisah pacaran di sekolah yang terjadi pada anak SMP. Sinetron ini dinilai oleh warganet tidak baik untuk psikologis remaja, serta sinetron ini telah ditegur oleh KPI. Jenis penelitian ini adalah penelitian deskriptif kuantitatif dengan metode survei. Berdasarkan hasil analisis dapat disimpulkan bahwa persepsi remaja Desa Bukit Ranah terhadap sinetron Dari Jendela SMP secara parsial jika dilihat dari indikator pemain memiliki persepsi cukup baik (69%), jika dilihat dari indikator pesan dan alur cerita memiliki persepsi sangat baik (85%), jika dilihat dari indikator performa video memiliki persepsi sangat baik (84%). Persepsi Remaja Desa Bukit Ranah Terhadap Sinetron Dari Jendela SMP memiliki Persepsi sangat baik dengan nilai sebesar (82%).
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Saputra, Eldo Eka. "HIPERREALITAS RELASI DALAM SINETRON KOMEDI “TETANGGA MASA GITU?”." INFORMASI 46, no. 1 (June 14, 2016): 19. http://dx.doi.org/10.21831/informasi.v46i1.9646.
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Emergence of non-mainstream way of women representations in soap operas, where women are constructed as an independent individual, brought an impact to the patterns of relation between men and women. If we look at Indonesian soap operas, there are not many of them that can manage to present a non-mainstream construction of female characters. The shift on women representation is associated to how the men were represented in said soap operas, therefore this is a form of the role of the media in altering gender stigma in the society. However, in the process of construction there is a new reality presented by the media through soap operas. Baudrillard established that hyperreality is a condition in which the reality that are presented by the media overtook the real world. This makes the society, as a consumer, became convinced that the newreality is a description of real life. This research is a qualitative study on a sitcom titled Tetangga Masa Gitu? with the analysis on the contents of the sinetron. Relation between men and women shown in this sitcom is based on the factors of economic ownership, resulting in hyperreality in the patterns of relation.Munculnya representasi perempuan yang tidak mainstream di dalam sinetron, dimana perempuan dikonstruksikan sebagai individu yang independen berdampak kepada pola relasi antara perempuan dan laki-laki. Apabila melihat kondisi sinetron di Indonesia, belum banyak sinetron yang berhasil menampilkan konstruksi yang tidak mainstreamterhadap tokoh perempuan. Perubahan konstruksi perempuan tidak terlepas dari bagaimana konstruksi laki-laki ditampilkan di dalam sinetron tersebut sehingga hal ini merupakan salah satu bentuk peran media dalam mengubah stigma peran gender kepada masyarakat. Namun dalam proses konstruksi tersebut terdapat suatu realitas baru yang ditampilkan oleh media melalui sinetron. Baudrillard menjelaskan bahwa hiperrealitas merupakan suatu kondisi dimana realitas yang dibangun di dalam mediamelebihi kondisi yang sebenarnya. Hal seperti ini menjadikan masyarakat sebagai konsumen meyakini realitas baru tersebut sebagai ilustrasi dalam kehidupan nyata. Penelitian ini merupakan suatu penelitian kualitatif terhadap sinetron komedi Tetangga Masa Gitu? dengan menggunakan metode analisis isi wacana sinetron. Relasi antara laki-laki dan perempuan dalam sinetron ini ditunjukan oleh adanya faktor kepemilikan ekonomi dalam diri perempuan sehingga pola relasi yang terjadi menunjukan adanya kondisi hiperrealitas.
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Susanto, Ali, and Muh Farozin. "Pengaruh konformitas, keterampilan sosial dan persepsi terhadap sinetron anak jalanan terhadap perilaku agresif." Harmoni Sosial: Jurnal Pendidikan IPS 5, no. 1 (November 15, 2018): 93–104. http://dx.doi.org/10.21831/hsjpi.v5i1.15001.
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Penelitian ini bertujuan untuk mengetahui: (1) pengaruh konformitas terhadap teman sebaya terhadap perilaku agresif siswa; (2) pengaruh keterampilan sosial terhadap perilaku agresif siswa; (3) pengaruh persepsi terhadap sinetron anak jalanan terhadap perilaku agresif siswa dan (4) pengaruh konformitas terhadap teman sebaya, keterampilan sosial dan persepsi terhadap sinetron anak jalanan secara bersama-sama terhadap perilaku agresif siswa. Penelitian ini menggunakan pendekatan kuantitatif jenis ex-post facto. Populasi penelitian ini adalah 715 siswa dan sampelnya 240 siswa. Penentuan ukuran sampel dengan teknik proportional stratifield random Sampling menggunakan nomogram Harry King dengan taraf kesalahan 5%. Instrument pengumpul data berupa skala yang telah divalidasi meliputi validitas isi (expert judgment) dan validitas empiris yang dihitung dengan Pearson product moment correlation. Analisis data menggunakan analisis deskriptif dan analisis regresi. Hasil penelitian menunjukkan: (1) terdapat pengaruh positif yang signifikan antara konformitas terhadap teman sebaya terhadap perilaku agresif siswa, (2) terdapat pengaruh negatif yang signifikan antara keterampilan sosial terhadap perilaku agresif siswa, (3) terdapat pengaruh positif yang signifikan antara persepsi terhadap sinetron anak jalanan terhadap perilaku agresif siswa, dan (4) terdapat pengaruh yang signifikan secara simultan antara konformitas terhadap teman sebaya, keterampilan sosial dan persepsi terhadap sinetron anak jalanan terhadap perilaku agresif siswa.Kata kunci:konformitas, teman sebaya, keterampilan sosial, persepsi, sinetron anak jalanan, perilaku agresif THE INFLUENCE OF CONFORMITY, SOCIAL SKILL, PERCEPTION OF ANAK JALANAN SINETRON ON AGGREISSVIE BEHAVIORAbstractThis study aimed to determine: (1) the influence of peers' conformity on the student's aggressive behavior, (2) the influence of social skills on the students' aggressive behavior, (3) the influence of Anak Jalanan Sinetron perception on students' aggressive behavior, and (4) the influence of peers' conformity, social skills and perception of Anak Jalanan sinetron corelate to the students' aggressive behavior. This research used quantitative approach of ex-post facto type. The population of this research was 715 students of SMK Muhammadiyah 1 Salam. Determination of the number of samples used Harry King nomogram with 5% error level, so that the research sample obtained as many as 240 people. The Determination of sample used proportional stratified random sampling technique. Instrument validity included content validity (experts' judgment) and empirical validity calculated by correlation of Pearson product moment. Data analysis used descriptive analysis and regression analysis. The results show that: (1) there is significant influence of the peers' conformity on students' aggressive behavior; (2) there is significant influence of social skills on students' aggressive behavior; (3) there is a significant influence of Anak Jalanan Sinetron to the students' perception on students' aggressive behavior; (4) there is significant influence of peers' conformity, social skills and perception of Anak Jalanan sinetron correlate to the students' aggressive behavior.Keywords: peers’ conformity, social skill, perception of anak jalanan sinetron and aggresive behavior
Dissertations / Theses on the topic "Sinetron"
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Ida, Rachmah. "Watching Indonesian sinetron: imagining communities around the television." Thesis, Curtin University, 2006. http://hdl.handle.net/20.500.11937/2385.
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This thesis is about the everyday cultural practices of communal television viewing by urban kampung people. It challenges the institutional frameworks and constructs about the television audience. To achieve this, the thesis looks at the cultural context of the television set and its uses in urban kampung households and the neighbourhood system. Studies on urban kampung community in Indonesia so far have focused on the socio-economic and cultural practices of the people in relation to state ideological matters (e.g. Guinness, 1989; Sullivan, 1994; Brenner, 1998). This thesis is an attempt to extend the investigation about the cultural practices of the kampung community in relation to media use in the era of competitive private television in the early 2000s. As those kampung people have existentially engaged in fashioning their own lives neither as rural subjects nor urban/ity subjects, their narratives in responding to televised images and representations (of women in particular) shape the particularity of the cultural scene of these marginalized subjects. Taking up their social economic background and the particularities of socio-cultural circumstances of the kampung, this present study takes a close look into the day-to-day communal viewing practice of the kampung female viewers of the most-watched local program on Indonesian television, that is sinetron (television drama).Extending the argument of Ien Ang and others into the Indonesian context, the thesis concludes that the national television audience as a unified, atomistic and controllable entity, as is institutionally imagined, does not exist. Rather, watching television, particularly among the urban middle to lower class community, is a discursive practice overwhelmingly showing the diverse, particular, and unpredictable attitudes, which challenge the account of 'the audience' that characterises the industry, the state and, ironically, also the intellectual critical knowledge producers.
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Ida, Rachmah. "Watching Indonesian sinetron: imagining communities around the television." Curtin University of Technology, Dept. of Media and Information, 2006. http://espace.library.curtin.edu.au:80/R/?func=dbin-jump-full&object_id=17833.
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This thesis is about the everyday cultural practices of communal television viewing by urban kampung people. It challenges the institutional frameworks and constructs about the television audience. To achieve this, the thesis looks at the cultural context of the television set and its uses in urban kampung households and the neighbourhood system. Studies on urban kampung community in Indonesia so far have focused on the socio-economic and cultural practices of the people in relation to state ideological matters (e.g. Guinness, 1989; Sullivan, 1994; Brenner, 1998). This thesis is an attempt to extend the investigation about the cultural practices of the kampung community in relation to media use in the era of competitive private television in the early 2000s. As those kampung people have existentially engaged in fashioning their own lives neither as rural subjects nor urban/ity subjects, their narratives in responding to televised images and representations (of women in particular) shape the particularity of the cultural scene of these marginalized subjects. Taking up their social economic background and the particularities of socio-cultural circumstances of the kampung, this present study takes a close look into the day-to-day communal viewing practice of the kampung female viewers of the most-watched local program on Indonesian television, that is sinetron (television drama).Extending the argument of Ien Ang and others into the Indonesian context, the thesis concludes that the national television audience as a unified, atomistic and controllable entity, as is institutionally imagined, does not exist. Rather, watching television, particularly among the urban middle to lower class community, is a discursive practice overwhelmingly showing the diverse, particular, and unpredictable attitudes, which challenge the account of 'the audience' that characterises the industry, the state and, ironically, also the intellectual critical knowledge producers.
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Habsari, Sri Kusumo, and habs0001@flinders edu au/kusumohabsari@yahoo com. "Gender and Cultural Transition in the Sinetron, Misteri Gunung Merapi." Flinders University. Women's Studies, 2008. http://catalogue.flinders.edu.au./local/adt/public/adt-SFU20090202.191832.
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ABSTRACT
This thesis offers a feminist cultural analysis of the popular Indonesian television serial (sinetron) Misteri Gunung Merapi (Mysteries of Mount Merapi). It investigates the television text in relation to its various contexts within the social and cultural transformations of contemporary Indonesia. Misteri Gunung Merapi has been produced since 1998, shortly after the financial crisis and the fall of the New Order regime. Since it was first broadcast by the Indosiar television station, it has ranked among the top-rating television programs in Indonesia, and I am interested in its success in this era of social transformation. The purpose of my study is to examine the significance of this success, including exploring the possibility that it is due to the serials engagement with recent issues in contemporary Indonesian culture, in particular the changing roles of women.
The discussion falls into three main parts: a consideration of the contexts of socio-cultural change and the globalisation of the television industry within which the sinetron is produced; an examination of the way the sinetron draws on traditional theatrical performance, popular memory and supernatural belief; and a study of its representation of women and gender issues within the action-adventure genre to which it belongs.
In the context of the television industry, this sinetrons production signals the changing character of the industry, from state control to free market. In the socio-cultural context, as state control grew weaker and civil society flourished, the flow of globalization became more visible, foregrounding conflicts between Islamic and secular groups, often over the roles and representations of women.
As a sinetron kolosal-laga or epic, the series tells historical and legendary stories in such a way that they speak to contemporary Indonesia as it is in the process of reinventing itself. Misteri Gunung Merapi draws on the narrative and dramatic conventions of both traditional theatrical performance and internationally popular genres of action cinema; it constructs popular memory to raise issues about the present; and it employs popular fascination with the supernatural to invoke the mixture of spiritual traditions that has always characterised Javanese culture, in particular.
Focussing on the emergence of warrior women in film and television in both the Hollywood action-adventure and Kung Fu/wuxia genres, the thesis investigates the construction of female fighters on screen. I suggest that the sinetron does not share the same problems of gender representation that feminist criticism has identified in either of these genres. Four areas of analysis - heroism, body, power, and the camera - demonstrate that there is a different concept of gender in Indonesia which is illuminated in this sinetrons representations of women and gender issues.
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Myutel, Maria. "Indians and National Television in Indonesia : behind the Seen." Phd thesis, 2016. http://hdl.handle.net/1885/113156.
Full textAbstract:
This is the first in-depth study of the critical power of the
Indian (Sindhi) ethnic minority in modern Indonesian public
culture. The research is a close examination of the success and
dominance of the Sindhi community in the production of popular
dramas for national television in Indonesia. Despite several
decades of Sindhis' control over media production, scholars have
ignored the significant influence of this South Asian community
on contemporary Indonesian culture, economy and politics.
Moreover, previous research has emphasised either unilateral
dominance of the state over selected minority groups or
resistance of minorities to state power, largely oversimplifying
the existing relations between ethnic minorities and
nation-state. Highlighting the collaborative nature of
interaction between the Sindhi community and the Indonesian
state, in the media production industry in particular, the study
sheds light on the previously unknown aspects of ethnic politics
in post-independence Indonesia and moves beyond the issues of
assimilation or discrimination central to many existing studies
of minority-majority relations. Likewise, in the midst of
increasing scholarly interest in the Islamisation of modern
Indonesia, the study serves as a reminder of unsettled
ethno-racial tensions that continue to define the distribution of
political, economic and social power in Indonesia.
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Hewett, Rosalind. "Indo (Eurasian) Communities in Postcolonial Indonesia." Phd thesis, 2016. http://hdl.handle.net/1885/116879.
Full textAbstract:
During the 1940s and 1950s, around 200,000 Eurasians (Indos) of
mixed European and Indonesian descent left Indonesia. In time,
they formed distinct communities in The Netherlands, the United
States, Australia and elsewhere. A smaller number of Indos who
had chosen Indonesian citizenship or had been unable to leave
remained in Indonesia. Until now, the fate of Indo communities
who remained in Indonesia was largely unstudied. This thesis
presents a transnational history of Indos in postcolonial
Indonesia, framing their history as part of both Indonesian
history and broader Indisch (Indies) Dutch history. It compares
their circumstances with those of Indonesia‟s largest 'foreign
minority', Chinese Indonesians. The thesis draws on Dutch
archives, newspaper accounts and oral history interviews carried
out in Java and North Sulawesi, Queensland and the Netherlands.
Indos comprised a significant component of the European community
in late colonial society, and many also held 'native' status.
Young Indonesian independence fighters killed and tortured Indo
and other families across Java in a loosely coordinated genocide
during the Bersiap period in 1945-47. At least ten thousand Indos
stayed in Indonesia after the transfer of sovereignty in 1949.
During the New Order period (1966-1998), they faced significant
pressures to assimilate, but were occasionally held up as a
'model minority' compared with Chinese Indonesians. Some took up
work as actors and models, paving the way for the predominance of
an 'Indo look' on Indonesian television in the 1990s. Younger
Indos, usually the children of expatriates, capitalised on the
tradition established by older generations, so that the term
'Indo' became synonymous with fame and stardom. From the
mid-2000s, in response to popular historical understandings about
ethnicity and race, Indos were more likely to be cast only as
wealthy characters in Sinetron. After the fall of Suharto, in
tandem with a rise in identity politics in the Netherlands, older
Indos in Java began to meet regularly with other Dutch speakers.
In the Minahasa region of North Sulawesi, these social gatherings
were regular even during the Suharto period. Indos there married
members of the local mestizo Borgo (formerly burger) community,
so that the term 'Indo' became a synonym for 'Borgo'.
This research reveals ways in which national contexts frame how
the colonial and postcolonial past are remembered and represented
in popular historical consciousness in a former colony and a
former metropole among members of a group considered to transcend
national boundaries. It also reveals how different Indo
communities in Indonesia have interacted with shifting concepts
of 'indigeneity' across historical periods, including 'native'
(inlander) status, boemipoetera, pribumi and adat. The memories
of Indonesian Indos diverge considerably from the memories of
Dutch Indos, who often recall the colonial Indies as a paradise
and postcolonial Indonesia as a violent and poverty stricken
nation. The absence of historical frameworks in Indonesia for
events like the Bersiap, along with the 'historical capital' that
comes with recalling involvement in certain key events in the
history of the nation, determine which memories are recalled and
which memories are not voiced in both postcolonial contexts.
Books on the topic "Sinetron"
1
Saefudin, Abdul Aziz. Republik sinetron. Yogyakarta: Leutika, 2010.
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2
Koyanmar, Robet. Sinetron itu indah? Yogyakarta: Leutikaprio, 2012.
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3
Koyanmar, Robet. Sinetron itu indah? Yogyakarta: Leutikaprio, 2012.
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4
Seminar Sehari Sinetron (1996 Jakarta, Indonesia). Seminar Sehari Sinetron: [kertas kerja]. [Jakarta]: Sekretariat FSI, 1996.
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5
Shahab, Ali. Anak-anak teraniaya: Sinetron sosial. Jakarta?: Focus Studio, 2002.
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6
Qawiyurrijal, Nashruddin. Sinetron, menghibur diri sampai mati. Yogyakarta: Leutika Prio bekerjasama dengan Jurusan Ilmu Komunikasi, Universitas Muhammadiyah Malang, 2011.
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7
Suaka, I. Nyoman. Sastra sinetron dalam ideologi budaya populer. Denpasar, Bali: Udayana University Press, 2013.
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8
Habsari, Sri Kusumo. Citra wanita pada sinetron Indonesia: Laporan penelitian. [Surakarta]: Fakultas Sastra, Universitas Sebelas Maret, 1999.
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9
Toto, Frans. Terompet kertas: Scenario sinetron anak-anak TVRI. [Jakarta: Departemen Penerangan RI, Direktorat Televisi, Televisi Republik Indonesia, 1990.
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10
Labib, Muh. Potret sinetron Indonesia: Antara realitas virtual dan realitas sosial. Jakarta, Indonesia: Mandar Utama Tiga Books Division, 2002.
Find full textBook chapters on the topic "Sinetron"
1
Romanski, Andrzej. "Sinetring of Cobalt - (3-25 wt.%) Iron Materials." In Progress in Powder Metallurgy, 1129–32. Stafa: Trans Tech Publications Ltd., 2007. http://dx.doi.org/10.4028/0-87849-419-7.1129.
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2
Aripurnami, Sita. "A Feminist Comment on the Sinetron Presentation of Indonesian Women." In Fantasizing the Feminine in Indonesia, 249–58. Duke University Press, 1996. http://dx.doi.org/10.1215/9780822396710-011.
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Aripurnami, Sita. "A FEMINIST COMMENT ON THE SINETRON PRESENTATION OF INDONESIAN WOMEN." In Fantasizing the Feminine in Indonesia, 249–58. Duke University Press, 1996. http://dx.doi.org/10.2307/j.ctv1134ctq.14.
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"A FEMINIST COMMENT ON THE SINETRON PRESENTATION OF INDONESIAN WOMEN." In Fantasizing the Feminine in Indonesia, 249–58. Duke University Press, 2020. http://dx.doi.org/10.1515/9780822396710-013.
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"Chapter II: Si Doel as a sinetron: Televising the New Order?" In Watching Si Doel, 41–71. BRILL, 2008. http://dx.doi.org/10.1163/9789004253919_004.
Full textConference papers on the topic "Sinetron"
1
Prasetyo, Vincentius Riandaru, and Edi Winarko. "Rating Of Indonesian sinetron based on public opinion in Twitter using Cosine similarity." In 2016 2nd International Conference on Science and Technology-Computer (ICST). IEEE, 2016. http://dx.doi.org/10.1109/icstc.2016.7877374.
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