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Relevant bibliographies by topics / Simpson trial

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Journal articles
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Books
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Academic literature on the topic 'Simpson trial'

Author: Grafiati

Published: 4 June 2021

Last updated: 20 February 2023

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Journal articles on the topic "Simpson trial"

1

Driscoll, Paul D., and Michael B. Salwen. "Self-Perceived Knowledge of the O.J. Simpson Trial: Third-Person Perception and Perceptions of Guilt." Journalism & Mass Communication Quarterly 74, no. 3 (September 1997): 541–56. http://dx.doi.org/10.1177/107769909707400308.

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This study tested the “third-person effect” during the O.J. Simpson double-murder trial. The perceptual component of the third-person effect predicts that people judge themselves to be less susceptible to media influence than other people. Findings from a nationwide telephone survey indicated that respondents' self-perceived knowledge about the legal issues involved in the Simpson trial was correlated with third-person perception of a perceived “neutral” media message. Self-perceived knowledge was not correlated with third-person perceptual bias of a perceived “biased” message. It was suggested that the biased message primed respondents' perceptions of Simpson's guilt or innocence. The relative contributions of various predictors of third-person perception were assessed using regression analysis.

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2

Colwell, B. "The O.J. Simpson Trial [Book Review]." Computer 35, no. 8 (August 2002): 10. http://dx.doi.org/10.1109/mc.2002.1023776.

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3

Kimberly A. Neuendorf, David Atkin,. "Explorations of the Simpson Trial "Racial Divide"." Howard Journal of Communications 11, no. 4 (October 2000): 247–66. http://dx.doi.org/10.1080/10646170050204545.

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&NA;. "The BackLetter Covers the O.J. Simpson Trial." Back Letter 10, no. 4 (April 1995): 48. http://dx.doi.org/10.1097/00130561-199504000-00011.

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White, Aaronette. "O. J. Simpson Trial: We Are All Guilty." Agenda, no. 28 (1996): 102. http://dx.doi.org/10.2307/4065766.

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Shorter-Gooden, Kumea. "The Simpson Trial: Lessons for Mental Health Practitioners." Cultural Diversity and Mental Health 2, no. 1 (1996): 65–68. http://dx.doi.org/10.1037/1099-9809.2.1.65.

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7

Chrisman, Robert. "The Million Man March and the O.J. Simpson Trial." Black Scholar 25, no. 4 (September 1995): 1. http://dx.doi.org/10.1080/00064246.1995.11430748.

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Beckman, Karen. "Animation on Trial." Animation 6, no. 3 (November 2011): 259–75. http://dx.doi.org/10.1177/1746847711416568.

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This article first considers Kota Ezawa’s video installation, The Simpson Verdict within the broader context of the rising interest in animation on the contemporary art landscape. After exploring three trends within this proliferation of artists’ animation – works that animate moments from film history, works that animate ‘reality’, and works that use popular media such as cartoons, television and video games as source material, this article examines the difference between Ezawa’s work, which re-draws already overexposed live footage, and those documentaries that use animation as a supplementary visual tool when live footage does not and/or could not exist.

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9

Demakis, George J. "Hindsight Bias and the Simpson Trial: Use in Introductory Psychology." Teaching of Psychology 24, no. 3 (July 1997): 190–91. http://dx.doi.org/10.1207/s15328023top2403_9.

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The Simpson criminal trial provided an excellent opportunity to illustrate the hindsight bias, the tendency to exaggerate one's ability to have foreseen the outcome of an event after learning the outcome. As hypothesized, introductory psychology students who estimated their prediction of the outcome of the trial post verdict were more accurate than students who predicted the outcome pre verdict. In this article, I illustrate how the hindsight bias can be demonstrated in the classroom and how it can highlight the need for the scientific method in psychology.

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10

Schuetz, Janice. "Legal and research evidence and the O. J. Simpson Trial." Western Journal of Communication 59, no. 4 (December 1995): 347–54. http://dx.doi.org/10.1080/10570319509374526.

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Dissertations / Theses on the topic "Simpson trial"

1

Cotterill, Janet. "Representing reality in court : power and persuasion in trial discourse, as exemplified in The People v. Orenthal James Simpson." Thesis, University of Birmingham, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.366177.

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2

Lastrapes, Martin Larry. "Black and white and read all over: An analysis of narratives in the O.J. Simpson murder trial." CSUSB ScholarWorks, 2006. https://scholarworks.lib.csusb.edu/etd-project/3093.

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The thesis examines the O.J. Simpson murder trial and analyzes the racial narratives that affected its outcome and the way it is perceived by the American public. By examining four books about the trial written by lawyers who served on the case, the analysis focuses on how race functions within each of the reconstructed narratives, as well as within the framework of the U.S. criminal justice system. The author argues that racial narratives affect how and why people can see the same event differently, a prime example of which is the O.J. Simpson murder trial. Representations of Mark Fuhrman, his role in the O.J. Simpson trial, and how these are affected by racial narratives are also discussed. The author concludes that the O.J. Simpson murder trial presented an opportunity in which issues concerning race, race relations, and ideologies about race could be openly discussed.

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3

Williams, Marise. "Reading O.J. Simpson: Everyday Rhetoric as Gift and Commodity in I Want to Tell You." Thesis, The University of Sydney, 2004. http://hdl.handle.net/2123/713.

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The Bronco Chase and arrest of O.J. Simpson for the murder of his ex-wife, Nicole Brown Simpson and her friend, Ronald Goldman, and his subsequent criminal trial became one of the most captivating, mass-mediated events of the last decade of the twentieth century. Simpson's iconic celebrity status and his race as an African-American inflamed the notoriety of the crime. An insatiable spectatorial desire for Simpson and narratives concerning his alleged involvement in the Brentwood murders engulfed the American public and American culture for thirty-two months. An excessive scrutiny of his identity by the media, law and order professionals and the populace generated a racially charged discursive cacophony. The memoir Simpson published during his remand to raise funds for his defense expenses, I Want to Tell You: My Response to Your Letters, Your Messages, Your Questions, allows for a productive critical study of everyday rhetoric and the commodity fetishism of celebrity. Released in late January 1995, during the first week of the prosecution's opening statements in the criminal trial, I Want to Tell You was Simpson's first public comment following the nationally televised reading of his suicide note and his spectacular arrest on June 17, 1994. The intercalation of Simpson's narrative utterance with 108 of the more than three hundred thousand letters he received from June to December 1994 as Los Angeles County Jail inmate 4013970 is a practical manifestation of the use value and exchange value of fame. The reciprocity of the epistolic, the phatic demands of address, the etiquette of fan mail and hate mail, the gift of the written text, vulnerable and resonant, reveal an adherence to the symbiotic dynamic of the celebrity-fan, writer-reader, dyadic relation and its currency. Plying his trade as idol of consumption, as spectacle, as genre, Simpson capitalised on the cultural condition of his name and his face as objects of desire. The racialised flesh of Simpson's African-American male body became a site and a sight for narrative and inscription within a pay-per-view marketplace of reification, prosopopoeia, gazeability and criminality.

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4

Williams, Marise. "Reading O.J. Simpson everyday rhetoric as gift and commodity in I want to tell you /." University of Sydney. SEAFAM, 2004. http://hdl.handle.net/2123/713.

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The Bronco Chase and arrest of O.J. Simpson for the murder of his ex-wife, Nicole Brown Simpson and her friend, Ronald Goldman, and his subsequent criminal trial became one of the most captivating, mass-mediated events of the last decade of the twentieth century. Simpson's iconic celebrity status and his race as an African-American inflamed the notoriety of the crime. An insatiable spectatorial desire for Simpson and narratives concerning his alleged involvement in the Brentwood murders engulfed the American public and American culture for thirty-two months. An excessive scrutiny of his identity by the media, law and order professionals and the populace generated a racially charged discursive cacophony. The memoir Simpson published during his remand to raise funds for his defense expenses, I Want to Tell You: My Response to Your Letters, Your Messages, Your Questions, allows for a productive critical study of everyday rhetoric and the commodity fetishism of celebrity. Released in late January 1995, during the first week of the prosecution�s opening statements in the criminal trial, I Want to Tell You was Simpson's first public comment following the nationally televised reading of his suicide note and his spectacular arrest on June 17, 1994. The intercalation of Simpson�s narrative utterance with 108 of the more than three hundred thousand letters he received from June to December 1994 as Los Angeles County Jail inmate 4013970 is a practical manifestation of the use value and exchange value of fame. The reciprocity of the epistolic, the phatic demands of address, the etiquette of fan mail and hate mail, the gift of the written text, vulnerable and resonant, reveal an adherence to the symbiotic dynamic of the celebrity-fan, writer-reader, dyadic relation and its currency. Plying his trade as idol of consumption, as spectacle, as genre, Simpson capitalised on the cultural condition of his name and his face as objects of desire. The racialised flesh of Simpson's African-American male body became a site and a sight for narrative and inscription within a pay-per-view marketplace of reification, prosopopoeia, gazeability and criminality.

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Books on the topic "Simpson trial"

1

The O.J. Simpson trial. San Diego, CA: Lucent Books, 1997.

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2

The O.J. Simpson murder trial. Detroit: Lucent Books, 2009.

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3

O.J. Simpson: The trial of the century. New York: Ekwike Publications, 1997.

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4

Dennis, Schatzman, ed. The Simpson trial in black and white. Los Angeles: General Publishing Group, 1996.

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5

Lessons from the trial: The people v. O.J. Simpson. Kansas City: Andrews and McMeel, 1996.

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6

Deutsch, Linda. Verdict: The chronicle of the O.J. Simpson trial. Kansas City, Mo: Andrews and McMeel, 1995.

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7

Crime scene investigations: The O. J. Simpson murder trial. Detroit: Lucent Books, 2009.

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8

The O.J. Simpson murder trial: A headline court case. Berkeley Heights, NJ: Enslow Publishers, 2001.

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9

The trial: A history, from Socrates to O.J. Simpson. New York: Random House, 2005.

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10

Marine, Mike. O.J. jeopardy: Test your knowledge of the O.J. Simpson trial. [S.l.]: M. Marine, 1995.

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Book chapters on the topic "Simpson trial"

1

Cotterill, Janet. "‘Just One More Time …’: Aspects of Intertextuality in the Trials of O. J. Simpson." In Language in the Legal Process, 147–61. London: Palgrave Macmillan UK, 2002. http://dx.doi.org/10.1057/9780230522770_9.

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"Megaspectacle: The O. J. Simpson Murder Trial." In Media Spectacle, 107–39. Routledge, 2003. http://dx.doi.org/10.4324/9780203166383-8.

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"The O.J. Simpson Trial: Closing Arguments (1995)." In African American Studies Center. Oxford University Press, 2009. http://dx.doi.org/10.1093/acref/9780195301731.013.33809.

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4

Jr., Interview with Johnnie L. Cochran. "Lessons from the O.J. Simpson Trial II." In Covering the Courts, 47–52. Routledge, 2017. http://dx.doi.org/10.4324/9780203794524-10.

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Toobin, Jeffrey. "Lessons from the O.J. Simpson Trial I." In Covering the Courts, 43–46. Routledge, 2017. http://dx.doi.org/10.4324/9780203794524-9.

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6

"The O. J. Simpson Trial and Juror Competence." In Politically Incorrect Dialogues, 7–11. BRILL, 1999. http://dx.doi.org/10.1163/9789004494923_005.

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7

"The eye of everyman: witnessing DNA in the Simpson trial." In Science and Public Reason, 233–60. Routledge, 2012. http://dx.doi.org/10.4324/9780203113820-18.

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8

"An All White Jury: Judging Citizenship in the Simpson Criminal Trial." In Witness and Memory, 141–64. Routledge, 2012. http://dx.doi.org/10.4324/9780203446638-10.

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9

Walker, Felicia R. "An Afrocentric Rhetorical Analysis of Johnnie Cochran’s Closing Argument in the O.J. Simpson Trial." In Understanding African American Rhetoric, 245–62. Routledge, 2014. http://dx.doi.org/10.4324/9781315024332-15.

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10

"Black–Jewish inflations: face(off) in David Mamet's Homicide and the O. J. Simpson trial." In Facing Black and Jew, 142–57. Cambridge University Press, 1999. http://dx.doi.org/10.1017/cbo9780511483196.007.

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