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Author: Grafiati

Published: 10 December 2022

Last updated: 29 January 2023

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1

García Sánchez, Carlos. "Aproximaciones a la teoría de la individuación de Gilbert Simondon: críticas a la tradición filosófica, la pregunta por la relación y la apuesta por una ética del devenir." Enfoques 34, no. 1 (August 16, 2022): 59–85. http://dx.doi.org/10.56487/enfoques.v34i1.1032.

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El siguiente trabajo pretende explicar la teoría de la individuación de Gilbert Simondona partir de (a) la teoría de la individuación como crítica a la filosofía tradicional,(b) las nociones de información y relación, y (c) la ética del devenir. En la primeraparte, se comparan las críticas de Heidegger al modelo de verdad como adecuacióncon las bases de la ontología de Simondon. En el siguiente apartado, se interpretael concepto de individuación a partir de conceptos como relación e información.La última parte compara la ética del devenir que defiende Simondon con la ética deLevinas.

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2

Hansen, Mark B. N. "The Ontology of Media Operations, or, Where is the Technics in Cultural Techniques?" Zeitschrift für Medien- und Kulturforschung 8, no. 2 (2017): 169–86. http://dx.doi.org/10.28937/1000107980.

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"My aim in this paper is to develop an ontology of media operations that is rooted in Gilbert Simondon’s theory of individuation. I position this media operative ontology in contrast to Bernhard Siegert’s understanding of operative ontology as a cultural technique. Drawing on Wolfgang Ernst, Henri Atlan, and Michel Serres, I argue that Siegert’s position compromises the extra-cultural operationality of technical media, and of techniques more generally, in its bid to redirect media theory from its Kittlerian trajectory. With his theory of information as reception of environmental singularity by a metastable receiver, Simondon provides a mechanism for theorizing how extra-cultural operationality of technical media informs the production of culture and the distinctions upon which it rests, without compromising the alterity of technics. Mein Ziel in diesem Beitrag ist es, eine Ontologie von Medienoperationen zu entwickeln, die auf Gilbert Simondons Theorie der Individuation fußt. Auf der Grundlage von Wolfgang Ernst, Henri Atlan und Michel Serres behaupte ich, dass Siegerts Versuch, die Medientheorie von ihrer Kittlerschen Linie abzulenken, den Stellenwert der außerkulturellen Operationalität technischer Medien und der Techniken im Allgemeinen herabspielt. Mit seiner Theorie der Information als Empfang von umweltlicher Singularität durch einen metastabilen Empfänger bietet Simondon dagegen einen Mechanismus, dank dem theoretisch durchdacht werden kann, wie die außerkulturelle Operationalität der technischen Medien die Kulturproduktion und die Unterscheidungen, auf denen sie beruht, prägt, ohne die Andersheit der Technik zu reduzieren. "

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3

Schmedes, Hannah. "Unbestimmtheitsspielräume – mögliche feministische Anschlüsse an Gilbert Simondons Existenzweise technischer Objekte." GENDER – Zeitschrift für Geschlecht, Kultur und Gesellschaft 11, no. 3-2019 (October 21, 2019): 41–55. http://dx.doi.org/10.3224/gender.v11i3.04.

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Die Dichotomie zwischen dem Geist oder Intellekt als formgebender Entität und dem als ‚lebloser‘ Materie stigmatisierten Körper hat in der ‚westlichen Welt‘ eine lange Tradition, die eine starke (zwei)geschlechtliche Konnotation aufweist. Mit dem Material Turn und Theorien des New Materialism war die Möglichkeit einer feministischen Aufarbeitung der Relation von Materie und weiblichem Körper bzw. weiblicher Subjektivierungsweisen neu gestellt. Gilbert Simondon, der in den letzten Jahren immer intensiver rezipiert wurde, übte in den 1950er-Jahren eine umfassende Kritik des Hylemorphismus, mithilfe dessen ein Körper-Geist-Dualismus sowie eine Höherstellung des formenden Menschen gegenüber der Materie elaboriert wurde. Richtet sich seine Kritik vor allem auf die kulturelle Haltung seiner Zeit gegenüber der Maschine, so versucht dieser Beitrag mögliche Schnittmengen zu feministischen Lesarten von Identität, Geschlecht und Technik zu charakterisieren. Darüber hinaus soll Simondons Theorie des Unbestimmtheitsspielraums und der offenen Maschine als Inspiration für feministische Kritikübung geprüft werden.

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4

Rubin, Gerry R. "Judicial Free Speech versus Judicial Neutrality in Mid-Twentieth Century England: The Last Hurrah for the Ancien Regime?" Law and History Review 27, no. 2 (2009): 373–412. http://dx.doi.org/10.1017/s0738248000002042.

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In mid-1950s Britain two significant events occurred in respect of the doctrine of judicial neutrality in that country. In the first, the Lord Chancellor of the day, Lord Simonds, had refused permission for the experienced and well-known senior judge advocate, Lord Russell of Liverpool, to publish his sensational history of Nazi war crimes,The Scourge of the Swastika, so long as he (Russell) continued to hold judicial office. For Simonds was insistent that the judiciary must keep their counsel on virtuallyanymatter outside the courtroom, a view shared both by his immediate Labour government predecessor, Lord Jowitt, and by his Conservative government successor, Lord Kilmuir. After a public standoff when neither side would give way, the deadlock was broken when Russell, rather than risk being sacked for disobedience, chose to resign his judicial office to a fanfare of publicity in the press and duly published his book shortly thereafter. Moreover, what lent the Russell confrontation an added edge was not just Simonds's complaint that the book could be perceived as anti-German and, therefore, as political. It was that publication at that time could have a damaging effect upon Britain's policy of rehabilitating West Germany within the Western alliance.

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5

De Assis, Paulo. "Gilbert Simondons ‚Transduktion‘ als radikale Immanenz der Performanz." Performance Philosophy 3, no. 2 (December 21, 2017): 456. http://dx.doi.org/10.21476/pp.2017.32175.

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Transduktion ist Gilbert Simondons Schlüsselkonzept für das Verständnis von Prozessen der Differenzierung und Individuation in einer Reihe von Gebieten, einschließlich der naturwissenschaftlichen Disziplinen, der Sozial- und Geisteswissenschaften, technischer Hilfsmittel sowie der Domänen des Künstlerischen. Beruhend auf den Naturwissenschaften und bezüglich seiner philosophischen Implikationen entscheidend weiterentwickelt durch Simondon, bezieht sich die Transduktion auf eine dynamische Operation, in deren Verlauf Energie aktualisiert wird, indem sie im Verlaufe eines Prozesses, der neue Materialitäten individuiert, von einem Zustand in einen anderen gebracht wird. Der vorliegende Text macht dieses Konzept auf die Musikpraxis anwendbar und zielt darauf ab, eine konzeptionelle Grundlage für umfangreichere Forschungsbemühungen zu schaffen, die entscheidend die künstlerische Praxis – sowohl Komposition als auch Performance – als ihren Ausgangs- und Endpunkt miteinschließt. Nach einer einleitenden Darstellung der Bedeutung, welche die Transduktion für Musiker_innen haben kann, konzentriert sich der vorliegende Text auf die Darlegung unterschiedlicher Definitionen der Transduktion, die hauptsächlich von Simondon selber stammen, aber auch zwei Erweiterungen betreffen: zum einen von Deleuze’ Konzept der Haecceïtas (bzw. ausgehend von Deleuze von meiner eigenen Mikro-Haecceïtas), zum anderen von Brian Massumis Begriff der Körperlichkeit. Vor dem Hintergrund des Potentials, welches diese Definitionen für die Herstellung von Musik entfalten können, untersucht der vorliegende Aufsatz acht unterschiedliche, aber komplementäre Möglichkeiten, die Transduktion zu denken, und dies in steigernder Komplexität, von der Glühbirne (3.1.) bis zu den Feinheiten der Entscheidungsfindung in lebenden Organismen (3.8.), wobei auch die Frage von Zeit und Temporalität (3.2.), die Thermodynamik (3.3.), die Informationstheorie (3.4.), eine überarbeitete Theorie der Haecceïtas (3.5), die Riemannsche Topologie (3.6.) sowie die Körperlichkeit angesprochen (3.7.) werden. All diese Themen werden nur kurz vorgestellt, als Eingangstore zu weiteren Untersuchungen, als Vorschläge für zukünftige Richtungen der Forschung, und ohne den Anspruch, abgeschlossene Gedankengänge darzustellen.

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6

Stengers, Isabelle. "Résister à Simondon ?" Multitudes 18, no. 4 (2004): 55. http://dx.doi.org/10.3917/mult.018.0055.

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7

Dittmar, Nicolas. "Simondon et Deleuze." Chiasmi International 15 (2013): 385–98. http://dx.doi.org/10.5840/chiasmi20131526.

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8

Cabral, Caio César. "Dewey e Simondon." Cognitio: Revista de Filosofia 23, no. 1 (November 18, 2022): e58938. http://dx.doi.org/10.23925/2316-5278.2022v23i1:e58938.

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Nosso objetivo, no presente artigo, é propor uma articulação entre a teoria da individuação de Gilbert Simondon e a teoria da investigação de John Dewey. Em relação à primeira, serão enfatizados os aspectos “biológico” e “psíquico” de individuação; quanto à segunda, ressaltaremos seus principais elementos naturalistas e epistemológicos, assim como os conceitos mais gerais de “experiência” e de “natureza” de Dewey. Defenderemos que o processo de individuação tem estreita relação com a capacidade, possuída por todo indivíduo vivo, de solucionar problemas ou situações de conflito resultantes de sua constante interação com o ambiente. Proporemos, mais precisamente, uma conexão teórica entre o princípio ou conceito de individuação e a ideia de que existe no organismo vivente uma aptidão investigativa que não apenas restaura seu equilíbrio “metaestável”, como também, e ao mesmo tempo, lhe proporciona sempre uma nova individualidade, tanto biológica como psíquica. Esperamos obter, como resultado deste processo de síntese envolvendo as ideias de Simondon e de Dewey, uma compreensão ampliada das respectivas teorias da individuação e da investigação.

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Editors, Sensorium. "Recommended Articles and Books." Sensorium Journal 3 (March 26, 2021): 48–51. http://dx.doi.org/10.3384/sens.2002-3030.2021.3.48-51.

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Gilbert Simondon has inspired many thinkers. We have gathered some books and articles on Simondon and Simondon-inspired thought in philosophy and critical theory that have caught our interest during the editing of this volume.

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10

Deldicque, Timothée. "Jean-Hugues Barthélémy, Simondon." Artefact, no. 3 (March 10, 2016): 270–73. http://dx.doi.org/10.4000/artefact.8124.

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11

Citton, Yves. "Sept résonances de Simondon." Multitudes 18, no. 4 (2004): 25. http://dx.doi.org/10.3917/mult.018.0025.

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12

Bardin, Andrea, Giovanni Carrozzini, and Pablo Rodríguez. "The Work of Simondon." Philosophy Today 63, no. 3 (2019): 567–70. http://dx.doi.org/10.5840/philtoday2019633281.

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13

Chabot, Pascal. "Simondon lecteur de Bergson." Chimères 52, no. 1 (2003): 81–90. http://dx.doi.org/10.3406/chime.2003.1697.

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14

Feenberg, Andrew Lewis. "Concretizing Simondon and Constructivism." Science, Technology, & Human Values 42, no. 1 (August 2, 2016): 62–85. http://dx.doi.org/10.1177/0162243916661763.

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This article argues that Gilbert Simondon’s philosophy of technology is useful for both science and technology studies (STS) and critical theory. The synthesis has political implications. It offers an argument for the rationality of democratic interventions by citizens into decisions concerning technology. The new framework opens a perspective on the radical transformation of technology required by ecological modernization and sustainability. In so doing, it suggests new applications of STS methods to politics as well as a reconstruction of the Frankfurt School’s “rational critique of reason.”

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15

Hui, Yuk. "On the Soul of Technical Objects: Commentary on Simondon’s ‘Technics and Eschatology’ (1972)." Theory, Culture & Society 35, no. 6 (March 8, 2018): 97–111. http://dx.doi.org/10.1177/0263276418757318.

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This article comments on a paper titled ‘Technique et eschatologie: le devenir des objets techniques’ that Gilbert Simondon presented in 1972. For Simondon, eschatology consists of a basic presupposition, which is the duality between the immortal soul and the corruptible body. The eschatology of technical objects can be seen as the object’s becoming against time. Simondon suggests that in the epoch of artisans, the product through its perfection searches for the ‘immortality of his producer’, while in the industrial epoch standardization becomes the key mover, in the sense that different parts of the object can be replaced. This analysis of Simondon on the relation between technics and eschatology allows a speculation on the soul of technical objects by tracing his earlier works. This conception of the soul, as this article tries to show, allows Simondon to address the alienation of technical objects in juxtaposition to a Marxist critique of alienation.

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16

Heredia, Juan Manuel. "Sobre la lectura y conceptualización simondoniana de la cibernética." Tópicos, Revista de Filosofía, no. 56 (December 13, 2018): 273–310. http://dx.doi.org/10.21555/top.v0i56.998.

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En este trabajo se aborda la relación conceptual e históricointelectual que liga a la filosofía de Gilbert Simondon con la cibernética y la teoría de la información. Para ello, despliega tres líneas de análisis: (a) la recepción francesa de la cibernética y la teoría de la información, y el posicionamiento de Simondon en dicho campo conceptual; (b) el significado trascendente que Simondon les asigna en tanto inaugurarían una época tecnológica propia del siglo XX; (c) las críticas que Simondon formula a la cibernética y la teoría de la información, las cuales tienden a desmontar los residuos decimonónicos que las afectan desde dentro y a pensar un nuevo concepto de génesis.

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17

Viana, Diego. "A AFETO-EMOTIVIDADE EM SIMONDON E O CONCEITO DE DESEJO." Kriterion: Revista de Filosofia 60, no. 144 (September 2019): 537–61. http://dx.doi.org/10.1590/0100-512x2019n14403dv.

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RESUMO O conceito de desejo é raro na obra de Simondon. Stiegler baseia nessa falta sua crítica ao filósofo, causa de seu caráter “apolítico”. Mas todas as categorias com que está associado o desejo estão presentes: a noção de incompletude (neotenia), o impulso para objetos exteriores (tropismo), a relação necessária entre corpo e coletivo. Este artigo explora as conexões entre o conceito de subconsciente afetivo-emotivo em Simondon e a concepção do desejo como produtor de seus objetos. Essas conexões permitem questionar a inserção de Simondon na filosofia de seu tempo e, pela releitura da crítica de Stiegler, esboçar as diretrizes da reflexão política apoiada em Simondon.

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18

Manuel Heredia, Juan. "Form and individuation: Simondon and the Gestaltpsychologie." Eidos, no. 29 (July 15, 2018): 366–99. http://dx.doi.org/10.14482/eidos.29.9846.

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19

Ferreira, Pedro Peixoto, and Evandro Smarieri. "A amplificação nos processos de informação." Trans/Form/Ação 43, no. 1 (March 2020): 283–300. http://dx.doi.org/10.1590/0101-3173.2020.v43n1.16.p283.

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Resumo: Esta é a tradução do texto “L’amplification dans les processus d’information”, conferência ministrada por Gilbert Simondon em 1962, no Colloque de Royaumont sobre “o conceito de informação na ciência contemporânea (Le concept d’information dans la science contemporaine). Aqui Simondon apresenta, e correlaciona, três “níveis do processo informacional de amplificação”: a amplificação transdutiva “por recrutamento positivo”; a amplificação moduladora “por limitação”; e a amplificação organizadora “por descoberta de um sistema de compatibilidade”. Para cada um dos três níveis, Simondon apresenta exemplos dos mundos físico, vivo, técnico e psicossocial.

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20

Neves, José Pinheiro. "Seres humanos e objectos técnicos: a noção de “concretização” em Gilbert Simondon." Comunicação e Sociedade 12 (December 19, 2007): 67–82. http://dx.doi.org/10.17231/comsoc.12(2007).1097.

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Gilbert Simondon, na sua obra Modo de existência dos objectos técnicos, escrita em 1958, pretende responder a uma pergunta de Canguilhem: será que o objecto técnico é mais do que uma mera aplicação da ciência? A sua resposta positiva permite uma nova abordagem da relação entre seres técnicos e seres biológicos. De facto, a ideia de concretização dos objectos técnicos, cerne da teoria de Simondon, permite responder à intuição original do seu professor, George Canguilhem. No entanto, Simondon ainda é um pouco ambíguo, nunca defendendo claramente uma individuação protésica do objecto técnico.

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21

Lee, Chan-Woong. "La techno-esthétique de Simondon." Mihak - The Korean Journal of Aesthetics 85, no. 4 (December 30, 2019): 203–42. http://dx.doi.org/10.52720/mihak.85.4.6.

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22

Roux, Jacques. "Penser le politique avec Simondon." Multitudes 18, no. 4 (2004): 47. http://dx.doi.org/10.3917/mult.018.0047.

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23

Marty, Emilia. "Simondon, un espace à venir." Multitudes 18, no. 4 (2004): 83. http://dx.doi.org/10.3917/mult.018.0083.

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24

Reader, John. "Gilbert Simondon: Being and Technology." International Journal of Engineering, Social Justice, and Peace 2, no. 2 (December 29, 2013): 81–83. http://dx.doi.org/10.24908/ijesjp.v2i2.5107.

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How does one contribute to a process of transformation towards great social justice and what are the barriers that stand in the way? Some of the ideas presented in the book Gilbert Simondon: Being and Technology help us to address two issues vital to the above: first, that of why it is that humans are sometimes so loathe to oppose the forces and factors that prevent them striving for greater social justice, and second, how one can envision alternative forms of leadership—ones that rest less upon the power or influence of specific individuals, but do take into account human (and non-human) interdependencies. The publication of this text is a step in the direction of making Simondon’s work more readily available, and helps us to see how a different understanding of how human individuality is formed offers new insights into both these issues.

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25

Barthélémy, Jean-Hugues. "Deux points d'actualité de Simondon." Revue philosophique de la France et de l'étranger 131, no. 3 (2006): 299. http://dx.doi.org/10.3917/rphi.063.0299.

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26

Jae Hee, Kim. "The Technoaesthetic of Gilbert Simondon." Journal of Aesthetics & Science of Art 43 (February 28, 2015): 95–121. http://dx.doi.org/10.17527/jasa.43.0.04.

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27

del Río, Elena. "BILL VIOLA WITH GILBERT SIMONDON." Angelaki 24, no. 6 (November 2, 2019): 57–75. http://dx.doi.org/10.1080/0969725x.2019.1684700.

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28

Voss, Daniela. "Disparate Politics: Balibar and Simondon." Australasian Philosophical Review 2, no. 1 (January 2, 2018): 47–53. http://dx.doi.org/10.1080/24740500.2018.1514966.

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29

Letiche, Hugo, and Jean-Luc Moriceau. "Simondon: investigating the pre-organizational." Culture and Organization 23, no. 1 (November 7, 2016): 1–13. http://dx.doi.org/10.1080/14759551.2016.1240358.

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30

Mazzilli-Daechsel, Stefano. "Simondon and the maker movement." Culture, Theory and Critique 60, no. 3-4 (September 18, 2019): 237–49. http://dx.doi.org/10.1080/14735784.2019.1667254.

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31

Hayward, M., M. Hayward, and B. Dionysius Geoghegan. "Introduction: Catching Up With Simondon." SubStance 41, no. 3 (January 1, 2012): 3–15. http://dx.doi.org/10.1353/sub.2012.0027.

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32

Rodríguez, Pablo Esteban. "Comunicación e información." Ideias 13 (December 15, 2022): e022024. http://dx.doi.org/10.20396/ideias.v13i00.8671666.

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"Comunicación e información: la refundación de la tecnología, las ciencias naturales y las ciencias sociales en Gilbert Simondon" es la transcripción de la conferencia impartida por Pablo E. Rodríguez en el evento Informação, tecnicidade, individuação: a urgência do pensamento de Gilbert Simondon, celebrado en la Unicamp en 2012. Junto con "Dados, algoritmos e plataformas", una entrevista con el autor realizada este año 2022, aporta al dossier dos momentos distintos, separados por un intervalo de diez años, de su reflexión sobre cómo pensar teórica y políticamente a partir de Simondon, y los desafíos que tal postura intelectual plantea a las ciencias sociales.

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33

Alvaro, Daniel. "Lo Transindividual: de Simondon a Marx." Trans/Form/Ação 39, no. 4 (December 2016): 153–72. http://dx.doi.org/10.1590/s0101-31732016000400008.

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RESUMEN: El presente artículo trata de lo transindividual, un concepto fundamental en la teoría de la individuación elaborada por Gilbert Simondon (1924-1989), y de su vinculación con ciertas proposiciones de Karl Marx que tratan del individuo y la sociedad. Entre ambos autores existe una relación directa, evidenciada en cada uno de los textos donde Simondon hace mención a Marx y al marxismo en general. Pero también existe una relación indirecta, para nada evidente, que surge menos de lo que Simondon dice acerca de Marx que de lo que ciertos pensadores contemporáneos dicen sobre uno y otro. Aquí intento dar cuenta de ambos tipos de relaciones. Asimismo, me propongo introducir y comentar algunos pasajes de Marx que compiten en radicalidad y audacia con los que escribiera Simondon un siglo más tarde, y en los cuales quiero apoyar mi hipótesis de lectura, a saber, que Marx es un pensador de lo transindividual avant la lettre.

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34

Bontems, Vincent. "Gilbert Simondon’s genetic “mecanology”and the understanding of laws of technical evolution." Techné: Research in Philosophy and Technology 13, no. 1 (2009): 1–12. http://dx.doi.org/10.5840/techne20091311.

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Since the 1930’s, several attempts have been made to develop a general theory of technical systems or objects and their evolution: in France, Jacques Lafitte, André Leroi-Gourhan, Bertrand Gille, Yves Deforge, and Gilbert Simondon are the main representatives of this trend. In this paper, we focus on the work of Simondon: his analysis of technical progress is based on the hypothesis that technology has its own laws and that customer demand has no paramount influence upon the evolution of technical systems. We first describe the process Simondon called “concretization” and compare it with the process of “idealization” as defined by Genrich Altshuller. We then explain how the progress of technical lineages can be characterized as following a specific rhythm of relaxation and how it thus obeys a “law” of evolution in the industrial context. Simondon’s theoretical approach, although similar to some aspects of methodologies of conception, emphasized a more accurate understanding of technical progress over possible operational applications. Simondon never intended to optimize the engineer’s tasks from an economic point of view and, in fact, his conception of technical progress can be considered as independent from the capitalistic trend of innovation. However, the philosophy of Simondon provides a better understanding of what is at stake theoretically in the modeling of laws of technical evolution.

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Lome, Ragnild, Johan Fredrikzon, Jakob Lien, Solveig Daugaard, Per Israelson, and Jenny Jarlsdotter Wikström. "Introduction." Sensorium Journal 3 (March 26, 2021): 2–4. http://dx.doi.org/10.3384/sens.2002-3030.2021.3.2-4.

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It started with curiosity: The name of the French philosopher seemed to pop up here and there, while we were working on dissertations and postdoc-projects. Not just, as we already knew, in the works of the French philosophers Gilles Deleuze, Bernard Stiegler and German media historians like Bernhard Siegert and Erich Hörl, but also in books and articles by John Durham Peters, Elisabeth Grosz and Yuk Hui. Simondon seemed to be relevant when discussing the question of technology in the Anthropocene, digging into neo-cybernetic trends within critical theory, understanding New Materialism and challenging AI-philosophy. What was it about this French philosopher that could inspire so many different thinkers and fields of thoughts? We soon realized that we did not know very many people who had worked with the ideas of Simondon, and thus, set forth to produce some texts on him. With this issue, we do not intend to give a comprehensive introduction to Simondon’s philosophy. What we hope to do, is to offer a handful of reflections upon how to use Simondon today. We do this by publishing an article on the politics of problems in the thinking of Simondon and Gilles Deleuze, written by Stefano Daechsel and a three-part interview on Simondon’s oeuvre with Yale-professors Gary Tomlinson, John Durham Peters and Paul North, conducted by Johan Fredrikzon. In addition, we have pieced together a few editorial texts: An overview of interesting articles and books on Simondon that we came across as we edited this volume, and a brief vocabulary of Simondonian thought. The article and interview provide several answers to the question why Simondon is a relevant thinker today. Gary Tomlinson argues that Simondon offers key insights to evolutionary studies: He is able to bridge the gap between cultural and evolutionary biology. This is due to the Simondonian understanding of culture, Tomlinson argues, as something that arises in evolution and also shapes it. ”We were toolmakers before we were human”, as Tomlinson writes in the article ”Semiotic Epicycles and Emergent Thresholds in Human Evolution” (Glass-bead.org, 2017), which he quotes in the interview. Furthermore, Simondon flirts with what John Durham Peters calls neo-Thomism, a view of the history of technology that is not transcendental, nor teleologically determined or based on an idea of progress, but that is nevertheless intelligible. As John Durham Peters says in his interview: ”Thomism gives you a potential of the world as an intelligible totality, much like James Joyce in Finnegan's Wake: a vision of the world as a knowable whole.” Simondon’s philosophy according to Durham Peters is ”Aristotelian in the sense that nature has a structure which in some ways corresponds to the structure of understanding (…), the processes by which nature works and the processes by which technology works are analogous”. Most importantly, Simondon identifies possible strategies for resistance. Studying technology is necessary for us to act as political individuals, Stefano Daechsel argues in his article on Simondon and Deleuze. ”[T]here is an urgency to Simondon’s call for a technical culture that would foster a ‘genuine awareness of technical realities (…)’, such an awareness of technology ‘possesses political and social value’.” We need to delve into the technical realities, not in order to liberate ourselves from technology, but in order to modify and gain some kind of agency as technological beings. With reference to Robert de Niro’s character in Terry Gilliam’s film Brazil (1985), Paul North also reflects upon the agency of the individual through the figure of the tinkerer: ”The kind of freedom where you can do anything, like ex nihilo creation. Simondon wants nothing to do with that. It is the middle person, the one who can take an invention and actually make it into a form of life, bring it in line with the milieu and allow each to change the other, that is interesting for Simondon.” Toward the end of the interview, North claims philosophy of technology today is looking for new resources in order to comprehend the world we live in. Mazzilli-Daechsel begins his article by stating that we need a way out of our politics of defeatism today. Simondon is a useful source to go to, in both regards. We hope this volume demonstrates that. In addition to the section on Simondon, this issue of Sensorium Journal features two reviews, on the recent complete transcript of the Macy Conferences edited by Claus Pias and two books in the series “Understanding Media Ecology”. We hope you enjoy your reading!

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Mills, Simon. "The Philosophy of Simondon: Between Technology and IndividuationGilbert Simondon and the Philosophy of the Transindividual." Journal of the British Society for Phenomenology 46, no. 3 (April 27, 2015): 251–55. http://dx.doi.org/10.1080/00071773.2014.1000091.

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Fredrikzon, Johan. "2. Simondon as a Neo-Scholastic?" Sensorium Journal 3 (March 26, 2021): 28–35. http://dx.doi.org/10.3384/sens.2002-3030.2021.3.28-35.

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Johan Fredrikzon spent one and a half years as a visiting research assistant at the Film and Media Studies Program at Yale University 2018/2019. Some months before he arrived, a two-day workshop on Simondon was held by the Yale-Düsseldorf Working Group on Philosophy and Media, titled Modes of Technical Objects, with scholars from the US and Germany. Fredrikzon decided to engage a few of the workshop participants for this special issue of Sensorium, with the purpose to discuss perspectives on Simondon as a theoretical instrument for thinking technology, how the French philosopher matters in their work, and why there seems to be a revival in the interest in the writing of Simondon these days. On behalf of the Sensorium journal, the interviewer would like to thank the three interviewees for their generous participation. About John Durham Peters: John Durham Peters is María Rosa Menocal Professor of English and of Film & Media Studies at Yale University. Peters has been a creative force in media studies for many years and his thinking continues to influence academic environments throughout the world. His book The Marvelous Clouds: Toward a Philosophy of Elemental Media (Chicago, 2015) was an attempt to rethink the concept of media by including weather, dolphins and fire to the infrastructural landscape of digital communications and climate change. His new book, in cooperation with Kenneth Cmiel, is called Promiscuous Knowledge: Information, Image, and Other Truth Games in History (Chicago, 2020).

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Montebello, Pierre. "Simondon et la question du mouvement." Revue philosophique de la France et de l'étranger 131, no. 3 (2006): 279. http://dx.doi.org/10.3917/rphi.063.0279.

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Domingues, Ivan. "Simondon, a cibernética e a mecanologia." Scientiae Studia 13, no. 2 (June 2015): 283–306. http://dx.doi.org/10.1590/s1678-31662015000200003.

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Dortier, Jean-François. "L'individuation selon Gilbert Simondon (1924-1989)." Sciences Humaines N° 256, no. 2 (February 1, 2014): 26. http://dx.doi.org/10.3917/sh.256.0026.

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Malaspina, Cécile, and Louis Morelle. "Simondon et les oiseaux de l’Apocalypse." Rue Descartes N° 101, no. 1 (April 5, 2022): 67–83. http://dx.doi.org/10.3917/rdes.101.0067.

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D'Amato, Pierluca. "G. Simondon, La résolution des problèmes." Phenomenological Reviews 5 (2019): 3. http://dx.doi.org/10.19079/pr.5.3.

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Lapworth, Andrew. "Theorizing Bioart Encounters after Gilbert Simondon." Theory, Culture & Society 33, no. 3 (April 14, 2015): 123–50. http://dx.doi.org/10.1177/0263276415580173.

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Stiegler, Bernard. "Tiempo e individuaciones técnica, psíquica y colectiva en la obra de Simondon." trilogía Ciencia Tecnología Sociedad 4, no. 6 (July 31, 2012): 133. http://dx.doi.org/10.22430/21457778.82.

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Simondon describe el objeto técnico como tendiente a la organización, como individuándose. Una relación dinámica constituye los términos que relaciona con el movimiento de individuación del objeto técnico: se dirá que el objeto técnico se individualiza de manera transductiva. La transducción es una relación dinámica porque, a partir de un horizonte preindividual, tiende hacia la unidad sin nunca petrificarse allí: habitada por un desfase, es totalmente temporal. En otro texto, Simondon describe la individuación psicosocial en los mismos términos de un proceso transductivo sobre el fondo de lo preindividual. Pero Simondon no articuló estos dos aspectos de su trabajo. Sin embargo, ¿no articula la técnica, como huella y herencia, la individualidad psíquica y colectiva en lo que denominaremos aquí «epifilogénesis»? A partir de Heidegger y Derrida, se trata de designar el irreductible avance de la técnica que, diferencia temporal originaria, forma el horizonte de cualquier individuación psicosocial.

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Mostafa, Solange Puntel, and Igor Soares Amorim. "materialidade simondoniana e a questão da informação." Logeion: Filosofia da Informação 8, no. 1 (September 13, 2021): 27–45. http://dx.doi.org/10.21728/logeion.2021v8n1.p27-45.

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A noção de informação cristalizou-se na área sob uma perspectiva da Teoria Matemática da Informação, sob o enfoque da comunicação, todavia, essa não é a única semântica possível. Gilbert Simondon utiliza o conceito de informação como elemento envolvido no processo de individuação. Em diálogo com a filosofia de Deleuze e as contribuições do pesquisador Faucher este ensaio explora a ontologia de Simondon a fim que recolocar o conceito de informação à Ciência da Informação. Para Simondon não há indivíduo físico, biológico, psíquico ou social sem informação. A informação implica o devir da e na matéria. Sob tal fundamentação, a Ciência da Informação realiza-se no ciclo virtual-intensivo-atual enquanto segue a materialidade que devém na medida em que se informa e se individualiza. À Ciência da Informação é aberta a possibilidade de pensar a informação enquanto força intensiva sobre um plano imanente.

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Garavito, María Clara. "On individuation and constitutive activity: a view from the philosophy of Gilbert Simondon and phenomenology." Revista de Psicología Universidad de Antioquia 10, no. 1 (September 18, 2018): 143–69. http://dx.doi.org/10.17533/udea.rp.v10n1a06.

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Según Simondon (2009; 2013), la individuación es un fenómeno de integración y diferenciación que ocurre en todo tipo de individuos, desde individuos no biológicos hasta individuos colectivos. Sin embargo, cada nivel de individuación incluye diferentes desafíos según la complejidad de la relación del individuo con el entorno. En lo psíquico, el proceso de individuación se ocupa de las relaciones entre la conciencia y la materialidad, Conecto el interés de Simondon por comprender la vida psíquica a través de la individuación con una preocupación más fenomenológica de entender la conciencia como un fenómeno del cuerpo vivido: lo que Simondon llama subconsciencia aquí ofrece una conexión entre la fenomenología y la individuación. En términos fenomenológicos, la subconsciencia podría ser entendida como conectada al nivel pre-reflexivo de la conciencia a través de la animación; es decir, las manifestaciones cinético/cinestésicas, sensoriales, afectivas y emocionales de los seres vivos.

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Guchet, Xavier. "“Technological Object” in Gilbert Simondon’s Philosophy." Philosophy Today 63, no. 3 (2019): 705–16. http://dx.doi.org/10.5840/philtoday2019115290.

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For the last twenty years, the philosophy of technology has firmly taken an “empirical turn” and has been strongly pervaded with Science and Technology Studies (STS) lessons, focusing on the social consistency of technical beings. In this context, Simondon’s approach to technology may appear a bit dated. A major issue of On the Mode of Existence of Technical Objects (MEOT) is indeed to theorize technology beyond any reference to social commitments: Simondon distinguishes “pure technicity,” amenable to rational analysis, from “psychosocial overdeterminations” that contaminate technical objects with exogenous concerns. Thus, Simondon may prove behind the times when he claims to analyze technology as a non-social realm. This article intends to demonstrate that Simondon can nevertheless fruitfully feed current debates related to technological developments. More precisely, the difference between several concepts of technological objects in MEOT proves to be of major interest for clarifying current issues related, in particular, to ethics.

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Gaspar Neto, Francisco de Assis. "Atenciografia do Corpo: interseções entre Lisa Nelson e Gilbert Simondon a partir de um fragmento de relato." Revista Brasileira de Estudos da Presença 7, no. 1 (April 2017): 205–21. http://dx.doi.org/10.1590/2237-266063641.

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Resumo: O artigo propõe uma interseção entre arte e filosofia aproximando uma prática de atenção em uma seção de Tuning Scores, descrita pela coreógrafa e video-maker americana Lisa Nelson, à relação do indivíduo com o meio e com outros indivíduos, pensada pelo filósofo francês Gilbert Simondon. O fragmento de descrição de Lisa Nelson acerca da atenciografia do corpo será lido em conjugação com os caracteres que Simondon apresenta na relação interpessoal: individuação, individualização e personalidade.

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Castro, Vinicius Portella. "Convergência e bifurcação." Ideias 13 (September 30, 2022): e022021. http://dx.doi.org/10.20396/ideias.v13i00.8668186.

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Neste artigo tenta-se explicar o que é a “fase mágica" dentro da teoria trifásica da cultura de Gilbert Simondon, e defender que esta seria uma condição genética da criatividade e da reticulação coletiva, e neste sentido um ponto focal ainda subdimensionado do aspecto político da filosofia da técnica de Simondon. A estranha noção de que a magia poderia voltar a existir nas redes técnicas modernas é brevemente discutida a partir de algumas obras de arte.

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Citton, Yves. "Brain Scales and the Dynamics of Images according to Gilbert Simondon." IRIS, no. 36 (June 30, 2015): 139–57. http://dx.doi.org/10.35562/iris.1608.

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Cet article interroge les échelles multiples à travers lesquelles nos imaginaires scientifiques actuels cadrent et cartographient les activités de notre cerveau. Le réduit-on à l’encéphale ? au système nerveux qui le nourrit de stimuli, depuis les doigts jusqu’aux talons ? aux réseaux de communication qui alimentent nos sensations d’images et de sons venant des quatre coins de la planète ? La façon dont Gilbert Simondon modélise la dynamique transindividuelle des images dans son cours sur l’imagination et l’invention offre des ressources encore insuffisamment exploitées pour nous aider à imaginer notre cerveau individuel comme un nœud formé de lignes s’étendant bien au-delà de nos personnes corporelles. Notre cerveau apparaît alors tout autant comme un lieu occupé (au sens militaire) par les images qui circulent à travers nous que comme un lieu d’émergence d’images inédites.

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