Dissertations / Theses on the topic 'Simondson'
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Mills, S. "Gilbert Simondon : causality, ontogenesis & technology." Thesis, University of the West of England, Bristol, 2014. http://eprints.uwe.ac.uk/22786/.
Full textJungk, Isabel Victoria Galleguillos. "Por uma ontologia plana: Harman, Simondon, Peirce." Pontifícia Universidade Católica de São Paulo, 2017. https://tede2.pucsp.br/handle/handle/19905.
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By the emergence of the Internet of Things as a physical extension of the network, characterized by the interconnection of intelligent, autonomous and sentient objects, man has lost the position of absolute master in those interrelations to be another actor in the theater of the intricate transformations that take place, evincing the need to rethink the ontological status of both human and technical beings. In the scope of Speculative Realism, the proposal of an Object Oriented Ontology by Graham Harman arose, claiming an ontology which does not depart from pre-established hierarchies between different types of beings. However, despite the undeniable value of the contributions that this movement has made, such as the intense questioning of the subject-object relationship, the importance given to the relation and the disregard of representational issues stricto sensu, such contributions do not seem to suffice for building a philosophy on a truly realistic ground. In this context, it is raised the question about the possibility of the existence of a common denominator between human beings and technical entities, which would be capable of grounding a realistic ontology devoid of pre-established hierarchies. In the present study, it is hypothesized that this gap can be fulfilled by the ontologies elaborated in the works of Gilbert Simondon and Charles Sanders Peirce, authors whose philosophies stand out for metaphysics of an eminently logic and scientific nature, but which do not yet appear in the theoretical framework of contemporary realism in a significant manner, pointing to the relevance of this research. The results of this hypothetical-deductive research are expected to lead to the scientificmetaphysical foundation of a renewed ontological perspective, capable of addressing the consequences of the coexistence between humans and technical beings, as a result of the emerging intelligence technologies, on a realistic and non-hierarchical basis
Pela eclosão de Internet das Coisas como extensão física da rede, caracterizada pela interconexão de objetos inteligentes, sencientes e autônomos, o homem perdeu a posição de senhor absoluto nessas interrelações para ser mais um ator no teatro das intrincadas transformações que se processam, evidenciando-se a necessidade de repensar o estatuto ontológico tanto de seres humanos como de seres técnicos. No âmbito do Realismo Especulativo, surgiu a proposta de Graham Harman de uma Ontologia Orientada a Objetos que não parta de hierarquias preestabelecidas entre os diferentes tipos de seres. Contudo, não obstante o valor inegável das contribuições que esse movimento tem aportado, tais como o questionamento intenso da relação sujeito-objeto, a importância dada à relação e a desconsideração das questões representacionais stricto sensu, tais contribuições não parecem dar conta de construir uma filosofia sobre bases verdadeiramente realistas. Nesse contexto, destaca-se a questão sobre a possibilidade de existência de um denominador comum entre seres humanos e entes técnicos capaz de fundamentar uma ontologia realista desprovida de hierarquias preestabelecidas. Neste estudo, parte-se da hipótese de que essa lacuna pode ser preenchida pelas ontologias elaboradas nas obras de Gilbert Simondon e Charles Sanders Peirce, autores cujas filosofias se destacam por metafísicas de cunho eminentemente lógico-científico, mas que ainda não comparecem no quadro teórico do realismo contemporâneo de maneira significativa, apontando para a relevância desta pesquisa. Espera-se que os resultados desta pesquisa, de natureza hipotético-dedutiva, levem à fundamentação científico-metafísica de uma perspectiva renovada da ontologia, capaz de abordar as consequências da coexistência entre seres humanos e seres técnicos, em função das tecnologias da inteligência emergentes, sobre bases realistas e não hierarquizadas
Barthélémy, Jean-Hugues. "Simondon et la philosophie de la nature /." Paris ; Budapest ; Torino : l'Harmattan, 2005. http://catalogue.bnf.fr/ark:/12148/cb39950728h.
Full textRibeiro, Fernando Maia Freire. "Individuação e inocência: composições com Simondon e Whitehead." Universidade do Estado do Rio de Janeiro, 2013. http://www.bdtd.uerj.br/tde_busca/arquivo.php?codArquivo=6562.
Full textPhilosophy has lived a time of raw luminosity, together with a feeling of contentment (at least, among those philosophers who were worth being studied), with the postulates of the conditions of possibility fitting the horizon on which the light could then illuminate. Everything else, out of such range, was obscurity, irrationality, mere speculation and, the worst offense of all, metaphysics. But there it came the Philosophy of the 20th century which has come across some other luminosity distribution so as to allow black-and-white thought, in blurring nuances of once a clear spectrum at the edge of pure and solid figures, to hybrid, misty (cloudy, foggy) shedding ones, in which objects have come into history and men into nature, and in which the world movements and the conscious images have come out of the strict duality of the primary and secondary qualities to adventure into new perspectives ( adventures that are still crossing throughout from phenomenology to cinema).In this scenario of new distributions it revives the individuation problem which points out to a different individual conception: non-substantial and not quality supportive, not grounded in matter and form, in the potential and the actual, for such pairs are not sufficient to handle with both the debris, that come to the surface, and the amazing possibilities created then (symbioses, alliances, infections ), which are not simply actualized from a potentiality (filiation and reproduction). In such a new composition, the attribute does not refer to a quality predicate but to an event, not to latent possibilities but to the potentiality to be created in the constitutive relations of the different existence forms. Simondon was the first philosopher to, specifically, take into account the individual as it is crated in composition and then renewed the question of individuation, transforming the relation status. " The being is relation" is the proposition such as, according to Simondon, it starts to center the individuation thought. However, if, on one hand, there was the promotion of that relation, on the other, it looks as if there was no liberation of the forms, which, eventually, referred to the nature of the possibles. Even thought it does not work as a principle, that nature seemed to capture the forms into potential so as that a new humanism, as suffocating as any other, followed the production of Simondon. It is not by any chance that his account of the different forms converts into a unit which is able to hold the multirealism of the hybrids. Wouldn't the targets, the meanings, of becoming that inhabit Simenon' s work be an echo of an old moral of purity of white luminosity?In order to escape such a rebuttal of the forms adventure into privileged types (tokens) of relations, which has led to restore the lost unity, it was necessary to launch into the innocence process of the countless activities of a tissue without substance and, every time, a match of impure lines in created crossroads. Was it then the speculative thought, in this sense, expressed in its own zigzag writing, in Whitehead, an antidote to possible rebuttal of the new individuation philosophy in a for long acknowledged world? This is the spiritual realm of the current investigation: the simondonean individuation, as it is insisting on giving way to the innocent venture of doing-and-finding (doing-to-find ?) process in Whitehead (and in many other allies that are summoned so as to make some other music be sounded).
Penas, López Miguel. "Individuación, individuo y relación en el pensamiento de Simondon." Doctoral thesis, Universitat Autònoma de Barcelona, 2014. http://hdl.handle.net/10803/313452.
Full textThis research is focused on the thought of the French philosopher Gilbert Simondon (1924-1989). Generally, we try to shed light on the consequences that his philosophy of individuation presents for the Western metaphysical tradition. We explore the possibility opened by Simondon to articulate an ontogenetic monism with an ontological pluralism, that is, the idea that it is possible to appreciate a continuity between the different dimensions of the real -physical, biological, psycho-collective-without denying their intrinsic plurality. We argue that Simondon’s change of perspective from the already constituted individuals towards the process of individuation is what ensures such a possibility. In the first part, we study the relation between inert matter and living beings through the encounter between Simondon’s philosophy of individuation and Ilya Prigogine’s non-equilibrium thermodynamics. Simondon’s conception, in which biological individuation appears as a slowing down of physical individuation, is shown as a suitable way to overcome the ontological division between matter and life. However, his focus on crystallization as the paradigmatic example of physical individuation, and his attempt to universalize the notion of metastability, reveal certain limitations to carry out this project which can be overcome through the concept of self-organization of matter that we find in non-equilibrium thermodynamics. In the second part, we offer an interpretation of the main points of Simondon’s metaphysics. Firstly, we follow Deleuze's reading in which Simondon's philosophy appears as a transformation of Kant's concept of the transcendental. Then, we defend an interpretation according to which Simondon’s thought is a form of process-relational realism. Finally, we confront Simondonian philosophy with the speculative turn of contemporary philosophy, especially with Quentin Meillassoux’s speculative materialism and Graham Harman’s object-oriented philosophy.
Barros, Gustavo de Almeida. "Da individuação em Simondon ao inventar-se pela educação infantil." Universidade Federal de São Carlos, 2015. https://repositorio.ufscar.br/handle/ufscar/2768.
Full textThat bibliographic theoretical-characterized survey has been as its beginning the following question: How is an individual constituted? By searching the solution for this question, we have mainly based on the thesis of Gilbert Simondon, a French philosopher, The Individuation under the Light of Notions about Shape and Information (1958), which along with the comprehension about his concepts, sought in natural sciences like inequality, meta stability and transduction. That permitted not only to understand the individual from his individuation process, but also to realize an occurring reality that antecedes it a reality that Simondon himself called pre individual. Moreover, since Simondon show us that the being is never to individuate himself, that pre-individual reality both coexists with the individual and will be his genesis. This point in Simondon s philosophy will make possible for us to answer our own questions. Would the individuation processes not be distinguishing processes, too? In case affirmative, would these singularization processes not be a deindividuation, too? In order to answer our own questions, we have performed, face to Simondon s proposal surveys about the philosophy of difference proposed by the French philosopher Gilles Deleuze and the psychoanalyst Felis Guattari, and by Deleuze s comments about Simondon s philosophy. We have permitted ourselves, therefore, to perform an approach to education, which led us, not only to propose a new manner of understanding education, but also rethinking its practices. For that, we have had to delimitate a theoretical field made up by so many other surveys and texts, which could approximate to what we have performed, that is, which worked out with Simondon, the philosophy of difference and education.
Esta pesquisa de caráter teórico bibliográfico teve como ponto de partida o seguinte questionamento: Como o indivíduo se constitui? Na busca de resolver esta questão, encontramo-nos em Gilbert Simondon, filósofo francês, mais especificamente com sua tese A Individuação à Luz das Noções de Forma e se Informação (1958), que juntamente com a compreensão de seus conceitos, os quais ele vai buscar nas ciências naturais como disparação, metaestabilidade, e transdução permitiu não apenas compreender o indivíduo a partir do seu processo de individuação, mas de perceber a existência de uma realidade que antecede não só o indivíduo, mas o próprio processo de individuação, uma realidade que o próprio Simondon chamou de pré-individual. E como o Simondon nos demonstra, que o ser nunca para de se individuar, essa realidade pré-individual além de coexistir com o indivíduo será também sua gênese. É esse ponto na filosofia de Simondon que nos possibilitará também responder as nossas próprias questões. Se os processos de individuações também não são processos de singularizações? E sendo que sim, esses processos de singularizações não seriam também uma desindividuação? Para responder as nossas próprias perguntas, realizamos, frente a proposta de Simondon, aportes da filosofia da diferença proposta pelo filosofo francês Gilles Deleuze e pelo psicanalista Felix Guattari e nos comentários que Deleuze faz a filosofia de Simondon. Permitindo-nos assim, realizar uma aproximação com a educação, o que nos levou a não só propor uma nova maneira de compreender a educação, mas também, de repensar as suas práticas. Para tal, foi preciso delimitar um campo teórico composto por tantas outras pesquisas e tantos outros textos que aproximassem com o que realizamos, isto é, que trabalhassem com o Simondon, com a filosofia da diferença e com a educação.
Barthélémy, Jean-Hugues. "Sens et connaissance, à partir et en-deçà de Simondon." Paris 7, 2003. http://www.theses.fr/2003PA070023.
Full textThe philosophical work of Gilbert Simondon (1924-1989) is still little known today. We aim to show his actuality for the rehabilitation of the "philosophy of Nature" (First Part) as in the field of "epistemology" (Second Part) and as "thought of technology" (Third Part). The topic of the interpretation of "quantum mechanics" pertains to a "genetic ontology" that, more or less explicitly, is meant to be a philosophy of "information", this notion being at the centre of a "notional reform" in philosophy. Moreover, since Simondon's wish for a "philosophical Relativity", coming in the wake of the "Copernician revolution", can refuse the Kantian distinction between information and reality only by paradoxically forcing the genetic ontology to be, itself, "relativized and refounded", the demonstration that informs the "polemical" orientation of our exegesis requires a reflection on "Meaning" (Introduction and Fourth Part) in which the "philosopher" himself experiences oneself as "generated by the meaning that he is operating". This is how the ambition, which is of prime importance for Simondon, to "subvert classical alternatives" can become more radical, in order to prepare its completion
Chabot, Pascal. "Processus techniques et processus d'individuation dans la philosophie de Gilbert Simondon." Doctoral thesis, Universite Libre de Bruxelles, 2000. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/211737.
Full textDuhem, Ludovic. "L'être préindividuel de l'œuvre d'art : Simondon et le problème de l'esthétique." Lille 3, 2008. http://www.theses.fr/2008LIL30035.
Full textThis study aims to establish the issue of aesthetics in Gilbert Simondon's philosophy. Ontology, epistemology and technology have been the subject of many studies and publications, but esthetics remains an underestimated aspect, or even totally ignored by commentators. Therefore, we would demonstrate that the absence of an autonomous aesthetic doctrine doesn't mean that no reflexion about the physical world and art exist in Simondon. The examinnation of the whole composed by l'individuation à la lumière des notions de forme et d'information and Du mode d'existence des objets techniques show it clearly by the universality of its concepts. The notional reform lay down by the fundamental philosophic gesture to think reality toward genesis is truly a great way to make a new form of aesthetics, but it stays to rebuild. To make it possible, it is necessary to solve certain intern tensions in Simondon's thought, but it's necessary also to be aware of the dissemination of aesthetics reflexions in the "secondary corpus", studied here for the first time. Definitely, this study reveals that aesthetics is the blind spot of Simondon thought and that is totally legitime to make a critical reconstruction of it
Schroeder, Carlos Augusto Pires. "A filosofia da técnica em Gilbert Simondon : analogia, alagmática e cibernética." Universidade Estadual de Londrina. Centro de Letras e Ciências Humanas. Programa de Pós-Graduação em Filosofia, 2017. http://www.bibliotecadigital.uel.br/document/?code=vtls000216997.
Full textDoes Gilbert Simondon proposes a humanism from technical philosophy? If he does, how does theoretical construction about the technical objects? Starting from these questions, this work of research intends to introduce one answer for the relation between human and technical object. With the intention to answer these questions, the work has been divided in two parts. The first one aims, rebuild the process of individuation attempting to the fact that it is a result of one operation in which the being (individuated) finds itself always in a dynamic state. For that, it was necessary to broach some concepts referring to Simondons theses called The Individuation, in which the technical operation already appears as a mean by which beings become individuated. In the second chapter, the specificity and the essence of the technique are shown through Simondons complementary PhD theses that has the name The mode of existence of technical objects. Through the notions of synergy and concretization, it is noted that the machine does not distance itself from the man, but founds with him one technical relational mode, in which both exist in the same operative level. And, finally, its shown that theres a relation of identity between human beings and technical beings. This relation goes through the individuation in a generic way that it develops in an analogous way in different domains, as to the technical beings, who operate through relations analogous to man. What allows to unite structure and operation its the allagmatic, a science that understands reality through changes and relations. Therefore, it will be possible to find, in the thinking of Simondon, tools so that one can understand the relation between technique and human in tighter a way. This way, the human relations will be based in one model that understands the machine as a mechanism, which operates together with the human beings and not against them.
Vilalta, Lucas Paolo Sanches. "A criação do devir: ética e ontogênese na filosofia de Gilbert Simondon." Universidade de São Paulo, 2017. http://www.teses.usp.br/teses/disponiveis/8/8133/tde-11042018-160953/.
Full textThis work aims to be an analysis of the relationship between ethics and ontogenesis in the Gilbert Simondons philosophy. It intends to show that there is an analogycal and inseparable relation between ethics and ontogenesis in his thought. These correlations allow us to show the Simondons philosophy as a metastable theory which creates itself as permanently open to new problematics of the being and to the becoming of becoming. This theory, at the same time, ethical and ontogenetical is always overpassed, in its means of apprehension of the individuation processes, by its relations with information and with the pré-individual dimension of the being. Secondly, we sustain that Simondons ontogenesis allow us to think about an ethics which exists in the being processuality, from crystal to human beings, from molecules to animals, and also in the technical objects processuality. Finally, we show that Simondon constructs a single notion of subject as selfproblematic action of the being that implicates an individual more-than-unity and, simultaneously, more-than-indentity regarding itself. The simondonean subject is able to apprehend ethics as the meaning of the ontogenesis and to act politically risking all the possibles to transform itself. The pre-individual, individual and transindividual dimensions of the being produce an becoming to the subject, which is both individual and collective. According to these arguments, we intend to conclude that the Simondons philosophy gives us very important contributions to think some spiritual and political changes in our contemporary way of life.
Sehlberg, Johan. "Individuation : Ontogenes : Prolegomena till Gilbert Simondons genetiska ontologi." Thesis, Södertörns högskola, Institutionen för kultur och kommunikation, 2011. http://urn.kb.se/resolve?urn=urn:nbn:se:sh:diva-15702.
Full textBeaubois, Vincent. "La zone obscure du design : une pensée des pratiques de conception (d')après Gilbert Simondon." Thesis, Paris 10, 2019. http://www.theses.fr/2019PA100008.
Full textThis thesis has a twofold objective. On the one hand, to examine the contribution of Gilbert Simondon’s philosophy to a renewed understanding of design and to the contemporary issues that inhabit it (relation to the user, to ecology). On the other hand, to invert the image commonly attributed to design: while this one presents itself mainly as a force for solving problems, innovation and progress, the anthropo-technology deployed by Gilbert Simondon questions this demiurgic claim. The first part of this work focuses on the historical conditions of this dialogue between the Simondonian philosophy and the thought of design in the 1950s. The second part problematizes the contemporary thinking of design: by focusing its activity on the figure of the “user”, it evacuates the question of our environment materiality and the ecological relations that we forge with it. Then, the thought of Simondon opens the way to a “rematerialization” of design thinking. The third part immerses us in the specific world of design practices to trace the logic of design in the making. It is then a question of thinking design from what it produces literally: not consumer goods, nor services improving the quality of life of “users”, but a multitude of diagrams, prototypes and models giving shape to a design problem. Thus, design first produces “designing” objects — questioning our ways of dwelling the world — before populating the world with “designed” objects. By following the design practices from this endogenous point of view, we account for the political consequences of such an operation. Design is then defined as a fragile place of exploration, experimentation and invention of current problems slowing down any promise of future progress
Cabral, Caio César. "A teoria da individuação de Gilbert Simondon: os modos físico e biológico de individuação." Universidade de São Paulo, 2017. http://www.teses.usp.br/teses/disponiveis/8/8133/tde-14082017-130615/.
Full textOur purpose is to expose and evaluate the philosophical conceptions contained in the theory of individuation of Gilbert Simondon, considered specifically in its physical and biological aspects. We begin by presenting the author\'s basic ontological conceptions about the nature of the process of individuation; then we will show some specific aspects of the french philosophical environment to which Simondon\'s thought will be articulated, which will allow us to capture the influences that affect the way the author thinks the question of individuation. In our course, the central focus will be to ascertain and clarify the meanings that have the concepts of form, information and transduction in Simondon\'s theory of individuation. These senses will appear, in physical individuation, in three moments: (1) with the reconstruction of the critical dialogue that Simondon performs with the Aristotelian hilemorfism, (2) with the exposition of the reasons that lead the author to elect the crystallization as paradigm of the process of individuation and (3) by examining quantum physics studies related to the particle. The concepts cited will have, finally, their roles evidenced in the analysis to which Simondon submits the biological individuation.
Morizot, Baptiste. "Hasard et individuation. Penser la rencontre comme invention à la lumière de l'œuvre de Gilbert Simondon." Thesis, Lyon, École normale supérieure, 2011. http://www.theses.fr/2011ENSL0682.
Full textThis research aims to question the role of chance in the individuation process as it was theorized by Gilbert Simondon. In this context, chance, which was drawn up based on the Darwinian concept of chance, must be considered as a theoretical operator and as an explanatory concept of the genesis of individual form, and not as a metaphysical principle or as a measure of ignorance. It characterises within the individuation the modality of the encounter between the singularity which shapes the individual being and the individual metastable environment which is capable of being transformed. From this point of view, chance turns out to be one of the invention operators of singular, individual, plural and innovative structures which are ways of existing, created as solutions to problems by the individuation process itself. This analysis of Simondon’s philosophy allows us to outline a theory of the individuating encounter leading us to think of human individuality through a specific approach which enters into dialogue with the theses of the dispositional sociology (P. Bourdieu, B. Lahire). From an invention point of view, the individuation operation can thus be analysed using the biological concept of exaptation (S. J. Gould) which makes very explicit the invention of new structure-function couples in evolution based on an articulation between chance and vital invention
Jugnon, Alain. "Le théâtre du vivant : matière et mouvement dans la philosophie de la vie de Nietzsche et Simondon." Lyon 3, 2000. http://www.theses.fr/2000LYO31005.
Full textLefebvre, Anne. "De la pensée de l'image à l'image de la pensée : la philosophie de Gilbert Simondon A la lumière du problème de l'invention." Lille 3, 2011. http://www.theses.fr/2011LIL30044.
Full textThis thesis intends to show thet the problem of invention has a generalised ontological stake in Simondon's philosophy, within and beyond his rich reflection on technology. The concept of invention cannot be reduced to a technological concept ; its generalisation, in lieu of a psychology that would approach invention in thought, dealing with it within imagination, does not suffice ; it is inappropriate to make this concept subservient to an anthropological approach. While the notion of invention is an omnipresent motif in Simondon's two 1958 thesis (L'individuation à la lumière des notions de forme et d'information/Du mode d'existence des objets technqiues), it is only the theory of the becoming of the image, developed in Imagination et invention (1965) that presents us with a concept of invention, enabling us to grasp the full measure of the stakes inherent in this problem. We thus need to begin from this theory, which proceeds to radically undo the body/soul dualism, resulting in a view of the image, not as product of the psychic faculties, but as that which enables us to think the "déphasage" of vital activity into psychic and somatic activities. This theory makes the act of the invention the key of the problematical becoming of one self-same vital activity, in which the becoming of thought is implicated. This insight obliges us to throw a retrospective light on the motif of invention as it appears in the two thesis, as an index, as an index of a problem that subsists on their horizon, and to construct a retroactive manifesto of Simondon's philosophy, in which the act of invention constitutes the problematical mode of construction of thought itself
Alombert, Anne. "Simondon et Derrida face aux questions de l'homme et de la technique : ontogenèse et grammatologie dans le moment philosophique des années 1960." Thesis, Paris 10, 2020. http://faraway.parisnanterre.fr/login?url=http://bdr.parisnanterre.fr/theses/intranet/2020/2020PA100085/2020PA100085.pdf.
Full textThe aim of this work is twofold. First, we focus on the projects of ontogenesis and grammatology, formulated by G. Simondon in 1958 and by J. Derrida in 1967, we situate them in their theoretical context and we evaluate their metaphysical and epistemological stakes (we try to show that a new way of thinking is appearing, after the end of Western metaphysics) ;Secondly, we focus on the theoretical consequences of Simondon’s and Derrida’s thought, particularly on the questions of human and technics (we try to show that they both open a way beyond humanism and reductionism by rethinking the links between life, technics and mind or spirit). We finally try to revive Simondon’s and Derrida’s reflections in the contemporary technical context, in order to open new perspectives on the anthropological and social consequences of the current digital transformations
Velloso, José Henrique Padovani 1981. "Música e técnica : reflexão conceitual, mecanologia e criação musical." [s.n.], 2013. http://repositorio.unicamp.br/jspui/handle/REPOSIP/284497.
Full textTese (doutorado) - Universidade Estadual de Campinas, Instituto de Artes
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Resumo: O objetivo do trabalho é discutir a questão das técnicas nos processos criativos relacionados a práticas musicais e sonoras ao (1) realizar uma investigação reflexiva/conceitual; (2) ao realizar uma abordagem mecanológica de determinadas técnicas musicais/sonoras; e (3) ao apresentar trabalhos de criação realizados durante o doutorado. Essas três abordagens são apresentadas, respectivamente, nas três partes do trabalho - consideravelmente independentes entre si. A primeira apresenta criticamente diferentes apreensões sobre a técnica. A um fatalismo identificado, apesar de suas particularidades, no pensamento de Heidegger, Benjamin e Adorno é contraposto o pensamento de Gilbert Simondon. Recusando o hilemorfismo (que segrega forma e material), Simondon compreende a técnica como um artefato cultural que preserva em seu dinamismo gestos e pensamentos humanos. Ao ser aproximada dos processos criativos na música, tal perspectiva permite entrever uma relação menos conflituosa entre técnica e criação musical, compreendendo-se então a interação com as técnicas nesses contextos não mais a partir de um viés meramente utilitário ou instrumental, mas, antes, como um processo transdutivo de acoplagem entre expressões, gestos e pensamentos que emanam tanto do homem quanto da sua sedimentação no dinamismo dos mecanismos técnicos. Na segunda parte do trabalho é empreendida, a partir da exposição de determinadas técnicas e de suas utilizações em contextos musicais, uma mecanologia das técnicas musicais e sonoras e de práticas a elas relacionadas. Tal abordagem é realizada a partir do estudo de determinados objetos e mecanismos técnicos e a partir de uma interpretação das implicações dessas invenções em desenvolvimentos técnicos subsequentes assim como de sua apropriação e reinvenção em processos criativos específicos. A terceira parte do trabalho apresenta brevemente as composições realizadas durante o doutorado, cujas partituras foram incluídas aos apêndices do trabalho
Abstract: The thesis objective is to discuss the matter of technology in creative processes related to sound and musical practices by (1) undertaking a conceptual/theoretical inquiry; (2) by undertaking a mecanological approach of certain musical/sound technologies; (3) by presenting creative works produced during the doctorate studies. These three approaches are presented, respectively, in the three parts of the work - which are significantly independent from each other. The first section critically exposes different theoretical understandings of technology. Gilbert Simondon's outlook is counterposed to a sort of fatalism that may be perceived in the theoretical thought of Heidegger, Benjamin and Adorno, despite the very specific features of these philosophers' ideas. By refusing an hylomorphism (that segregates form and material), Simondon conceives technical things as a cultural artifacts which retain in their dynamism human gestures and thoughts. By relating these ideas to music and its creative processes, such a perspective allows us to glimpse a less quarrelsome relation between technology and musical creation, what allows us to understand the integration of technical things in these contexts not by an utilitarian and instrumental approach but rather as a transductive process of coupling between human expressions, gestures and thoughts and their sedimentation in the dynamic mechanisms of technical things. By exposing certain technologies and their use in musical contexts, the second part of the thesis enterprises what is here called a mecanology of musical/sound techniques and related practices. Such exposition comprises the study of certain technical mechanisms and an interpretation of such inventions including their subsequent technical developments as well as their appropriation and reinvention in specific creative processes. The third part of the work presents briefly compositions that were written during the doctorate studies. The scores of these compositions were included in the thesis' appendices
Doutorado
Processos Criativos
Doutor em Música
Bonatout, Hubac Michèle. "Le jojoba : biologie et utilisations." Paris 11, 1988. http://www.theses.fr/1988PA114244.
Full textLefrancq, Stéphane. "De la comptabilité en action à une théorie de l’action comptable : l’apport de l’analyse locale d’un processus de changement comptable." Paris 9, 2006. https://portail.bu.dauphine.fr/fileviewer/index.php?doc=2006PA090023.
Full textBeing immersed in the accounting process in accordance with the methodological requirements expressed by Hopwood allowed us to underline the pivotal role of the information system in three different operational accounting contexts. A link can be drawn between the concept of accounting in action introduced by Hopwood and the philosophical works of Simondon regarding the technical artefacts. A relationship can be proposed between the inner structure of the information system and the many ways the accounting processes are changing. Accordingly, it opens the possibility to an understanding of the accounting change in its diversity
FARIA, José Neto de. "As categorias filosóficas de Gilbert Simondon e suas relações com o objeto técnico do campo de saber do design." Universidade Anhembi Morumbi, 2017. http://sitios.anhembi.br/tedesimplificado/handle/TEDE/1707.
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Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPES
This thesis tried to investigate and study the cycles of design reorganization with respect to the programs of the main design education institutions to delimit both the thinking that constitutes the cultural object and the very field of design knowledge using the philosophical categories of Gilbert Simondon. In other words the main objective of this research was to deal with the cultural object of the design field aided by the philosophical categories of Gilbert Simondon to reconstruct the forms of analysis and the understanding models needed to describe the operations and the functions of the supra-structural components of "information systems" as design cultural objects. The methodology sought to provoke the rise of different sets of explanations in order to stimulate processes of differentiation, integration and dedifferentiation capable of elucidating both the dynamic nature of the design knowledge and the renewal dynamics of the design cultural object. The thesis relevance is precisely based on the importance of characterizing and understanding the proper space and time of the becoming of design, seeking to foresee what has previously been announced in the symptoms emitted as signals by the system. It also tries to break with the reading logic of "information systems", which are based on the understanding of the aesthetic qualities of its parts rather than on the supra-structures that articulate and integrate the object constitution. However, the first impression is that the field of design is a passing territory, which reorganizes itself as the caravans pass by, so it should not be surprising that the field of design knowledge is always described through other fields of the knowledge. The focus on the surface of what is visible can not reveal the supra- structure that sustains the skin of the design object.
A presente tese buscou pesquisar e estudar os ciclos de reorganização do design em função dos currículos das principais instituições de ensino do design com o intuito de delimitar o pensamento que constitui tanto o objeto cultural quanto o próprio campo de saber do design através das categorias filosóficas de Gilbert Simondon. Assim, a pesquisa tem como principal objetivo abordar o objeto cultural do campo do design com o auxílio das categorias filosóficas de Gilbert Simondon, a fim de reconstruir as formas de análise e os modelos de compreensão necessários à descrição das operações e das funções das supraestruturas constituintes dos sistemas de informação enquanto objeto cultural do design. A metodologia buscou provocar o surgimento de conjuntos de explicações concorrentes a fim de que pudesse ser instigado o surgimento de processos de diferenciação, de integração e de desdiferenciação capazes de induzir elucidações tanto sobre a constituição dinâmica do campo de saber do design quanto da dinâmica de renovação do objeto cultural do design. A tese tem a sua relevância baseada justamente na importância de se caracterizar e compreender o espaço e o tempo próprios do devir do design, buscando antever aquilo que previamente se anuncia nos sintomas emitidos como formas de sinais pelo sistema, por tentar romper com a lógica de leitura dos sistemas de informação baseada na compreensão mais das qualidades estéticas de suas partes do que propriamente das supraestruturas articuladoras e integradoras de constituição do objeto. No entanto, a primeira impressão é de que o campo do design é um território de passagem, que conforme as caravanas passam, se reorganiza, por isso não se deve estranhar que o campo de saber do design seja sempre descrito a partir de outros campos do conhecimento. O foco na superfície do que se vê não pode revelar a supraestrutura que sustenta a pele do objeto do design.
Ujeda, Louis. "Etude philosophique de la biologie de synthèse : pour une analyse de la complexité des biotechnologies en société." Thesis, Paris Est, 2016. http://www.theses.fr/2016PESC0040/document.
Full textSynthetic biology (SB) is a scientific field that aims at being to biology what syntheticchemistry is to analytic chemistry. SB adopts engineering approaches in order to develop functionalbiological systems carrying out technical tasks. It can thus be described as a technoscience, in the sensethat technic is both an outlet for its research and a material condition for its discoveries.However, SB does not let itself be reduced to that intentional dimension. It is a complexdiscipline, considering both its epistemology and its ontology. How SB is inscribed in society is notless complex: technosciences always involve several dimensions of our collective existence. SB's ethicalissues are thus crucial, but tensions about new technologies make the debates difficult, the positionsbeing often split between technophilic utopias and technophobic dystopias.The objective of this study is to clarify the ethical context without simplifying it, and to giveelements of analysis of the ethical problems in SB beyond the rhetorical simplism and the futurismthat undermine the debates about SB. SB's complexity must thus be confronted, from its definition toits epistemology and ontology, and through its social dimensions as well as the status of the beings itproduces. The theories of W.V.O. Quine enable the understanding of the epistemological aspects andtheir ontological consequences; the process and relations philosophy of Gilbert Simondon enables thedescription of the modes of existence of biosynthetic beings caught between their technical constraintsand their biological development
González, Mérida Luis. "La axiomatización de la ontogénesis en la filosofía de la individuación de Gilbert Simondon: un esbozo de teoría de los campos morfogenéticos." Doctoral thesis, Universitat Autònoma de Barcelona, 2020. http://hdl.handle.net/10803/671128.
Full textEl problema de la unidad temática en la obra de Gilbert Simondon es una de las cuestiones más discutidas en la literatura sobre el autor. La hipótesis de lectura que plantea la presente tesis ofrecería, por primera vez, una solución verdaderamente satisfactoria a este problema. Se recupera la unidad programática de los textos, el programa de la axiomatización de la ontogénesis, y partiendo de la imagen que encierra el esquema del modulador, el paradigma elemental de la filosofía de la individuación, se elabora una noción paradigmática que permite interpretar esta unidad en comunicación con la unidad anterior en una unidad de génesis, la génesis de esa axiomatización como el esbozo de una teoría de los campos morfogenéticos. La propia elucidación de la noción de relación, entendida como interfaz, abre esta vía. Como resultado de esta investigación, con la invención de un acto enciclopédico que conjugaría los diferentes modos del pensamiento, se pone a punto una máquina de aprendizaje. La filosofía de Simondon se convertirá entonces en una tecnología epistemológica, una razón filosófica abocada a la búsqueda de nuevos paradigmas, y también en una metafilosofía, en cuanto deviene filosofía de la historia de la filosofía. Se rehabilita así un pensamiento ucrónico, retrofuturista, creando las condiciones para un simondonismo que sea tan contemporáneo como es extemporáneo.
The problem of thematic unity in the works of Gilbert Simondon is one of the most discussed topics in the literature about the author. The hypothesis proposed in this doctoral thesis would offer a truly satisfactory solution to the problem, for the first time. The programmatic unit of the texts, i.e. the program of the axiomatization of ontogenesis of ontogenesis, is recovered, and starting from the image contained in the modulator's scheme, i.e. the elementary paradigm of the philosophy of individuation, a paradigmatic notion is developed, a notion that allows us to interpret this programmatic unit in communication with the thematic one, both merged together in a genetic unity, the genetic unity of the axiomatization of ontogenesis as an outline of a theory of morphogenetic fields. The clarification of the notion of relation, which is understood as interface, opens this path. As a result of this research, through the invention of an encyclopedic act that reconciles the different modes of thought, a learning machine is set up. The philosophy of Simondon will become then an epistemological technology, a philosophical reason in search of new paradigms, and also a meta-philosophy, a philosophy of the history of philosophy. Thus, an uchronic thought, a retrofuturistic thought, is restored, creating the conditions for a simondonism which is as contemporary as it is untimely.
Santos, Maria Elisabete Pereira dos. "A cidade do Salvador e as aguas." [s.n.], 1999. http://repositorio.unicamp.br/jspui/handle/REPOSIP/279908.
Full textTese (doutorado) - Universidade Estadual de Campinas, Instituo de Filosofia e Ciencias Humanas
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Doutorado
Jarymowycz, Roman Johann. "The quest for operational maneuver in the Normandy campaign, Simonds and Montgomery attempt the armoured breakout." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp02/NQ44465.pdf.
Full textJarymowycz, Roman J. "The quest for operational maneuver in the Normandy campaign : Simonds and Montgomery attempt the armoured breakout." Thesis, McGill University, 1997. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=34742.
Full textThe Canadian Cavalry, prompted by Blitzkrieg's triumphs, effortlessly evolved into a tank force---virtually overnight. Canadian doctrine, however, was ersatz. Denied its own vast training areas, the RCAC was sandwiched into southern England and saddled with British warfighting techniques developed in the Western Desert. In Normandy, Canadian operational art was driven by Generals Simonds and Crerar, both gunners, who had neither the skill nor experience to conduct armoured warfare. Hampered by General Montgomery's inability to reproduce a strategic offensive comparable to that demonstrated on the Russian front, Allied armoured forces were squandered in mismanaged frontal attacks.
In the United States, the attempts to protect the horse forced a praetorian's revolt that ended with General Chaffee garroting the US Cavalry, eliminating it from future battlefields. The doctrinal dominance of the American Armored Force was subsequently threatened by a cabal under artillery General Leslie McNair who imposed the Tank Destroyer philosophy. Internecine squabbles and economic nationalism prevented America from producing a tank capable of meeting German panzers on even terms. Though failing technically, the US Armored force succeeded doctrinally via the Louisiana maneuvers and produced a balanced Armored Division. General Bradley's 12th Army Group arrived in France with a purposeful dogma that had been further refined at the Combat Command, Divisional, and Corps level in North Africa and Sicily.
American armour maneuvered during Operation Cobra but it did not fight massed panzers; this was soon redressed in Lorraine where American armoured doctrine reached tactical maturity. Canadian armour fought tank battles throughout Operations Spring, Totalize and Tractable, but it did not maneuver. American and Canadian armour's best opportunity for strategic victory occurred in Normandy. The Canadians, despite better tanks and favourable terrain, failed operationally and received no second chance.
Gosselin, Sophie. "Le toucher du monde : les techniques du naturer." Thesis, Strasbourg, 2015. http://www.theses.fr/2015STRAC012.
Full textAt a time of the increasing dominance of anthropotechnic, with the advent of the technoscientific paradigm and the generalised introduction of digital technology, the challenge consists in questioning and disrupting the metaphysical bond between anthropos and techné by reconsidering the issue of technique beyond the division between Nature and Culture. From this perspective, the problem is no longer to see Technique in opposition to a pre-given Nature, opposition which allows the establishment of the instrumental reign of mankind cut off from the cosmic process. The question is to view different technical modes as ways to articulate weaves of space and time, that is as sensitive experiences. These modes of articulation do not depend on the power or the will of Man, but emerge from the sensitive and moving difference of 'naturing', a difference which escapes from any attempt to capture it
Bourbonnais, Sébastien. "Sensibilités technologiques : expérimentations et explorations en architecture numérique 1987-2010." Thesis, Paris Est, 2014. http://www.theses.fr/2014PEST1120/document.
Full textSince the beginning of 90s, computers introduced new technological realities in architectural practices. Changes occurred gradually, through several phases of experimentation, and performed by tools (software) or manufacturing machines of all kinds, revealing the different ways architects appropriate technologies. Many architects seized these technological opportunities to find new ways in exploring the form. These architectural explorations constitute a rich and fruitful corpus to understand the different behaviors and attitudes towards digital technologies. Based on philosophers of technique such as Gilbert Simondon, this research defines the sensibilities specific to architects constructed in successive steps and modifying their perceptions of the project. Our transductive approach shows that these technical sensibilities happen to be structured by the architectural explorations and at the same time to structure these explorations. This evolution of sensibility participates in the construction of the architect's digital thinking, which is at the origin of some particular architectural inventions. These architectural inventions specific to digital technologies are not achieved directly, but integrating different phases of the project-object through a complex technical articulation. The analysis of this chain relationship allows monitoring the tensions between architectural desires and technical potentials, which structure the studied period. The human efforts deployed and accumulated over twenty years of experimentation and exploration have finally left their mark on different layers of the building by revealing, thus, some particular achievements of digital technologies in architecture
Aspe, Bernard. "La pensée de l'individuation et la subjectivation politique." Paris 8, 2001. http://www.bibliotheque-numerique-paris8.fr/fre/ref/167942/180250523/.
Full textYang, Kailin. "Le problématique du virtuel chez Gilles Deleuze." Paris 8, 2002. https://octaviana.fr/document/18140205X#?c=0&m=0&s=0&cv=0.
Full textCombes, Muriel. "La vie inséparée : vie et sujet entre biopouvoir et politique." Paris 8, 2002. http://octaviana.fr/document/18047362X#?c=0&m=0&s=0&cv=0.
Full textBetween 1976 and 1979, Michel Foucault elaborates the concept of "biopower", which indicates the moment when, around the 18th century, life itself - the individuals and the populations - becomes part of the mechanisms of power and an essential stake in politics. At the beginning of the eighties, Foucault's work seems to branch out into a reflection about ethics. Rather than a rupture, one can see appearing a fundamental quadrilateral of concepts, which joins together truth, power, subject and life. Among those concepts, the one which has interested Foucault least is the one of life. In order to elaborate it, we've taken here two ways: a renewal of an ontological mode of thought, in order to clarify the relationship between life and subjectivity and an explanation of the function of sciences in biopower necessitating a critique of epistemology. Our aim is to question the involvement of life in politics. In each case, the assumption in play is that life cannot be conceived separately from subjectivity
Cruz, Cristiano Cordeiro. "Tecnologia social: fundamentações, desafios, urgência e legitimidade." Universidade de São Paulo, 2017. http://www.teses.usp.br/teses/disponiveis/8/8133/tde-30012018-185023/.
Full textThis work discusses technology, giving special attention to this that is called social technology (ST) in Brazil. The thesis that is substantiated here is multiple. First, ontologically and politically, it will be argued that social technology is not only technically legitimate and authentic, but also socially and environmentally urgent. However, in order to be implementable, ST demands, on the one hand, specific engineering and scientific knowledge to be advanced. Thus, the second dimension of our thesis, epistemological, sustains the understanding that such knowledge can be produced and the mechanisms required to make such production possible do not corrupt the scientific or engineering ethos. On the other hand, ST and popular engineering also demand a specific professional profile, the educator engineer (or popular engineer). This is the third dimension of the argument we defend here. Finally, ontologically and existentially, it will be suggested that a way to overcome the substantial disenchantment of the world (Weber), the entification of Being (in its technological unveiling in which we found ourselves trapped, via enframing Heidegger), the dictatorship of instrumental rationality (Horkheimer and Adorno) or the self-production and automatism of technological development (Ellul) may precisely emerge from something like social technology. This would be so by dint of the incorporation of popular values and knowledge to the construction of the sociotechnical reality we decide to build. This fourth aspect, then, strengthens the first one, offering new supporting elements to the urgency claim associated with the development of ST in our days.
Cazes, Denis Raymond Robert. "Le corps agrandi : enjeux anthropologiques de la philosophie biologique française de la technique." Thesis, Lille 3, 2014. http://www.theses.fr/2014LIL30012.
Full textBiological philosophy of technics progressively developped rom a debate of ideas depending both on the 19th century's issues and on antique philosophical information holdings. What emerges is a thesis about actions that make a civilized man and about the origins and attributes of his control over the world through technical progress and the magnifying effect that arises as a result for individual or collective systems. it was a ground-breaking program as it was in favour of the principle of a new practice of philosophy and it portayed itself as a judge and a substitute for religion. The philosophy of technics started resisting such challenges which, originally were under German, English and French influence. By doing so it risked losing sight of several aspects : the meaning of its natural philosophical legitimity, that of its vocation for interdisciplinarity, the access to a latent potential inside it, Man's definitional field and the subject of image. Recognizing what the philosophy of technics is from what it used to be requires some conditions : an effort to clarify the study of its official sources, an enlargement of the circle of competent authorities, turning away from concordism, resisting, through analysis, the negative bias poured out over it by the criticism of naturalism. This is the cost at which the philosophy of technics will be able to retsore, in its bosom, a sense of a transition that should move it away, but not cut it from, a too prevalent evolutionism, as well as it should keep its interest for the subject of Man. In France, such a mutation can be observed in a trio of authors : Bergson, Simondon and Leroi-Gourhan
Dimitriadi, Lida. "Du flexible au transformable : ruptures et transitions de l'évolution technologique dans la conception architecturale." Paris 1, 2008. http://www.theses.fr/2008PA010601.
Full textReigeluth, Tyler. "Comporter la norme. La normativité de l’apprentissage algorithmique à partir du problème du comportement." Doctoral thesis, Universite Libre de Bruxelles, 2018. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/264090.
Full textDoctorat en Philosophie
info:eu-repo/semantics/nonPublished
Roy, Philippe. "Gestes et diagrammes politiques." Paris 8, 2014. http://www.theses.fr/2014PA084022.
Full textWe propose a conception of the gesture that accounts for some dimension in politics and that has not been thought before. It is a political thought that underlines the meaning (a way of being) and not political ideas or truths, it involves a kind of thought through bodies, that can be unconscious, a diagrammatic thought. The diagram can be both what presides the realisation of gestures (and their perception) and what permits the thought (thus there are gestures in thoughts). So we had to take into account collective gestures and show that the gesture can replace the old category of power. Hence the establishment of a typology of political gestures, such as those linked to verticality (domination, governmentality, popular sovereignty), those of intergestural or even discursive relationship, to the characterisation of emancipatory political gestures. This emancipation by gestures is that of the will of gestures for gestures, as for their impersonality, a gestural "Naturphilosophie". We defended this orientation with a gestural interpretation of spinozism (thought and body), extending it by an evential approach of the gesture, involving the virtual and thus a memory of gestures. In the wake of Arendt and Simondon we could then precise what emancipatory gestures were, in insisting on the motive of the importance, the excess and the affects linked to the gestures (emotions), forming then the equivalent of a field (like in physics). This affective level also opens the way to an analysis of the gestures clearly affective to the thought of an affective individuality
Ahouma, Adaye. "Technoscience-ontologie : la"rupture systématique"." Reims, 2000. http://www.theses.fr/2000REIML002.
Full textAlkenzawi, Adil. "L'architecture comme origine, destination et support d'inscription pour la peinture et la sculpture : le Double Plateau de Buren au Palais-Royal." Paris 8, 2008. http://www.theses.fr/2008PA083040.
Full textThe thesis investigated Buren's criticisms and creative work and inscribed them in an original problem area, that of the origin of the work of art and its insertion in the world, through which (1) the epochal transformation of the common sensitivity by the aesthetic of the moderns "appliances", their supports and modes of diffusion (the de-humanisation and the mechanization of the work of art and the poetic of its reproducibility / convertibility), (2) the conditions of possibility of being and signifying of the work of art comprehended as accomplishment of the world it denies, (3) the modes of artistic existence of Buren's painting and sculpture, their "epochality" and "temporality", (4) the interference of the relations between doctrines and creative works, …were revealed. The specificity of Buren : (I) the consideration of architecture as origin, destination and support of inscription for painting and sculpture, with the negation of the work of art and its origin as objective and the modernity as cause, (II) the invention of colored stripes in 1965 and its transformation in a "appliance-work of art", with its double critique and creative aspect. Its universalization has enabled Buren the multiplication of inscription supports, passing from the canvas to the public spaces as two supports of inscription of the dream, and the inauguration of a specific temporality characterized by three sequences expressing the evolution in Buren's global work : (1) savage (illegal), (2) ephemeral, (3) monument; as his Double platform of columns in the Royal Palace can express. The uniqueness of this artefact is issue from (1) the convertibility play which creates the becoming of the sculpture in a specific relation to architecture : "architecturalism", (2) the invention of a contemporary equivalent of an ancient support of "urban writing" : the "platform" (substitution), (3) the extension of a continued and unachieved urban project and the cancellation of a memory of the Royal-Palace as a monument, (4) the support of the work of art as form, (5) the work of art as "exploded totality" and "environment", (6) an upheaval of the conditions of the production and reception of the works of art (de-essentialization), (7) deconstruction of the Museum
Al-Shihi, Hamda D. A. "A transdisciplinary study of embodiment in HCI, AI and New Media." Thesis, University of Bradford, 2012. http://hdl.handle.net/10454/6330.
Full textMinistry of Higher Education in the Sultanate of Oman
Al-Shihi, Hamda Darwish Ali. "A transdisciplinary study of embodiment in HCI, AI and New Media." Thesis, University of Bradford, 2012. http://hdl.handle.net/10454/6330.
Full textRuffin-Bayardin, Céline. "Le présent : entre physique et philosophie. Vers un présentisme quantique." Thesis, Université de Paris (2019-....), 2019. http://www.theses.fr/2019UNIP7005.
Full textIt would seem from Einstein's words that physics fails to capture the singularity of the Now. In this research, we are interested in what makes the present special : how is the present different from the past and the future? Is it really inaccessible to physics? What is the nature of the relationship between the present and reality? Hence our problematic triangle articulated around real-present-physics notions. At first, we analyze the status of the present in classical physics, then from the current metaphysical debate on time, and more particularly from linguistics and modal logic, we question the reality of the present. This leads us to approach theories such as the Presentism, the Growing Block, or the Branching-Futurism. The question of the existence of the present also requires for us the study of the "problem of time" in quantum gravity. Finally, in a third and last part, we construct Quantum Presentism. For this, we use Gilbert Simondon's method, and we deal with the singularity of the present from the very process of individuation of the present
Silva, Rafael Alves da. "O trabalhador do futuro ou o futuro do humano." [s.n.], 2014. http://repositorio.unicamp.br/jspui/handle/REPOSIP/281174.
Full textTese (doutorado) - Universidade Estadual de Campinas, Instituto de Filosofia e Ciências Humanas
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Resumo: Através de sinais captados a partir da mídia, da arte contemporânea e de uma experiência pessoal de atuação em empresas, problematiza-se a sociedade do trabalho, seu mal estar e contradições político-econômicas, passando por autores como Foucault e Robert Kurz. A partir daí, são discutidos os conceitos de trabalho e trabalhador, considerando a relação destes com o desenvolvimento tecnológico. Com a intenção de perscrutar em Marx uma análise sobre a técnica e reflexões sobre o trabalho, o trabalhador e o humano, é feita uma leitura desse autor privilegiando textos como os Manuscritos de 1844, A ideologia Alemã, os Grundrisse e os Manuscritos de 1861-1863, em que há cadernos de estudos de Marx sobre a ciência e as máquinas. E buscando uma reflexão que permita pensar uma outra relação do humano com a técnica e o trabalho, recorre-se à leitura de Gilbert Simondon, especificamente sua tese sobre o modo de existência dos objetos técnicos e seu conceito de individuação. A preocupação geral é problematizar o trabalho e o trabalhador como limitadores das potências do humano, além das linhas de fuga possíveis a partir de uma relação positiva com as tecnologias
Abstract: Through signals from the media, contemporary art and personal experience working in companies, we discusses the labour society, its uneasiness and the political and economic contradictions, passing by authors such as Foucault and Robert Kurz. Thereafter, concepts of work and worker are discussed considering their relationships with technological development. Intending to make a careful investigation in Marx regarding techniques and the labour, the worker and the human, we perform a reading of this author privileging texts such as the 1844 Manuscripts, The German Ideology, the Grundrisse and 1861-1863 Manuscripts, wherein we can find Marx¿s study books on science and machines. Searching for a new kind of thinking the relationship of human with the technique and the work, we resort to Gilbert Simondon, specifically his thesis on the mode of existence of technical objects and the concept of individuation. The general concern is to discuss the work and the worker as constraints to human potentials, beyond the possible lines of flight towards a positive relationship with technologies
Doutorado
Ciencias Sociais
Doutor em Ciências Sociais
Bontems, Vincent. "Essai sur le progrès épistémologique au siècle de la relativité (1905-2005) : l'analogie dans la construction des objets scientifiques contemporains." Paris, EHESS, 2005. http://www.theses.fr/2005EHES0097.
Full textThe notion of "epistemological progress" relies on the hypothesis of a recurrent evolution of philosophical concepts, which is induced by scientific dynamism, and especially by relativistic physics. From the work of Gaston Bachelard, these evolutions can be identified as petaphysical "relativisations" of spontaneous substantialism. Nowadays, the theory of scale relativity (Laurent Nottale) and the phylosophy of transduction (Gilbert Simondon) point to the same method based on the postulate of relational realism, the hypothesis of preinviduality and a fractal schematization. This kind of epistemological contemporariness relation can be retrospectively extend to the different historical stages by the means of the concept of analogy, and therefore used as criterion for epistemological progress. First, this study goes through the transformations of the concept of abalogy from Plato to Simondon (1 The construction of analogies), then it investigates the epistemological contemporariness between the works of Nottale and Simondon (2 A contenporaneous scientific object), and the progress of the relativistic method from Einstein to Nottale (3 Relativity on the scale of a centruy), and finally, we bring out theoretical improvements in historical studies induced by the new epistemological contemporariness, and try to distinguish these improvements from the fictional adaptation of scientific schema (4 Historical and fictional frames of references). The conclusions emphasizes the need for a new quest of all-round knowledge, and the epistemological obstacles that stand in the way of this analogical research. This work also develops an original method of "spectral" elaboration of concepts by means of insertion and extraction operations accross the different scientific horizons
López, Gabrielidis Alejandra. "Datificación e Individuación. Estudio sobre la corporalidad digital en prácticas artísticas contemporáneas." Doctoral thesis, Universitat de Barcelona, 2020. http://hdl.handle.net/10803/669634.
Full textMasure, Anthony. "Le design des programmes : des façons de faire du numérique." Thesis, Paris 1, 2014. http://www.theses.fr/2014PA010554/document.
Full textThis dissertation questions design through programming practices, showing how they cannot be summed up in program industries which prevent inventions from happening. To this end, it confronts, by a non-linear reading, five periods in the Digital History (since Vannevar Bush in 1945, including a new unpublished translation available as an appendix, to the contemporary use of the website GitHub) with four concepts extracted from a philosophical corpus. The choice of author who have not directly dedicated their writings to Design (such as Jacques Derrida, Hannah Arendt and Walter Benjamin) can deconstruct a number of discourses regarding the arrival of so-called new technologies. After redefining concept and project in design practices and project, and then supported by Gilbert Simondon, this dissertation focuses on what is not predictable in programs. It defends five lines or directions for researches in the relevant field: decentralize, certify, kit or translate and dislocate. The plausibility of these ways to make digital, still in draft form in contemporary productions, may interest designers beyond specialists. A demonstration is made at the end of the dissertation with the description of curatorial fiction
ONTIÑANO, ABADÍAS MARÍA CARMEN. "Cuerpo en acción, imagen en movimiento y naturaleza en el arte de EE UU y Europa durante los años 60-70, con caracter site-specific. Estudio referencial, análisis y proyecto personal." Doctoral thesis, Universitat Politècnica de València, 2014. http://hdl.handle.net/10251/36868.
Full textOntiñano Abadías, MC. (2014). Cuerpo en acción, imagen en movimiento y naturaleza en el arte de EE UU y Europa durante los años 60-70, con caracter site-specific. Estudio referencial, análisis y proyecto personal [Tesis doctoral no publicada]. Universitat Politècnica de València. https://doi.org/10.4995/Thesis/10251/36868
TESIS
Bothereau, Benjamin. "À la lanterne ! Modes d’existence d’un objet banal, entre imaginaire technique et politique. Invention, économie urbaine, publics et circulations du «réverbère», Paris, Barcelone, XVIIIe s." Thesis, Paris Sciences et Lettres (ComUE), 2018. http://www.theses.fr/2018PSLEH152.
Full textOur culture has trivialized the streetlamp and deprived it of its meanings. However, the lantern became a visual and semantic revolutionary leitmotiv at the end of the 18th c.As a technical innovation of 18th c streetlighting, the lantern à réverbères optimizes the luminous intensity by using concave metal reflectors (réverbères) to direct the beam of light where needed. If the historiography focused on the Argand’s lamp, this research deals with a far less noble and valued technical element, the reflector. The entwinement of the innovation with narratives and cultural discourses structures its imaginary: artefact biography is therefore a precious tool to approach it, by getting rid of the subject-object distinction in order to question its modes of existence.Firstly, we study the genesis of the lantern and the inscription of its technical imaginary as a rationalized answer to the lighting challenge. To continue with, we analyse the streetlamp in action and its extramaterial properties through its integration to its milieu. Processes of mediation and their transformative power are the next focus, though the study of the technical (transcultural) circulations between France and Spain, and the media of advertising and promotion (technical press, trade cards), all of which shaping the interactions between the invention, the public and the markets. We finish this survey with the political lantern and its paradox, as the artefact, strongly linked to absolute monarchy and police– or military- control, became a revolutionary emblem. By entwining the technical and symbolic functions of the streetlamp, we want to shed light upon the resonances of the political imaginary within the lantern materiality. This study therefore aims at drawing attention to the multi-layered meanings of this so-called “banal” object, and at considering the streetlamp as a significant bearer of cultural identity
Chan, Yu-Chieh. "Du travail postfordiste vers la pratique nouvelle matérialiste et posthumaniste : un art en devenir-avec." Thesis, Paris 1, 2018. https://ecm.univ-paris1.fr/nuxeo/site/esupversions/0e68a678-4ffa-4221-b455-1eafbfd5f69a.
Full textThis dissertation aims to question the phenomenon of going beyond the dualism that emerges during the passage from the postfordist context of production, to another context that we try to examine according to the approach of the current of new materialism. It is a watermark and finally, the machine of abstraction and speculation, and therefore creativity in our current era of real abstraction, financial, cognitive capitalism and the Anthropocene. From the posthumanist point of view that claims that everything is material in process, we propose to rethink the practice of creativity, the practitioner, and the coming common world in terms of the entanglement of becoming, which is transformed into "becoming-with". This thesis is divided into three parts: The first, based on Paolo Virno and Gilbert Simondon to examine artistic productions, as a creation of social and collective form, whose overriding tendencies are omnipresent and question autonomy, the alienation and the production of subjectivity. In Part 2, to delineate the relationship between creativity and the overcoming of dualism, we will rely on the speculative thinking of Alfred North Whitehead, particularly in comparison with the idea of real abstraction and speculation as production. Then, we will explore the idea of speculative engagement, and cosmopolitics with Isabelle Stengers, Latour Bruno, Donna Haraway in an aesthetic-politico-ecological and posthumanist approach. In Part 3, we will study the various thoughts of new materialism, including those by Manuel De Landa, Bruno Latour, Rosi Braidotti, and Karen Barad, who emphasize the agency of matter by questioning dualism. Thus, we propose to rethink the work and the public, as an assembly of human-non-humans, and the transformative effect of art in the "becoming-with," which lies between the subject and the posthumanist practice, which acts as a correspondence with material flows in an ecology of practice
Labrosse, Julien. "“I didn’t have time to find the English words”: The Korean War’s Role in the Evolution of Bilingualism in the Canadian Armed Forces." Thesis, Université d'Ottawa / University of Ottawa, 2016. http://hdl.handle.net/10393/34256.
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