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1

1967-, Garnhum Dennis, ed. Lost: A memoir. Winnipeg: Scirocco Drama, 2011.

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2

Gleeson, Libby. Queen of the universe. New York: Scholastic Canada, 2001.

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3

Gleeson, Libby. Queen of the universe. Norwood, S. Aust: Omnibus Books, 1998.

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4

Marcus, Leah S. (Leah Sinanoglou), ed. The Duchess of Malfi. London: Arden Shakespeare, 2009.

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5

Norman, Tony. The Race of a Lifetime. Mankato: Stone Arch Books, 2006.

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6

Norman, Tony. Race of a lifetime. Minneapolis: Stone Arch Books, 2007.

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7

1564-1616, Shakespeare William, and Potter Lois, eds. The two noble kinsmen. London: Arden Shakespeare, 2002.

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8

ed, Potter Lois, ed. The two noble kinsmen. 3rd ed. Walton-on Thames: Thomas Nelson and Sons, 1997.

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9

1564-1616, Shakespeare William, and Waith Eugene M, eds. The two noble kinsmen. Oxford [England]: Clarendon Press, 1989.

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10

1564-1616, Shakespeare William, Rasmussen Eric 1960-, and Proudfoot G. R, eds. The two noble kinsmen, 1634. Oxford: Published for the Malone Society by Oxford University Press, 2005.

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11

Shakespeare, William. The two noble kinsmen. Oxford: Oxford University Press, 2008.

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12

1564-1616, Shakespeare William, Trussler Simon, and Royal Shakespeare Company, eds. The two noble kinsmen. London: Methuen London, 1986.

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13

1564-1616, Shakespeare William, and Potter Lois, eds. The two noble kinsmen. London: Routledge, 1996.

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14

1564-1616, Shakespeare William, and Waith Eugene M, eds. The two noble kinsmen. Oxford: Oxford University Press, 1994.

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15

Beard, Paul. Death of a clown: A powerful drama in one act. Altrincham: New Playwrights' Network, 1996.

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16

Shakespeare, William. Measure for measure: With new dramatic criticism and an updated bibliography. New York: New American Library, 1988.

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17

Shakespeare, William. Measure for measure. San Diego, CA: ICON Classics, 2005.

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18

Shakespeare, William. Measure for measure: An authoritative text, sources, criticism, adaptations, and responses. New York: W.W. Norton, 2010.

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19

Shakespeare, William. Liang, du. Taibei Shi: Lian jing chu ban shi ye gu fen you xian gong si, 2012.

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20

Shakespeare, William. Measure for measure. Cambridge [England]: Cambridge University Press, 1991.

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21

Shakespeare, William. Liang zui ji: Measure for measure. Taibei Shi: Shi jie shu ju, 1996.

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22

Shakespeare, William. Measure for measure: Texts and contexts. Boston: Bedford/St. Martins, 2004.

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23

Shakespeare, William. Measure for measure. Cambridge: Cambridge University Press, 1993.

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24

Shakespeare, William. Measure for measure: Modern text with introduction. Lanham, MD: University Press of America, 1986.

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25

1943-, Klause John, ed. Measure for measure. Boston: Wadsworth, 2011.

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26

Shakespeare, William. Measure for measure. Edited by Miola Robert S and Adams Jedidiah. Baltimore, MD: Apprentice House, 2008.

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27

Shakespeare, William. Measure for measure. Oxford: Oxford University Press, 2008.

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28

Shakespeare, William. Mass für Mass. Stuttgart: Philipp Reclam, 1985.

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29

Shakespeare, William. Measure for measure =: Measvre, for measure : the first folio of 1623 and a parallel modern edition. London: Nick Hern, 2002.

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30

Shakespeare, William. Measure for measure. New York, N.Y: Penguin Books, 2000.

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31

Shakespeare, William. Measure for measure. Oxford [England]: Clarendon Press, 1991.

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32

Shakespeare, William. Measure for measure. Mineola, N.Y: Dover Publications, 1999.

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33

Henley, Beth. Crimes of the heart: The Pullitzer Prize-winning comedy. London): Hollywood Scripts (Enterprise House, Cathles Road, London SW12 9LD, 1986.

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34

Diana, Ossana, and Proulx Annie, eds. Brokeback Mountain: A screenplay adapted from an Annie Proulx story. [S.l: s.n., 2003.

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35

Proulx, Annie. Brokeback Mountain: Story to screenplay. New York: Scribner, 2006.

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36

McDonagh, Martin. The lonesome West. London: Methuen Drama in association with the Royal Court Theatre, 1997.

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37

Wilson, August. Joe Turner's come and gone. New York: Samuel French, 1990.

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38

Wilson, August. Joe Turner's come and gone: A play in two acts. New York, NY: New American Library, 1988.

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39

Siblings Drama: Making Sense Ofcb. Rowman & Littlefield Publishers, Incorporated, 2017.

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40

Drama! Black Pearl Books, 2005.

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41

Katie the Drama Queen. Tate Publishing & Enterprises, 2012.

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42

Confessions of a Canine Drama Queen. Harlequin Enterprises ULC, 2023.

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43

Confessions of a Canine Drama Queen. Harlequin Enterprises ULC, 2023.

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44

Shakespeare, William. Measure for Measure. Standard Ebooks, 2022.

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45

Debris. Oberon Books, 2004.

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46

American dead. Woodstock, Ill: Dramatic Pub., 2009.

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47

Capp, Bernard. The Ties That Bind. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198823384.001.0001.

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This book explores an important and neglected dimension of the history of the family in Elizabethan and Stuart England. It demonstrates the importance of sibling relationships, across all levels of society, and investigates their nature both in childhood and throughout adult life. While close bonds and bitter rivalries between siblings have always existed, many aspects of the relationship reflect the particular circumstances and values of the period and place. How far did parents favour the firstborn, and sons over daughters? How did this influence relationships between children? The practice of primogeniture, widespread among the gentry and middling sort, raised the important issue of reciprocal rights and responsibilities between heirs and siblings. Contemporaries largely agreed on ideals, but in practice primogeniture proved highly contentious. Disgruntled younger brothers feature prominently in both contemporary drama and the historical record. The high levels of mortality and remarriage led to many families containing half-siblings or step-siblings, creating further problems of adjustment for both adults and children. The Reformation also created new problems of religious discord, which sometimes divided parents from children and siblings from each other. All these issues are explored thematically in Part 1. Part II investigates them further through a series of vivid sibling case studies, drawing on autobiographical evidence and letters. Familiar figures such as Samuel Pepys appear in a new light, while other chapters explore the intense emotional lives of Dorothy Osborne and her brother; and the families of a Lancashire tradesman, a Plymouth surgeon, and a Somerset excise collector.
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48

St. Scarlet. New York, NY: Dramatists Play Service, 2005.

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49

Capp, Bernard. Introduction. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198823384.003.0001.

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This chapter introduces the issues, surveys briefly the existing literature, and sets out the scope of the book. It summarizes contemporary views on the appropriate relationship between siblings, especially the rights and responsibilities of an elder brother towards his sisters and younger brothers. Contemporaries saw these as grounded in both nature and scripture, but recognized too the strength of sibling rivalries and resentments over favouritism and inheritance. These were often explored in contemporary drama, such as Shakespeare’s As You Like It and King Lear, and in social commentaries and polemic. The imagery of brotherhood and sisterhood pervaded the language as well as literature of the period, both as tokens of friendship and (in the case of elder/younger brothers) of oppression within the family. In language as in life, the sibling relationship was a heated and divisive issue for both parents and children.
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50

Stay. New York: Dramatists Play Service, 2008.

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