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Books on the topic 'Si'

Author: Grafiati

Published: 4 June 2021

Last updated: 30 July 2024

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1

Higman, Daniel. An Ecologically Annotated Checklist of the Vascular Flora at the Chesapeake Bay Center for Field Biology, with Keys: Updated Edition. Edited by Dennis Whigham, Geoffrey Parker, and Olav Oftedal. Washington, DC: Smithsonian Institution Scholarly Press, 2016. http://dx.doi.org/10.5479/si.9781935623991.

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2

Jefferson, Thomas A., James G. Mead, and Carl C. Kinze. Nomenclature of the Larger Toothed Whales (Odontocetes): A Historical Review. Washington, D.C.: Smithsonian Institution Scholarly Press, 2023. http://dx.doi.org/10.5479/si.21954029.

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More than 100 species of large odontocete cetaceans (i.e., families Ziphiidae, Physeteridae, and Kogiidae) have been described since our binomial nomenclatorial system was initiated by Carl Linnaeus in 1758. Only a fraction of these are currently recognized as valid species. The taxonomic revisions that are being recommended by recent and ongoing studies within this group require a detailed understanding of their nomenclatural history. We here review all 114 nominal species of extant beaked and sperm whales. Of these, 27 species are currently considered valid, 6 are nomina dubia, 10 are nomina nuda, and the rest (71) are junior synonyms. In addition, we provide several appendices that attempt to settle the controversy over the name of the sperm whale (Physeter macrocephalus), provide biographies of the main authors of names, give a glossary of terms, and summarize information on the status of type specimens. Because beaked whales are still so poorly known, there are likely to be future splits and descriptions of new species and/or subspecies. This paper is intended to assist in sorting out nomenclature in such taxonomic cases.

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3

Davis, Donald R., and Matthew J. Medeiros. A Revision of the Family Adelidae of the Western Hemisphere (Lepidoptera: Adeloidea). Washington, D.C.: Smithsonian Institution Press, 2023. http://dx.doi.org/10.5479/si.23817864.

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The systematics, morphology, and distributions are reviewed for the New World Adelidae. Four genera (Ceromitia, 51 species; Nemophora, 1 species; Adela, 19 species; Cauchas, 16 species) are currently recognized for North, Central, and South America. Keys to all New World genera and species are provided, as are diagnoses, illustrations, and distributional data. The following species are described as new: Adela atrata, Adela austrina, Adela powelli, Adela stenoptera, Adela striata, Cauchas alaskae, Cauchas clarkei, Cauchas elongata, Cauchas excavata, Cauchas lobata, Cauchas recurvata, Cauchas spinulosa, Cauchas suffusa, Cauchas trifascia, Cauchas vittata, Cauchas wielgusi, Ceromitia aphyoda, Ceromitia barilochensis, Ceromitia beckeri, Ceromitia bicornuta, Ceromitia braziliensis, Ceromitia brevipectinella, Ceromitia capitanea, Ceromitia cerastia, Ceromitia concava, Ceromitia convexa, Ceromitia costaricaensis, Ceromitia elongata, Ceromitia exserta, Ceromitia fasciata, Ceromitia flagellata, Ceromitia furcata, Ceromitia fuscata, Ceromitia inaequalis, Ceromitia karsholti, Ceromitia latapicula, Ceromitia laticlavia, Ceromitia latibasis, Ceromitia latijuxta, Ceromitia lobata, Ceromitia nielseni, Ceromitia nigrifasciata, Ceromitia ovata, Ceromitia pachyphalla, Ceromitia pallidofascia, Ceromitia paraguayensis, Ceromitia parvipectena, Ceromitia petila, Ceromitia sinuata, Ceromitia truncata, Ceromitia unicornuta, and Ceromitia unipectinella. The known world fauna of the monotrysian family Adelidae previously consisted of approximately five genera and 294 species (Nieukerken et al. 2011), occurring in all major geographical regions except Antarctica and New Zealand. Prior to this study, four of these genera, Adela (14 species), Cauchas (5 species), Ceromitia (15 species), and Nemophora (1 species), were known to occur in North and South America, totaling slightly less than 12% of the global diversity of the family. In this study, we are reporting 52 new species, most of which are (36 species) within the large pantropical genus Ceromitia. Additionally, we present gene trees for Adela, Cauchas, Ceromitia, and Nemophora and discuss their phylogenetic relationships.

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4

Godfrey, Stephen J., ed. The Geology and Vertebrate Paleontology of Calvert Cliffs, Maryland, USA – Volume 2: Turtles and Toothed Whales. Washington, D.C.: Smithsonian Institution Press, 2023. http://dx.doi.org/10.5479/si.23847438.

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This volume is a follow-on to a work published by Smithsonian Institution Scholarly Press in 2018 on the Miocene vertebrate fauna from Calvert Cliffs, Maryland, USA. Two chapters are included in this compendium, one on turtles (chelonians) and the other on toothed whales (odontocetes). It is anticipated that two more volumes will be needed to complete the taxonomic review. Robert E. Weems details the occurrence of 19 kinds of chelonians that have been discovered in the Miocene and Pliocene marine strata of Delaware, Maryland, and Virginia, USA, 13 of them in the Calvert Cliffs. The most commonly found remains are those of an extinct sea turtle, Trachyaspis lardyi. Remains of four other marine turtles, Procolpochelys grandaeva, Lepidochelys sp., a generically indeter¬minate cheloniid, and a leatherback turtle (Psephophorus polygonus), are far less common. The other 14 chelonian taxa are nonmarine forms that inhabited the land, rivers, and marshes west of the Mid-Atlantic Seaboard during the Miocene. They were washed into the coastal marine environments that were then accumulating the sediments exposed today as the strata in the Calvert Cliffs. Stephen J. Godfrey and Olivier Lambert review the taxonomically diverse odontocete fauna of 29 named species. Nine of these Miocene taxa represent newly named species. Fragmentary remains hint at even greater diversity. Reviewed taxa are restricted to those known from along the Calvert Cliffs and other Miocene age deposits on the Atlantic Coastal Plain in Maryland and Virginia, USA. They range in age from approximately 22 to 8 Ma and derive from the Calvert, Choptank, and St. Marys Formations. This fauna preserves one of the most abundant and diverse assemblages of extinct toothed whales known. None of the named odontocete species included in this review are known from beyond the North Atlantic Ocean. In terms of their chronostratigraphic distribution, collectively, they range in age from the Aquitanian through the Tortonian, with the large majority occurring within the Burdigalian, Langhian, and Serravallian stages (the latter two being the most speciose). The greatest taxonomic diversity occurred during the Miocene Climate Optimum, a time (ca. 17–15 Ma) when global average temperatures were as much as 4°C to 5°C above today’s average temperatures, at least for much of that interval.

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5

Xi, Zhu. Si shu du ben: Yu yi guang jie. Taibei Shi: Qi ming shu ju, 1985.

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6

Nārjī, Dhīreśvara Bara'. Si nāgiralu si. Guvāhāṭī: Bīṇā Lāibrerī, 2002.

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7

Bai, Yunqin. Xin si si. [Hong Kong]: Wen cai fang, 1986.

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8

B, Mériam. Si loin, si proches. Paris: Albin Michel, 2006.

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9

Mohamed, Said Ahmed. Si shentani, si wazimu. Zanzibar, Tanzania: Zanzibar Publishers, 1985.

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10

Mohamed, Said Ahmed. Si shetani, si wazimu. Zanzibar: Zanzibar Publishers, 1985.

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11

Madhu, Cittarvu. Ai. Si. Si. Yu. Haidarābād: Vāhini Bukṭrasṭ, 2006.

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12

Zhou, Zuoren. Sheng sheng si si. Xianggang: Xianggang cheng shi da xue chu ban she, 2020.

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13

Shanxi dian jian si gong si zhi bian zuan wei yuan hui. Shanxi dian jian si gong si zhi. Beijing Shi: Zhonghua shu ju, 2011.

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14

Ong, Bob. Si. Pasay City, Philippines: Visprint, Inc., 2014.

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15

5-wŏl Munhak Ch'ongsŏ Kanhaeng Wiwŏnhoe. Si. Kwangju Kwangyŏksi: Munhaktŭl, 2012.

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16

Capuana, Luigi. Si conta e si racconta. Valverde: Pellicanolibri, 1989.

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17

1935-, Li Ao, ed. Si sheng, si sheng, ke. Taibei Shi: Tian yuan tu shu you xian gong si, 1988.

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18

Louca, Anne-Lise. Si loin, si proche: L'autre. Genève: Samizdat, 2004.

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19

Xia, Chao. Sheng si tu si men. Beijing: Zhong guo shao nian er tong xin wen chu ban zong she, 2017.

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20

Hardaniwati, Menuk. Si Bungsu dan Si Kuskus. Jakarta: Pusat Bahasa, Departemen Pendidikan Nasional, 2004.

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21

Quraishi, Asia Salim. Voh khabti si divani si. Karachi: Khavatin Digest, 1999.

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22

Qureshi, S. Asiya. Wo khabty si dewani si. [Lahore]: Fazleeesons, 2000.

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23

xing, Qiang, ed. Si ba da ke si. Bei jing: Jie fang jun wen yi chu ban she, 1998.

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24

Danya. Bu si de si nian. Xiamen Shi: Lujiang chu ban she, 1998.

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25

Eliot, T. S. Si ge si chong zou. Guilin Shi: Lijiang chu ban she, 1985.

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26

Fundamentos de teoría económica. 1993, 1993.

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27

Science diplomacy : science, Antarctica, and the governance of international spaces. Smithsonian Institution Scholarly Press, 2009. http://dx.doi.org/10.5479/si.9781935623069.0.

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28

East-West Interchanges in American Art: A Long and Tumultuous Relationship. Smithsonian Institution Scholarly Press, 2012. http://dx.doi.org/10.5479/si.9781935623083.

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29

Glazer, Lee, and Linda Merrill, eds. Palaces of Art: Whistler and the Art Worlds of Aestheticism. Smithsonian Institution Scholarly Press, 2013. http://dx.doi.org/10.5479/si.9781935623311.0.

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30

Stauderman, Sarah, and William G. Tompkins, eds. Proceedings of the Smithsonian Institution Summit on the Museum Preservation Environment. Smithsonian Institution Scholarly Press, 2016. http://dx.doi.org/10.5479/si.9781935623878.

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31

Boyle, Alison, Johannes-Geert Hagmann, and Collins Martin, eds. Challenging Collections: Approaches to the Heritage of Recent Science and Technology. Smithsonian Institution Scholarly Press, 2017. http://dx.doi.org/10.5479/si.9781944466121.

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32

Canadelli, Elena, Marco Beretta, Laura Ronzon, and Martin Collins, eds. Behind the Exhibit Displaying Science and Technology at World's Fairs and Museums in the Twentieth Century. Smithsonian Institution Scholarly Press, 2019. http://dx.doi.org/10.5479/si.9781944466237.

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The latest in the Artefacts series, Behind the Exhibit examines scientific heritage and narratives behind public display of scientific artifacts in national and international exhibitions and science museums throughout the twentieth century. Developed from the Artefacts XX conference, convened 20–22 September 2015 at the Leonardo da Vinci National Museum of Science and Technology in Milan, during Expo Milan 2015, this volume brings together museum curators and historians of science and technology to present case studies from the United States, Europe, Russia, and Japan. What emerged is a study of the tension between basic science and technological applications, the multilayered role of history, the appearance and disappearance of artifacts, and the search for a balance between entertainment and education.

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33

Dallmeier, Francisco, Adriana Bravo, and Michael Tweddle. Amarakaeri: Connecting Biodiversity | Conectando la Biodiversidad. Open Monographs, 2021. http://dx.doi.org/10.5479/si.16847062.

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<p><b><i>This digital monograph is made available by the publisher. Print copies are available for purchase through our distributor, Penguin Random House and on Amazon.com</i></b></p> <p><em><b> </b></em></p><p>Highlighting the enormous biodiversity of the Amarakaeri Communal Reserve (ACR) and the critical role this protected area plays in the conservation of Madre de Dios, in southeastern Peru, with more than 1,700 vivid photographs, <i>Amarakaeri: Connecting Biodiversity</i> offers readers a glimpse into the extensive research conducted by scholars from the Smithsonian National Zoo and Conservation Biology Institute and their Peruvian counterparts. For three years, scientists and local experts had the extraordinary opportunity to collect data at the premontane forests of the ACR to determine potential impacts of an exploratory gas platform on selected animal and plant groups. <i>Amarakaeri</i> also portrays the main threats to the ACR and presents a vision for the region’s future.</p><p>Destacando la enorme biodiversidad de la Reserva Comunal de Amarakaeri (RCA) y el papel crítico que esta área protegida juega en la conservación de Madre de Dios, en el sureste de Perú, <i>Amarakaeri: Conectando la Biodiversidad</i> ofrece a los lectores una mirada rápida a la extensa investigación realizada por académicos del Smithsonian National Zoo y del Conservation Biology Institute junto con sus homólogos peruanos. Durante tres años, los científicos y expertos locales tuvieron la extraordinaria oportunidad de compilar datos en los bosques premontanos de la RCA para determinar los posibles impactos de una plataforma exploratoria de gas en grupos seleccionados de animales y plantas. <i>Amarakaeri</i> además retrata las principales amenazas a la reserva y presenta una visión para el futuro de la región.<br></p><div></div>

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34

Krupnik, Igor. Handbook of North American Indians, Volume 1: Introduction. Open Monographs, 2022. http://dx.doi.org/10.5479/si.21262173.

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<p>The Handbook of North American Indians series—the most monumental summary of knowledge on indigenous peoples of the USA, Canada, and Northern Mexico—was designed by the staff of the National Museum of Natural History (NMNH) Department of Anthropology in the 1960s and, in 2022, culminates with Volume 1, edited by Igor Krupnik. Involving more than 70 contributors from the United States, Canada, Mexico, the United Kingdom, and Germany, including indigenous contributors from across North America, the volume’s 35 chapters and more than 7,400 bibliography entries, Volume 1 presents new perspectives on the history of North America’s indigenous societies, issues facing North American indigenous communities in the 21st century, a thorough update of the studies of Native American indigenous peoples, and the first-ever history of the Handbook project. Volume 1 is an innovative collection of new contributions written in 2015–2017 and is organized in five sections that reflect the series’ three-pronged mission: to look forward, to update and assess developments in Native American research, and to account for the history of the Handbook initiative and its legacy. With Volume 1, the Handbook of North American Indians series concludes. </p>

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35

Rettig, Simon, and Sana Mirza. The Word Illuminated: Form and Function of Qurʾanic Manuscripts from the Seventh to Seventeenth Centuries. Smithsonian Institution Scholarly Press, 2023. http://dx.doi.org/10.5479/si.21948098.

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This volume comprises a selection of papers delivered at the symposium “The Word Illuminated: Form and Function of Qurʾanic Manuscripts” held at the Arthur M. Sackler Gallery from 1 to 3 December 2016 and organized in conjunction with the exhibition The Art of the Qurʾan: Treasures from the Museum of Turkish and Islamic Arts. Authors investigate the materiality of luxury Qurʾans, from the lavish use of costly materials such as gold and parchment, the development of special scripts, and intricate illuminated designs to the meticulously tooled bindings. In addition to examining the physical features of Qurʾanic volumes, the authors put the manuscripts in their artistic, historic, and religious contexts to understand more fully the transformation of these works into potent symbols of piety and political and religious authority and into instruments of legitimacy. Over the centuries, many of the Qurʾans were offered as diplomatic gifts or taken as booty and endowed to mosques, tombs, and other religious complexes to perpetuate and transmit their exceptional baraka (divine blessing). As the Qurʾans changed ownership, they also acquired a complex and layered afterlife, which has further enriched their identity well into the present.

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36

Schindel, David E., Diane C. DiEuliis, and Bruce Geyman. The Unique Role of Federal Scientific Collections: Infrastructure Generating Benefits, Serving Diverse Agency Missions. Smithsonian Institution Scholarly Press, 2023. http://dx.doi.org/10.5479/si.24559996.

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<p dir="ltr">Scientific research and development are essential in the government, private, and academic sectors of American society. Scientific collections, both living and non-living, are critical components of the U.S. government’s R&D infrastructure, essential for ensuring national security, protecting the public’s health and safe food supply, promoting innovation and economic growth, and protecting the environment. To pursue their diverse long-term missions, U.S. departments and agencies have created and preserve scientific collections to address new and unpredictable challenges to society and to establish long-term baseline histories for the analysis of change, often using new analytical technologies. Federal scientific collections serve the public good by providing access to objects of scientific value regardless of where, when, by whom, or for what reasons they were originally collected and preserved. </p><p dir="ltr">The White House National Science and Technology Council’s Interagency Working Group on Scientific Collections (IWGSC) has, since 2005, convened representatives from 24 Federal departments and agencies that rely on scientific collections. IWGSC has produced a series of studies, reports, and other information resources aimed at improving policies, transparency, accessibility, management, and the assessment of costs and benefits related to Federal scientific collections. This report summarizes these achievements and the IWGSC's future directions, and presents 21 case studies showing how Federal scientific collections have served the nation in diverse areas of American life. </p>

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37

Boon, Tim, Elizabeth Haines, Arnaud Dubois, and Klaus Staubermann. Understanding Use: Objects in Museums of Science and Technology (Artefacts 13). Smithsonian Institution Scholarly Press, 2024. http://dx.doi.org/10.5479/si.25444927.

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<table><tr><td><p dir="ltr"><i>Understanding Use</i> proposes a way of thinking and of developing practice around four varieties of use of objects in science and technology museums: first, the ways that machines, instruments, and equipment were used in their pre-museum “lives” (which provides the most frequent reason for their acquisition); second, the ways in which research can re-create usage history of obsolete objects; third, the ways that museum staff have employed objects in their “museum lives” as members of collections; and last, the possibility of reconceptualizing museum visitors as users of collections and displays. Thinking of museum objects in these ways—that is, in terms of use—could constitute a coherent approach to museum work that enriches the wider purpose of science and technology museums.</p></td></tr></table><p></p>

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38

Banfield, William. Culture Throughlines: Values, Visions and Transformation—African American Music, American Culture, and Society. Open Monographs, 2023. http://dx.doi.org/10.5479/si.24233773.

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<p dir="ltr">Cultural throughlines delineate the ways in which contemporary artistry, new works, and creative methods can be appreciated and seen as a “tri-vision tradition” (then, now, and when) as they tie into cultural linkages from our past and suggest our future. What is new are today’s social languages, platforms, movements, and fluidity, all of which lead to discussions that anticipate ever-changing cultural shifts and create dialogue about cultural practices. It’s about living and how we do culture: what it is, what it means, and why. Questions arise about what we as artists value (identity, creative voice, survival). How do we get there? And what do everyday people value and care about?</p><p dir="ltr">The book examines a little cultural theory, a little ritual formation, and a lot of “how is any of this sustainable?” It is a collection of ideas from creative thinkers on the role of the arts and concepts that define and carry societal value. We consider life a gift, and the works that people put forward to continually transform our time and celebrate these gifts in life can make a difference in the ways we live.</p>

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39

Grissom, Carol A. Producing Posies: A Technical Study of the Frances Jones Poetker Collection of Bouquet Holders at Smithsonian Gardens. Smithsonian Institution Scholarly Press, 2024. http://dx.doi.org/10.5479/si.26336971.

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<p dir="ltr">This book focuses on small decorative objects for holding flowers, mainly taken by women to the opera, theater, and balls during the nineteenth century and variously known as posy holders, bouquet holders, flower holders, tussie-mussies, and <i>porte-bouquets</i>. Queen Victoria popularized bouquet holders by appearing with one at the theater shortly after her accession to the throne at age 18, and many reflect designs associated with her reign (1838–1901). In England, the earliest holders were probably owned by the wealthy, but in the latter half of the nineteenth century the low cost of silver and silver plating placed this fashion within reach of a burgeoning middle class. In France, early holders were set with precious gems for the nobility, but thereafter most vases were in electrogilded brass often set with faux pearls and gems made of glass. Exotic silver filigree holders were imported from China and India, and filigree production in Birmingham, England, catered to the wealthy in New York, Boston, and Philadelphia. Important catalogs of bouquet holder collections have been published, but bouquet holders are rarely marked, and attributions to place are often without basis. Prompted by a project undertaken by a conservator at the Smithsonian’s Museum Conservation Institute in preparation for digitization of a large collection donated to Smithsonian Gardens by Frances J. Poetker, 239 holders in the catalog have been attributed to places of manufacture, often linked by designs and materials to those in other international collections. Research and detailed study of manufacture have even determined by whom some were made. This evidence-based technical study and reference guide accompanied by high-resolution photographs is intended to fll a signifcant gap in the available literature and serve as a resource for museums and collectors.</p>

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40

L. Pressly, William. America's Paper Money: A Canvas for an Emerging Nation. Smithsonian Institution Scholarly Press, 2023. http://dx.doi.org/10.5479/si.24871410.

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<p dir="ltr">The Massachusetts Bay Colony in 1690 became the first government in the Western world to print paper money, the imagery for which initiated an indigenous American art form of remarkable dynamism and originality. After the Revolutionary War, disillusioned by how quickly its promiscuous printing of Continental currency had led to hyperinflation, the U.S. government left it to private institutions such as state-chartered banks to carry on this artistic American tradition. Adorned with a vast variety of images, bank notes soon became the fledgling country’s primary currency. With pressures of the Civil War, the federal government in 1861 began taking charge of the paper-money supply by creating a national currency; simultaneously, the Confederate States of America was creating a competing self-image, making heavy use of bank-note vignettes. Later, collaboration between government engravers and well-known artists on the 1896 Silver Certificates marked the apex of U.S. government currency design. For two centuries, American creativity and technical ingenuity resulted in imagery on paper money that helped create and enhance the nation’s imagined self.</p>

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41

Meyrignac, Paco. Si Ré Si con Si. Lulu Press, Inc., 2022.

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42

Si Si; 1950. Creative Media Partners, LLC, 2021.

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Si Si; 1958. Creative Media Partners, LLC, 2021.

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Si Si; 1963. Creative Media Partners, LLC, 2021.

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Si Si; 1956. Creative Media Partners, LLC, 2021.

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Si Si; 1953. Creative Media Partners, LLC, 2021.

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Si Si; 1962. Creative Media Partners, LLC, 2021.

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Si Si; 1961. Creative Media Partners, LLC, 2021.

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Si Si; 1960. Creative Media Partners, LLC, 2021.

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50

Maine, Margarita. Si, Si . Si... No, No, No. Planeta, 1999.

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