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Daneshzadeh, Amir. "Analysis of James Joyce Short Stories." International Letters of Social and Humanistic Sciences 54 (June 2015): 115–22. http://dx.doi.org/10.18052/www.scipress.com/ilshs.54.115.
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Collection of short stories of James Joyce in a book under the title of “Dubliners” (1914) is a collection composing of 15 short stories, which topic of all of them is living in Dublin (stories about death, love, live in school, etc.). Short story of “sisters” narrates feelings of a boy about death of a priest. The first woman, who is afraid of love, a mother in law speaks about ambition and destroys her daughter. It ispainful narrative of a single man, who leaves the woman he loves and the woman finds in the time of her death that he has been in his loneliness all his life. Accordingly, it could be mentioned that the author has selected in his short stories a style that Flober has been its establisher. Hence, stories in the collection of Dubliners have been strongly image-based and have been less relied on storied actions. (Stein et al, 2008)The present study has analyzed two short stories of the mentioned collection under the titles of “The Dead Persons” and “The sisters\s”. In this analysis, the author has considered internal modes and feelings of characters of the story. Process of analyzing the two works has been firstly related to analysis of every story separately and then has been related to goals and destinies of creator of the work and totally his collection of short stories. Finally, the study has considered investigation and analysis of short stories of James Joyce, which analysts and critics of his works have presented it and it is that Dubliners should be considered as an origin and generality. Considering stories of this artist separately can’t be a competent work, since as it is obvious in this collection, the author has been tended to achieve a specific goal through considering a certain order for these stories.
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Softic - Gasal, Larisa. "SHORT STORIES IN THE BALKANS AND CONTEMPORARY - SHORT STORIES IN THE WORLD." Journal Human Research in Rehabilitation 4, no. 1 (January 2014): 13–23. http://dx.doi.org/10.21554/hrr.011406.
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A comparative analysis of selected short stories in the Balkan countries, as well as contemporary short stories of the world, will show us that the key themes of those stories are very similar to the short stories written during the period of transition in Bosnia and Herzegovina (1995-2010). For example, the story of the Soul Operation by an Iranian writer Mohsen Mahmalbafa, The Falcons by a Dutch writer Kader Abdolaha and On the Kitchen Stairs by a Polish writer Witold Gombrowic zinter connect with short stories by authors from Bosnia and Herzegovina, such as The Secret of Raspberry jam by Karim Zaimović or The Devilish work of Zoran Riđanović. A common thread manifests itself in the aforementioned stories, more specifically, a common theme which focuses on the need for eradication of the seeds of submission and compliance with the political system. Most authors focus on their domestic political systems; however, some portray and analyze systems in other countries as they see it, such as a Dutch narrator who focuses on a potential threat of infringement of human freedom. Moreover, Bellow Hubei by an Argentinian writer Anhelika Gorodis her underlines the importance of humanization within a political order. Faruk Šehić examines the political system in Bosnia and Herzegovina from a slightly different perspective. His collection of stories Under Pressure emphases the issue of pressure in the above war model of short stories in Bosnia and Herzegovina. These stories are the product of pressure and anxiety, with intent to latently promote new ways of spiritual survival, directly relating to the concept and the theme of the story The Past Age Man by Christian Karlson Stead. Further analysis of the alienation theme singled out short stories in Bosnia and Herzegovina, Plants are Something Else by Alma Lazarevska and Dialogues by Lamija Begagić, and pointed out their connection with some recent international short stories such as The Last Defence by Mahdi Šodžaija a contemporary Persian author who indicates the inappropriateness of spousal relations and the crisis of modern marriage. The alienation theme present in many short stories in Bosnia and Herzegovina also appears in a particularly impressive way in a short story Raggedy Africa by a Slovenian author Mark Švabič, which is clearly related to a short story The Seaside Fairy Tale by Miljenko Jergović from Bosnia and Herzegovina. Extremely interesting are the stories that suggest a crisis of legitimacy of culture and behavior, such as the story of Tito or Curriculum Vitae by a Slovenian writer Maja Novak, or Bankophobia by Ante Zirdum, demonstrating the individual culture of behavior and society in general in a regressive dimension manifested through addiction or phobia from banking institutions
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T, Vasuki. "A Green Bird with a Red Neck – Issues in Women's Life in the Short Stories." International Research Journal of Tamil 4, S-7 (July 30, 2022): 279–84. http://dx.doi.org/10.34256/irjt22s744.
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Literature in the form of short stories captures the social issues and events of the day. Tamil short story writers use their writing to reflect on the Tamil culture and way of life. Feminist author Ambai has demonstrated how female characters can successfully handle issues in their lives. In Ambai's short stories, a girl who has been terrified for a very long time and unable to run by herself can be seen strolling as an innovator. Her short story, "A Green Bird with a Red Neck," explores a woman's life struggles and her love for her father. The collection of short stories "Payanam 21" demonstrates how determined women who wish to be married again must be to overcome obstacles at home and in society. The short story "The City that Rises from the Ashes" helps the reader to understand the sorrow of women who work despite age and retirement restrictions. Next, in the short story 'A Green Bird with a Red Neck', the author reveals that women abandoned by their husbands are determined to raise their children on their own. The short story "Veethal" depicts the suffering endured by mothers whose children live abroad. Another short story, 'Poikai' reveals that men cannot live a woman's life, even for a single day. Apart from these, the lives of economically backward women and the hardships faced by women in other countries can be seen in the short stories. Ambai's collection of short stories, "A Green Bird with a Red Neck," demonstrates how female characters bravely handle a variety of life issues. It has received the Best Book Award in Tamil for 2021. The purpose of this article is to explore the lives and problems of diverse women that are told in the thirteen short stories in this book.
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Asiyat D., Atabieva. "Cyclization of small forms of Balkar prose." Kavkazologiya 2023, no. 1 (March 30, 2023): 226–39. http://dx.doi.org/10.31143/2542-212x-2023-1-226-239.
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This article outlines a range of theoretical issues concerning the development of a promising artis-tic form of the narrative cycle by Balkarian writers. The object of research is small genres of prose (short stories, short stories, satirical miniatures), cyclically structured and forming an artis-tic integrity. The paper examines the historical prerequisites for the emergence of such structures, the regularity of their introduction into the work of regional prose writers. Using the possibilities of literary chronicles, national authors sought to capture the most significant moments of reality succinctly and concisely, to fix them in the reader’s mind through the techniques of detailing, in-cluding additional details, episodes, fragments. The corresponding niche occupied by the novelis-tic cycle in the Balkar literature is determined, the seriation and chronicity of texts, their concep-tual complementarity are noted. The study purposefully correlates a narrative cycle and a thematic collection of short stories, to distinguish such textual associations by distinctive features and ways of coupling parts within the established ideological and artistic integrity. During the analysis the relevant material, various types of prose cycles are revealed: author’s (originally written accord-ing to the writer’s plan), editorial (compiled to the publication of collections of works by an indi-vidual author, based on a single problem) and composite (multi-component texts, within which autonomous works are transformed into a cyclical unity, based on meaningful overlap, repeatabil-ity of plot lines and dominant images). The result of the study is the conclusion that the novelistic cycle has become a very effective form in national prose with its functionality and scope of appli-cation, allowing the most complete reflection of the dynamically changing reality.
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Daugirdaitė, Solveiga. "Žemaitė XX a. II pusės lietuvių poezijoje ir prozoje." Aktuālās problēmas literatūras un kultūras pētniecībā rakstu krājums 27 (March 10, 2022): 105–19. http://dx.doi.org/10.37384/aplkp.2022.27.105.
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The article dedicated to the works of the Lithuanian literature written in the second half of the 20th century depicting the writer Žemaitė (pen name of Julija Beniuševičiūtė-Žymantienė, 1845–1921). This writer was not rejected by the Soviet authorities because of her realistic outline and her democratic political views, the social criticism expressed in her work towards greed, selfishness and clericalism. Lithuanian writers dedicated to her their poetry, fiction, and drama works. However, Soviet writers were also impressed by Žemaitė’s personality traits, which mentioned less frequently in public: independence, perseverance, wit, the courage to stand out from her surroundings and to disregard the societal norms that stifled older women in traditional society. The article analyses the features of Žemaitė’s personality in works of Lithuanian literature created by poets Salomėja Nėris, Judita Vaičiūnaitė, and others. The author reveals how different aspects of Žemaitė’s work and personality were emphasised depending on the time of writing. This change partly reflects the shift of literature from socialist realism to more modern literature. Among the works of prose, the author singles out Bitė Vilimaitė’s cycle of short stories “Apsakymai apie Žemaitę” (Short Stories about Žemaitė) from her collection Papartynų saulė (Fernery Sun, 2002). The stories reveal both the character of Žemaitė, her environment and people close to her, and the most important features of Vilimaitė’s own work: attention to a woman’s fate, subtle psychological insight, attention to detail, and a specific model of a short novella. Since the protagonists of the cycle are usually real people, Vilimaitė’s talent for using documentary material and combining it with fiction is also evident here. The article concludes that Soviet-era authors portraying Žemaitė’s character raised aspects relevant to the time of writing, such as the promotion of national culture, problems of women’s emancipation and, also the fact that for female writers, Žemaitė was a role model.
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Rojas, Carlos. "Language, Ethnicity, and the Politics of Literary Taxonomy: Ng Kim Chew and Mahua Literature." PMLA/Publications of the Modern Language Association of America 131, no. 5 (October 2016): 1316–27. http://dx.doi.org/10.1632/pmla.2016.131.5.1316.
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Through an examination of short stories from the Malaysian Chinese author Ng Kim Chew's 2001 collection From Island to Island, this essay reflects on the taxonomic functions of criteria such as language, ethnicity, and nationality, particularly as they inform contemporary discussions of Chinese, Sinophone, and Mahua (Malaysian Chinese) literature. Several of Ng's stories are set on remote islands and feature individuals who, having been forcibly separated from their original linguistic or social environment, offer a vehicle for reflecting on some of the consequences of literary taxonomies that arbitrarily prioritize one criterion (such as language or nationality) over others. Drawing on Wittgenstein's notion of family resemblance, the essay proposes a taxonomic system that does not rely on a single criterion but rather attends to the dynamic interaction among a variety of criteria. The resulting model is used to interrogate the naturalized conception of the family on which Wittgenstein relies.
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Bogumil, Tatiana A. "Altai text of Vitalii Bianki." Vestnik of Saint Petersburg University. Language and Literature 19, no. 2 (2022): 226–37. http://dx.doi.org/10.21638/spbu09.2022.201.
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Selected works of V.V.Bianki are considered in the context of the theory of local supertexts (the Tartu-Moscow school). The Altai text acts as a subsystem of the Siberian text, coinciding with it in a number of parameters, but being isolated by geographic reference to the region. The proposed analysis makes it possible to single out the invariant motive of the “Altai” works of the writer — the existential choice of a person at the acute moment of the “fight” with a representative of natural forces, embodying the “spirit” of Altai. Human characters are hierarchically organized according to the degree of increased involvement in natural life: urban — local — scientist-naturalist. At the opposite pole there are variants of a kind of genius loci of the region: sable, bear, mountain goat, element. Bianki’s palette is not limited to the genres indicated by the author: novella and short stories. Starting with a reliable image of the “hunt-trade” (“Askyr,” “The last shot”), the author continues with stories with a bias towards anecdote (“Fatal beast,” “Somersault”) and the parable (“Boon”), and ends with the text, actualizing the canon of a fairy tale (“She”). The designated corpus of texts has not only thematic coherence, but also increased orderliness. Structural and semiotic connectivity is manifested in the tendency to the formation of binary microcycles, the presence of a single plot invariant and a mythological core. All these are arguments in favor of the existence of the Altai text in the writer’s work.
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Birkle, Carmen. "Pandemics as the great levellers? Class, community and capital in US-American short stories." Short Fiction in Theory & Practice 12, no. 2 (October 1, 2022): 141–53. http://dx.doi.org/10.1386/fict_00058_1.
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This article focuses on literature’s potential for healing – both medical and sociopolitical – in times of severe crisis such as the COVID-19 pandemic. Affect is an important literary tool to make people aware of social inequalities, in particular reading or writing short stories with the experience of a simultaneous real-life pandemic. Reading is an embodied act through which the reader enters into a dialogue with both the author and the text. Emotions emerge that are often more deeply stored in memory than the words as such, and that changes our perception of the world. This effect is also encapsulated in Siri Hustvedt’s analysis of reading practices, Sara Ahmed’s affect theory and Rita Felski’s four ways of engaging with texts. I analyse John O’Hara’s short story ‘The Doctor’s Son’ (1935), situated in rural Pennsylvania at the time of the 1918 Influenza, and Victor LaValle’s ‘Recognition’ (2020), resonating with the COVID-19 pandemic in an isolated apartment building in New York City. Both stories question the concept of pandemics as the great levellers by pointing out social injustice due to class and ethnic hierarchies. Taking Edgar Allan Poe’s ‘The Masque of the Red Death’ (1842) and Poe’s emphasis on the preconceived and single effect of fear and subsequent horror caused by the ‘Red/Black Death’, as a starting point, the article presents O’Hara’s story as a manifestation of the medical, social and ethnic phenomena at work in 1918: social distancing, facial masks, closed public institutions, people’s resistance to these measures and medical treatment along ethnic and class lines. LaValle’s ‘Recognition’ allows readers a glimpse into the relationship between an unnamed African American woman, who is also the narrator, and Pilar, a Colombian American woman, who dies of the virus. As part of a contemporary Decameron project, ‘Recognition’ stresses the human need for community, communication and, thus mutual human recognition, giving the dead – whether rich or poor – a name and demanding to undo systemic social inequalities. In that sense, literature can heal the nation.
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Banchenko, Aleksandra. "The Poetic Concept of Art of L.F. Dostoevskaya." Dostoevsky and world culture. Philological journal, no. 3 (2020): 270–91. http://dx.doi.org/10.22455/2619-0311-2020-3-270-291.
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L.F. Dostoevskaya’s oeuvre consists of short stories and two novels, together with a biography of F.M. Dostoevsky. Her fiction is perceived by researchers as largely autobiographical; her book about F.M. Dostoevsky as a father is considered the least reliable source of biography. Therefore a mixture of genres can be considered: her prose displays features of the poetics of autobiography; her documentary contains fiction, while the author’s discourse dominates the character of the book. This article discusses some features of the poetics of fiction and the documentary prose of L.F. Dostoevskyaya. Dostoevskaya’s works suggest that the narrator is close to the author, since in some works the narrator is an autobiographical narrator named Lyubov Feodorovna. This article presents elements of a narratological analysis of her oeuvre of novels and short stories; this can help the reader trace the connections between the perspectives of the protagonists and narrators. In some narrative structures, the positions of the protagonists and narrators become equivalent due to the extra-narrative roles of the latter. The article also provides a partial analysis of the main themes and motifs of her prose, indicating their connection to the work of F.M. Dostoevsky. In particular, we discuss the connection between Dostoevskaya’s prose and her father’s unfinished novel ‘Netochka Nezvanova’. Taken as a single text, the prose of the great writer’s daughter demonstrates features of the Bildungsroman.
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Yu., Munkh-Amgalan. "Монгол хэлээр орчуулагдсан италийн уран зохиолын товч тойм." Mongolian Journal of Foreign Languages and Culture 25, no. 547 (February 10, 2023): 9–25. http://dx.doi.org/10.22353/mjflc.v25i547.1833.
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Mongols have a long and rich tradition of translating literary works from many different countries into Mongolian. Specifically, thousands of literary works from over 100 different countries written in dozens of different languages have been translated into Mongolian. Among these, a large number of Italian literary works have been translated into Mongolian from Russian, English, and Romanian. As for the literary genres of these works, they primarily consist of poetry, prose, and plays (including screenplays). Specifically: 1) Poetry: poems (58 works), songs (1), long poems (3); 2) Prose: folktales (33), authored tales (36), short stories (40), traditional jokes (3), novellas (5), framed stories (1), novels (5); 3) Plays (2), and screenplays (1). In addition, works of non-fiction, including stylized biographical sketches, reminiscences, as well as a political philosophical treatise, have been published. Literary works are generally divided into one of the following two different categories depending on whether they have a specific author or not: a) oral folklore; and b) written literature. The following tasks need to be undertaken to properly study Italian literary works which have been translated into Mongolian and published in Mongolia: A complete bibliography of Italian literary works translated into Mongolian must be compiled, All of the Italian originals must be located and correctly identified, The Russian, English, and Romanian intermediate translations must also be found and carefully consulted, If a work has been translated multiple times by a single translator, the multiple translations must be compared with each other and studied, If a work has been translated multiple times by different translators, the multiple translations must likewise be compared with each other and studied, The Italian originals of poems, songs, tales, and short stories which have been translated into Mongolian should be located and juxtaposed with their translations and published in book format for teaching and research purposes.
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Klimenko, Irina Vladimirovna. "Interaction between the big adventure form and the composition of a neo-romantic literature." Litera, no. 3 (March 2024): 21–30. http://dx.doi.org/10.25136/2409-8698.2024.3.70125.
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The subject of the study is the composition of a neo-romantic story, the object is the stories by Alexander Grin «The Headless Horseman (18th Century Manuscript)», «The Taboo», «Hundred miles along the river». The author examines such aspects as the neo-romantic compositional features of the small genre, which probably emerged as a result of appealing to adventure novels, and attempts to correlate the concepts of «neo-romantic literature» and «adventure literature». Grin’s short stories, describing one event, are typically divided into chapters. This contradicts the genre logic, since it slows down the pace of the narrative. Allusions to the adventure attributes cement the composition and imagery system of the neo-romantic story and adventure novel. The affinity of poetics makes it possible to project the theory of adventure composition onto the neo-romantic work. It allows systematizing the neo-romantic composition features. The analysis draw the following conclusions. Division short stories into chapters seems to be an allusion to the adventure novel, for which is a way of structuring a large number of events. Allusiveness and play with points of view reflect the principle of dialogicity. The reader’s perception of allusions to adventure works performs a genre-forming function for an adventure novel, placing it in the context of adventure literature. In a neo-romantic story, allusions open up the dialog and play with readers’ expectations and non-neo-romantic poetics. The principle of play is innate in adventure as a phenomenon: events are lived through by the protagonist for their own sake. Although the techniques are common, the goals of a neo-romantic story and an adventure novel differ. A neo-romantic story deals with the personality behind its usual reality, not extreme situations as such, and a single event is sufficient to achieve this goal.
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UMUDOVA, Ş. Ə. "MİLAN KUNDERA – “GÜLMƏLİ MƏHƏBBƏTLƏR” HEKAYƏSİNDƏ MƏHƏBBƏT İDEYASI." Actual Problems of study of humanities 2, no. 2024 (July 15, 2024): 149–52. http://dx.doi.org/10.62021/0026-0028.2024.2.149.
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Milan Kundera – The Idea of Love in the Story "Laughable Loves" Summary Born in Brno, Czechoslovakia, Milan Kundera was a student when the Czech communist regime was established in 1948, and later worked as a laborer, jazz musician and professor at the Institute for Advanced Cinematographic Studies in Prague. His books were banned after the Russian occupation in August 1968. She and her husband settled in France in 1975, and in 1981 became French citizens. He is the author of the novels "Joke", "Life is Elsewhere", "Goodbye Waltz", "Book of Laughter and Forgetfulness", "The Unbearable Lightness of Being" and "Immortality" and a collection of short stories "Laughable Loves" – all originally in Czech. His most recent novels, Slowness, Personality, and Ignorance, as well as his non-fiction works, Roman Art and Betrayed Will, were first written in French. The core of the themes that the author will work on in his later novels, as well as the original and innovative narrative methods in the development of these themes can be found in Kundera's "Laughable Loves", written with the greatest pleasure and delight. It can be said that the story book, which took ten years to write, is very different in terms of both content and form. In Kundera's stories, men persecute women with their "erotic passions." Married, single, old and young men face social difficulties, accept the loss of time and economic difficulties and try to attract women. Kundera beautifully reflects the universal challenges they face during this marathon. "Laughable Loves" is about raising the power of expression and aesthetics, as well as the successful depiction of this universal event – with humor.
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Parween, Shenaz. "Deconstructing Hijabs in Sabyn Javeri’s Hijabistan." Muslim English Literature 2, no. 1 (June 30, 2023): 1–10. http://dx.doi.org/10.15408/mel.v2i1.32492.
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In the contemporary world of racism and Islamophobia, the Hijab is just the tip of an iceberg, while its meanings are far deeper and more complicated. These heterogeneous meanings of the Hijab and its wearer in the outside world are well handled by Sabyn Javeri, a Pakistani award-winning author and Professor, in her short-story collection called Hijabistan. Comprising 16 politically provocative short stories based on the metaphorical interpretation of the veil in the lives of Muslim women, Javeri challenges the single one-dimensional narratives of hijabi identity by presenting the real usage of Hijab in the right and wrong way within the current society. In each story, the Hijab, takes on a new role; for some it becomes a weapon to satisfy one’s urges, while for others it functions as a source of patriarchal oppression or a symbol of segregation from mainstream society. There are also a few who wear the Hijab as a badge of honor, while others do not see it as a barrier within their active sexual life. The paper focuses on these multi-dimensional meanings of the Hijab while critically analyzing how the characters achieved their goals while wearing the veil and how some are seeking their identity.
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Mani, Preetha. "What Was So New about the New Story? Modernist Realism in the Hindi Nayī Kahānī." Comparative Literature 71, no. 3 (September 1, 2019): 226–51. http://dx.doi.org/10.1215/00104124-7546181.
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AbstractThis essay examines the Hindi Nayī Kahānī, or New Story, Movement of the 1950s and 1960s, which was influential for the short stories, criticism, and literary history that its writers produced. Incorporating a view toward the larger “metaliterary” corpus in relation to which properly “literary” nayī kahānī texts were written, the essay shows how the movement inaugurated a modernist realism characterized by attention to genre, rhetoric, and style on one hand, and commitment to social reality on the other. Combining rhetorical strategies—such as shifting narrative voice, allegorical descriptions of landscape, and implicit reference to authorship and the condition of postcolonial literary production—with structural and thematic tensions between form and content, this mode developed an interchangeability between author, reader, and character, which did not previously exist in Hindi literature and which reconfigured the category of the middle class in the universally recognizable terms of alienation. Using the case of the nayī kahānī, the essay offers a new literary historical approach that moves beyond sweeping accounts of a single postcolonial mode to attend to regional realisms and modernisms.
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Rosstalna, Olena. "THE PECULIARITIES OF REPRESENTATION OF TIME ANS SPACE MODEL IN THE COLLECTION OF STORIES «WESSEX TALES» BY T.HARDY." Naukovì zapiski Nacìonalʹnogo unìversitetu «Ostrozʹka akademìâ». Serìâ «Fìlologìâ» 1, no. 10(78) (February 27, 2020): 167–70. http://dx.doi.org/10.25264/2519-2558-2020-10(78)-167-170.
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The article analyzes the peculiarities of the representation of time and space model in the collection of short stories «Wessex Tales» by the English writer T.Hardy. Based on a contextual analysis of T. Hardy’s stories, time and space model was singled out as the dominant meaning for the creation of «Wessex Tales». It is proved that the category of time in «Wessex Tales» is a component of the composition of works (in some stories the principle of framing is used). Its functioning in the collection occurs in the form of a two-component model, the elements of which are past and present. It is determined that the specific presentation of the past is a combination of «collective» and «individual» time. While presenting individual facts in the lives of specific heroes in the form of «individual» time, the author introduces them into the context of events of community life in the form of «collective» time. Each individual character’s story thus becomes a part of panoramic depiction of Wessex world, while maintaining a connection with real historical events. «Quasi-historicity» is defined as one of the characteristic features of time. The interaction of temporal levels has also been investigated at the level of conflicts and problems in the writer’s stories and novels (the problem of responsibility for actions, the problem of moral choice, etc.). The peculiarity of space organization in the collection of stories is determined by multilevel (panoramic – local image; realistic – mythopoeticized sketches of the metaphorical plan; the existence of two subspaces in the mythologized model of the world) and multivariate. The article analyzes the closed and open, terrestrial and cosmic, real and imaginary spaces that are realized in the system of images (city, town, house, road, etc.).
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Safin, Ildar Ch, Elena I. Kolosova, and Tatyana A. Gimranova. "Interpretation of an Epoch in the Novel "the Big Green Tent" by L. Ulitskaya: Linguistic-Cultural Analysis of Verbal Lexicon." Journal of History Culture and Art Research 6, no. 5 (November 28, 2017): 116. http://dx.doi.org/10.7596/taksad.v6i5.1285.
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<p> This article is the verbal lexicon analysis based on the text of the novel "The Big Green Tent" by L. Ulitskaya. The creative manner of the contemporary writer attracts the attention of researchers, her writings describe the emotional experiences of the heroes and also give a generalized image of time full of historical details and features. The language of her stories and short stories is characterized by a special style in the description of time realities. A verb in the text allows the author to express the events and the circumstances that characterize an action in its dynamics due to the fact that verbal categories reflect the real reality in our consciousness. The method of linguistic cultural analysis of verbal lexicon in the novel "The Big Green Tent" made it possible to single out exactly those language units that the writer carefully selects for the creation and interpretation of the era. A special emphasis in the study is made on the creation of an expressive-emotional style of narration using the stylistic capabilities of the Russian verb. The individual author's methods of narration expressiveness creation are singled out: synonymous series, euphemisms, colloquial lexicon, etc. The conducted study and a careful analysis of the selected factual material testifies that, recreating an epoch, the master of the word invariably uses that language arsenal that brightly and fully conveys the color of time. L. Ulitskaya is able to be not only an indifferent witness of the epoch, but also her tenacious observer and interpreter. The analyzed factual material and the main points of this research can be used in the courses on stylistics and linguistic culturology, and also as an illustrative material during the classes on the linguistic analysis of a literary text.</p>
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Sloistova, Maria S. "TYPOLOGY AND STRATEGIES OF CREATIVE RECEPTION: A CASE STUDY OF ENGLISH POSTMODERNIST POETRY AND PROSE." Вестник Пермского университета. Российская и зарубежная филология 12, no. 2 (2020): 110–19. http://dx.doi.org/10.17072/2073-6681-2020-2-110-119.
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The paper focuses on complex research and description of creative reception theory and typology. There are provided definitions of such terms as reception, creative reception, creative reception strategies, and others. The author builds the typology of creative reception on the basis of works by E. V. Abramovskikh, S. Ye. Trunin, M. V. Zagidullina, V. I. Tyupa, and M. Naumann. This typology includes two types (or levels) of creative reception, defined as classic and postmodernist. Each of the types is characterized by a number of strategies, i. e. ways of representing an artistically received text in one’s own work. The classic type strategies (formal, authentic, neutral and antithetical) focus primarily on plot transformation. As for the postmodernist level, the author singles out two strategies: congenial and play. The theory and typology of creative reception is substantiated with some examples of reminiscences and allusions to English and world poetry. The examples under analysis are taken from the following prose works by the outstanding English postmodernist writer John Robert Fowles (1926–2005): the novel The French Lieutenant’s Woman (1969), the collection of long short stories The Ebony Tower (1974), the philosophic book The Aristos (1964), and also the lyric collection Selected Poems, published posthumously in 2012. The collection has not been translated into Russian yet. Therefore, the poem under analysis (Islanders) has been translated into Russian by the author of the present paper. The paper also deals with indirect Biblical reception which is found in the allusion to the ivory tower. The allusion gave the title The Ebony Tower both to Fowles’ long short story and collection as a whole. The author of the paper draws a conclusion about the dominant creative reception strategies in the literary works under analysis and also about the possible use of the presented creative reception typology in analyzing works by other writers.
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Torres, Edwin N. "Guest interactions and the formation of memorable experiences: an ethnography." International Journal of Contemporary Hospitality Management 28, no. 10 (October 10, 2016): 2132–55. http://dx.doi.org/10.1108/ijchm-02-2015-0065.
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Purpose For most customers, the vacation experience is enjoyed in the company of others; thus, studying customer-to-customer interactions becomes critical. This research aims to explore customer-to-customer interactions and their impact on the guest experience. Design/methodology/approach An ethnographic approach was taken to study a tour group over the course of two weeks. The author was a covert researcher and a member of the touring group. Findings Individuals gained social status both among fellow travelers and also among friends and family by virtue of their travels, the stories told, pictures shared and social media postings. The group became highly cohesive in a short time span, which led to an “in” and “out” group dynamic. Informants were more prone to take risks, owing to both their status as travelers and the group dynamics. The consumption of alcohol was observed along with its positive and negative effects. It was also noted that group members influenced one another during the process of assigning gratuities to the tour guide. Practical implications The marketing of hospitality and tourism services can stress benefits that go beyond one single vacation. Companies can engage in more vigorous efforts to facilitate positive customer-to-customer interactions to enhance the guest experience. Finally, given the speed of group processes and formation of a cohesive environment, organizations should be vigilant of how both employees and customers interact in the early stages of group development. Originality/value Even though mature travelers have been the subject of much research attention, the interactions, habits and influence of young travelers in the literature is underrepresented. Furthermore, the present research challenges the previously held assumption that services are simultaneously produced and consumed. Using pictures, social media posting and stories, informants recall and continue to experience benefits from their vacation.
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Ilina, Olena. "VOCABULARY OF THE COLLECTION OF NOVELS BY YU. M. MUSHKETIK «GREEN RYE»." Research Bulletin Series Philological Sciences 1, no. 193 (April 2021): 343–47. http://dx.doi.org/10.36550/2522-4077-2021-1-193-343-347.
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Ukrainian literature is famous for a lot of creative personalities who are the spiritual and moral leaders of the nation. Their work is designed to awake the highest values, national identity in each person. The article provides information about the vocabulary of a collection of short stories by the outstanding Ukrainian master of words Yu. M. Mushketyk. It is emphasized that the author uses the expression of colloquial vocabulary, as well as outdated vocabulary, introduces dialectisms and professionalisms into the text, mostly in order to create the appropriate color, give the character or terrain relief. Thematic groups of archaisms, historicisms, dialectisms are singled out, the artistic role of individual author's innovations is clarified. The master of the word appeals in works to the time of Antiquity, writes about the times of Kievan Rus, describes Koliivshchyna, the Second World War, and he also writes about the present. Yu. M. Mushketyk can be considered as an artist of philosophical depth. The main topics to which the author appeals are the connection of the historical past with the present, war, the problem of choice, the formation of national identity, the unity of Ukrainian lands, the formation of a harmonious personality, and so on. The author does not hide his position, his likes or dislikes. The writer’s opinion is expressed either directly or it follows from the very concept of the literary text. The main linguistic means used by the writer include the use of outdated vocabulary (historicisms and archaisms), the introduction into the text of individual authorial phraseology.
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Butros, Albert. "The English Language and Non-Native Writers of Fiction." International Journal of Arabic-English Studies 5, no. 1 (January 1, 2004): 59–92. http://dx.doi.org/10.33806/ijaes2000.5.1.5.
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Although fiction in English by non-native authors is one of long standing, there has been in the last two decades a surge in novels and short stories written by individuals whose native language is not English or by bilingual authors whose native command of a language other than English has been used to advantage in furthering the stylistic effect of their works. This paper explores the actual (and potential) contribution of four such writers (two Arab: Ahdaf Soueifand Ibrahim Fawal, and two Indian: Rohinton Mistry and Arundhati Roy) to the English language in terms of words, phrases, idioms and fixed expressions as well as broader elements of tone and emphasis. Extensive reference is also made to other Arab as well as African and Chinese novelists. The paper finds that longer strings are more readily recognizable as additions to English than single words, notwithstanding the legitimacy of many word-additions. It also looks into some practical considerations like the need or otherwise of textual glossing, glossaries as appendices and italicization..
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Khudenko, Е. А. "M. PRISHVIN AND A. HAYDOCK: A DIALOGUE ABOUT MANCHURIA, MAN AND TRUTH (“ZHEN-SHEN” AND “STARS OF MANCHURIA”)." Culture and Text, no. 53 (2023): 6–17. http://dx.doi.org/10.37386/2305-4077-2023-2-6-17.
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The article is devoted to the consideration of the phenomenon of literary «synchrony» – contemporaneous appearance of the phenomenon of philosophical and poetical identity in the texts of authors who never crossed with each other in the living space. A comparative analysis of the famous novel by M. Prishvin “ Ginseng “ and the little-known collection of short stories by A. Haydock “The Stars of Manchuria” suggests that the creative searches of the authors developed in the same way. Through the comprehension of eastern nature and Eastern philosophy, writers come to the idea of the unity of all living things and the interconnectedness of everything with this in a single stream of Being. Paintings of neo-romantic nature, motives of escape from reality, music, the search for the ideal feminine principle, the “keys of happiness” and the truth of human existence play an equally significant role in both texts. All this allows us to understand in a new way not only the Prishvin creativity, but also the literary process of the 1930s in the unity of two branches – the metropolis and the eastern line of the «first wave» of Russian emigration.
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Omarov, B. "«Qyz korelik», «Aina-taraq» and «Totynama»: Commonality with Indian plots." Keruen 74, no. 1 (March 15, 2022): 34–51. http://dx.doi.org/10.53871/2078-8134.2022.1-02.
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The current research is devoted to study how the plots of the world-wide collection of stories «Totynama» are reflected in the Kazakh and Kyrgyz fairy tales, as well as in our written literature. The author focuses on the origin of the story about three husbands of one girl that is very popular among Indian literary monuments. A number of works of Kazakh poets and writers are based on this story. Among them «Qyz korelik» by T. Zhomartbayev and «Aina-taraq» by Bazar zhyrau Ondasuly, as well as a number of variants of Kazakh fairy tales are considered. In the current paper the author pays special attention to the issue of usage of a well-known Oriental plot as the core of the story or as an element of the work. The idea of the process of transformation of a short story into an artistic creation or the appearance of several parts of the same story in different works is considered. The main thing is that the article contains a lot of information about the origin, sources and ways of development of the Oriental plot. The masterpieces of world literature in which these plots are used as «Totynama» by Ziya ad-Din Nahshabi, «Totynyn angimeleri» (Tota Kakhani) by Saiyd Haidar Bakhsh Haidari, «Tungi zhaukharlar» (Pearls of conversations) (Dzhavakhir al-asmar), «Vetalanyn zhiyrma bes angimesi» by Imad ibn Muhammad an-Naari, «Sindabad-name» by Muhammad az-Zahiri al-Samarkandi as well as a number of versions of «Totynama» that spread in our country and among Chinese Kazakhs are analyzed. In addition, new ideas are expressed about the nature and character of the eastern plot, its spread to the world population, its transformation, and adaptation to the mentality of the nation, its assimilation into a new work, its integration into oral and written literature. The author does not neglect a single difference in the process of changing plots. The specific features of the plot, which are embodied in each work are emphasized as well. It is worth paying attention to such complex details as the emergence of several literary plots from the one plot, the occurrence of often-repeated traditional details, the presence of common patterns in the origin and sequence of the story.
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Khachaturov, Sergei V. "Prince Vladimir Fedorovich Odoevsky — Visionary of Contemporary Art." Koinon 2, no. 2 (2021): 84–105. http://dx.doi.org/10.15826/koinon.2021.02.2.017.
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The author examines the work of the famous writer and inventor, statesman and philanthropist of the XIX century Vladimir Fedorovich Odoevsky in the light of the addition of a new type of personality of the researcher and Herald of the modern artist. Odoevsky belonged to the kind of Desk scientist. He turned his homes into laboratories where various experiments were performed (from anatomical, electrical to culinary). Contemporaries called him “Russian Faust”. The life of a recluse was combined in him with an extraordinary breadth of interests and an all-embracing knowledge. In his experiments, he sought to overcome the isolation of various Sciences and arts and restore the rights of a single Universe of knowledge about the world. This article is the first attempt to bring this strategy closer to the world of Renaissance researchers and artists on the scale of Leonardo da Vinci, on the one hand, and to the metamodern themes of transparent borders and hybrid understanding of the Sciences and arts in modern times. The platform for the synthesis of sciences and arts in Odoevsky’s world, of course, was literature. Based on the interpretation of his philosophical works, science fiction novels and short stories, the author concludes that the “instinctual” knowledge extolled by Odoevsky is close to the ideas of the Surrealists (Andre Breton, Jan Schwankmayer). And the universe created inside the study silence anticipates the images of a strange collector of knowledge, the Creator of installations on poetic and scientific themes in shadow-boxes by Joseph Cornell. Locked in the walls of the study, like a “town in a snuffbox” (the name of the Prince’s most famous novel), the philosophical art world of V. F. Odoevsky is endowed with the power of prophecy and inquiry about many subsequent discoveries in science, art, and society. As a modern artist, Prince Odoevsky does not give ready-made recipes and systematic explanations of the laws of life, but forces the interlocutor (reader-viewer) to be a co-Creator and take responsibility for the intellectual solution of the situations and incidents presented by the author. At the end of the article, we offer a brief overview of the exhibition held in the Museum of Moscow in 2019 (‘Cosmorama XVIII’), in which the life and art (the art of life) of Prince Vladimir Odoevsky entered into a dialogue with the works of contemporary artists.
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Romanets, V. M., and N. T. Podkovyroff. "COMPOSITION AND ARCHITECTONICS OF A WORK OF FICTION AS A CHARACTERISTIC OF THE AUTHOR’S STYLE. J. CHAUCER «THE CANTERBURY TALES»." Writings in Romance-Germanic Philology, no. 1(50) (October 13, 2023): 238–52. http://dx.doi.org/10.18524/2307-4604.2023.1(50).285566.
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The study presented here examines the problems of composition and architectonics of a work of fiction. The author analyses the correlation of these notions. A close examination of the types of compositional organization of a work of fiction has been carried out. It is noted that the problem of the composition of a work of fiction has a fairly long tradition. At the time, the problem was considered by Aristotle (4th century BC), who focused on the fact that the perfection of a work could be achieved by motivated selection and combination of separate elements into a single whole, which forms complete harmony. A study has been made of the theoretical aspects of the notion of «composition», as well as a demarcation with similar values such as «structure» and «architectonics», and a description of compositional techniques that clarify the functions of composition in a work of fiction. The article discusses the features of the composition and architectonics of «Canterbury Tales», a work by Geoffrey Chaucer, which was written at the end of the 14th century in Middle English, but remained unfinished. Chaucer’s literary skill is manifested in the fact that the stories reflect the individual traits and individual manner of narrating of the characters. The author depicts a wide canvas of English reality of his contemporary era. The book consists of a «Prologue», 22 verse and two prose stories, which are interconnected by interludes. The framing story reports on the development of the action. Borrowing the themes from numerous stories by other authors, Chaucer complicates the plot, saturates it with realistic details. At the same time, he connects the dynamics of action with psychological analysis. It is emphasized that the composition of a work of fiction is structured from the following main elements: plot — a series of events that are depicted in the work of fiction; conflict is a clash of characters and circumstances, views and principles of being, which are the basis of action. The conflict may arise between the individual and society or between characters. And in the mind of the hero, it can be explicit, hidden or imaginary. Plot elements reflect the stages of development of the conflict; prologue — a kind of introduction to the work, which tells about the events of the past and it emotionally sets the reader to perceive the work; exposition — an introduction to the main action, an description of the conditions and circumstances that preceded the beginning of the action (it can be expanded, non-deployed, integral and «torn», located at the beginning, in the middle or at the end of the work); familiarization with the characters of the work, the circumstances and chronology against which the action takes place; starting point of the plot — the beginning of the plot movement (the event from which the conflict begins, further events develop); development of action — a system of events that are the result of the starting point of the plot; the conflict escalates, and contradictions appear more clearly and sharply; climax — the moment of the highest tension of the action, the peak of the conflict — after the climax, the action weakens; denouement — the resolution of the main conflict, or an indication of possible ways to resolve it. This is the final moment of the action of the work of fiction. At this stage of the composition, either the resolution of the conflict is demonstrated or the impossibility of its resolution is shown; epilogue — the final part of the work of fiction, which indicates the direction of further development of events and the fate of the characters. A short message about what happened to the acting characters of the work of fiction after the end of the main storyline. The study considers plot options: the plot can be presented in a direct sequence of events with digressions into the past — retrospectives. In addition, the plot may depict «excursions» into the future or deliberately show an altered sequence of events. Non-plot elements are: inserted episodes, author’s digressions. Therefore, it should be noted that the main function of the plot is to expand the scope of the depicted events and, thus, to reflect the position of the author in relation to various phenomena of life. The work of fiction may lack individual elements of the plot, and sometimes there are several storylines. Architectonic techniques used by the author create a special unique author’s style. And it is the author himself who chooses the main compositional elements. Thus, the composition of a work of fiction can be multifaceted, linear, circular, «a thread with beads». Masterful architectonics is not just the unity of the constituent parts of a work, it is the originality of a particular work, its beauty and uniqueness. It has been determined that the most important property of the composition of this work of Chaucer is its logical sequence. It is with the help of the composition that one can determine that in the «Canterbury Tales» the center of events is the journey of the pilgrims to the holy place. Architectonics is consequently the relationship between the parts of the work. For example, the prologue and epilogue are traditionally small, the prologue being located at the beginning and the epilogue at the end of the work. And the larger elements are located between the prologue and the epilogue. Thus, the architectonics of the elements of the work is logically consistent with each other. In the «Canterbury Tales», the event type of composition has a chronological form. There is a time distance between separate events, but there is no violation of the natural chronology.
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Ulfa, Nur. "PENINGKATAN KEMAMPUAN SISWA DALAM MENULIS TEKS BERITA DENGAN MODEL PROBLEM BASED LEARNING (PBL) DENGAN MEDIA TEKS BERITA." sarasvati 4, no. 2 (January 3, 2023): 201. http://dx.doi.org/10.30742/sv.v4i2.2616.
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The Problem Based Learning using ficture can be used to improve the ability to write short stories because these models, strategies, and media provide students whith idiom to find and start short story writing activities. The activity of writing short stories in the process of good practice by author has shown an increase in the ability to write short stories. The improvement in the ability to write short stories made by student can be seen from the increase in the enthusias tic learning process and the work in the form of write short stories
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Andjelic, Sanja. "ŽANROVSKA POLIVALENTNOST PRIPOVEDANjA IVANE DIMIĆ (ZBIRKA KRATKIH PRIČA „POPIS IMOVINE“ I ROMAN „ARZAMAS“ IVANE DIMIĆ)." Lipar, no. 72 (2020): 79–95. http://dx.doi.org/10.46793/lipar72.079a.
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Genre diversity that is characteristic of Ivana Dimić’s opus becomes evident in the structure of her works – in her collection of short stories List of assets, short stories are followed by drama, while on the other hand, in her novel Arzamas short stories alternate with drama parts. It is important to emphasize that genre variety becomes the theme of both works. Short stories included in the collection have a specific form – the point is set at the beginning of the narration, the narrator, who is the author herself, starts the narration in medias res, and some of the stories have a fairy tale opener and are often allegorical. In her novel, the author uniformly models the short stories by choosing in medias res technique as dominant and by giving advantage to the theme that prevails in both of her works – the relationship between love and death which often leads to ambivalent feelings of the narrator.
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Mandasari, Fitria. "BEST PRATICE MENINGKATKAN KEMAMPUAN MENULIS TEKS CERPEN SISWA KELAS IX SMP NEGERI 15 TAMBUSAI UTARA DENGAN MODEL PROBLEM BASED LEARNING MELALUI STRATEGI COPY THE MASTER." sarasvati 4, no. 2 (January 3, 2023): 152. http://dx.doi.org/10.30742/sv.v4i2.2612.
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The Problem Based Learning using Copy the Master strategy through Audio Visual media (short films) can be used to improve the ability to write short stories because these models, strategies, and media provide students with idioms to find and start short story writing activities. The activity of writing short stories in the process of good practice by author has shown an increase in the ability to write short stories. The improvement in the ability to write short stories made by students can be seen from the increase in the enthusiastic learning process and the work in the form of short stories.
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Rozvadovskyi, V. I. "Novels Of Constitutional Production: Theoretical Aspect." Actual problems of improving of current legislation of Ukraine, no. 50 (June 11, 2019): 89–96. http://dx.doi.org/10.15330/apiclu.50.89-96.
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The article is devoted to the problem of short stories in constitutional proceedings, the problems of their understanding, implementation and improvement of a number of related provisions. The Law of Ukraine “About the Constitutional Court of Ukraine” has expanded the catalogue of powers of production entities; especially the institution of a constitutional complaint has been introduced as the only effective mechanism for protecting individuals and legal entities regarding violated rights and freedoms.
The innovations of the current Law of Ukraine “On the Constitutional Court of Ukraine” included the following powers of this institution: providing, at the request of the President of Ukraine or at least forty-five people’s deputies of Ukraine, conclusions on the compliance of the Constitution of Ukraine with questions that are proposed for submission to an all-Ukrainian referendum on a popular initiative; resolving issues of compliance with the Constitution of Ukraine and the laws of Ukraine of regulatory legal acts of the Supreme Council of the Autonomous Republic of Crimea at the request of the President of Ukraine; resolving issues of compliance of the laws of Ukraine (their individual provisions) with the norms of the Constitution of Ukraine on the constitutional complaint of a person who believes that the law of Ukraine applied in the final judicial decision in his case is contrary to the Constitution of Ukraine.
The above law also provides for the official interpretation of only the norms of the Constitution of Ukraine. At the same time, under the Law “On the Constitutional Court of Ukraine”, as amended in 1996, powers were provided for the interpretation of laws. Moreover, according to the author, the function of interpreting the norms of the Constitution and laws of Ukraine should belong to a single body of constitutional justice of Ukraine as an independent and abstracted subject of political and legal processes.
According to the author’s opinion, certain provisions can be attributed to the novels of the law “On the Constitutional Court of Ukraine”, according to which the legislator combined not only the European model of constitutional justice, but also the Anglo-Saxon one in terms of the organizational structure of the Court. This is evidenced by the introduction of the Chamber as an analogue of the European Court of Human Rights, the structure of which includes all judges, two senates of 9 judges and six boards of 3 judges each. The listed subjects of constitutional proceedings have the status of court bodies
According to the author, this law also requires additions in terms of specifying the procedure for the competition of candidates for the post ofjudge of the Constitutional Court of Ukraine, in matters of probation in court before deciding on their appointment. In addition, it is advisable to provide for amendments to the law of the procedure for dismissing judges of the court, as well as competitive selection for the position of category “A” employees in the Secretariat of the Constitutional Court of Ukraine.
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Pujiharto, Pujiharto, and Sudibyo Sudibyo. "THE POSITION OF LOW MALAY SHORT STORIES IN THE HISTORY OF INDONESIAN LITERATURE." Jurnal Humaniora 28, no. 1 (June 4, 2016): 97. http://dx.doi.org/10.22146/jh.v28i1.11505.
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This article tries to determine the factors causing the Low Malay short stories became unaccounted, especially those that were collected in Miss Koelit Koetjing (2005), in the constellation of the history of modern Indonesian literature. To answer these problems, this paper explores the criteria applied by the author of the history of Indonesian literature, comparing it with the Low Malay short stories, and relates them to their cultural historical context.The results showed the reason that Low Malay short stories collected in Miss Koelit Koetjing were not accounted, are caused by the following factors. First, most of the short stories still retain the traditional genres, such as hikayat (saga) and fairy tales, which show the strength of the cultural orientation of the past. Second, the authors of short stories are not natives; the author is not in the sense of the creator, the creator, but a storyteller, just to recount a story that has been there before. Third, short stories were published in newspapers and not in the book form. Fourth, the world of their stories came from diverse cultures and not from the world of the Indonesian archipelago. With a similar reality, it can be concluded that the short stories collected in Miss Koelit Koetjing, in the broad realm of Low Malay literature, is a literary tradition of its own in the constelation history of Indonesian literature.
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Klochek, Hryhorii D., and Mariia V. Foka. "SLOW READING AS A METHOD FOR REVEALING IMPLICIT MEANINGS IN THE LITERARY WORK." Alfred Nobel University Journal of Philology 2, no. 26/1 (December 20, 2023): 77–88. http://dx.doi.org/10.32342/2523-4463-2023-2-26/1-6.
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The purpose of the paper is to develop the basic methodological principles of slow reading of literary works with deeply veiled subtextual content. The subject of the research is the short story “Cat in the Rain” by E. Hemingway, whose literary style is clearly manifested by the Iceberg Theory as a well-known way of artistic expression of the implicit meanings. Research questions are to analyze E.Hemingway’s “Cat in the Rain”, using slow reading in order to demonstrate its basic principles; as well as to develop the main methodological principles of the analysis of a literary work, the application of which enable both the identification of the means by which the author creates the implicit plan of the text and mechanisms for decoding subtext meanings by the reader. The considered scientific coverage of the problem of slow reading in the works by M. Adler, D. Mikiks, J. Miedema, and others. The impact of the features of the computer era on the nature of reading is analyzed, the need to counteract the superficial perception of texts caused by clip thinking is indicated. M. Adler revealed in detail the concept of reading comprehension. D.Mikiks developed a number of methodological principles for slow reading of literary works of various genres (novels, short stories, dramatic works, and even essays). J. Miedema explained the importance of a slow way of perceiving texts from the perspective of psychophysiological science. Slow reading of a literary work is the slowest pace of its analysis, an effective method for penetrating the depths of content and the implicit level of the text. It is appropriate when the object of analysis is a highly artistic literary work that implies the depth of its content and the effectiveness of expressive techniques that create an aesthetic impact on the recipients. The slow reading methodology requires the application of certain basic methodological principles. Since there is an implicit level of a text, the interpreter must decode information that is not explicitly stated. This decoding process is based on three main points. Firstly, slow reading requires a conditional division of the text into episodes, each of which expresses an artistic meaning, all of which together form the main idea of the work. In turn, the method of analysing each episode involves identifying the artistic meanings expressed in its visualised moments, as well as dialogues (polylogues, internal monologues). In a highly artistic text, each image contains an implicit meaning. The ability to analyse the visual leads to decoding the unspoken. This also applies to the language of the characters. To demonstrate the method of slow reading, the short story “Cat in the Rain” by E. Hemingway was chosen, which exemplifies the “Iceberg Principle” cultivated by the author. The conditional division of the story into episodes allowed delving into the artistic world of the story and understanding how the meanings and motives of individual episodes form the main artistic meaning of the story. A detailed analysis of the visualised moments of the work made it possible to trace how the writer introduces the reader to his artistic world, creates the illusion of being present in it. This increases the level of the reader’s empathy – his/her ability to feel the internal emotional states of the characters. Nevertheless, the analysis of dialogues lets the reader reveal the psychological content, create a psychological behavioural model, and understand the internal psychological states of the characters. Such a dual interaction of the text components “visualisation – dialogue” forms the subtextual meaning of the work. The slow method of reading the short story “Cat in the Rain” makes it possible to reveal the hidden artistic meanings of the work. It raises the problem of family happiness that requires mutual understanding and spiritual intimacy between spouses. The story deals mainly with the inner states of an American woman. They centre around one single idea, which is the desire to have a real family and a home. Likewise, the method of slow reading allows us to understand the image of George as a representative of the “Lost Generation” which was one of the objects of artistic reflection in Hemingway’s works. George is a typical representative of that generation. He is one of those young people who, having survived the war, cannot find themselves in the post-war world. At the same time, the main artistic meaning of the story can also be interpreted as an expression of the idea of the global loneliness of people, the alienation of human existence, that is embodied in the images of the American couple, the hotel owner, and the writer himself as an “image of the author.” Slow reading should be based on an understanding of the theory of a literary work as a systemintegrated entity. The main categories of this theory are the concepts of the integrity of a literary work, the system-forming factor, and the system of artistic means interpreted as “techniques”, each of which has its own function. Thus, the aesthetic impact of the literary text is revealed that is the main goal of true art.
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Rodrigues, Louis J. "Mercè Rodoreda's short stories." Babel. Revue internationale de la traduction / International Journal of Translation 50, no. 1 (September 22, 2004): 28–44. http://dx.doi.org/10.1075/babel.50.1.05rod.
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Abstract This critical essay examines the literary and linguistic features of two short stories by Mercé Rodoreda, the best-known Catalan woman writer of the twentieth century. Chosen from among others published together under the general title of La meva Cristina i altres contes (My Christina and other stories), these are thought to be fairly representative of the style and content of the collection as a whole. Written under the infl uence of Ovid, Joyce, Kafk a, Sartre and the Symbolists, the author mingles direct and indirect styles and uses ‘monologue’ as an alternative to narration in the third person to delineate the character of their protagonists through the medium of speech with another person who cannot (as in La Mainadera) and probably does not (in Amor) respond. The result is an evocative, lyrical prose as important for what it says as for how it says it. Ingenuity of expression and interpretation, malice in the choice of its elements, insinuation and irony are its chief characteristics. Résumé Cet essai critique étudie les caractéristiques littéraires et linguistiques de deux nouvelles de Mercé Rodoreda, la femme écrivain catalane la plus célèbre du vingtième siècle. Ces nouvelles, choisies parmi celles publiées sous le titre général La meva Chritina i altres contes (Ma Christina et autres récits), sont considérées comme assez représentatives du style et du contenu de l’ensemble de la collection. Influencée par Ovide, Joyce, Kafk a, Sartre et les Symbolistes, Mercé Rodoreda combine les styles direct et indirect et utilise le « monologue » comme alternative à la narration à la troisième personne, afin de dépeindre le caractère de ses protagonistes par le biais d’une conversation avec un interlocuteur qui ne peut pas répondre (comme dans La Mainadera) et qui ne répond probablement pas (dans Amor). Le résultat est une prose évocatrice et lyrique, aussi importante dans ce qu’elle dit que dans sa manière de l’exprimer. L’ingénuité de l’expression et de l’interprétation, la malveillance dans le choix de ses éléments, l’insinuation et l’ironie en sont les principales caractéristiques.
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Crowe, Chris. "Don Gallo: The Godfather of YA Short Stories." English Journal 86, no. 3 (March 1, 1997): 73–77. http://dx.doi.org/10.58680/ej19973358.
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Presents an interview with Don Gallo, editor of seven anthologies of short stories and one collection of plays, and author or editor of seven books about young adult fiction for teachers and scholars.
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Ayu Sulastri, Ni Kadek, and Putu Sutama. "Kritik Sosial pada Kumpulan Cerpen Aud Kelor Karya Carma Citrawati Analisis Sosiologi Sastra." Humanis 25, no. 3 (August 28, 2021): 352. http://dx.doi.org/10.24843/jh.2021.v25.i03.p12.
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This research entitled “Social Criticism in Aud Kelor Short Story Collection by Carma Citrawati Analysis of Literary Sociology”. There are three short stories that were studied, namely the short stories entitled Wayan Kelor, Siaappp Presiden, and Keneh Pasih. The three short stories were analyzed by structural theory from Nurgiyantoro and sosiology of literature from Wellek and Warren. This research aims to describe the narative structure, the author’s background, and social criticism contained in the three short stories. Methods and techniques used in this study was divided into three stages. The stages of methods and data collection techniques used two methods, namely the simak and record technique. The stages of methods and data analysis techniques using qualitative methods supported by analytic descriptive techniques. Methods and techniques for presenting the results of data analysis using informal methods are supported by inductive techniques and deductive techniques. The result from this research is structure narative from the three short stories, namely: incidents, plot, characters and characterizations, settings, themes, and moral value of the stories. The second research result is an explanation of the author's biography. The third research result is social criticism contained in the three short stories, namely: injustice in law, education, politic, and socio-cultural. The author conveys the social criticism through characters and themes. This social criticism is conveyed specifically to readers and in general to society and the government. The author aims to make readers aware to open their mindset to their surroundings.
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Le Huy, Bac. "Intersignality in Haruki Murakami’s short stories." Journal of Science Social Science 66, no. 2 (May 2021): 3–13. http://dx.doi.org/10.18173/2354-1067.2021-0019.
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Applying the theory of intersignality to study the Murakami's short stories, I found that although he was a master of storytelling, his short stories were mostly based on the stories of a certain author. We do not see it as a plagiarism phenomenon because Murakami has a sense of dialogue or writing differently than previous writers. But that shows a limitation in Murakami's artistic creation. In addition, he aimed to make money in writing so he wrote long and so much. Reading Murakami's stories has a certain boredom. During his writing career, Murakami was influenced by Kafka, Hemingway and especially Raymond Carver. He has little influence from Japanese writers. And even though Japanese writers criticize his writing as a detachment from his tradition, Murakami is still a Japanese writer. The only difference is that he wants to target a global audience.
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Delbaere, Jeanne. "Magic Realism in Jack Hodgins’s Short Stories." Recherches anglaises et nord-américaines 20, no. 1 (1987): 41–49. http://dx.doi.org/10.3406/ranam.1987.1164.
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Magic realism in Jack Hodgins’s Short Stories. After tracing the development of magic realism and attempting to bring out its main features the author shows that Canadian magic realism combines elements of the two main orientations found elsewhere - fabulation and the marvellous - with a strong visual element borrowed from the school of painting of the same name. She then proceeds to analyse the magic realist elements in Jack Hodgins and more particularly in three of his stories, «Separating », «Spit Delaney’s Island », and «The Plague Children ».
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Zhang, Jingyi, and Lola Geraldes Xavier. "Silent Women in Mozambican Writer Lília Momplé's Short Stories." Theory and Practice in Language Studies 13, no. 7 (July 1, 2023): 1680–88. http://dx.doi.org/10.17507/tpls.1307.11.
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Lília Momplé, a Mozambican author, portrays the coexistence between black and white men and women in her works. By contesting the colonial legacy, the author contributes to the subaltern's voice. In this paper, we discuss how black characters, women in particular, in the short story collection No One Killed Suhura, are oppressed by colonialist societies. This text addresses the violence of social, racial, and sexual inequalities and the power relations established between colonizers and colonized during the twentieth century in Mozambique. We will see that some of the literary strategies used include the omniscient focus of the narrator, the relationship between history and literature, and irony.
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Sharipova, Chulpan Ramzilevna. "Genre originality of A. Akhmetgalieva’s short stories." Philology. Issues of Theory and Practice 16, no. 9 (August 29, 2023): 2664–69. http://dx.doi.org/10.30853/phil20230427.
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The aim of the study is to identify the genre features peculiar to the short stories by A. Akhmetgalieva. The paper highlights the most important components of the poetics of a short story: structure, content, means of expression, a character’s distinctness, forms and methods of the author’s self-expression. The scientific originality of the study lies in determining the area of the writer’s literary searches by analysing the short stories from the perspective of genre originality, as well as by assessing how the artistic means and techniques used by the author serve to provide insight into the relevant problems of our time. As a result, the following has been found: a) the author further enriched the variety of types of the traditional figures of speech and techniques peculiar to Tatar literature, attaching new semantic shades to them, in particular, using such forms as a diary, dreams, the technique of highlighting artistic details, as well as the images of Memory, Dream; b) the synthetism inherent in A. Akhmetgalieva’s works is marked by the intertwining with the features of the novella in some short stories, while in others – with that of the neser; c) in the centre of the short stories, there are characters who are left alone, their lives are depicted from the viewpoint of the philosophy of existentialism; d) in the compositional construction, there is a peculiar author’s technique of starting and ending the stories, as well as the organic use of circular composition, which makes it possible to reveal the content of the work more fully, providing an opportunity for a comparative assessment of the past and present.
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Du Plooy, H. "Op welke wyse word die waarheid gelieg? Die kortverhale van T.T. Cloete." Literator 16, no. 3 (May 2, 1995): 23–42. http://dx.doi.org/10.4102/lit.v16i3.637.
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Truthful lying in T.T. Cloete’s short storiesIn this article an attempt is made to characterize the short stories of T.T. Cloete in Die waarheid gelieg. The theory of focalization is examined briefly and a definition of focalization which emphasizes the epistemological aspects ofperspective and formulation is used to examine the stories. The stories are compared to stories of Kafka and Borges indicating the resemblances, especially the fascination with the unexpected and weird contradictions in reality, as well as the differences. An intratextual reading of the stories and poems by the same author is undertaken in an attempt to formulate the epistemic position of the focalization in the texts. The article concludes that the Christian worldview as well as a poetics of nomenliterature of the abstract author can be deduced from the stories on account of the assumption that epistemic stances are reflected in the narrative representation and can be communicated to readers by means of propositional attitudes.
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Braun, Alice. "The Author at Work – Two Short Stories by Janet Frame." Commonwealth Essays and Studies 30, no. 1 (September 1, 2007): 93–103. http://dx.doi.org/10.4000/ces.9272.
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Kardyni-Pelikánová, Krystyna. "Karola Čapka zabawa w „kryminałki”. (O genezie i budowie Opowieści z różnych kieszeni)." Przegląd Humanistyczny 63, no. 4 (January 15, 2020): 41–61. http://dx.doi.org/10.5604/01.3001.0013.7283.
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The author attempts to define the genological structure of Stories from a Pocket and Stories from Another Pocket by Karel Čapek. The analysis of titles and content of stories leads to the conclusion that in search of a way to disseminate culture, to create popular literature, however with high artistic values, by applying his own invention the Czech author went far beyond mere replication of detective and criminal novel patterns commonly used in Euro-Atlantic culture. His ingenuity in the “genre instrumentation” of these short detective and criminal stories was remarkable and produced great results.
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Podbrežnik, Andrej. "Katherine Mansfield in Slovene translations." Acta Neophilologica 34, no. 1-2 (December 1, 2001): 39–57. http://dx.doi.org/10.4312/an.34.1-2.39-57.
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During her short life Katherine Mansfield wrote numerous short stories, which place her among the best authors of this genre in world literature. The au thor of this paper tries to establish the reception of Mansfield's work and the critics' response in Slovenia. First translations of her stories were published in various Slovene magazines and reviews after the Second World War. However, the most complete and artistically successful presentation of her work was prepared in 1963 when Jože Udovič published twenty-eight short stories written by this author under the title Katherine Mansfield: The Garden Party. Udovič also contributed the introduction about the author and her work. The book was very well received in Slovenia not only by the reading public, but also by critics, who praised Mansfield and Udovič's translation as well. After that more than twenty years passed, before Katarina Mahnič translated Katherine Mansfield's short story "The Singing Lesson" in 1988. We can conclude that hopefully some new translations of Katherine Mansfield's stories will appear soon.
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Shubert, Ganna. "EXPERIMENTAL ARTISTIC STRATEGIES OF S.D. KRZHIZHANOVSKIY." Polish Studies of Kyiv, no. 35 (2019): 418–23. http://dx.doi.org/10.17721/psk.2019.35.418-423.
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The author of the article investigates original artistic heritage – experimental art strategies which are repre- sented in short stories by Sigizmund Krzhizhanovskiy. The article gives short biographical information about Krzhizhanovs- kiy as his popularity is growing. The author of short stories is famous for his omniscience talent. Researcher distinguishes such experimental artistic traits as creation of heroes, model of creation individual author’s myth about the world, synthesis of literature kind and sort. These traits are specificity of transitional type of thinking Krzhizhanovs- kiy’s. According to investigations of following scientists M.Epstein, M.Khrenov, Y.Lotman, V.Silantieva Krzhizhanovskiy was identified as prominent representative of transitional cultural period of XX-th century. Researcher demonstrates series of artistic traits which are similar for transitional cultural period of XX-th century and short stories by Krzhizhanovskiy: disintegration of holistic systems; variable and dynamic presentation about existence, world, beauty, true; model of chaosmos; active production new conceptions artistic model of existence and world, human and system of their relationship; eschatological tempers; plurality and multiplicity of worlds; actualization of mythopoetic art; intensification of playing experimental type. Experimental strategies of creating heroes are the next: reconsideration traditional cultural discourse, different meta- morphosis and transformations, using artistic principal of alienation (by V. Shklovsky), active functioning of body’s code, and artistic model of substitution for lifelike heroes. Krzhizhanovskiy experiments also with artistic coordinates of world: space and time (chronotope). Artistic world in short stories by Krzhizhanovskiy disintegrates, splits up and such situations are used for creating plurality and multiplicity of worlds and interworld, quasiworld after apocalypse. Synthesis of literature kind and sort is a bright trait of transitional type of thinking. Short stories by Krzhizhanovskiy show original variants of metric prose. Krzhizhanovskiy uses diversity of principals for rhythmization through all the levels of artistic text. Beside, the principals of musical rhythmization are widely used in short stories. Krzhizhanovskiy coded 23-d Appassionata by Beethoven in one of his short story. The author creates complicated superstructure of the text that confirms diversity of searches artistic synthesis and experimental poetic.
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Hnatiuk, Mykhailo. "THEME OF UKRAINE IN ARTISTIC AND JOURNALISTIC DISCOURSE OF VASYL STEFANYK." PRECARPATHIAN BULLETIN OF THE SHEVCHENKO SCIENTIFIC SOCIETY Word, no. 16(63) (August 26, 2022): 245–53. http://dx.doi.org/10.31471/2304-7402-2022-16(63)-245-253.
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The author of the article analyzes V. Stefanyk's short stories, in which the author comprehends the formation of the national consciousness of Ukrainians after the failure of the liberation struggles of 1918-1920.Patriotic theme that at the turn of the ХІХ-ХХ centuries found artistic embodiment in the image of the offended peasantry, in the second period of the writer's work (1916-1936) was realized in stories depicting the formation of a new generation of nationally conscious Ukrainians who came out of this peasantry. The author of the study analyzes the short stories "Maria", "Sons", involving in the analysis the journalism and correspondence of the writer. This suggests that the works of V. Stefanyk of this period became one of the brightest patriotic examples of Ukrainian literature of the first half of the twentieth century.
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Assi.Inst. Sumaya Ahmed. "Passive Voice in Short Stories: Analytical Study." Journal of the College of Basic Education 20, no. 82 (January 28, 2023): 923–42. http://dx.doi.org/10.35950/cbej.v20i82.9869.
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A short story is a work of fiction. A prose narrative of shorter length thanthe novel, and it usually concentrates on a single theme. Many writers preferwriting short stories when they want to present a single significant episode orscene involving a limited number of characters.
Writers differ in their style, but they agree on certain basic elements inwriting the short story. Readers also differ in their preference, some might prefercrime short stories, others like fantasy ones, while many are obsessed byromance or mystery short stories.
The way in which the writers present their short stories is restricted toeach writer’s point of view and the angle from which he wants to show hisopinion and makes it apprehensive for his readers. So different parts of speechare involved in writing short stories, and different structures are used, but thefocus of this paper is on the use of passive voice in short stories. Do writersprefer or prefer not to use the passive voice in their writings, and if they doprefer using it, will this affect the phrasing of the short story in a way that ties upthe process of comprehension in the mind of the reader? This paper tries toanswer this question, depending on the analysis of four short stories, chosenfrom different types for different writers.
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Cifuentes-Aldunate, Claudio. "Lo consciente del inconsciente en el Primer Vargas Llosa." Revue Romane / Langue et littérature. International Journal of Romance Languages and Literatures 43, no. 2 (September 17, 2008): 328–42. http://dx.doi.org/10.1075/rro.43.2.11cif.
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In this article I try to demonstrate Mario Vargas Llosa’s precocious abilities as author in the first short stories he wrote at nineteen-twenty years of age. My particular focus will be on the consciousness from the unconscious in the creative process of this author. There is an implicit presence of Freud’s lectures in Vargas Llosa’s early production, but my analysis will also touch upon the problem of the unconsciousness of the unconscious, primarily in two short stories from the book Los jefes: “El hermano menor” and “El abuelo”.
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Jasim MOHAMMED, Widaad. "A STUDY ABOUT THE CONCEPT OF FRUSTRATION IN SHORT STORIES COLLECTIONS (TÜNELDEKI ÇOCUK) FOR THE AUTHOR SAIT FAIK ABASIYANIK." RIMAK International Journal of Humanities and Social Sciences 05, no. 04 (July 1, 2023): 200–210. http://dx.doi.org/10.47832/2717-8293.24.12.
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Sait Faik Abasıyanık is Considered one of the most known short story writers and novelists in Turkish literature. He was born in Istanbul 1906 and died when he was 47 in 1954. Throughout his short life, he wrote several books in several fields of literature. He was also known in the literary field by writing short stories. He is among the pioneers of modern Turkish story writers. The short stories collection (Tüneldeki Çocuk) or (the child in the Tunnel) is one of the most important books for Sait Faik Abasıyanık. The collection consists of nine short stories and eight dialogues that differ from each other. (The Child in the Tunnel) is one of this collection of stories and becomes the title for it. The subjects of these short stories are different from one story to the other. Most of these subjects based on grief and drama. The child plays the main character in most of these short stories that have been published after one year of his death. It is possible to express frustration as the grief result from the inability of a person to achieve his dreams in the future. The main aspect is to expect enjoy days full of hope in the future but once you fail in achieving what you hoped for or to achieved in a different way, this would cause grief and sadness for man and this grief can be expressed as frustration. In the beginning of the research paper, there is an abstract about the subject of the research paper. Then, there is a short summary about life of Sait Faik Abasıyanık and his literary personality and his literary career. It is followed by a section to explain the concept of frustration. The paper, then, deals with every tale in the collection (the child in the Tunnel) each one of them alone from other stories and gives a summary of the characteristics and features of frustration that appear in the collection.
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Tampubolon, Sahlan Tampubolon. "TRANSITION SIGNALS USED IN SHORT STORIES." JETAL: Journal of English Teaching & Applied Linguistic 1, no. 1 (September 22, 2019): 33–40. http://dx.doi.org/10.36655/jetal.v1i1.118.
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The purpose of this study is to find out types and the dominant one of transition signals used in short stories. Research method used in this study is descriptive qualitative by doing library research. The data were collected by analyzing the transition signal used in five short stories. The results shows that the transition signals used in short stories are the transition signal indicates time, comparison, additional idea, and contrast. The dominant transition signal used is the transition signal indicates additional idea. The findings shows that the transition signal used on the five short stories is developed in a single central theme.
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C, Murugasaraswathi. "Social Ideas Found in a Collection of Short Stories, A Green Bird with a Red Nec." International Research Journal of Tamil 4, S-7 (July 29, 2022): 200–203. http://dx.doi.org/10.34256/irjt22s731.
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Sivappu Kazhuthudan Oru Pachai Paravai is a collection of short stories by author Ambai. This book covers 11 topics. The first story is Tontai putaitta kakam onru through this story he has told the actions of people. The synopsis of the story is that people are weighed based on the actions of a crow. In the second story 'Sampal melelum nakaram', the author has beautifully described the condition of the people living in the city. The author has beautifully captured the suffering of a city in a hectic situation. In the story vilttal, an average mother writes about the son's behavior is not attending the final event of the father as the central theme. Through this story, we can know the situation of the parents and son who went abroad and did not even come to pay the last respect to the father. Through the story of Civappu kaluttutan oru paccai paravai, he expresses the condition of the deaf child. The society aims to address the situation of the parents of a disabled child. Through the story of Poykai, the man's state of mind is conveyed when he becomes a woman. Through this story we can know how the feelings of women are in their minds. Thus, the author has published a comment through each story. In all the stories written by him like ‘Vil muriyata ampukal, cinkattin val, payanam 22, payanam 23’, the story compares the average human life. The collection of short stories takes each poem to the next move in a realistic language style. All short stories are social ideas and reforming society. The author has made up stories with excellent topics like Cinkattin Val, irattai narkalikal payanam vivarankal.
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Kumari, Dr Kajal. "Studying Human Relationships in the Short Stories of Bhabani Bhattacharya." SMART MOVES JOURNAL IJELLH 8, no. 9 (September 29, 2020): 136–44. http://dx.doi.org/10.24113/ijellh.v8i9.10773.
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Bhabani Bhattacharya is a kind of author who writes mostly on human relationships. In Steel Hawk and other Stories which were published in 1968 there are various such kind of stories. His themes are traditional but new because he has a different and innovative way of writing. His characters are also very interesting and they are influenced from real human societies. This realistic and idealistic approach is very uncommon. In A moment of Eternity we can see a fine blend of realism and idealism. This shows that how he uses the traditional human values as a raw material for his short stories. His experiments with traditional values of life are full of new possibilities and hopes. In some cases we can also find that his characters are alienated and repressed but still there is some sense of optimism in their lives. If they reflect pessimism then this can be a chance of learning for readers. Bhabani Bhattacharya believes that a writer must not impose his school of thoughts on his readers. So in his short stories readers are free to analyze the different situations of life. The story like public figure shows that how a man can change in life. This changing is not normal as it can lead him to identity crisis which can be painful. After reading his short stories we can easily locate that there is a kind of synthesis between modernism and traditionalism in most of his writings. Stories like the steel hawk, The Acrobats , Names are not table’s and the quack are noteworthy as they reflect real life situations. They are not simply stories but they present the way by which life can treat an individual. It also shows a better craftsmanship of the author.
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Чжан, Ц. "Poetics of Nina Dashevskaya's short stories (From the collection "Volchok's Stories")." Cherepovets State University Bulletin, no. 4(115) (August 15, 2023): 158–69. http://dx.doi.org/10.23859/1994-0637-2023-4-115-13.
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Статья посвящена поэтике рассказов Нины Дашевской по материалам сборников «Рассказы Волчка». Рассматривается особенность рассказов для детей и подростков, анализируется художественная поэтика в творчестве писателя с точки зрения содержания, темы и языка. Особое внимание уделено созданию художественной реальности, которая транслирует вполне достоверные особенности характеров, ситуаций и явлений современного мира. Новизна проведенного исследования заключается в попытке постижения внутренних закономерностей прозы Н. Дашевской для детей и подростков, исследовать которые возможно через последовательный и систематический анализ поэтики. Делается вывод, что рассказы Н. Дашевской могут помогать детям и подросткам стать более устойчивыми и эффективно решать проблемы, с которыми они сталкиваются по мере взросления. Ключевые слова: современная детская литература, поэтика, Нина Дашевская, современный рассказ, музыка The article focuses on the poetics of Nina Dashevskaya's short stories based on the collection "Volchok's Stories". The author considers the peculiarities of stories for children and adolescents, analyzes the artistic poetics in the creative work of the writer from the point of view of content, theme and language. The special attention is given to the creation of artistic reality, which conveys quite authentic features of characters, situations and phenomena of the modern world. The novelty of the study is in the attempt to comprehend the internal regularities of N. Dashevskaya's prose for children and adolescents which can be explored through a coherent and systematic analysis of poetics. The conclusion is that N. Dashevskaya's stories can help children and adolescents become more resilient and deal effectively with the problems they face as they grow up.