Relevant bibliographies by topics / Short stories (multiple authors)

Academic literature on the topic 'Short stories (multiple authors)'

Author: Grafiati
Published: 25 July 2024

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Journal articles on the topic "Short stories (multiple authors)"

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Elian, Marta. "WHY AUTHORS USE MULTIPLE SCLEROSIS IN NOVELS, PLAYS AND SHORT STORIES?" Journal of Neurology, Neurosurgery & Psychiatry 86, no. 9 (August 13, 2015): e3.54-e3. http://dx.doi.org/10.1136/jnnp-2015-311750.58.

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Nghi, Trinh Quynh Dong. "APPLYING THE HETEROPHONIC PERSPECTIVE TO ANALYZING MODALITY OF THE VIETNAMESE FRAGMENTS." Linguistics & Education 3, no. 4 (December 12, 2023): 80–93. http://dx.doi.org/10.17021/2712-9519-2023-4-80-93.

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The term "heteroglossia" comes from the Russian term "raznorechie," right from the beginning of "heteroglossia," which values the difference of dialogue. This article has applied heterophonic theory to analyze the meaning of Vietnamese fragments in the survey fragment corpus, statistics from 24 short stories collected in Truyện ngắn hay 2019 (multiple authors). The categories “narrowing the dialogue” and “expanding the dialogue” are considered, which makes it possible to believe that the heterophonic approach contributed to the study in identifying isolated groups of sentence modalities. In addition, the article also points out the "unfoundedness" of heterophonic theory in its ability to explain the modality of the fragment.
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Sumithra Devi, S. "Relocating Oneself Beyond Barriers." Shanlax International Journal of English 12, no. 1 (December 1, 2023): 4–10. http://dx.doi.org/10.34293/english.v12i1.6839.

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South-Asian diasporic authors write out of their specific cultural, individual and collective needs that relate to their experiences of racism, ethnic discrimination and sexism in the new space. The task at hand is to re-structure and re-constitute alien paradigms to suit the spaces inhabited by the immigrant. Immigrant writing involves a powerful “presencing” of source and host cultures. There are indeed variations within the immigrant groups in terms of the degree of retention of ethnic cultural values, the behavioural patterns and the degree of accommodation arrived at with the demands of the host culture. These various facets of immigrant experience, that are thrown into focus as a result of cross-cultural encounter, point to the shared experiences of the immigrant communities, which constitute the ethos of the diaspora. Diaspora is an important conceptual tool because it highlights the multiple standpoints borne of migration and displacement. It illuminates an ambivalent politics of positioning and being positioned, of identification and being identified.In her debut collection of short stories Interpreter of Maladies, also called, “stories of Bengal, Boston and Beyond”, Jhumpa Lahiri probes deeply into the maladies of cultural dislocation and the consequential emotional trauma. This paper analyses four short stories titled “A Temporary Matter”, “The Third and Final Continent”, “Mrs. Sen’s” and “Interpreter of Maladies” in the anthology and attempts to trace how the immigrants who vacillate between two cultures overcome the identity crisis they face.
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Vázquez, David J. "Mapping Decolonial Environmental Imaginaries in Latinx Culture." American Literary History 33, no. 3 (August 3, 2021): 657–73. http://dx.doi.org/10.1093/alh/ajab054.

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Abstract Mapping Decolonial Environmental Imaginaries in Latinx Culture addresses a growing dialogue between antiracist environmental humanities and Latinx studies scholars that emphasizes how Latinx creativity expresses decolonial environmental values. Even as we face a racial crisis in the US, there is a looming, similarly daunting challenge in environmental change. Locating forms of progressive environmental ideas that think simultaneously about race and racialization is crucial if we are to meet these twin challenges. This essay introduces a mode of comparative analysis that places multiple genres and forms (novels, films, visual art, and short stories) created by authors from multiple Latinx communities (Chicanx, Puerto Rican, Peruvian, and Central American) into conversation. This comparative approach provides a more nuanced account of how Latinxs from multiple racial, class, gender, sexual, and other identity positions think about and represent environmental ideas. As the legatees of colonialism and racism, Latinx artists have much to say about combatting, circumventing, and, at times, proposing remedies for oppression and environmental harm as complex, interrelated phenomena. These authors and artists comprehend racial capitalism as directly causing environmental crises that perform in concert with racism and colonialism.
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Jaramillo Zuluaga, José Eduardo. "José Asunción Silva entre el lector intuitivo y el lector digital." Estudios de Literatura Colombiana, no. 19 (August 23, 2013): 83–90. http://dx.doi.org/10.17533/udea.elc.16455.

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Resumen: Si un autor es un estilo o una función interpretativa que unifica una colección de textos, hay tantos José Asunción Silvas como autores de El libro de versos, Gotas amargas y De sobremesa. Esta multiplicidad de Silvas dificulta la identificación del autor de los relatos reunidos en los Cuentos negros. Para establecer dicha identificación un lector debe acudir tanto a la intuición como a los análisis estadísticos computacionales. De hecho, una lectura intuitiva no excluye y sí complementa una lectura digital. Descriptores: Silva, José Asunción; Cuentos negros; Cuentos colombianos; atribución autorial; estética de la recepción. Abstract: If an author is a style or a hermeneutic function that unifies a number of texts, there are as many José Asunción Silvas as there are authors of El libro de versos, Gotas amargas, and De sobremesa. The existence of these multiple Silvas hinders determining the authorship of the stories published in Cuentos negros. To identify the author, the reader must rely both on intuition and on statistical analysis. Indeed, an intuitive reading does not exclude but rather complements a digital reading, a reading supported by computational tools. Key words: Colombian short stories; authorship; readership; Cuentos negros; Silva, José Asunción.
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Prathap Chandran, R., and P. Kumaresan. "Gynocentrism in Langston Hughes selected poetic works." RUDN Journal of Studies in Literature and Journalism 27, no. 4 (December 15, 2022): 716–25. http://dx.doi.org/10.22363/2312-9220-2022-27-4-716-725.

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Gynocentrism exclusive focuses on women both as theory and practice. Anything can be considered gynocentric when it is concerned exclusively with a female point of view. The works of Langston Hughes, which reflect the intersection of races and genders in the lives of blacks, are studied. His contributions take multiple forms including poetry, short stories, dramas and novels which are about black women's love, nature, romantic dilemmas, mother - daughter relationships, friendship, and silences. The authors analyze how gender in a special way colors female identity in Hughes' works. He expresses interdependence of genders and racial identities in his representations of black women and hence can be dubbed as gender racial. His writings are in a gender racial style, highlighting and intertwining gender and racial identities. Hughes' overcomes gender and racial stereotypes with open discussions on contentious themes. It is concluded that Hughes creates an alternative to repressive social realities by combining challenges with sensual visions.
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Ekawati, Rosyida, and Nata Permata. "Lexical Richness of Short Stories Written by EFL Students." EFL Education Journal 9, no. 1 (March 31, 2022): 102. http://dx.doi.org/10.19184/eej.v9i1.29052.

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The study concerns with lexical richness of short stories. The data consist of 48 short stories written by English Study Program of University of Trunojoyo Madura. This study aims at measuring the lexical richness of short stories by different gender based on three measurements, i.e. lexical density, lexical sophistication, and lexical variation. This study employs the theory and the lexical richness formula proposed by Laufer and Nation (1995). It applies descriptive quantitative design. The results showed that the results of each measurements are 11 short stories in high lexical density (LD), 37 short stories in quite high LD, 27 short stories in high Lexical Sophistication (LS), 21 short stories in low LS, 25 short stories in high Lexical Variation (LV), and 23 short stories in low LV, the results of lexical richness that obtained from the combination of LD, LS, and LV are high lexical richness category (5 stories), quite high category (14 stories), quite low category (20 stories), and low category (9 stories), and the results of lexical richness based gender differences show that the short stories of male authors have higher lexical richness than female authors. The overall results show that short stories written by English Study Program students of University of Trunojoyo Madura have quite low lexical richness.
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Softic - Gasal, Larisa. "SHORT STORIES IN THE BALKANS AND CONTEMPORARY - SHORT STORIES IN THE WORLD." Journal Human Research in Rehabilitation 4, no. 1 (January 2014): 13–23. http://dx.doi.org/10.21554/hrr.011406.

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A comparative analysis of selected short stories in the Balkan countries, as well as contemporary short stories of the world, will show us that the key themes of those stories are very similar to the short stories written during the period of transition in Bosnia and Herzegovina (1995-2010). For example, the story of the Soul Operation by an Iranian writer Mohsen Mahmalbafa, The Falcons by a Dutch writer Kader Abdolaha and On the Kitchen Stairs by a Polish writer Witold Gombrowic zinter connect with short stories by authors from Bosnia and Herzegovina, such as The Secret of Raspberry jam by Karim Zaimović or The Devilish work of Zoran Riđanović. A common thread manifests itself in the aforementioned stories, more specifically, a common theme which focuses on the need for eradication of the seeds of submission and compliance with the political system. Most authors focus on their domestic political systems; however, some portray and analyze systems in other countries as they see it, such as a Dutch narrator who focuses on a potential threat of infringement of human freedom. Moreover, Bellow Hubei by an Argentinian writer Anhelika Gorodis her underlines the importance of humanization within a political order. Faruk Šehić examines the political system in Bosnia and Herzegovina from a slightly different perspective. His collection of stories Under Pressure emphases the issue of pressure in the above war model of short stories in Bosnia and Herzegovina. These stories are the product of pressure and anxiety, with intent to latently promote new ways of spiritual survival, directly relating to the concept and the theme of the story The Past Age Man by Christian Karlson Stead. Further analysis of the alienation theme singled out short stories in Bosnia and Herzegovina, Plants are Something Else by Alma Lazarevska and Dialogues by Lamija Begagić, and pointed out their connection with some recent international short stories such as The Last Defence by Mahdi Šodžaija a contemporary Persian author who indicates the inappropriateness of spousal relations and the crisis of modern marriage. The alienation theme present in many short stories in Bosnia and Herzegovina also appears in a particularly impressive way in a short story Raggedy Africa by a Slovenian author Mark Švabič, which is clearly related to a short story The Seaside Fairy Tale by Miljenko Jergović from Bosnia and Herzegovina. Extremely interesting are the stories that suggest a crisis of legitimacy of culture and behavior, such as the story of Tito or Curriculum Vitae by a Slovenian writer Maja Novak, or Bankophobia by Ante Zirdum, demonstrating the individual culture of behavior and society in general in a regressive dimension manifested through addiction or phobia from banking institutions
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Anwar, M. Shoim. "Cerita Pendek Malaysia: Interaksi Simbolik untuk Membangun Citra Etnis Cina." ATAVISME 22, no. 2 (December 31, 2019): 185–99. http://dx.doi.org/10.24257/atavisme.v22i2.575.185-199.

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The population of ethnic Chinese in Malaysia ranks second, after ethnic Bumiputra. Some of ethnic Chinese residents write short stories in order to build an image of themselves. Their work pieces are written in the short story anthology of Menara 7 (1998). This Malay anthology is interesting because its authors speak their mother tongue instead of Malay language. The objective of this research was to describe how the symbolic interactions was constructed on the short stories of Menara 7. By using symbolic interaction theory and the Hermeneutic Circle analysis methods, in short stories written by Chinese authors, the efforts to build image were manifested through the use of titles, characterizations, and cultural missions. It showed that short stories were also used as a meaning of cultural mission internally, as a manifestation of tendentious literature.
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Antell, Karen. "Book Review: Teaching Information Literacy through Short Stories." Reference & User Services Quarterly 57, no. 4 (June 15, 2018): 298. http://dx.doi.org/10.5860/rusq.57.4.6710.

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The ACRL Framework for Information Literacy for Higher Education, adopted in 2016, “encourages information literacy librarians to be imaginative and innovative in implementing the Framework in their institutions” (ACRL Framework, appendix 1). In this spirit, authors Brier and Lebbin have collected eighteen very short stories—typically one to three pages in length—whose themes raise questions concerning the nature of authority, the process of searching, and the creation and value of information. Following each story, the authors add discussion questions designed to initiate philosophical conversations among librarians, instructors, and students about significant topics in information literacy.
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Dissertations / Theses on the topic "Short stories (multiple authors)"

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McCaffrey, Molly Ann. "Heaven and Earth a collection of short stories /." Cincinnati, Ohio : University of Cincinnati, 2005. http://www.ohiolink.edu/etd/view.cgi?ucin1116245589.

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Thesis (Ph. D.)--University of Cincinnati, 2005.
Committee/Advisors: Brock Clarke, James Schiff, Michael Griffith. Title from electronic thesis title page (viewed May 20, 2008). Keywords: Short stories; Fiction; American; Women authors; Class; Race; Interpersonal relations; Man-woman relationships. Includes abstract. Includes bibliographical references.
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Lloyd, Clive N. V. "H C Bosman : South African history in black and white." Thesis, University of Sussex, 1997. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.362269.

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Brown, Sheree Mancini. "Conjuring Olympus: Defining Place for Women." Xavier University / OhioLINK, 2002. http://rave.ohiolink.edu/etdc/view?acc_num=xavier1352667500.

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Nakasa, Dennis Sipho. "The dialectic between African and Black aesthetics in some South African short stories." Master's thesis, University of Cape Town, 1993. http://hdl.handle.net/11427/22394.

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Most current studies on 'African' and/or 'Black' literature in South Africa appear to ignore the contradictions underlying the valuative concepts 'African' and 'Black'. This (Jamesonian) unconsciousness has led, primarily, to a situation where writers and critics assume generally that the concepts 'African' and 'Black' are synonymous and interchangeable. This study argues that such an attitude either unconsciously represses an awareness of the distinctive aspects of the worldview connotations of these concepts or deliberately suppresses them. The theoretical and pragmatic approach which this study adopts to explore the distinctive aspects of the worldview connotations of these concepts takes the form, initially, of a critique of such assumptions and their connotations. It is argued that any misconceptions about the relations between the concepts 'African' and 'Black' can only be elucidated through a rigorous and distinct definition of each of these concepts and the respective world views embodied in them. Each of the variables of these definitions is also examined thoroughly through an application of, inter alia, Frederick Jameson's 'dialectical' theory of textual criticism, Pierre Macherey's 'theory of literary production' and also through the post-colonial notions of 'hybridity' and 'syncreticity' propounded by Bill Ashcroft et.al (eds). In this way the study examines the dialectical interplay between, for instance, such oppositional notions as 'African' and 'Western' (place-conscious), 'Black' and 'White' (race-conscious), and other forms of ideological 'dominance' and 'marginality' reflected in the 'African' and/or 'Black' writers' motivations for the acquisition, appropriation and uses of the language of the 'other' (i.e. English) and its literary discourse in South Africa, Africa and elsewhere in the world. A close textual reading of the stories in Mothobi Mutloatse's (ed) Forced Landing, Mbulelo Mzamane's (ed) Hungry Flames underlies an examination of the processes of anthologisation and their implications of aesthetic collectivism, reconstruction and world view monolithicism which repress the distinctive world outlooks of the stories in these anthologies. The notions of aesthetic monolithicism implicit in each of these anthologies are interrogated via the editors' truistic assumptions about the organic nature of the relations between the concepts 'African' and 'Black'. The notion of a monolithic 'African' and 'Black' aesthetic is further decentred through a close textual reading of the uses of the 'African' and 'Black' valuative concepts in the short story collections The Living and the Dead and In Corner B by Es'kia (formerly Ezekiel) Mphahlele. The humanistic pronouncements in Mphahlele' s critical and short story texts suggest various ways of resolving the racial demarcations in both the 'Black' and 'White' South African literary formations. According to Mphahlele, a predominant racial consciousness inherent in the racial capitalist mode of economic production has deprived South African literature and culture an opportunity of creating a national humanistic and 'Afrocentric' form of aesthetic consciousness. The logical consequence of such a deprivation has been that the racial impediments toward the formation of a single national literature will have to be dismantled before the vision of a humanistic and 'Afrocentric' aesthetic can be realised in South Africa. The dismantling of both the 'Black' and 'White' monolithic forms of consciousness may pave the way toward the attainment of a synthetic and place-centred humanistic aesthetic. Such a dismantling of racial monolithicism will, hopefully, stimulate a debate on the question of an equally humanistic economic mode of production.
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Hans, Birgit 1957. "THE HAWK IS HUNGRY: AN ANNOTATED ANTHOLOGY OF D'ARCY MCNICKLE'S SHORT FICTION (MONTANA)." Thesis, The University of Arizona, 1986. http://hdl.handle.net/10150/291803.

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Zelaya, Jenny. "El personaje femenino : una visión panorámica en la literatura femenina hondureña del siglo XX y las concepciones de identidad y nación /." free to MU campus, to others for purchase, 2004. http://wwwlib.umi.com/cr/mo/fullcit?p3164556.

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Gaylard, Rob. "Writing black : the South African short story by black writers /." Thesis, Link to the online version, 2008. http://hdl.handle.net/10019/3224.

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Zheltukhina, Daria. "The Functions of Journey and Ascent in Selected Short Stories in Margaret Drabble’s A Day in the Life of a Smiling Woman." Thesis, Linköpings universitet, Avdelningen för språk och kultur, 2013. http://urn.kb.se/resolve?urn=urn:nbn:se:liu:diva-97719.

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The present essay studies the functions of journey and ascent as recurrent motifs in A Day in the Life of a Smiling Woman by Margaret Drabble. The relationships between the geographical and psychological journeys and ascents are explored. Chapter 2 of the core analysis presents the four themes in which the protagonists articulate their strength and self-worth. Chapter 3 is devoted to the comparative analysis of the structures of the geographical and psychological journeys and ascents (item 3.2) and the study of the author's multiple angles on marriage, adultery and widowhood (item 3.3).
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Slagle, Judith Bailey. "Romantic Appropriations of History: The Legends of Joanna Baillie and Margaret Holford Hodson." Digital Commons @ East Tennessee State University, 2012. http://amzn.com/1611475090.

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Introduction: The Historical Tradition of Baillie, Scott, Hodson and Southey -- William Wallace : "A Terrible Beauty" -- Exploration and conquest : Columbus, Balboa, and Pizarro -- National and Domestic Heroines : Margaret of Anjou and Lady Griseld Baillie -- Gothic Interactions : The Miscellaneous Legends of Baillie and Hodson.
https://dc.etsu.edu/etsu_books/1035/thumbnail.jpg
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Hawryluk, Lynda J. "Semi-detached." Thesis, View thesis, 1997. http://handle.uws.edu.au:8081/1959.7/28403.

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This collection of short stories is about being a twenty-something in the 90s, trying to get by, have a little fun and make somewhat of a mark in the process. It’s about the process of growing up, and the seemingly desperate need to hold onto all those youthful pursuits. It’s about finding out that life as an adult tries to suck the life out of you, rather than allowing you to suck the life out of it. That constant struggle, the battle of wills between attending to your needs or just satisfying your wants. This is a time for you when your needs and wants are siblings, bickering in the back of the car on a long drive up the coast. The characters in these stories are having their good time while it lasts. Avoiding the inevitable: maturity, responsibility, adulthood. And so they should. After all, these aren’t called ‘the best years of our lives’ for nothing. The stories celebrate your life as a twenty-something.
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Books on the topic "Short stories (multiple authors)"

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Howe, Ilana W., and Irving Howe. Short Shorts. Bantam, 1997.

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Hickson, Robert. Horror : HAUNTED: Short Horror Stories for Multiple Authors. Independently Published, 2020.

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Gjokaj, Viktor. 15 Best Romantic Short Stories: Collection of 15 Short Stories Multiple Authors. Independently Published, 2019.

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Cloward, S. P., Yvonne Morgan, and Dear Indie. Short Stories by Indie Authors: Volume 3. Bourgeois Media & Consulting, 2021.

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Wells, Patricia Taylor, Mathew White, and Dear Texas. Short Stories by Texas Authors: Volume 7. Bourgeois Media & Consulting, 2021.

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Daley, James. 100 Great Short Stories. Dover Publications, 2015.

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Daley, James. 100 Great Short Stories. Dover Publications, Incorporated, 2015.

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Daley, James. 100 Great Short Stories. Dover Publications, Incorporated, 2015.

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Richard, Beth. Collection of Short Romance Stories: Read Love Short Stories & Romantic Short Stories, Romance Short Novels, Fiction Stories for Multiple Authors ... Independently Published, 2019.

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Mercer, Dorothy May. Short & Fun Stories, Vol. 3. Mercer Publications & Ministries, Inc., 2021.

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Book chapters on the topic "Short stories (multiple authors)"

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Rampolla, Giulia. "Transnational urban encounters: existential wanderings in Xue Yiwei’s collection Shenzheners." In Studi e saggi, 175–94. Florence: Firenze University Press, 2023. http://dx.doi.org/10.36253/979-12-215-0068-4.15.

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The fictional works of the Chinese writer Xue Yiwei, who migrated to Canada in 2002, can be regarded as a byproduct of cross-border mobility and cultural displacement. This paper examines the relationship between the individual and the metropolis in four short stories from the collection Shenzheners, focusing on the impact of the writer’s transcontinental relocation on his representation of city dwellers and intercultural encounters. This research adopts an interdisciplinary framework, which merges textual analysis with the approaches of Cultural Studies and Literary Urban Studies, and places this theoretical construction within a transnational context. By investigating the multiple narrative forms Xue Yiwei uses to question stereotypical cultural boundaries and to build a bridge between Chinese and global literatures, the connection between his experience of mobility and his hybrid fictional microcosm will be explored.
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Roberts, Gillian. "Cultural Appropriation: The Chant of Jimmie Blacksmith , Black Robe and Dance Me Outside." In Race, Nation and Cultural Power in Film Adaptation, 131–62. Edinburgh University Press, 2023. http://dx.doi.org/10.3366/edinburgh/9781474483537.003.0006.

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This chapter focuses on literary and cinematic texts in which Indigenous peoples have been appropriated by non-Indigenous authors and filmmakers: The Chant of Jimmie Blacksmith (1978), written by Australian author Thomas Keneally and adapted by Australian director Fred Schepisi; Black Robe (1991), written by Northern Irish-Canadian author Brian Moore (1984) and adapted by Australian director Bruce Beresford; and Dance Me Outside (1994), stories written by Canadian author W.P. Kinsella and adapted by Canadian director Bruce McDonald. The chapter probes the ways in which settler-colonial culture borrows from Indigenous cultures. These case studies were produced either prior to or in the midst of debates surrounding the legitimacy of non-Indigenous representations of Indigenous culture in the late 1980s and early 1990s. The chapter also discusses multiple adaptations through historical antecedents to the novels (Keneally’s novel’s basis in the historical figure of Jimmy Governor, a mixed-race man who, along with his brother, murdered several white people in early twentieth-century Australia; Black Robe’s use of the Jesuit writings in New France) and the continuation of Dance Me Outside’s narrative and characters in Nick Craine’s graphic-novel version of the screenplay ultimately used to shoot the film (1994) and CBC television’s The Rez (1995-1997).
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Adams, Jade Broughton. "‘All My Stories are Conceived Like Novels’." In F. Scott Fitzgerald's Short Fiction, 176–81. Edinburgh University Press, 2019. http://dx.doi.org/10.3366/edinburgh/9781474424684.003.0007.

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This chapter suggests several unifying features of a typical Fitzgerald story, including conceits of disguise and mistaken identity, a tone of lyrical nostalgia, and the deployment of popular cultural references, through a sometimes parodic lens. This chapter argues that Fitzgerald is moralising and entertaining simultaneously in his short fiction, and that his ambivalence towards the popular cultural forms examined is actually evidence of Fitzgerald’s attempts to convey through language the multiple strata of intertextual interpretative possibilities inherent in each dance, piece of music, or film. His allusions are not merely period detail but rather explorations of how people perform and consume popular culture. This chapter shows how Fitzgerald explores the disconnect between what dance, music, musical theatre, and film can achieve, compared with literature’s capabilities to fulfil Conrad’s exhortations to make the reader hear, feel, and see.
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Trower, Shelley. "Collective Life Stories." In Sound Writing, 99—C5P47. Oxford University PressNew York, 2023. http://dx.doi.org/10.1093/oso/9780190905996.003.0006.

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Abstract This chapter moves beyond the duality of auto/biographical coauthorship to consider how an editor-author mediates multiple voices, including their orality, into a single written text. It focuses on how feminist oral historians and authors have brought together collections of voices, including middle- and working-class suffragettes, black and Asian women in Britain, Italian activists, and Soviet women in wartime, and considers the benefits and limitations of turning vernacular speech into relatively “standard” English. The chapter foregrounds the authorial control over these multiple voices, from decisions of selection and exclusion to how to juxtapose voices and how much of the orality to keep and strip out. It also discusses the use of autobiography to blend personal and collective experiences, and finally the form of polyphony, whereby the minimizing of any authorial presence helps to equalize multiple voices and give autonomy to a reader who interprets them.
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MacCabe, Colin. "2. Dubliners." In James Joyce: A Very Short Introduction, 13–24. Oxford University Press, 2021. http://dx.doi.org/10.1093/actrade/9780192894472.003.0002.

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‘Dubliners’ discusses James Joyce’s Dubliners (1914). The majority of these stories are not susceptible to a straightforward narrative summary and the most learned of critics understand the stories in the most contradictory fashion. Indeed, multiple narratives which defy any resolution are one of the key strategies of Dubliners. In addition, place in Dubliners is tightly tied to time. Joyce characterized his stories as a ‘chapter in the moral history of my country’. The themes of the stories include hospitality, the figure of the mother, and Dublin’s inability to live.
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Natsina, Anastasia. "The Individual within Multiple Worlds in Greek Short Stories since 1974." In Contemporary Greek Fiction in a United Europe, 124–33. Routledge, 2017. http://dx.doi.org/10.4324/9781351197274-10.

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Bertoncini, Elena Zúbková. "A Tentative List of Contemporary Authors of Novels, Short Stories and Plays." In Outline of Swahili Literature, 198–230. BRILL, 1989. http://dx.doi.org/10.1163/9789004668485_010.

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Yadamsuren, Borchuluun, Anindita Paul, Sanda Erdelez, and Joi L. Moore. "Multiple-User Simultaneous Testing." In Integrating Usability Engineering for Designing the Web Experience, 345–56. IGI Global, 2010. http://dx.doi.org/10.4018/978-1-60566-896-3.ch018.

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Web developers and usability specialists face the challenge of dealing with the cost and quality of usability testing that must be implemented in a short period of time. Multiple-User Simultaneous Testing (MUST) can reduce usability testing time by allowing data collection from many users at the same time. This chapter reviews the literature on MUST and related methodologies for group users. It describes on a conceptual level two methods for setting up the MUST testing environment: self-paced and moderated. The authors do not aim to present which method is better from the empirical standpoint. Instead, the chapter describes the authors’ comparative experiences with these methods, with a focus on the laboratory set up, data collection protocols, and data analysis issues. The chapter concludes with suggestions for future research and recommendations for usability specialists on how to conduct well designed MUST studies.
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Morozov, Sergey N. "“Short Stories” by I.A. Bunin. Creative History of the Cycle." In Russian Émigré Literature, 1920–1940. Writer in Literary Process (to the 150th Anniversary of I.A. Bunin’s Birth), 902–48. A.M. Gorky Institute of World Literature of the Russian Academy of Sciences, 2022. http://dx.doi.org/10.22455/978-5-9208-0685-7-904-950.

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I.A. Bunin’s cycle “Short Stories” has repeatedly become the subject of consideration by philologists and linguists as a whole, and his individual stories have also been studied. However, the authors of the works primarily studied the poetics of the stories in this cycle. This article examines for the first time the textual structure of I.A. Bunin’s “Short stories” and the creative history of the cycle. On the basis of archival materials (manuscripts, typescript with author’s corrections, newspaper clippings with corrections by the author) and printed texts (all stories were published during his lifetime) discusses the history of the “Short Stories”, a gradual unification of their author in a big cycle. Critical reviews of these stories are also presented, and quotes from articles and reviews clearly show how enthusiastically these innovative works of the writer were perceived by the critics. The article consistently examines autographs, typewriting, and all publications of 45 stories included in this cycle. Examples of changes made by the author to the texts of stories in different publications are presented selectively. These examples of discrepancies show the careful and constant work of I.A. Bunin on the texts of these stories. In conclusion, we consider the choice of the main text and composition of the publication of the cycle “Short stories” in the future scientific Complete works of I.A. Bunin.
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"Emilia Pardo Bazán (1851–1921)." In Fantastic Short Stories by Women Authors from Spain and Latin America, 25–44. University of Wales Press, 2019. http://dx.doi.org/10.2307/jj.14491481.5.

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Conference papers on the topic "Short stories (multiple authors)"

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Veljković Mekić, Jelena P. "Poetika igre: savremene priče za decu Igora Kolarova, Uroša Petrovića i Dejana Aleksića." In Savremeno predškolsko vaspitanje i obrazovanje – tendencije, izazovi i mogućnosti. University of Kragujevac, Faculty of Edaucatin in Uzice, 2023. http://dx.doi.org/10.46793/spvo23.283vm.

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Bearing in mind the previous theoretical considerations related to the genre of childrenʼs stories, as well as the writers ofthe 20th century, the paper aims to study the poetic uniqueness of contemporary childrenʼs stories, using the examples of short prose by Igor Kolarov, Uroš Petrović and Dejan Aleksić. Conciseness, incompleteness, fragmentedness, enigma, wonder, and partnership with the recipient are the basic characteristics of contemporary children’s stories. The play in the work of these authors is present on several levels: in the form, structure, semantics of the story, as well as in the recipient’s experience. The contemporary story tries to influence the recipients directly, and the reader is often invited to participate in the self-referential and intertextual puzzle and to join the play of literary creativity. Therefore, it often requires an emotionally engaged, determined, intelligent, empathetic, adventurous and thoughtful reader. The stories of the abovementioned authors will be interpreted through semantic theory, reception theory and theories that study the phenomenon of play.
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Wollensak, Andrea, Brett Terry, and Bridget Baird. "Water Stories: Visual Poetics and Collective Voices." In 28th International Symposium on Electronic Art. Paris: Ecole des arts decoratifs - PSL, 2024. http://dx.doi.org/10.69564/isea2023-34-short-wollensak-et-al-water-stories.

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SHORT PAPER. Water Stories: Visual Poetics and Collective Voices is a two-part project that brings together multiple points of view from local youth, community, and poets in Alaska to share what water means in their life. Visual Poetics combines a live poetry reading by Alaskan poets and interactive video in which the poets’ voices trigger generative visual elements. Collective Voices is a sound work featuring excerpts of community voices sharing water-based memories against a backdrop of processed environmental sounds of Alaskan waterways. Water Stories is part of a year-longartist residency (2021-2022) with the Anchorage Museum culminating in a series of listening sessions broadcast at the Anchorage Museum and Out North Radio, live interactive poetry readings at the museum,and video projections on the museum façade from November 2022 through January 2023.
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Mazurova, A. P., S. P. Rulin, and T. V. Rulina (Filimonova). "Problems of legal pedagogy." In III All-Russian (national) scientific conference with international participation “Russian science, innovation, education”. Krasoyarsk Science & Technology City Hall, 2024. http://dx.doi.org/10.47813/rosnio-iii.2024.4009.

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This article is of a collective nature in several fields of knowledge: pedagogy, in the direction of teaching and educating students of higher education, students directly studying at law faculties, as well as the teachers themselves. The authors pursue ideas not so much conceptually scientific implementations, as about scientific judgments, reasoning with the possibility of a certain range of short stories in the educational (legal) environment.
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LeCavalier, Jesse. "Reading the Logistical Surface." In 105th ACSA Annual Meeting Paper Proceedings. ACSA Press, 2017. http://dx.doi.org/10.35483/acsa.am.105.79.

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The logistical surface is nimble and adaptable but illegible to its authors. To better understand the implications of this condition, this article makes connections between human and machine systems by looking first to Norbert Wiener and then two related short stories: Rudyard Kipling’s “With the Night Mail”and E.M. Forster’s “The Machine Stops.” The two texts establish political polarities that help to contextualize contemporary logistical worlds while also suggesting ways to discover alternative ones.
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Miyanishi, Taiki, Jun-ichiro Hirayama, Atsunori Kanemura, and Motoaki Kawanabe. "Answering Mixed Type Questions about Daily Living Episodes." In Twenty-Seventh International Joint Conference on Artificial Intelligence {IJCAI-18}. California: International Joint Conferences on Artificial Intelligence Organization, 2018. http://dx.doi.org/10.24963/ijcai.2018/593.

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We propose a physical-world question-answering (QA) method, where the system answers a text question about the physical world by searching a given sequence of sentences about daily-life episodes. To address various information needs in a physical world situation, the physical-world QA methods have to generate mixed-type responses (e.g. word sequence, word set, number, and time as well as a single word) according to the content of questions, after reading physical-world event stories. Most existing methods only provide words or choose answers from multiple candidates. In this paper, we use multiple decoders to generate a mixed-type answer encoding daily episodes with a memory architecture that can capture short- and long-term event dependencies. Results using house-activity stories show that the use of multiple decoders with memory components is effective for answering various physical-world QA questions.
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Krasovec, Aleksandra N. "“KALEIDOSCOPIC” NOVEL OF JOSIP OSTI IN THE ASPECT OF TRANSCULTURALITY." In 50th International Philological Conference in Memory of Professor Ludmila Verbitskaya (1936–2019). St. Petersburg State University, 2023. http://dx.doi.org/10.21638/11701/9785288063183.10.

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The Slovenian-Bosnian poet, writer, essayist, literary critic, translator and editor Josip Osti (1945–2021) was born in Sarajevo, lived and worked in Slovenia since 1990. Being a recognized poet in his homeland, writing in Croatian, one of the largest translators of Slovenian literature into Serbo-Croatian, since 1997 he has been writing in Slovenian. The transcultural aspects of Josip Osti’s literary works, both poetry collections and novels, are a unique phenomenon. In our study, we turned to the novels of Josip Osti, namely his trilogy — Ghosts of the House of Heinrich Böll (2016), In Front of the Mirror (2016) and Life is a Creepy Fairy Tale (2019). All three works have a strong (auto)biographical component and form a special novel form, which the author calls the “kaleidoscope-mosaic” novel. The latter has a fragmented structure and consists of short stories, life stories, anecdotes, urban legends, essayistic notes, literary-critical digressions, lyrical passages, diary entries, etc. In Osti’s novels, we also find a connection with the tradition of short prose in Bosnian-Herzegovina literature, in particular, with the works of the 1990s by such authors as M. Jergović, D. Karahasan, N. Veličković, K. Zaimović and others. Their texts are characterized by a destabilized genre form, a mosaic narrative, personal and documentary evidence, and a palimpsest narrative model. The kaleidoscopic structure of Osti’s prose texts helps him to reflect the transcultural view characteristic of his intimate and artistic world, to embrace the complex overlap of heterogeneous elements. The novels are written in Slovene, but they are mainly devoted to the space of Sarajevo, the unique multicultural atmosphere of this city, as well as the tragedy unfolding in it; thus, the writer complements the so-called “Sarajevo text”, but already in the field of Slovenian literature, artistically comprehending the interconnectedness of Bosnia and Slovenia. Refs 19.
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Kikuchi, Masanori, Yoshitaka Wada, Kazuhiro Suga, and Chikako Ohdama. "Numerical Simulation of Coalescence Behavior of Multiple Surface Cracks." In ASME 2011 Pressure Vessels and Piping Conference. ASMEDC, 2011. http://dx.doi.org/10.1115/pvp2011-57155.

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Study on the interaction of multiple cracks during fatigue crack growth processes is important for the integrity evaluation of nuclear structure. By using S-version FEM, this problem has been simulated by authors. In this study, coalescence behavior of 2 surface cracks is simulated using the method. It is assumed that 2 surface cracks exist on the same plane, and grow towards each other by fatigue. As the inner crack tips overlap, coalescence of 2 cracks occurs, and shape of cracks change significantly over very short cycles. This process is simulated in detail, and changes of stress intensity factor distributions along crack front are studied precisely. Three cases of changing crack sizes are simulated and coalescence behaviors are studied. Experimental studies are also conducted and results are compared with those of numerical simulations. Results are compared with conventional evaluation code and discussed.
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Hasegawa, Kunio, Koichi Saito, Fuminori Iwamatsu, and Katsumasa Miyazaki. "Prediction of Fully Plastic Failure Stresses for Pipes With Multiple Circumferential Flaws." In ASME 2007 Pressure Vessels and Piping Conference. ASMEDC, 2007. http://dx.doi.org/10.1115/pvp2007-26011.

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Fully plastic failure stress for a single circumferential flaw on a pipe is evaluated by the limit load criteria in accordance with Appendix E-8 in the JSME S NA-1-2004 and Appendix C in the ASME Code Section XI. However, multiple flaws such as stress corrosion cracking are frequently detected in the same circumferential cross section in a pipe. If the distance between adjacent flaws is short, the two flaws are combined as a single flaw in compliance with combination rules. If the two flaws separated by a large distance, it is not required to combine two flaws. However, there is no evaluation method for two flawed pipe in the JSME and ASME Codes. Failure stress for pipes with two circumferential flaws based on net-stress approach had been proposed by one of the authors. The present paper is concerned with the comparison of experimental data and the proposed theoretical method for pipes with circumferentially multiple flaws.
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Tuite, Tom. "Case Study—Failure Analysis of a Printed Circuit Board Latent Failure and Resulting Implication of Weaknesses in Panel Coupons and Lot DPA." In ISTFA 2017. ASM International, 2017. http://dx.doi.org/10.31399/asm.cp.istfa2017p0635.

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Abstract Multiple, independent, system level test failures that occurred around the same time were traced back to a short circuit on the same type of printed circuit board (PCB). The PCBs were removed from the application and sent to the authors' lab for analysis. This paper reviews the analysis techniques and results that led to the failure mechanism being identified. The discussion focuses on steps taken to exonerate the authors' lab and processes as possible sources of contamination. Additional investigation that leads to the conclusion that the issue is systemic is also covered. The paper then focuses on the containment effort as well as root cause identification at the manufacturers. It was concluded that the failure mechanism causing the short circuit in the failed PCB is due to ionic contamination trapped inside the PCB. The normal chemistry required to process the plated through holes contaminated the voids/fractures created by drilling process.
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Watanabe, Yoshitaka, Koji Meguro, Mitsuyasu Deguchi, and Takuya Shimura. "Development of Acoustic Communication and Positioning System for Operation of Multiple AUVs." In ASME 2018 37th International Conference on Ocean, Offshore and Arctic Engineering. American Society of Mechanical Engineers, 2018. http://dx.doi.org/10.1115/omae2018-78278.

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In underwater observation using an autonomous underwater vehicle (AUV), a support vessel typically monitors the AUV to support the observation. The AUV have to be positioned to be tracked by the vessel and informed the positioning result for navigation with acoustic communication. This process is significant especially in deep water. The AUV uplinks to inform its status and transmit some observation data in real time, and sometimes be commanded to change the observation plan by downlink from the vessel. Authors planned to use an autonomous surface vehicle (ASV) to track and monitor multiple AUVs for efficient observation. An acoustic multi-access communication and positioning system have developed as one of the elemental technologies for the observation system. The developed acoustic system achieves multi-access with frequency division multiple access (FDMA) method, and the ASV can monitor up to three AUVs simultaneously. Positioning is performed with super short baseline (SSBL) method. The acoustic device has operation mode in which positioning and communication functions are integrated, called as auto mode. In auto mode, uplink packets can be very close and the AUV can uplinks efficiently, and timing of downlink is calculated from positioning result appropriately. Results of two sea trials are shown. The precision of positioning was enough to track the AUV. However random error was much larger than that of SSBL of the vessel, hence some precise method is necessary to keep the quality of observation data high. Communication and auto mode sequence worked well in the sea trial.
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Reports on the topic "Short stories (multiple authors)"

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Subedi, Dipak, and Anil K. Giri. Debt use by U.S. farm businesses, 2012-2021. Washington, D.C: Economic Research Service, U.S. Department of Agriculture, 2024. http://dx.doi.org/10.32747/2024.8478364.ers.

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The short-term Federal funds rate, which impacts the interest rate of other loans, has been increasing since March 2022. The rate can disproportionately affect demand for different types of loans, as well as the choice of the lender for different farm sizes. This report examines farm debt by lenders, as well as other attributes, such as the use of different loan types (real estate and non-real estate) among different types of farm businesses. The authors used data from multiple sources, including the USDA, Economic Research Service's Farm Income and Wealth Statistics and Agricultural Resource Management Survey (ARMS), from 2012 to 2021 to understand the farm debt situation. Total U.S. farm debt in 2021 was $503.7 billion (in 2022 dollars), which was $127.8 billion (34 percent) higher compared with 2012 and was primarily driven by farm real estate debt. Total farm real estate debt was $344.5 billion, or more than two-thirds of total debt in 2021. The Farm Credit System, a nationwide network of borrower-owned lending institutions and specialized service organizations, provided 45 percent of total debt, and commercial banks provided 35 percent, resulting in these two lender entities providing 80 percent of the sector’s debt. The share of farm businesses with some debt grew as gross cash farm income increased along with the average and median loan size
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