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Journal articles on the topic 'Shepheardes Calender'

Author: Grafiati

Published: 4 June 2021

Last updated: 1 February 2022

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1

Miller, Andrew. "Spenser's Shameful Shepheardes Calender." ELH 86, no. 1 (2019): 27–54. http://dx.doi.org/10.1353/elh.2019.0001.

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2

Johnson, William C., and Robert Lane. "Shepheards Devises: Edmund Spenser's Shepheardes Calender and the Institutions of Elizabethan Society." Sixteenth Century Journal 25, no. 3 (1994): 710. http://dx.doi.org/10.2307/2542671.

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3

Moore, George. "Fragmented Time in Spenser’sThe Shepheardes Calender." Spenser Studies 31-32 (January 2018): 215–41. http://dx.doi.org/10.1086/695577.

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4

Herman, Peter C. "The Shepheardes Calender and Renaissance Antipoetic Sentiment." Studies in English Literature, 1500-1900 32, no. 1 (1992): 15. http://dx.doi.org/10.2307/450938.

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5

Brownlow, F. W. "The British Church in The Shepheardes Calender." Spenser Studies 23 (June 2008): 1–12. http://dx.doi.org/10.1086/spsv23p1.

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6

Fleming, John V. "Book Review: The Shepheardes Calender: An Introduction." Christianity & Literature 41, no. 2 (March 1992): 212–13. http://dx.doi.org/10.1177/014833319204100216.

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7

Galbraith, Steven K. "“English” Black-Letter Type and Spenser’s Shepheardes Calender." Spenser Studies 23 (June 2008): 13–40. http://dx.doi.org/10.1086/spsv23p13.

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8

Segall, Kreg. "Skeltonic Anxiety and Rumination in The Shepheardes Calender." SEL Studies in English Literature 1500-1900 47, no. 1 (2007): 29–56. http://dx.doi.org/10.1353/sel.2007.0008.

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9

Harrelson, Kent. "REACHING FOR "UNKNOWNE GAYNE" IN THE SHEPHEARDES CALENDER." Explorations in Renaissance Culture 21, no. 1 (December 2, 1995): 105–20. http://dx.doi.org/10.1163/23526963-90000171.

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10

Helfer, Rebeca. "“The Death of the ‘New Poete’: Virgilian Ruin and Ciceronian Recollection in Spenser’s The Shepheardes Calender”." Renaissance Quarterly 56, no. 3 (2003): 723–56. http://dx.doi.org/10.2307/1261612.

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AbstractThis essay explores Virgil's influence in Renaissance poetry through the literature's most common trope, that of ruin; specifically, it examines the complexity of Virgilian imitation in Spenser's The Shepheardes Calender through an exploration of its introduction by his anonymous first critic, E.K. Through the topos of ruin, this essay reconsiders Virgil's legacy in the Calender, suggesting that critics have underestimated Spenser's criticism of Virgil's authorial pattern. Rather than reconstructing Virgil's model of cultural transmission — that of ruin and repair—Spenser presents the Ciceronian art of memory as a competing model for the architecture of immortality, for building upon the ruins of the past.

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11

Espie, Jeff. "Spenser in Buskins: The Shepheardes Calender and the Tragedians." Review of English Studies 70, no. 295 (December 24, 2018): 399–417. http://dx.doi.org/10.1093/res/hgy115.

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12

Porges Watson, Elizabeth. "Shepherds, Wolves, Foxes and others in Spenser's Shepheardes Calender." Reinardus / Yearbook of the International Reynard Society 7 (October 6, 1994): 113–26. http://dx.doi.org/10.1075/rein.7.09por.

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13

Steinberg, Glenn A. "Spenser's Shepheardes Calender and the Elizabethan Reception of Chaucer." English Literary Renaissance 35, no. 1 (January 2005): 31–51. http://dx.doi.org/10.1111/j.1475-6757.2005.00051.x.

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14

Alpers, Paul. "Pastoral and the Domain of Lyric in Spenser's Shepheardes Calender." Representations 12 (1985): 83–100. http://dx.doi.org/10.2307/3043779.

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15

Rambuss, Richard. "The Secretary's Study: The Secret Designs of the Shepheardes Calender." ELH 59, no. 2 (1992): 313. http://dx.doi.org/10.2307/2873345.

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16

Kwangsoon Cho. "Spenser’s Experiment with the Emblematic Mode in The Shepheardes Calender." Journal of Classic and English Renaissance Literature 16, no. 1 (June 2007): 61–84. http://dx.doi.org/10.17259/jcerl.2007.16.1.61.

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17

Wadoski, Andrew. "Spenser, Harvey, and the Strange Poetics of The Shepheardes Calender." College Literature 42, no. 3 (2015): 420–41. http://dx.doi.org/10.1353/lit.2015.0028.

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18

Alpers, Paul. "Pastoral and the Domain of Lyric in Spenser's Shepheardes Calender." Representations 12, no. 1 (October 1985): 83–100. http://dx.doi.org/10.1525/rep.1985.12.1.99p0416c.

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19

Kearney, James. "Reformed Ventriloquism: The Shepheardes Calender and the Craft of Commentary." Spenser Studies 26 (June 2011): 111–51. http://dx.doi.org/10.7756/spst.026.005.110-151.

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20

Kinney, Clare R. "Marginal Presence, Lyric Resonance, Epic Absence:Troilus and Criseydeand/inThe Shepheardes Calender." Spenser Studies 18, no. 1 (January 2003): 25–39. http://dx.doi.org/10.1086/spsv18p25.

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21

Espie, Jeff. "(Un)couth: Chaucer,The Shepheardes Calender, and the Forms of Mediation." Spenser Studies 31-32 (January 2018): 243–71. http://dx.doi.org/10.1086/695578.

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22

Cull, Marisa R. "Lo Collin, here the Place: Locating the World of Spenser’s Shepheardes Calender." Comitatus: A Journal of Medieval and Renaissance Studies 41, no. 1 (2010): 167–82. http://dx.doi.org/10.1353/cjm.2010.0032.

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23

FAIRWEATHER, COLIN. "‘I SUPPOSE HE MEANE CHAUCER’: THE COMEDY OF ERRORS IN SPENSER'S SHEPHEARDES CALENDER." Notes and Queries 46, no. 2 (June 1, 1999): 193–95. http://dx.doi.org/10.1093/nq/46-2-193.

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24

FAIRWEATHER, COLIN. "‘I SUPPOSE HE MEANE CHAUCER’: THE COMEDY OF ERRORS IN SPENSER'S SHEPHEARDES CALENDER." Notes and Queries 46, no. 2 (1999): 193–95. http://dx.doi.org/10.1093/nq/46.2.193.

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25

Crawforth, H. "Strangers to the Mother Tongue: Spenser's Shepheardes Calender and Early Anglo-Saxon Studies." Journal of Medieval and Early Modern Studies 41, no. 2 (April 1, 2011): 293–316. http://dx.doi.org/10.1215/10829636-1218322.

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26

Borris, Kenneth. "Open Secrets: The Verbal-Visual Satire of the Anjou Match in Spenser’s Shepheardes Calender." Spenser Studies 34 (January 2020): 25–75. http://dx.doi.org/10.1086/706176.

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27

Reid, Lindsay Ann. "Oenone and Colin Clout." Translation and Literature 25, no. 3 (November 2016): 298–314. http://dx.doi.org/10.3366/tal.2016.0260.

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Spenser's Shepheardes Calender was still a new work, not even yet publicly acknowledged by its author, when George Peele made the rather surprising decision to co-opt its central character and reanimate Colin Clout onstage in The Araygnement of Paris. This article contends that Peele's bold importation of a well-known Elizabethan literary persona into a familiar Trojan land- and story-scape may offer fresh insight into the early reception of Spenser's pastoral work. The recent tendency has been to emphasize the Virgilian, also the Theocritean or continental Renaissance, precedents for Spenser's pastoralism, but Peele's dramatic revivification of Colin suggests that Elizabethan audiences may also have sensed pastoral patterns and precedents for Spenser's work in other sources including Ovid's Heroides. Peele's dramatic reinterpretation of Spenser's Colin, it is argued, underscores and explores the affective commonalities between this shepherd and Ovid's Oenone, thereby linking the Spenserian swain's plaintive mode with the pastoral elegaics of Heroides 5.

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28

Piepho, Lee. "The Shepheardes Calender and Neo-Latin Pastoral: A Book Newly Discovered to Have Been Owned By Spenser." Spenser Studies 16, no. 1 (January 2001): 77–103. http://dx.doi.org/10.1086/spsv16p77.

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29

Silberman, Lauren. "Robert Lane. Shepheards Devises: Edmund Spenser's Shepheardes Calender and the Institutions of Elizabethan Society. Athens, GA and London: University of Georgia Press, 1993. xii + 240 pp. $40." Renaissance Quarterly 48, no. 3 (1995): 648–50. http://dx.doi.org/10.2307/2862894.

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30

Mottram, Stewart. "Empire, Exile, and England's ?British Problem?: Recent Approaches to Spenser's Shepheardes Calender as a Colonial and Postcolonial Text." Literature Compass 4, no. 4 (July 2007): 1059–77. http://dx.doi.org/10.1111/j.1741-4113.2007.00465.x.

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31

Cheney, Evan. "“Thou hast a free passeporte”: Poetic Personation and Literary Patronage in Spenser’s Prosopopoia, Or Mother Hubberds Tale and The Shepheardes Calender." Studies in Philology 118, no. 3 (2021): 538–64. http://dx.doi.org/10.1353/sip.2021.0017.

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32

Cheney, Donald. "Lynn Staley Johnson. The Shepheardes Calender: An Introduction. University Park and London: The Pennsylvania State University Press, 1990. x + 227 pp. $29.50." Renaissance Quarterly 45, no. 2 (1992): 400–402. http://dx.doi.org/10.2307/2862775.

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33

Knapp, Jeffrey. "Spenser the Priest." Representations 81, no. 1 (2003): 61–78. http://dx.doi.org/10.1525/rep.2003.81.1.61.

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SCHOLARS HAVE GENERALLY agreed that the "new Poet" of Edmund Spenser's Shepheardes Calendar (1578) helped spark England's literary renaissance, but they have overlooked one of Spenser's primary inspirations for his innovative conception of the poet: the innovative conception of ministry developed in the Reformation English Church.

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34

MEARS, NATALIE. "COUNSEL, PUBLIC DEBATE, AND QUEENSHIP: JOHN STUBBS'S THE DISCOVERIE OF A GAPING GULF, 1579." Historical Journal 44, no. 3 (September 2001): 629–50. http://dx.doi.org/10.1017/s0018246x01001947.

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John Stubbs's controversial pamphlet against Elizabeth's proposed marriage with Francis, duke of Anjou, The discoverie of a gaping gulf (1579), has conventionally been seen – with Edmund Spenser's The shepheardes calendar and Philip Sidney's letter to Elizabeth – as part of a propaganda campaign organized by Leicester and Walsingham to force Elizabeth to reject the marriage. Yet the evidence linking Stubbs with Leicester and Walsingham is thin. This article re-examines that evidence in the light of recent research on court factionalism, men-of-business, and concepts of counsel. It argues that A gaping gulf was an independent initiative taken by Stubbs which expressed very different attitudes to ‘counsel’ from Sidney's letter. It suggests that participants in public debate need to be explored on their own terms, rather than as necessarily catspaws of councillors; that there was an emergent Elizabethan public sphere independent of the court which, in holding different attitudes to counsel than councillors, could bring them into conflict with Elizabeth.

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35

Collinson, Patrick. "Shepherds, Sheepdogs, and Hirelings: The Pastoral Ministry in Post-Reformation England." Studies in Church History 26 (1989): 185–220. http://dx.doi.org/10.1017/s0424208400010962.

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The categories of shepherd and hireling are conventional elements of what may be called biblical and ecclesiastical pastoral, the legacy of John’s Gospel chapter 10 and the basis of a perennial polemical dichotomy. Preaching at Manchester in 1582 on a text redolent of arable husbandry (Luke 10 v. 2—‘the harvest truly is great but the labourers are few’) the vicar of Warrington strayed out of the cornfield into this pastoral vein: ‘Wee must understand that our Savior speaketh not of false Hierlings but of true Pastoures, not of those which beare an ydle name and title of Pastoures.’ John 10 had inspired a literary motif running back to Chaucer and Langland which, in what Sir Philip Sidney called ‘the old rustic language’ of Spenser’s Shepheardes Calendar (1579), revived in the May eclogue. ‘Piers’, a good (and, according to Spenser’s commentator ‘E.K.’, protestant) pastor rebukes ‘Palinode’ (a papist, or at least a traditional clerical type) for condoning the Maytime sports of the country people, and in the person of Palinode all hirelings: Well is it seene, theyr sheepe bene not their owne,That letten them runne at randon alone.But they bene hyred for little payOf other, that caren as little as they,What fallen the flocke, so they han the fleece,And get all the gayne, paying but a peece.

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36

"The shepheardes calender: an introduction." Choice Reviews Online 28, no. 09 (May 1, 1991): 28–4956. http://dx.doi.org/10.5860/choice.28-4956.

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37

"‘Shroude’ Versus ‘Shouder’ in the June Eclogue of Spenser's Shepheardes Calender." Notes and Queries, September 1992. http://dx.doi.org/10.1093/nq/39.3.292.

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