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Relevant bibliographies by topics / Shepheardes Calender

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Academic literature on the topic 'Shepheardes Calender'

Author: Grafiati

Published: 4 June 2021

Last updated: 1 February 2022

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Journal articles on the topic "Shepheardes Calender"

1

Miller, Andrew. "Spenser's Shameful Shepheardes Calender." ELH 86, no. 1 (2019): 27–54. http://dx.doi.org/10.1353/elh.2019.0001.

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Johnson, William C., and Robert Lane. "Shepheards Devises: Edmund Spenser's Shepheardes Calender and the Institutions of Elizabethan Society." Sixteenth Century Journal 25, no. 3 (1994): 710. http://dx.doi.org/10.2307/2542671.

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Moore, George. "Fragmented Time in Spenser’sThe Shepheardes Calender." Spenser Studies 31-32 (January 2018): 215–41. http://dx.doi.org/10.1086/695577.

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Herman, Peter C. "The Shepheardes Calender and Renaissance Antipoetic Sentiment." Studies in English Literature, 1500-1900 32, no. 1 (1992): 15. http://dx.doi.org/10.2307/450938.

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Brownlow, F. W. "The British Church in The Shepheardes Calender." Spenser Studies 23 (June 2008): 1–12. http://dx.doi.org/10.1086/spsv23p1.

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Fleming, John V. "Book Review: The Shepheardes Calender: An Introduction." Christianity & Literature 41, no. 2 (March 1992): 212–13. http://dx.doi.org/10.1177/014833319204100216.

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Galbraith, Steven K. "“English” Black-Letter Type and Spenser’s Shepheardes Calender." Spenser Studies 23 (June 2008): 13–40. http://dx.doi.org/10.1086/spsv23p13.

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Segall, Kreg. "Skeltonic Anxiety and Rumination in The Shepheardes Calender." SEL Studies in English Literature 1500-1900 47, no. 1 (2007): 29–56. http://dx.doi.org/10.1353/sel.2007.0008.

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Harrelson, Kent. "REACHING FOR "UNKNOWNE GAYNE" IN THE SHEPHEARDES CALENDER." Explorations in Renaissance Culture 21, no. 1 (December 2, 1995): 105–20. http://dx.doi.org/10.1163/23526963-90000171.

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Helfer, Rebeca. "“The Death of the ‘New Poete’: Virgilian Ruin and Ciceronian Recollection in Spenser’s The Shepheardes Calender”." Renaissance Quarterly 56, no. 3 (2003): 723–56. http://dx.doi.org/10.2307/1261612.

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AbstractThis essay explores Virgil's influence in Renaissance poetry through the literature's most common trope, that of ruin; specifically, it examines the complexity of Virgilian imitation in Spenser's The Shepheardes Calender through an exploration of its introduction by his anonymous first critic, E.K. Through the topos of ruin, this essay reconsiders Virgil's legacy in the Calender, suggesting that critics have underestimated Spenser's criticism of Virgil's authorial pattern. Rather than reconstructing Virgil's model of cultural transmission — that of ruin and repair—Spenser presents the Ciceronian art of memory as a competing model for the architecture of immortality, for building upon the ruins of the past.

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Dissertations / Theses on the topic "Shepheardes Calender"

1

Ridgeway, C. L. "Pastoral and the Shepheardes Calender." Thesis, University of York, 1987. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.382940.

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Fairweather, Colin Malcolm. "Good sense and wanton matter in Spenser's Shepheardes calender." Thesis, University of Cambridge, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.621569.

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Pugh, Syrithe. "Spenser and Ovid." Thesis, University of Oxford, 2001. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.391064.

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Brooks, Scott A. "To move, to please, and to teach : the new poetry and the new music, and the works of Edmund Spenser and John Milton, 1579-1674." Thesis, University of St Andrews, 2014. http://hdl.handle.net/10023/5034.

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By examining Renaissance criticism both literary and musical, framed in the context of the contemporaneous obsession with the works of Plato, Aristotle, and Horace, among others, this thesis identifies the parallels in poetic and musical practices of the time that coalesce to form a unified idea about the poet-as-singer, and his role in society. Edmund Spenser and John Milton, who both, in various ways, lived in periods of upheaval, identified themselves as the poet-singer, and comprehending their poetry in the context of this idea is essential to a fuller appreciation thereof. The first chapter addresses the role that the study of rhetoric and the power of oratory played in shaping attitudes about poetry, and how the importance of sound, of an innate musicality to poetry, was pivotal in the turn from quantitative to accentual-syllabic verse. In addition, the philosophical idea of music, inherited from antiquity, is explained in order elucidate the significance of “artifice” and “proportion”. With this as a backdrop, the chapters following examine first the work of Spenser, and then of Milton, demonstrating the central role that music played in the composition of their verse. Also significant, in the case of Milton, is the revolution undertaken by the Florentine Camerata around the turn of the seventeenth century, which culminated in the birth of opera. The sources employed by this group of scholars and artists are identical to those which shaped the idea of the poet-as-singer, and analysing their works in tandem yields new insights into those poems which are considered among the finest achievements in English literature.

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Books on the topic "Shepheardes Calender"

1

Johnson, Lynn Staley, and Lynn Staley. The shepheardes calender: An introduction. University Park: Pennsylvania State University Press, 1990.

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2

Staley, Lynn. The shepheardes calender: An introduction. University Park: Pennsylvania State University Press, 1990.

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3

Shepheards devises: Edmund Spenser's Shepheardes calender and the institutions of Elizabethan society. Athens: University of Georgia Press, 1993.

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4

Richardson, J. Michael. Astrological symbolism in Spenser's The shepheardes calender: The cultural background of a literary text. Lewiston, N.Y: E. Mellen Press, 1989.

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5

Youth against age: Generational strife in Renaissance poetry : with special reference to Edmund Spenser's The shepheardes calender. New York: P. Lang, 1986.

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6

Spenser, Edmund. The Shepheardes Calender. Cambridge University Press, 2013.

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7

Johnson, Lynn Staley. Shepheardes Calender: An Introduction. Pennsylvania State University Press, 2008.

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8

Kinney, Clare R. The Shepheardes Calender (1579). Oxford University Press, 2010. http://dx.doi.org/10.1093/oxfordhb/9780199227365.013.0010.

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9

Borris, Kenneth. Spenser’s Phaedran Calender. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198807070.003.0003.

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Focusing on Spenser’s Shepheardes Calender, this chapter newly shows that one of the texts most marginal in previous readings, Plato’s Phaedrus, is one of the Calender’s foundational references. There Plato defines and coordinates love, beauty, the soul, its prospects, and the modes of revelatory furor, including the lover’s and the poet’s. Whereas the Calender’s Platonic affinities have typically seemed too vague to merit investigation, attention to the poem’s flight motif, to the precedents for its pictures in early modern iconography and emblem books, and especially to the quasi-emblematic interplay of the Maye eclogue’s poem and its illustration featuring two winged coach-horses shows that those Phaedran doctrines energized Spenser’s notions of poetry’s inspirations, power, and national significance. These findings profoundly change understanding of the Calender, Spenser’s literary development, and his intellectual biography.

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Borris, Kenneth. The Calender’s Visions of Beauty. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198807070.003.0004.

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By reconsidering the main female exemplars of beauty in Spenser’s Shepheardes Calender, this chapter shows that the admiration of beauty is central there, as it is also in early modern Platonic poetics. As in the Phaedrus, beauty for Spenser inspires visionary apprehension; yet unlike Plato the poet links this stimulus to literary pursuit of the sublime. Platonism associated genuine beauty with truth and goodness, and Spenser likewise assumes that his Calender’s esthetic disclosures foster wisdom and virtue in at least some readers, and hence in the nation. However, whereas Plato valorizes philosophy for illuminating truth, Spenser advocates the enraptured poetic imagination endued with learning. In doing so, he seeks to circumvent, insofar as possible, the intrinsic limitations of words, images, and written discourse, such as those that Plato had identified in the Phaedrus. This reading newly illuminates the strategies of Spenser’s visionary poetics.

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Book chapters on the topic "Shepheardes Calender"

1

Füger, Wilhelm. "Spenser, Edmund: The Shepheardes Calender." In Kindlers Literatur Lexikon (KLL), 1–3. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_17142-1.

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Maley, Willy. "‘Who knowes not Colin Clout?’: The Shepheardes Calender as Colonial Text." In Salvaging Spenser, 11–33. London: Palgrave Macmillan UK, 1997. http://dx.doi.org/10.1057/9780230377233_2.

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Cohen, Adam Max. "Painted Words Put into the Press: The Forms and Functions of Ambition in Spenser’s The Shepheardes Calender." In Technology and the Early Modern Self, 71–89. New York: Palgrave Macmillan US, 2009. http://dx.doi.org/10.1057/9780230619586_4.

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Stenner, Rachel. "Sheep, Beasts, and Knights: Fugitive Alterity in Edmund Spenser’s The Faerie Queene Book VI, and The Shepheardes Calender." In Palgrave Studies in Animals and Literature, 167–79. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-39773-9_12.

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5

Pugh, Syrithe. "Virgilian negotiations in The Shepheardes Calender." In Spenser and Virgil. Manchester University Press, 2016. http://dx.doi.org/10.7765/9781526103888.00007.

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Pugh, Syrithe. "Virgilian structure in The Shepheardes Calender." In Spenser and Virgil. Manchester University Press, 2016. http://dx.doi.org/10.7765/9781526103888.00008.

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7

Norbrook, David. "The Shepheardes Calender: Prophecy and the Court." In Poetry and Politics in the English Renaissance, 53–81. Oxford University Press, 2002. http://dx.doi.org/10.1093/acprof:oso/9780199247189.003.0004.

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8

Cook, Megan. "Cultivating Chaucerian antiquity in The Shepheardes Calender." In Rereading Chaucer and Spenser. Manchester University Press, 2019. http://dx.doi.org/10.7765/9781526136923.00014.

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9

"Spenser’s Shepheardes Calender and a Poetry of Rural Labor." In Transforming Work, 143–70. University of Notre Dame Press, 2013. http://dx.doi.org/10.2307/j.ctvpj79zn.9.

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10

Mottram, Stewart. "Spenser, the Dissolution of the Monasteries, and the Decline of the Preacher’s Plough." In Ruin and Reformation in Spenser, Shakespeare, and Marvell, 24–53. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780198836384.003.0001.

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This chapter focuses on Spenser’s Shepheardes Calender (1579) and View of the Present State of Ireland (c.1598), showing how both use the language of medieval rural complaint to attack greed among the protestant owners of former monastic lands. Beginning with the Calender’s September eclogue, the chapter brings new evidence to bear on previous identifications of the shepherd, Diggon Davie, with the Elizabethan bishop of St David’s, Richard Davies, tracing the influence of Davies’s Funeral Sermon (1577) for Walter Devereux, first earl of Essex, into Diggon’s language in ‘September’. The language of medieval complaint had blamed unscrupulous abbots for enclosing ploughlands, but in his own writing, Richard Davies argues that post-dissolution landowners were having an even more detrimental impact on the religious life of rural Wales, not only refusing to free up former monastic lands for ploughing but also hindering the work of the ‘church-ploughing’ preacher, because refusing to pay preaching ministers a proper wage. The chapter shows how Spenser uses the pseudo-Chaucerian Plowman’s Tale to turn Davies’s local response to the situation in St David’s diocese into a general complaint against unscrupulous farmers of church livings across England and Wales. It concludes by exploring Spenser’s similar attitude in A View towards Adam Loftus and other protestant farmers of church livings in late Elizabethan Ireland, arguing that Spenser here evokes the ruins of churches and monasteries in order to return to his comments in The Shepheardes Calender on the greed of post-dissolution landowners and their neglect of the preacher’s plough.

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