Relevant bibliographies by topics / Shellfish culture – New South Wales

Academic literature on the topic 'Shellfish culture – New South Wales'

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Published: 10 December 2022
Last updated: 29 January 2023

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Journal articles on the topic "Shellfish culture – New South Wales"

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Barua, Abanti, Penelope A. Ajani, Rendy Ruvindy, Hazel Farrell, Anthony Zammit, Steve Brett, David Hill, Chowdhury Sarowar, Mona Hoppenrath, and Shauna A. Murray. "First Detection of Paralytic Shellfish Toxins from Alexandrium pacificum above the Regulatory Limit in Blue Mussels (Mytilus galloprovincialis) in New South Wales, Australia." Microorganisms 8, no. 6 (June 16, 2020): 905. http://dx.doi.org/10.3390/microorganisms8060905.

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In 2016, 2017 and 2018, elevated levels of the species Alexandrium pacificum were detected within a blue mussel (Mytilus galloprovincialis) aquaculture area at Twofold Bay on the south coast of New South Wales, Australia. In 2016, the bloom persisted for at least eight weeks and maximum cell concentrations of 89,000 cells L−1 of A. pacificum were reported. The identity of A. pacificum was confirmed using molecular genetic tools (qPCR and amplicon sequencing) and complemented by light and scanning electron microscopy of cultured strains. Maximum reported concentrations of paralytic shellfish toxins (PSTs) in mussel tissue was 7.2 mg/kg PST STX equivalent. Elevated cell concentrations of A. pacificum were reported along the adjacent coastal shelf areas, and positive PST results were reported from nearby oyster producing estuaries during 2016. This is the first record of PSTs above the regulatory limit (0.8 mg/kg) in commercial aquaculture in New South Wales since the establishment of routine biotoxin monitoring in 2005. The intensity and duration of the 2016 A. pacificum bloom were unusual given the relatively low abundances of A. pacificum in estuarine and coastal waters of the region found in the prior 10 years.
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Hallegraeff, G. M., J. A. Marshall, J. Valentine, and S. Hardiman. "Short cyst-dormancy period of an Australian isolate of the toxic dinoflagellate Alexandrium catenella." Marine and Freshwater Research 49, no. 5 (1998): 415. http://dx.doi.org/10.1071/mf97264.

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Cyst beds of Alexandrium catenella (a causative organism of Paralytic Shellfish Poisoning) are widespread in New South Wales coastal and estuarine waters (temperature range 13–25˚C). Cysts produced by cultured isolates exhibited dormancy periods at 17˚C as short as 28–55 days. This contrasts with the usually longer dormancy requirements of temperate populations of A. catenella from Japan (97 days at 23˚C) and of A. tamarense from Cape Cod or British Columbia. With some Australian cysts, a 1-h temperature increase from 17˚ to 25˚C (equivalent to summer heating of shallow estuaries) improved germination success (up to 100% germination achieved after 98 days), but cold–dark storage did not produce the lengthened dormancy requirements that have been reported overseas for overwintering temperate cyst populations. The significance of this finding is that different geographic isolates of the same dinoflagellate taxon can have different cyst dormancy requirements which play different ecological roles (overwintering strategy v. rapid cycling between benthos and plankton).
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Farrell, Hazel, Penelope Ajani, Shauna Murray, Phil Baker, Grant Webster, Steve Brett, and Anthony Zammit. "Diarrhetic Shellfish Toxin Monitoring in Commercial Wild Harvest Bivalve Shellfish in New South Wales, Australia." Toxins 10, no. 11 (October 30, 2018): 446. http://dx.doi.org/10.3390/toxins10110446.

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An end-product market survey on biotoxins in commercial wild harvest shellfish (Plebidonax deltoides, Katelysia spp., Anadara granosa, Notocallista kingii) during three harvest seasons (2015–2017) from the coast of New South Wales, Australia found 99.38% of samples were within regulatory limits. Diarrhetic shellfish toxins (DSTs) were present in 34.27% of 321 samples but only in pipis (P. deltoides), with two samples above the regulatory limit. Comparison of these market survey data to samples (phytoplankton in water and biotoxins in shellfish tissue) collected during the same period at wild harvest beaches demonstrated that, while elevated concentrations of Dinophysis were detected, a lag in detecting bloom events on two occasions meant that wild harvest shellfish with DSTs above the regulatory limit entered the marketplace. Concurrently, data (phytoplankton and biotoxin) from Sydney rock oyster (Saccostrea glomerata) harvest areas in estuaries adjacent to wild harvest beaches impacted by DSTs frequently showed elevated Dinophysis concentrations, but DSTs were not detected in oyster samples. These results highlighted a need for distinct management strategies for different shellfish species, particularly during Dinophysis bloom events. DSTs above the regulatory limit in pipis sampled from the marketplace suggested there is merit in looking at options to strengthen the current wild harvest biotoxin management strategies.
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Brown, Paul L., Vincent J. Carolan, Deborah J. Hafey, Machiko Iko, Scott J. Markich, and R. John Morrison. "Metals in fish and shellfish from Lake Illawarra, New South Wales, Australia." Wetlands Australia 21, no. 2 (February 28, 2006): 228. http://dx.doi.org/10.31646/wa.274.

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Gibson, Lorraine. "Art, Culture and Ambiguity in Wilcannia, New South Wales." Australian Journal of Anthropology 19, no. 3 (December 2008): 294–313. http://dx.doi.org/10.1111/j.1835-9310.2008.tb00355.x.

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O'connor, Wayne A., and Michael C. Dove. "The Changing Face of Oyster Culture in New South Wales, Australia." Journal of Shellfish Research 28, no. 4 (December 2009): 803–11. http://dx.doi.org/10.2983/035.028.0409.

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Farrell, Hazel, Steve Brett, Penelope Ajani, and Shauna Murray. "Distribution of the genus Alexandrium (Halim) and paralytic shellfish toxins along the coastline of New South Wales, Australia." Marine Pollution Bulletin 72, no. 1 (July 2013): 133–45. http://dx.doi.org/10.1016/j.marpolbul.2013.04.009.

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McKenzie, Kirsten. "The Paper War: Morality, Print Culture and Power in Colonial New South Wales." Australian Historical Studies 44, no. 2 (June 2013): 297–98. http://dx.doi.org/10.1080/1031461x.2013.793258.

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Garvey, Nathan. "The Paper War: Morality, Print Culture, and Power in Colonial New South Wales." Journal of Australian Studies 37, no. 1 (March 2013): 134–36. http://dx.doi.org/10.1080/14443058.2012.757275.

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White, Saraya, and Warren Kealy-Bateman. "Primary evidence of seton therapy at Tarban Creek, New South Wales, 1839." Australasian Psychiatry 25, no. 3 (September 27, 2016): 293–96. http://dx.doi.org/10.1177/1039856216671666.

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Objective: We aimed to find and explore the earliest available New South Wales asylum medical records to identify any management or therapeutic data that might be of interest to the psychiatric field. Conclusions: The earliest known existing records of New South Wales asylum data are from Tarban Creek Asylum. After almost two centuries the preserved records allow insight into treatment used in early colonial Australia, including the scarcely remembered seton therapy. This finding highlights the importance of preserving historical records. It also demonstrates the necessity and/or evolving wish within the colony to care for patients with perceived mental health difficulties based on a shared medical culture inherited from techniques used in Britain.
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Dissertations / Theses on the topic "Shellfish culture – New South Wales"

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Gibson, Lorraine Douglas. "Articulating culture(s) being black in Wilcannia /." Phd thesis, Australia : Macquarie University, 2006. http://hdl.handle.net/1959.14/70724.

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Thesis (PhD)--Macquarie University, Division of Society, Culture, Media & Philosophy, Department of Anthropology, 2006.
Bibliography: p. 257-276.
Introduction: coming to Wilcannia -- Wilcannia: plenty of Aborigines, but no culture -- Who you is? -- Cultural values: ambivalences and ambiguities -- Praise, success and opportunity -- "Art an' culture: the two main things, right?" -- Big Murray Butcher: "We still doin' it" -- Granny Moisey's baby: the art of Badger Bates -- Epilogue.
Dominant society discourses and images have long depicted the Aboriginal people of the town of Wilcannia in far Western New South Wales as having no 'culture'. In asking what this means and how this situation might have come about, the thesis seeks to respond through an ethnographic exploration of these discourses and images. The work explores problematic and polemic dominant society assumptions regarding 'culture' and 'Aboriginal culture', their synonyms and their effects. The work offers Aboriginal counter-discourses to the claim of most white locals and dominant culture that the Aboriginal people of Wilcannia have no culture. In so doing the work presents reflexive notions about 'culture' as verbalised and practiced, as well as providing an ethnography of how culture is more tacitly lived. -- Broadly, the thesis looks at what it is to be Aboriginal in Wilcannia from both white and black perspectives. The overarching concern of this thesis is a desire to unpack what it means to be black in Wilcannia. The thesis is primarily about the competing values and points of view within and between cultures, the ways in which Aboriginal and non-Aboriginal people tacitly and reflexively express and interpret difference, and the ambivalence and ambiguity that come to bear in these interactions and experiences. This thesis demonstrates how ideas and actions pertaining to 'race' and 'culture' operate in tandem through an exploration of values and practices relating to 'work', 'productivity', 'success', 'opportunity' and the domain of 'art'. These themes are used as vehicles to understanding the 'on the ground' effects and affects of cultural perceptions and difference. They serve also to demonstrate the ambiguity and ambivalence that is experienced as well as being brought to bear upon relationships which implicitly and explicitly are concerned with, and concern themselves with difference.
Mode of access: World Wide Web.
xii, 276 p. ill
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Lattas, Andrew. "The new panopticon : newspaper discourse and the rationalisation of society and culture in New South Wales, 1803-1830 /." Title page, contents and abstract only, 1985. http://web4.library.adelaide.edu.au/theses/09PH/09phl364.pdf.

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Attard, Karen Patricia. "Lost and found : a literary cultural history of the Blue Mountains /." View thesis, 2003. http://library.uws.edu.au/adt-NUWS/public/adt-NUWS20040420.110911/index.html.

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Thesis (Ph. D.)--University of Western Sydney, 2003.
A thesis submitted in fulfillment of the requirements for the degree of Doctor of Philosophy at the University of Western Sydney, School of Humanities, 2003. Includes bibliographical references.
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Montano, Edward James. "DJs, clubs and vinyl the cultural commodification and operational logics of contemporary commercial dance music in Sydney /." Phd thesis, Australia : Macquarie University, 2007. http://hdl.handle.net/1959.14/19792.

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Thesis (PhD)--Macquarie University, Division of Humanities, Department of Contemporary Music Studies, 2007.
Bibliography: p. 291-313.
Introduction -- "Back to this subculture thing": literature review and methodology -- "The crowd went berserk": dance music and club culture in Sydney and Australia -- "Once you find a groove you've got to keep it locked": the role and significance of the DJ -- "There's a great myth about that": DJ culture in Sydney -- "You're not a real DJ unless you play vinyl": technology and formats: the progression of dance music and DJ culture -- "What is underground really?": defining the structure, significance and meaning of dance culture -- "Where are they going to go next?": shifting the focus of dance music studies.
The development of contemporary, post-disco dance music and its associated culture, as representative of a (supposedly) underground, radical subculture, has been given extensive consideration within popular music studies. Significantly less attention has been given to the commercial, mainstream manifestations of this music. Furthermore, demonstrating the influence of subculture theory, existing studies of dance culture focus largely on youth-based audience participation, and as such, those who engage with dance music on a professional level have been somewhat overlooked. In an attempt to rectify these imbalances, this study examines the contemporary commercial dance music scene in Sydney, Australia, incorporating an analytical framework that revolves mainly around the work of DJs and the commercial scene they operate within.--An ethnographic methodological approach underpins the majority of this thesis, with interviews forming the main source of research material. Beginning with a discussion of the existing academic literature on dance culture and dance scenes, an historical context is subsequently established through a section that traces the development of dance culture from an underground phenomenon to a mainstream leisure activity, both within and outside Australia.--The ideas, opinions and interpretations of a selection of local DJs and other music industry practitioners who work in Sydney are central to the analysis of DJ culture herein. Issues discussed include the interaction and relationship between the DJ and their crowd, the technology and formats employed by DJs, and the DJ's multiple roles as entertainer, consumer and educator. The final part of the study gives consideration to the structure of the Sydney dance scene, in regard to the frequently used, but rarely critically analysed, terms 'underground' and 'mainstream'. The thesis concludes with a discussion that challenges the structural rigidity imposed by subcultural theory and scene-based analysis, arguing instead for a greater degree of fluidity in the theoretical approaches taken towards the study of contemporary dance music scenes.
Mode of access: World Wide Web.
vi, 334 p
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5

Henkel, Cathy. "Development of audiovisual industries in the Northern Rivers Region of NSW." Thesis, Queensland University of Technology, 2002.

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The proposition that this thesis investigates is that the Northern Rivers region of NSW, the area from Grafton to Tweed Heads, is growing as a lifestyle and learning region with the potential for audiovisual industry activity to develop as a series of networked industry clusters. The cluster model is explored as an alternative approach to industry development that offers new opportunities for enterprise building and new options for government intervention in the cultural industries in the region. The concept of creative industries is also applied to scope new collaboration and economic development options for the cultural industries, creative arts, media and communications sectors and a new agenda for collective action amongst industry players in the region. The thesis confirms that audiovisual and creative industries' activity in the Northern Rivers region has reached a significant level in terms of representation in the workforce and economic and social benefit to the region. The research identified a total of 1,621 people involved in audiovisual industries in the region, representing a growth of 214% since 1996. The total number of people involved in creative industries in the region in 2000 was conservatively estimated to be 3,500, which is 4.1 % of the local work force, a significant figure for a non-metropolitan region. The thesis questioned the usefulness of Australian Bureau of Statistics (ABS) data in providing an accurate picture of creative industries, and the research may be considered a pioneering work in its method of collecting data on creative industry cluster developments in Australia. The thesis concludes that the Northern Rivers region has an active, significant and growing audiovisual industry within the creative milieu of a lively and growing creative industries' sector, and has the potential to develop as a series of networked creative industries' clusters. However, considerable barriers and difficulties exist at both the local and national levels for these industries, and specific measures need to be taken urgently to support this developing sector and to provide the infrastructure and mechanisms needed to ensure that the current growth is sustainable.
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Jiggens, John Lawrence. "Marijuana Australiana: Cannabis use, popular culture and the Americanisation of drugs policy in Australia, 1938-1988." Queensland University of Technology, 2004. http://eprints.qut.edu.au/15949/.

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The word 'marijuana' was introduced to Australia by the US Bureau of Narcotics via the Diggers newspaper, Smith's Weekly, in 1938. Marijuana was said to be 'a new drug that maddens victims' and it was sensationally described as an 'evil sex drug'. The resulting tabloid furore saw the plant cannabis sativa banned in Australia, even though cannabis had been a well-known and widely used drug in Australia for many decades. In 1964, a massive infestation of wild cannabis was found growing along a stretch of the Hunter River between Singleton and Maitland in New South Wales. The explosion in Australian marijuana use began there. It was fuelled after 1967 by US soldiers on rest and recreation leave from Vietnam. It was the Baby-Boomer young who were turning on. Pot smoking was overwhelmingly associated with the generation born in the decade after the Second World War. As the conflict over the Vietnam War raged in Australia, it provoked intense generational conflict between the Baby-Boomers and older generations. Just as in the US, pot was adopted by Australian Baby-Boomers as their symbol; and, as in the US, the attack on pot users served as code for an attack on the young, the Left, and the alternative. In 1976, the 'War on Drugs' began in earnest in Australia with paramilitary attacks on the hippie colonies at Cedar Bay in Queensland and Tuntable Falls in New South Wales. It was a time of increasing US style prohibition characterised by 'tough-on-drugs' right-wing rhetoric, police crackdowns, numerous murders, and a marijuana drought followed quickly by a heroin plague; in short by a massive worsening of 'the drug problem'. During this decade, organised crime moved into the pot scene and the price of pot skyrocketed, reaching $450 an ounce in 1988. Thanks to the Americanisation of drugs policy, the black market made 'a killing'. In Marijuana Australiana I argue that the 'War on Drugs' developed -- not for health reasons -- but for reasons of social control; as a domestic counter-revolution against the Whitlamite, Baby-Boomer generation by older Nixonite Drug War warriors like Queensland Premier, Bjelke-Petersen. It was a misuse of drugs policy which greatly worsened drug problems, bringing with it American-style organised crime. As the subtitle suggests, Marijuana Australiana relies significantly on 'alternative' sources, and I trawl the waters of popular culture, looking for songs, posters, comics and underground magazines to produce an 'underground' history of cannabis in Australia. This 'pop' approach is balanced with a hard-edged, quantitative analysis of the size of the marijuana market, the movement of price, and the seizure figures in the section called 'History By Numbers'. As Alfred McCoy notes, we need to understand drugs as commodities. It is only through a detailed understanding of the drug trade that the deeper secrets of this underground world can be revealed. In this section, I present an economic history of the cannabis market and formulate three laws of the market.
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Jiggens, John Lawrence. "Marijuana Australiana : cannabis use, popular culture and the Americanisation of drugs policy in Australia, 1938-1988." Thesis, Queensland University of Technology, 2004. https://eprints.qut.edu.au/15949/1/John_Jiggens_Thesis.pdf.

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The word 'marijuana' was introduced to Australia by the US Bureau of Narcotics via the Diggers newspaper, Smith's Weekly, in 1938. Marijuana was said to be 'a new drug that maddens victims' and it was sensationally described as an 'evil sex drug'. The resulting tabloid furore saw the plant cannabis sativa banned in Australia, even though cannabis had been a well-known and widely used drug in Australia for many decades. In 1964, a massive infestation of wild cannabis was found growing along a stretch of the Hunter River between Singleton and Maitland in New South Wales. The explosion in Australian marijuana use began there. It was fuelled after 1967 by US soldiers on rest and recreation leave from Vietnam. It was the Baby-Boomer young who were turning on. Pot smoking was overwhelmingly associated with the generation born in the decade after the Second World War. As the conflict over the Vietnam War raged in Australia, it provoked intense generational conflict between the Baby-Boomers and older generations. Just as in the US, pot was adopted by Australian Baby-Boomers as their symbol; and, as in the US, the attack on pot users served as code for an attack on the young, the Left, and the alternative. In 1976, the 'War on Drugs' began in earnest in Australia with paramilitary attacks on the hippie colonies at Cedar Bay in Queensland and Tuntable Falls in New South Wales. It was a time of increasing US style prohibition characterised by 'tough-on-drugs' right-wing rhetoric, police crackdowns, numerous murders, and a marijuana drought followed quickly by a heroin plague; in short by a massive worsening of 'the drug problem'. During this decade, organised crime moved into the pot scene and the price of pot skyrocketed, reaching $450 an ounce in 1988. Thanks to the Americanisation of drugs policy, the black market made 'a killing'. In Marijuana Australiana I argue that the 'War on Drugs' developed -- not for health reasons -- but for reasons of social control; as a domestic counter-revolution against the Whitlamite, Baby-Boomer generation by older Nixonite Drug War warriors like Queensland Premier, Bjelke-Petersen. It was a misuse of drugs policy which greatly worsened drug problems, bringing with it American-style organised crime. As the subtitle suggests, Marijuana Australiana relies significantly on 'alternative' sources, and I trawl the waters of popular culture, looking for songs, posters, comics and underground magazines to produce an 'underground' history of cannabis in Australia. This 'pop' approach is balanced with a hard-edged, quantitative analysis of the size of the marijuana market, the movement of price, and the seizure figures in the section called 'History By Numbers'. As Alfred McCoy notes, we need to understand drugs as commodities. It is only through a detailed understanding of the drug trade that the deeper secrets of this underground world can be revealed. In this section, I present an economic history of the cannabis market and formulate three laws of the market.
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Nash, Daphne. "Transforming knowledge : Indigenous knowledge and culture workers on the south coast of New South Wales." Phd thesis, 2009. http://hdl.handle.net/1885/150645.

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Somerville, Doug. "The floral resources of New South Wales of primary importance to commercial beekeeping." Phd thesis, 2004. http://hdl.handle.net/1885/146409.

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Ono, Akiko. "Pentecostalism among the Bundjalund revisited : the rejection of culture by aboriginal Christians in northern New South Wales, Australia." Phd thesis, 2007. http://hdl.handle.net/1885/147081.

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Books on the topic "Shellfish culture – New South Wales"

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David, Dixon, ed. A culture of corruption: Changing an Australian Police Service. Leichhardt, N.S.W: Hawkins Press, 1999.

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The course of empire: Neo-classical culture in New South Wales, 1788-1860. Melbourne: Oxford University Press, 1986.

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The paper war: Morality, print culture and power in Colonial New South Wales. Crawley, W.A: UWA Pub., 2011.

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Chan, Janet B. L. Learning the craft of policing: Police training, occupational culture & professional practice : final report to the New South Wales Police Service and the Australian Research Council. [New South Wales: s.n., 1999.

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Reed, L. The keeping place: An annotated bibliography and guide to the study of the Aborigines and Aboriginal culture in Northeast New South Wales and Southeast Queensland. Lismore, N.S.W: North Coast Institute for Aboriginal Community Education, 1988.

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Ramsay, E. P. Notes on the Food Fishes and Edible Mollusca of New South Wales, etc. , etc. , Exhibited in the New South Wales Court. Creative Media Partners, LLC, 2018.

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We Don't Do Dots: Aboriginal Art and Culture in Wilcannia, New South Wales. Sean Kingston Publishing, 2013.

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Norman, Sue, Beryl Cruse, and Liddy Stewart. Mutton Fish: The Surviving Culture Of Aboriginal People And Abalone On The South Coast Of New South Wales. Aboriginal Studies Press, 2005.

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Norman, Sue, Beryl Cruse, and Liddy Stewart. Mutton Fish: The Surviving Culture of Aboriginal People and Abalone on the South Coast of New South Wales. Aboriginal Studies Press, 2005.

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Wirajuri Heritage Study: For the Wagga Wagga local government area of New South Wales. City of Wagga Wagga, 2002.

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Book chapters on the topic "Shellfish culture – New South Wales"

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Stathis, Peter, and Chris Jacobson. "Institutionalising Adaptive Management: Creating a Culture of Learning in New South Wales Parks and Wildlife Service." In Adaptive Environmental Management, 305–21. Dordrecht: Springer Netherlands, 2009. http://dx.doi.org/10.1007/978-1-4020-9632-7_17.

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"Police and Minorities in New South Wales." In Changing Police Culture, 94–116. Cambridge University Press, 1997. http://dx.doi.org/10.1017/cbo9780511518195.006.

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Vaughan, Priya. "Culture Keeping and Money Making: Aboriginal Women’s Shellwork from the South Coast of New South Wales." In Sea Currents in Nineteenth-Century Art, Science and Culture. Bloomsbury Visual Arts, 2023. http://dx.doi.org/10.5040/9781501352812.ch-9.

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Pryce, Huw. "Consolidation and Reappraisal, 1920–60." In Writing Welsh History, 339–61. Oxford University Press, 2022. http://dx.doi.org/10.1093/oso/9780198746034.003.0014.

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This chapter discusses efforts from the 1920s to 1950s both to professionalize the study and writing of Welsh history and to make it more accessible. It begins by outlining the main institutional developments that helped to sustain Welsh history writing, both within and beyond the University of Wales, and introduces some of the academic historians who helped to shape the field. There follows an assessment of historical writing framed largely in terms of political and ecclesiastical developments, including R. T. Jenkins’s account of eighteenth-century Wales. The rest of the chapter focuses on two new approaches that prioritized the study of society and the economy. First, it analyses interpretations of the Welsh past by the ‘Aberystwyth school’ of physical anthropologists and human geographers associated with H. J. Fleure (1877–1969), including E. G. Bowen’s emphasis on human agency in the making of landscapes and Iorwerth Peate’s concept of Welsh folk culture. Second, it assesses the economic turn in the study of Welsh history in all periods exemplified by works such as William Rees’s South Wales and the March 1284–1415 (1924), A. H. Dodd’s The Industrial Revolution in North Wales (1933), and Ben Bowen Thomas’s wide-ranging synthesis of economic and social developments from the Neolithic to the early twentieth century published in Welsh in 1941.
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Stolte, Lisa. "Practice-based research in times of crisis: weaving community together during lockdown." In Qualitative and Digital Research in Times of Crisis, 78–92. Policy Press, 2021. http://dx.doi.org/10.1332/policypress/9781447363798.003.0006.

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The COVID-19 crisis shifted museums research towards practice-based explorations of material culture. Practice-based research develops a greater appreciation of works found in museums collections through understanding how things are created. This chapter is written from the perspectives of two First Nation or Aboriginal researchers and cultural practitioners living in Australia - one a descendant of the Nimi’ipuu (Nez Perce) tribe of the Pacific North West; the other a member of the Gomeroi Nation of north-western New South Wales. The chapter explores an online workshop in traditional Aboriginal basket weaving. The pandemic disproportionately affected Indigenous peoples, hence overcoming isolation, making connections and finding ways to reclaim a sense of community strength became crucial for peoples’ survival, despite histories of institutional neglect and abuse.
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Paitz, Kendra, Judith Briggs, Kara Lomasney, and Adrielle Schneider. "Juan Angel Chávez's Winded Rainbow." In Advances in Media, Entertainment, and the Arts, 224–43. IGI Global, 2017. http://dx.doi.org/10.4018/978-1-5225-1665-1.ch013.

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This chapter outlines the manner in which the work of Chicago-based artist Juan Angel Chávez was exhibited at a university art gallery and served as the platform for an educational outreach program that investigated issues of immigration, place, language, materiality, and environmental sustainability within a global culture. Working closely with both an Associate Professor of Art Education and the gallery's Senior Curator, two graduate teacher candidates in Art Education generated student-initiated learning experiences based on a model of curriculum creation developed and taught by visual arts educators in New South Wales (NSW), Australia. The curator and graduate students implemented a local arts grant that enabled groups from secondary schools and a homeschool program to tour the gallery's exhibition of Chávez's work, participate in workshops in their classrooms, and exhibit their own artwork at the gallery.
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Conference papers on the topic "Shellfish culture – New South Wales"

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Corkhill, Anna, and Amit Srivastava. "Alan Gilbert and Sarah Lo in Reform Era China and Hong Kong: A NSW Architect in Asia." In The 38th Annual Conference of the Society of Architectural Historians Australia and New Zealand. online: SAHANZ, 2022. http://dx.doi.org/10.55939/a4015pq8jc.

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This paper is based on archival research done for a larger project looking at the impact of emergent transnational networks in Asia on the work of New South Wales architects. During the period of the Cultural Revolution in China (1966-1976), the neighbouring territories of Macau and Hong Kong served as centres of resistance, where an expatriate population interested in traditional Asian arts and culture would find growing support and patronage amongst the elite intellectual class. This brought influential international actors in the fields of journalism, filmmaking, art and architecture to the region, including a number of Australian architects. This paper traces the history of one such Australian émigré, Alan Gilbert, who arrived in Macau in 1963 just before the Cultural Revolution and continued to work as a professional filmmaker and photojournalist documenting the revolution. In 1967 he joined the influential design practice of Dale and Patricia Keller (DKA) in Hong Kong, where he met his future wife Sarah Lo. By the mid 1970s both Alan Gilbert and Sarah Lo had left to start their own design practice under Alan Gilbert and Associates (AGA) and Innerspace Design. The paper particularly explores their engagement with ‘reform-era’ China in the late 1970s and early 1980s when they secured one of the first and largest commissions awarded to a foreign design firm by the Chinese government to redesign a series of nine state- run hotels, two of which, the Minzu and Xiyuan Hotels in Beijing, are discussed here.
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Marfella, Giorgio. "Seeds of Concrete Progress: Grain Elevators and Technology Transfer between America and Australia." In The 38th Annual Conference of the Society of Architectural Historians Australia and New Zealand. online: SAHANZ, 2022. http://dx.doi.org/10.55939/a4000pi5hk.

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Modern concrete silos and grain elevators are a persistent source of interest and fascination for architects, industrial archaeologists, painters, photographers, and artists. The legacy of the Australian examples of the early 1900s is appreciated primarily by a popular culture that allocates value to these structures on aesthetic grounds. Several aspects of construction history associated with this early modern form of civil engineering have been less explored. In the 1920s and 1930s, concrete grain elevator stations blossomed along the railway networks of the Australian Wheat Belts, marking with their vertical presence the landscapes of many rural towns in New South Wales, Queensland, Victoria, and Western Australia. The Australian reception of this industrial building type of American origin reflects the modern nation-building aspirations of State Governments of the early 1900s. The development of fast-tracked, self-climbing methods for constructing concrete silos, a technology also imported from America, illustrates the critical role of concrete in that effort of nation-building. The rural and urban proliferation of concrete silos in Australia also helped establish a confident local concrete industry that began thriving with automatic systems of movable formwork, mastering and ultimately transferring these construction methods to multi-storey buildings after WWII. Although there is an evident link between grain elevators and the historiographical propaganda of heroic modernism, that nexus should not induce to interpret old concrete silos as a vestige of modern aesthetics. As catalysts of technical and economic development in Australia, Australian wheat silos also bear important significance due to the international technology transfer and local repercussions of their fast-tracked concrete construction methods.
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