Relevant bibliographies by topics / Shawnee art

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Shawnee art'

Author: Grafiati
Published: 29 July 2024
Last updated: 31 July 2024

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Journal articles on the topic "Shawnee art"

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Lepper, Bradley T., James R. Duncan, Carol Diaz-Granados, and John Soderberg. "Ohio Rock Art and Serpent Mound: Shared Iconography, Shared Stories." Midcontinental Journal of Archaeology 48, no. 2 (July 1, 2023): 147–71. http://dx.doi.org/10.5406/23274271.48.2.03.

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Abstract James Swauger's study of Ohio's rock art, Petroglyphs of Ohio, has been the definitive guide to the subject since its publication in 1984. Swauger concluded that the Indigenous American Indian petroglyphs were created during the late precontact period and proposed that the makers of the designs were “proto-Shawnee,” but he deliberately eschewed any attempt to attribute meanings to the designs. Building on Swauger's work, we consider Ohio rock art through the lens of our previous research on Serpent Mound and the rock art of midcontinental North America, particularly the unique suite of pictographs at Picture Cave, as interpreted through the lens of Dhegiha Siouan oral traditions. We argue that several Ohio petroglyph sites include configurations of motifs that represent episodes from an ancient and widespread Indigenous creation story featuring the Great Serpent, Lord of the Beneath World, and First Woman, the mother of all living things.
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Vertinsky, Patricia. "“This Dancing Business is More Hazardous Than Any ‘He-Man’ Sport”: Ted Shawn and His Men Dancers." Sociology of Sport Journal 35, no. 2 (June 1, 2018): 168–77. http://dx.doi.org/10.1123/ssj.2017-0009.

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Selecting Springfield College, founding home of the International YMCA as a training ground for male dancers was an inspired choice by American modern dancer Ted Shawn given the founding credo of the College to ‘build builders of men.’ I would like to see men dancing in gymnasiums and stadiums, he claimed, so that the dance could reach again the position it held among the Greeks as the most perfect athletic accomplishment and the finest means of physical training and development. They were earnest and interesting efforts to foster an aura of ‘authentic rugged American masculinity’ for the era, given that Shawn himself was a closeted homosexual and the troupe’s lead dancer was his long term muse and lover Barton Mumaw. Scholars have shown how Shawn’s ideas about gender and sexuality became increasingly complex once he acknowledged his own homosexuality and engaged with ideas about sexual difference. His appropriation of various facets of the physical culture movement, however, and his reliance on the work and ideas of female modern dance pioneers and the physical education profession have been less noted. In this sense, Shawn was lucky, for he fell in love with dance when the art was mature enough to need a man.
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Weinert, Adam H. "The Reaccession of Ted Shawn: A Study in Virtual Permanence." PAJ: A Journal of Performance and Art 38, no. 2 (May 2016): 69–79. http://dx.doi.org/10.1162/pajj_a_00319.

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In the spring of 2013, I was invited to represent the modernist choreographer Ted Shawn at the Museum of Modern Art as part of the exhibition 20 Dancers of the XXth Century, curated by Boris Charmatz. The exhibit proposed the both radical and rudimentary notion that the main museal space for dance is the human body. In many ways, this is in keeping with how dance has historically been preserved—passing down from generation to generation as an oral and kinesthetic tradition without the benefit of a comprehensive or standardized notation system. With this tradition in mind, I endeavored to become a living archive of Shawn's work. In determining how to approach this task, particularly in the absence of any living company members or company apparatus, I had to ask both practical and theoretical questions about the archive and dance re-performance.
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Artists, Multiple, and With Carina Magazzeni. "Imagined Urban Gardens, Rodman Hall Art Centre." ti< 9, no. 1 (March 26, 2020): 5–14. http://dx.doi.org/10.26522/ti.v9i1.2448.

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Blau, Shawn. "Getting Things Done: The Art of Stress-Free Productivity." New England Journal of Entrepreneurship 4, no. 2 (March 1, 2001): 81–82. http://dx.doi.org/10.1108/neje-04-02-2001-b008.

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Brask, Per. "Kierkegaard and the Art in Ross McMillan’s Fever." Canadian Theatre Review 92 (September 1997): 23–26. http://dx.doi.org/10.3138/ctr.92.005.

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What appeals to me in a monodrama is the way it can suggest the interiority of a character, a life of the mind. At stake in Wallace Shawn’s play The Fever is precisely this interiority, this being born into the life of the mind which is the “privilege” of members of the middle classes (and above) of Western culture. He has chosen the dramatic form which best approaches interiority in order to make it problematic.
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Artists, Multiple. "Crisscross." ti< 9, no. 1 (March 26, 2020): 15–28. http://dx.doi.org/10.26522/ti.v9i1.2449.

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Dempsey, Shawna, and Lorri Millan. "Mary Medusa." Canadian Theatre Review 76 (September 1993): 42–57. http://dx.doi.org/10.3138/ctr.76.009.

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Caution: copyright 1993 by Shawna Dempsey and Lorri Millan. This work is fully protected under the copyright laws of Canada and all other countries of the Copyright Union and all performances are subject to royalty. Change to the script is expressly forbidden without the written consent of Shawna Dempsey and Lorri Millan. Rights to produce, film, or record, in whole or in any part, in any medium, in any language, by any group, amateur or professional, are retained by Shawna Dempsey and Lorri Millan. Interested persons are requested to apply for permission and terms to Shawna Dempsey and Lorri Millan, 485 Wardlaw Avenue, Winnipeg, Manitoba, R3L 0L9.
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Spears, Charlotte. "Consumer Protection: Online Sale of Prescription Drugs to Minors Not Unconscionable." Journal of Law, Medicine & Ethics 30, no. 2 (2002): 315–17. http://dx.doi.org/10.1017/s1073110500008561.

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In Stovall v. Confimed.com, the Kansas Supreme Court held that an out-of-state medical doctor who sold a prescription drug to a Kansas minor over the Internet did not commit an unconscionable act under the Kansas Consumer Protection Act (KCPA). The Shawnee Country District Court had enjoined the doctor from prescribing or dispensing prescription medicine within the state of Kansas, and the doctor appealed the injunction to the Kansas Supreme Court. The Supreme Court affirmed the district court's decision to grant injunctive relief, but found no unconscionable conduct under the KCPA.The appellee, Washington physician Dr. Howard J. Levine, sold the sexual enhancement drug Viagra over the Internet through his online pharmacy. Neither the physician nor the online pharmacy was licensed to practice in Kansas. The purchasers were two Kansas residents, one of whom was a minor. Both purchased the drugs in a sting operation conducted by the Kansas Attorney General and received the drugs after completing an online application.
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Parayre, Catherine, and Artistes Multiples. "Shawn Serfas en février et les enfants au travail." ti< 5, no. 1 (March 12, 2016): 25–46. http://dx.doi.org/10.26522/ti.v5i1.1341.

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Dissertations / Theses on the topic "Shawnee art"

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Kerns, Shawn Allan. "SHAWN KERNS." Kent State University / OhioLINK, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=kent1398093330.

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Books on the topic "Shawnee art"

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Harjo, Benjamin. The earth, the moon, and the stars above. Santa Fe, NM: Wheelwright Museum of the American Indian, 2004.

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Mehta, Ved. Remembering Mr. Shawn's New Yorker: The invisible art of editing. Woodstock, N.Y: Overlook Press, 1998.

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C, Driskell David, ed. Expanding tradition: Selections from the Larry D. and Brenda A. Thompson collection / with essays by Shawnya L. Harris and David Driskell. Athens, GA: Georgia Museum of Art, University of Georgia, 2017.

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Larsen, Erika. 6x6: Erika Larsen, Paula McCartney, Dave Jordano, Ian Wolstenholme, Sasha Rudensky, Shawn Records. Johannesburg: Society of Photographers, 2008.

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1982-, Ellis Rich, Allison Grace, Uyetake Neil, Robbins Robbie, and Lee Shawn, eds. Memorial: Written by Chris Roberson ; art by Rich Ellis ; colors by Grace Allison ; letters by Neil Uyetake, Robbie Robbins, and Shawn Lee. San Diego, CA: IDW, 2012.

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Wolfe, Shawn. Uncanny: The Art & Design of Shawn Wolfe. Gingko Press, 2001.

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Uncanny: The Art & Design of Shawn Wolfe. Houston, 2000.

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Tattooed Portraits: New Paintings by Shawn Barber. 9mm Books, 2006.

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Forever and Ever: New Works by Shawn Barber. 9mm Books, 2008.

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Authors, Collective. International scientific and practical conference CUTTING EDGE-SCIENCE 2021 Shawnee, USA. Primedia E-launch LLC, 2021. http://dx.doi.org/10.37057/u_10.

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We are representing an aggregate of online-based scientific and practical journals with open access, published by Primedia E-launch LLC and peer-reviewed by experts in the relevant field. Open access policy gives us the opportunity to deliver full-text articles from our journals to our readers, free of charge. This allows our authors to reach a greater audience, increasing the citation rate of their scientific works.
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Book chapters on the topic "Shawnee art"

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Love, Ann Rowson, and Deborah Randolph. "Artist Segue 2: Shawne Major." In An Introductory Guide to Qualitative Research in Art Museums, 21–35. London: Routledge, 2024. http://dx.doi.org/10.4324/9780429262326-4.

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Cheung, King-Kok. "Art, Spirituality, and Ren or the Ethics of Care: Shawn Wong, Li-Young Lee, and Russell C. Leong." In Chinese American Literature without Borders, 141–70. New York: Palgrave Macmillan US, 2016. http://dx.doi.org/10.1057/978-1-137-44177-5_5.

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"The Bread Dance: A Shawnee Ceremony of Thanks and Renewal." In Hero, Hawk, and Open Hand: American Indian Art of the Ancient Midwest and South. Art Institute of Chicago, 2004. http://dx.doi.org/10.37862/aaeportal.00064.024.

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Aron, Stephen. "Chillicothe." In Peace and Friendship, 9—C1.F4. Oxford University PressNew York, 2022. http://dx.doi.org/10.1093/oso/9780197622780.003.0001.

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Abstract This chapter focuses on Chillicothe, a Shawnee Indian village in what is now the state of Ohio, where Daniel Boone was taken as a captive in 1778 and where his adoption by Blackfish, a Shawnee leader, opened a road to reconciliation between Indians and Americans in the Ohio Valley. The chapter hinges on the dilemmas faced by Boone and Blackfish, for the adoption occurred at time in which conflict between Kentucky pioneers and Ohio Indians was escalating. It was also a moment when the American Revolution and the path to an American West hung in the balance. Here, the critical questions are why Boone opted to return to Boonseborough, the settlement in Kentucky that bore his name, and what that meant for him and for the chances of a common future for American pioneers and Ohio Indians.
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Fuente, David de la. "The Saturated Flesh of Christ: Christology, Aesthetics, and Subjectivity in Jean-Luc Marion and M. Shawn Copeland." In Art, Desire, and God. Bloomsbury Academic, 2023. http://dx.doi.org/10.5040/9781350327184.ch-013.

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Rury, John L. "Conflict in Suburbia." In Creating the Suburban School Advantage, 133–56. Cornell University Press, 2020. http://dx.doi.org/10.7591/cornell/9781501748394.003.0006.

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This chapter offers an account of developments on the Kansas side of the border, focusing specifically on the rise of the Shawnee Mission School District. Johnson County became known for the high quality of its schools and attracted the greatest concentration of college-educated adults in the area. This came to represent a significant advantage with respect to the performance of local schools. The district encountered difficulties, however, in achieving consolidation, as wealthy patrons in fashionable communities rejected proposals to join with less-affluent residents in other parts of the area. An act of the legislature eventually forced creation of the district—the only one in the state to require this step. This episode reflected the effects of localism within the suburban context, where status distinctions between communities could make common interests difficult to recognize or acknowledge.
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Kenny, Kevin. "A Hunger for Land." In Peaceable Kingdom, 50–61. Oxford University PressNew York, NY, 2009. http://dx.doi.org/10.1093/oso/9780195331509.003.0006.

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Abstract Land-hungry settlers who could not establish a foothold in Lancaster County began to cross the Susquehanna River into the Cumberland Valley in the 1730s. At the conference in 1742 when Canassatego expelled Nutimus and his people, western Delaware and Shawnee Indians complained that “they were greatly disturbed and injured by the Peoples settling” on their side of the Kittatinny Mountains. In October Lieutenant Governor George Thomas issued a proclamation prohibiting settlement west of the mountains. All settlers that “have presum’d to possess themselves of any Lands there,” he declared, “are manifest Intruders; and, as such, liable by the Laws to be removed, and, in Case of refusal, to be committed to Prison and severely Fined.” With winter approaching he gave the intruders until May 1, 1743, to vacate. The proclamation had little effect as it could not be enforced west of the river, where squatters continued to settle in increasing numbers.
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Robinson, Jane. "Ten." In Unsuitable For Ladies, 272–308. Oxford University PressNew York, NY, 1994. http://dx.doi.org/10.1093/oso/9780192123336.003.0010.

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Abstract Outside the station a square, a little garden in the middle, and in the middle of the garden a statue. Beyond, a broad avenue, a string of droshkies, a queue waiting beside a shelter. The sky blazes with stars. It is bitterly cold. The stars are like chips of ice. We make inquiries. The town is some distance from the station, some miles. There is a ‘bus. We stand in the queue for a little while that seems a long while. Our feet freeze. We stamp and shuffle, but it is no good. Our feet are like blocks of ice. Samarkand is an oasis; we are surrounded by desert. Why do none of the people who write romantically about desert nights mention the bitter cold that descends on the desert after sundown? We ask the patient, motionless, shawled figure in front how often the ‘buses run, if she has any idea when there will be a ‘bus. She regards us stolidly.
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Watkins, Michele E. "Differentiation as Disfigurement." In Faith, Reason, and Theosis, 133–56. Fordham University Press, 2023. http://dx.doi.org/10.5422/fordham/9781531503017.003.0007.

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This essay aims to further George Florovksy’s project of neo-patristic synthesis from a womanist perspective in order to provide the necessary hermeneutic to expose and deconstruct modern Western notions of race, gender, and class, which have been used to conceptualize the difference among humanity as disfigurement. A number of patristic and womanist sources are leveraged as part of this womanist neo-patristic hermeneutic: Gregory of Nyssa’s Great Catechism, Dolores Williams, Toni Morrison’s novel Beloved, John Zizioulos, and Shawn Copeland. A womanist methodology makes possible a discourse on theosis that can counteract the disfigurement of the “other” by elevating the witness of marginalized voices.
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Hudson, Berkley. "Reading Pruitt." In O. N. Pruitt's Possum Town, 210–14. University of North Carolina Press, 2022. http://dx.doi.org/10.5149/northcarolina/9781469662701.003.0021.

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This bibliographic essay, accompanying a selected bibliography, provides a research roadmap to buttress the visual stories Pruitt and his subjects tell us. Three main categories discussed are Photographic and Documentary Studies; Southern History and Culture; Oral History, Ethnography and Folklore. Scholars and writers referenced include Alan Tratchenberg, William R. Ferris, Deborah Willis, Walter Benjamin, Michael Lesy, bell hooks, John Szarkowski, Shawn Michelle Smith, Roland Barthes, Jacques Lacan, Frantz Fanon, Robert Coles, Michel Foucault, Stuart Hall, John Berger, Susan Sontag, David Blight, Jacquelyn, Dowd Hall, John Hope Franklin, Leon Litwack, Joel Williamson, C. Vann Woodward, and Grace Hale, Catherine Lutz, James Carey, Don Shaw, Ralph Eubanks, Kiese Laymon, Natasha Tretheway, Anthony Walton, Margaret Walker, Jesmyn Ward, and Etheridge Knight, Gloria Naylor, and Glenn Hinson.
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Conference papers on the topic "Shawnee art"

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Weibel, C. Pius. "ENHANCED LIDAR IMAGERY INDICATES THAT “GIANT CITY” KARSTIC FEATURES ARE NUMEROUS AND WIDESPREAD IN THE SHAWNEE HILLS OF SOUTHERN ILLINOIS, USA." In 50th Annual GSA North-Central Section Meeting. Geological Society of America, 2016. http://dx.doi.org/10.1130/abs/2016nc-275478.

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Bartie, Kenneth. "History of the Vertol Aircraft Corporation, 1956 to 1960." In Vertical Flight Society 77th Annual Forum & Technology Display. The Vertical Flight Society, 2021. http://dx.doi.org/10.4050/f-0077-2021-16811.

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With an overall company lifespan of only four years, Vertol Aircraft Corporation continued the tandem-rotor helicopter legacy of its predecessor, Piasecki Helicopter Corp., as well as research, development and testing of other V/STOL aircraft and technologies while concurrently designing two medium-lift transport helicopters that are still in worldwide use and/or production today. During this short timeframe, the company finalized production and deliveries of the H-21C Shawnee/V-44 for the US Army and international customers. The company designed and flew the world’s first tilt-wing VTOL, the NACA/Army/Navy/Vertol VZ-2A. Application of T53 and T58 turbine powerplants led to twin-turbine engine trials and flight tests with experimental H-21 variants. With Vertol’s in-theater customer support, the French Army and Navy introduced the H-21 into combat in Algeria which included the early use of armed, troop-carrying helicopters. The design, test and successful US and worldwide demonstrations of the privately-funded Vertol 107 led to development and certification of the 107-II airliner version and follow-on military transports as the Boeing H-46 Sea Knight. The contract to design and build the YHC-1B was won by Vertol in 1959 and led to the enduring Boeing H-47 Chinook.
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Gallca, Marlene A. "Development of an Acoustically Enhanced Cyclone Collector for PFBC." In ASME 1994 International Gas Turbine and Aeroengine Congress and Exposition. American Society of Mechanical Engineers, 1994. http://dx.doi.org/10.1115/94-gt-318.

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Acoustically enhanced cyclone collectors offer the potential of achieving environmental particulate control standards under pressurized fluidized bed combustion (PFBC) conditions without the need for post turbine particulate control. The objective of this research program is to extend acoustic agglomeration technology from the laboratory scale up to the sub-pilot scale. The effects of high intensity sound on the agglomeration of fly ash particles are being investigated in a simulated PFBC effluent stream. The test facility consists of a variable residence time acoustic agglomeration chamber with a vitiating air preheat combustor, an ash injection system utilizing an auger feeder, a natural gas fired pulse combustor sound source, and a two-stage high temperature, high pressure cyclone. Fly ash for these tests has been obtained from the TVA (Tennessee Valley Authority) Shawnee Station circulating fluidized bed combustor (CFBC), as well as the Nucla CFBC, and Tidd PFBC. Acoustic agglomeration tests are underway. The acoustically enhanced cyclone collector is being evaluated with two distinct goals in mind: 1) determine the effects of the major operating parameters on acoustic agglomeration efficiency, and 2) optimize the agglomeration system performance for maximum particulate removal efficiency. The data obtained during these tests will provide direct information on the effects of sound intensity and frequency, particle residence time, ash loading, and pressure on the enhancement of cyclone collection efficiency with acoustic agglomeration. These data, in conjunction with results from an acoustic agglomeration computer model will be used to evaluate the economic and engineering feasibility of an acoustically enhanced cyclone collector for a full scale pressurized fluidized bed combustor.
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Reports on the topic "Shawnee art"

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Siegel, David A., Ivona Cetinic, Andrew F. Thompson, Norman B. Nelson, Michaela Sten, Melissa Omand, Shawnee Traylor, et al. EXport Processes in the Ocean from RemoTe Sensing (EXPORTS) North Atlantic sensor calibration and intercalibration documents. NASA STI Program and Woods Hole Oceanographic Institution, October 2023. http://dx.doi.org/10.1575/1912/66998.

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The following documents collect information regarding the calibration and intercalibration of various sensors that were deployed during the North Atlantic field component of the NASA EXPORTS project (EXPORTS NA), which took place between May 4 and June 1, 2021 (Johnson et al., 2023). The EXPORTS NA campaign was designed to to provide a contrasting end member to the earlier North Pacific field campaign, and focused on carbon export associated with the North Atlantic spring bloom in which gravitational sinking of organic particles, the physical advection and mixing, and active transport by vertically migrating zooplankton are all expected to provide significant flux pathways. During EXPORTS NA data sets were collected from a variety of shipbased, autonomously-piloted, and Lagrangian platforms. Intercalibration activities were tasked to different groups within the EXPORTS project team. Team leads and contact information are listed below. The overarching goal of these activities was to identify a trusted sensor, carry out a careful calibration of this sensor, then base any intercalibraiton needs off of this sensor, occasionally propagating information across platforms. Full details of the intercalibration approach, assumptions, and summary are provided in the attached documents. All calibration and intercalibration activities were completed before data set were uplaoded to the NASA SeaBASS data repository. Data related to this cruise can be publicly accessed at: https://seabass.gsfc.nasa.gov/cruise/EXPORTSNA Updates to calibration and intercalibration documents required to reflect revised data sets will also be provided through SeaBASS. Questions concerning referencing these documents or accessing data sets should be directed to Inia Soto Ramos. NASA EXPORTS Science Lead: David Siegel, davesiegel@ucsb.edu NASA EXPORTS Project Scientist: Ivona Cetini´c, ivona.cetinic@nasa.gov NASA EXPORTS Data Manager: Inia Soto Ramos, inia.m.sotoramos@nasa.gov Calibration and intercalibration leads Temperature and salinity sensors: Andy Thompson, andrewt@caltech.edu Chlorophyll fluorescence sensors: Melissa Omand & Kaley Sten, momand@uri.edu Oxygen sensors: Shawnee Traylor & Roo Nicholson, shawnee@mit.edu Optical backscatter sensors: Xiaodong Zhang, Xiaodong.Zhang@usm.edu Lagrangian float sensors: Eric D’Asaro, dasaro@apl.washington.edu Underway sensors: Leah Johnson, leahjohn@uw.edu Underwater Vision Profiler (UVP)-Particle Size Distribution (PSD): David Siegel, davesiegel@ucsb.edu
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