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Journal articles on the topic 'Shavian Ambivalence'

Author: Grafiati
Published: 18 May 2024

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1

Lima, Lia Araujo Miranda de. "Interview with Zohar Shavit." Belas Infiéis 8, no. 3 (2019): 257–76. http://dx.doi.org/10.26512/belasinfieis.v8.n3.2019.26342.

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Zohar Shavit is a full professor in the School for Cultural Studies in Tel Aviv University, Israel. In 1978 she concluded her Ph.D under the supervision of Itamar Even-Zohar, with a dissertation on modernism in Hebrew poetry of the 1920s. Departing from the fundaments of Polysystems theory, the author has been presenting, since the 1980s, innovative reflexions in the field of children’s literature (CL), many of which regarding translation and international traffic of CL. Besides her best-known work, Poetics of Children's Literature (1986), Shavit has written an important group of academic arti
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2

Martin, Sean. "Jehuda Reinharz and Yaacov Shavit, Glorious, Accursed Europe: An Essay on Jewish Ambivalence." European History Quarterly 44, no. 1 (2014): 182–83. http://dx.doi.org/10.1177/0265691413515408an.

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3

Suárez Hernán, Carolina. "LA AMBIVALENCIA DE LOS CUENTOS INFANTILES EN LA NARANJA MARAVILLOSA, DE SILVINA OCAMPO." Signa: Revista de la Asociación Española de Semiótica 32 (January 10, 2023): 617–35. http://dx.doi.org/10.5944/signa.vol32.2023.32681.

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El presente artículo aborda la literatura infantil de Silvina Ocampo, concretamente algunos de los cuentos que integran La naranja maravillosa (1977). En este volumen, la autora manipula algunos relatos publicados previamente en sus contarios destinados al público general para adecuarlos al público infantil. Este trabajo examina las modificaciones que se llevan a cabo en las distintas versiones con la finalidad de dirigirse a diferentes lectores implícitos. De acuerdo a la Teoría de los Polisistemas y, sobre todo, a las investigaciones de Zohar Shavit, Silvina Ocampo integra los cuentos en dos
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Haider, Rehan. "Female Genital, Cutting, or Circumcision." Obstetrics Gynecology and Reproductive Sciences 7, no. 5 (2023): 01–08. http://dx.doi.org/10.31579/2578-8965/181.

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In tandem with cultural taboos about menstruation, girls have traditionally posited ambivalent relationships between their bodies, sexuality, and menstrual cycles.{1} From the historic menstrual hut to the modern invention of premenstrual dysphoric disorder (PMDD) to the pervasive social norm of eliciting female menstruation from others (Delaney et al., 1988) menstruation was categorized as distasteful, socially deviant, and in some cases pathological. similarly, the contemporary lady regularly revels in shameful approximately our bodies in the context of sex, citing body photo issues, sexual
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5

Dr. Shahid Abbas, Dr. Ijaz Asghar, and Qamar Hussain. "Analyzing George Bernard Shaw’s Portrayal of Women in the Light of Postfeminist Theory." sjesr 4, no. 2 (2021): 438–43. http://dx.doi.org/10.36902/sjesr-vol4-iss2-2021(438-443).

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The paper aims at investigating the critical opinions about Bernard Shaw’s ambivalent relation to feminism. In this regard, the researchers highlight the emerging role of postfeminism and its overlapping elements with the Islamic portrayal of womanhood. Shaw differs from his predecessors drastically – he portrays independent female characters as compared to the invisible and submissive females of the past. Thus, one of the striking features of Shaw’s drama is the depiction of liberated women. The Shavian women do not consider men folk as their rivals. There is a shift from powerless to empower
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6

Kauders, Anthony D. "Glorious, Accursed Europe: An Essay on Jewish Ambivalence. By Jehuda Reinharz and Yaacov Shavit. Waltham, MA: Brandeis University Press. 2010. Pp. 300. Cloth $39.95. ISBN 978-1-58465-843-6." Central European History 44, no. 3 (2011): 545–46. http://dx.doi.org/10.1017/s0008938911000446.

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7

Kwitonda, Jean Claude. "The Marketing Mix and Hygienic Barbershop Use: A Formative Study." Social Marketing Quarterly 26, no. 4 (2020): 361–77. http://dx.doi.org/10.1177/1524500420971700.

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Background: Previous public health research has demonstrated that barbershop services in Sub-Saharan Africa involve close-shaving styles that may irritate the skin or cause injuries particularly among clients with razor bumps. Barbershop services may also facilitate client-to-client transmission of pathogens because they involve reuse of sharp implements (e.g., clippers) and other tools (e.g., brushes, towels and combs). The above concerns are compounded by limited access to adequate sanitization products in reasonably-priced barbershops. Focus of the Article: The goal of this formative resear
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8

Muldoon, Aaron. "Softboys in the age of Millennial Masculinity." International Conference on Gender Research 6, no. 1 (2023): 279–85. http://dx.doi.org/10.34190/icgr.6.1.1174.

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The last decade has witnessed the rise of a new type of Hollywood film star: the softboy. Actors including Timothée Chalamet and Harry Styles all appeal to the stereotypical characteristics of this type—young, skinny, fashionable, clean-shaven, quirky, gentle and emotionally intelligent. By analysing a sample of mainstream media articles on the softboy published between 2015 and 2023, the following paper seeks to deepen our understanding of this influential internet type and the dominant stereotype of masculinity he undermines—what R. W. Connell termed hegemonic masculinity. More specifically,
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9

Rada, Ester. "Impact of the COVID-19 Pandemic on the Life of Faculty Teaching in Universities." Bedan Research Journal 6, no. 1 (2021): 108–43. http://dx.doi.org/10.58870/berj.v6i1.24.

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COVID-19 has greatly affected the education sector compelling educators to adapt to online teaching and platforms quite abruptly. Thus, this study aims to determine the impact of this pandemic on the life of college faculty and its consequences on their social, emotional, and personal aspects due to the transition from physical classes to online lectures and design a support program to help reframe and alleviate its impacts. This is a descriptive study using a convergent mixed methods design. Employing a snowball sampling technique, a modified web-based global questionnaire that is divided int
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10

Van Coillie, Jan. "The Translator’s New Clothes Translating the Dual Audience in Andersen’s “The Emperor’s New Clothes”." 53, no. 3 (2008): 549–68. http://dx.doi.org/10.7202/019239ar.

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Abstract ‘The Emperor’s New Clothes’ is one of Hans Christian Andersen’s best known fairy tales. All over the world it appeals to children and adults alike. As such it belongs to what Zohar Shavit (1986) called ‘children’s literature with an ambivalent audience.’ This study addresses the question as to how translators deal with this dual audience. Do they stick to it or do they rather adapt the story more clearly to children? The corpus consists of the original Danish text and fourteen translations and adaptations in six languages. The research focuses on the implied dual audience as it is giv
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11

-, Hema Gandotra. "At the Margins: The Socially Excluded Third Gender People." International Journal For Multidisciplinary Research 3, no. 4 (2021). http://dx.doi.org/10.36948/ijfmr.2021.v03i04.1814.

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On the streets of Indian villages one sometimes comes across an unusual sight of a group of closely shaven persons in female attire, singing and dancing, making overtures to the onlookers, cracking sexually charged jokes at men and making loud clapping sounds with their hands. To people these individuals may look very interesting and outlandish freaks of nature. Not because they sing and dance but because of their ambivalent physical appearance. They shave, smoke and talk like men but dress and behave in a more feminine way. On seeing them, one question which would immediately strike relates t
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12

Saposnik, Arieh. AJS Review 30, no. 1 (2006): 208–10. http://dx.doi.org/10.1017/s0364009406300098.

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A growing literature on the emergence of a Hebrew national culture in the Jewish Yishuv of Palestine has opened up new understandings of the construction of Jewish nationhood in the modern world and its place in the broader context of modern nationalism. Yaacov Shavit and Shoshana Sitton conceive their study of the Yishuv's festive culture primarily as a contribution to this literature, in which they point to two principal lacunae. First, they argue that much of the scholarship to date has overlooked or oversimplified what were in fact “complex links between the ceremonial tradition and the [n
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13

Morse, Nicole Erin. "Authenticity, Captioned: Hashtags, Emojis, and Visibility Politics in Alok Vaid-Menon’s Selfie Captions." M/C Journal 20, no. 3 (2017). http://dx.doi.org/10.5204/mcj.1240.

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IntroductionWithin social media visibility campaigns, selfie captions usually work to produce coherent identity categories, linking disparate selfies together through hashtags. Furthering visibility politics, such selfie captions claim that authentic identities can be made visible through selfies and can be described and defined by these captions. However, selfie captions by the trans artist Alok Vaid-Menon challenge the assumption that selfies and their captions can make authentic identity legible. Through hashtags, emojis, and punning text, Vaid-Menon’s selfie captions interrogate visibility
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14

Atkinson, Meera. "The Blonde Goddess." M/C Journal 12, no. 2 (2009). http://dx.doi.org/10.5204/mcj.144.

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The western world has an enthusiasm for blondes that amounts to a cultural fetish. As a signifier the blonde is loaded: blondes have more fun, blondes are dumb, blondes are more sexually available, blondes are less capable, less serious, less complicated. The blonde is, in modern day patriarchy, often portrayed as the ideal woman. The Oxford Dictionary defines a Goddess as a female deity or a woman who is adored for her beauty. The Blonde Goddess then is the ultimate contemporary female, worshipped for her appearance, erotically idolised. She may be a Playboy bunny, the hot girl on the beach o
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15

Mackenzie, Adrian. "The Infrastructural-Political." M/C Journal 6, no. 4 (2003). http://dx.doi.org/10.5204/mcj.2229.

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To analyse critically contemporary communications and network technologies, and to understand how they become more (or less!) political, we need to learn about the forms of attachment, the kinds of 'stickiness', and the 'velcro effects' which block or negate as well as enable contemporary infrastructural politics. In the following tableau, the heuristic fiction comes from psychotherapy (Orbach, 2000). Imagine the cultural/new media/critical researcher as the analyst. The forms of attachment to be analysed include the analyst's own as she/he comes into relation with changing infrastructural reg
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16

Hadley, Bree. "Mobilising the Monster: Modern Disabled Performers’ Manipulation of the Freakshow." M/C Journal 11, no. 3 (2008). http://dx.doi.org/10.5204/mcj.47.

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The past two decades have seen the publication of at least half a dozen books that consider the part that fairs, circuses, sideshows and freakshows play in the continuing cultural labour to define, categorise and control the human body, including Robert Bogdan’s Freakshow, Rosemarie Garland-Thomson’s Extraordinary Bodies, and her edited collection Freakery, and Rachel Adams’s Sideshow USA. These writers cast the freakshow as a theatre of culture, worthy of critical attention precisely because of the ways in which it has provided a popular forum for staging, solidifying and transforming ideas a
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