Journal articles on the topic 'Sharpe Gallery'
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Palupi, Andita Eka, Tri Novianto P. Utomo, and L. Maureen Nuradhi. "PERANCANGAN FURNITUR BERBAHAN ROTAN DAN FASILITAS PENDUKUNGNYA." KREASI 2, no. 1 (April 11, 2017): 56–72. http://dx.doi.org/10.37715/kreasi.v2i1.264.
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Pal’S Gallery is a furniture design business that will be open in Surabaya, East Java. The showroom location will be in the 2nd floor of Marvell City Mall, Raya Ngagel 123, Wonokromo, Surabaya City, East Java. Pal’S Gallery specialize in furniture design and furniture product using rattan as the main materials. The purpose of this business are to fulfill the market demand for furnitures, and to enrich the Indonesia design with its uniqe rattan furniture design. Pal’S Gallery will serve customer with furniture design service and also selling the finished or ready-to-use furniture products. This research covered the design research, concept, and implementation report of the furniture, product, and its display space. Pal’S Gallery’s display space are consist of showroom and exhibition booth. The division area showroom and booth are less the same, there are public areas and private areas. Area divider of diplay space base on the showroom and booth existing. The existing area of showroom itself has 90 m2 total area. While, the booth has several alternatives design base on the booth size and type, there are the booth with a size of 3x3m surrounded with three backdrop in three different sides, the booth with a size of 3x3m surrounded with two backdrop in two different sides, the booth with a size of 3x6m surrounded with a backdrop in the 6m sides, and the island booth with a size of 6x6m. The concept for Pal’s Gallery display will be use rattan materials designed in a modern space planning and enclosure shape.
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Arias, Maria Paula. "From takeover to debacle: An analysis of the Nympghate network using Twitter data." Museum and Society 18, no. 2 (July 4, 2020): 132–50. http://dx.doi.org/10.29311/mas.v18i2.3275.
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On January 26, 2018 the painting Hylas and the Nymphs was temporarily removed from the Manchester Art Gallery’s walls and taken underground to its store. The removal was part of a ‘takeover’ event that questioned the relationships between historic works of art and contemporary social-cultural contexts. The following days saw a barrage of online comments accusing the Gallery of censorship, of ‘feminism gone mad’, and of inadequacy. In this article I use Twitter data and Actor Network Theory to explore how a community and a narrative took shape around the takeover. The analysis shows how this Nymphgate network was influenced by a series of human and non-human actors, as well as by Twitter’s technological affordances. This study is part of a larger project, as such it leads to question the potential effects of this mediatized debacle to the Gallery’s organizational strategy — including the roles of, and relationships between, decision-makers, social media, and visitors within it.
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BILOTTA, ELEONORA, GIANPIERO DI BLASI, FAUSTO STRANGES, and PIETRO PANTANO. "A GALLERY OF CHUA ATTRACTORS PART V." International Journal of Bifurcation and Chaos 17, no. 05 (May 2007): 1383–511. http://dx.doi.org/10.1142/s0218127407018099.
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Chua Oscillator and its generalizations display a variety of chaotic behaviors, whose most startling manifestation is the presence of strange attractors. These come in many different shapes and sizes yet share a special kind of beauty. In the work reported in this paper, we explored the universe of these attractors — much of which is still virgin territory. We then recorded the most interesting and significant in a "Gallery of Chua attractors". In papers, published in previous issues of this journal, we showed how different versions of the Oscillator follow different "routes to chaos". Parts II–IV of the Gallery describe the attractors generated by the dimensional and dimensionless forms of the Oscillator as well as attractors generated by circuits with a cubic equation for the characteristic function of the Chua diode. Here, we provide a detailed discussion of single scroll Chua systems and present 248 attractors generated by such systems. For each attractor, we provide a three-dimensional image, time series and FFTs. We go on to describe the techniques used to create the Gallery and the main characteristics of the attractors it includes. We use techniques such as PCA to represent the gallery in parameter space. The same techniques allow us to manipulate the shape of the attractors by enlarging them along their main axes of development. We use Hausdorff distances to compare shapes, and exploit the results to create landscapes in parameter space. Finally, we present experimental data from a single scroll attractor, using inertial ellipsoids and Hausdorff distances to show how the shape of the attractor evolves.
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Saulaka, Oky Tri Suci, Mesra Amirudin Mesra, and Daulat Saragi Daulat. "Analisis Kerajinan Boneka Berbahan Koran Bekas Produk Galeri J-ART." Journal of Education, Humaniora and Social Sciences (JEHSS) 3, no. 2 (December 2, 2020): 294–300. http://dx.doi.org/10.34007/jehss.v3i2.205.
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This study aims to describe the craft of dolls made from used newspapers from the indicators of shape, and plasticity carried out in the J-Art Gallery. This research is a qualitative descriptive study. The subjects of this study were 3 doll craft works made from used newspapers from J-Art Gallery. The accuracy of the shape of the doll and its plasticity are the objects in this study. Data collection methods used are observation, documentation, and interviews. Analysis of the data used is descriptive qualitative analysis techniques. The results of this study indicate that the accuracy of the shape and plasticity of dolls made from used newspapers on the J-Art Gallery products is quite good. The accuracy of the shape and plasticity of doll products made from used newspapers in the J-Art Gallery have shown the accuracy of the shape and the nature of plasticity that are in accordance with the characters of adult human dolls and also in accordance with consumer interests and support the preservation of regional culture.
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Crosby, Brian. "Private Concerts on Land and Water: The Musical Activities of the Sharp Family, c.1750–c. 1790." Royal Musical Association Research Chronicle 34 (2001): 1–118. http://dx.doi.org/10.1080/14723808.2001.10540993.
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Hitherto there have only been glimpses into the musical activities of William, James and Granville Sharp in London during the second half of the eighteenth century. These have been afforded by Prince Hoare's Memoirs of Granville Sharp, William Shield's anecdotal review of Granville's A Short Introduction to Vocal Music, the brothers' own catalogue of their music and the Leigh and Sotheby Sale Catalogue of 1814 which marked that music's dispersal, and, more recently, by the publication of the memoirs of R.J.S. Stevens who sang as a treble at the Sharps' concerts in 1772. From these sources it transpired that the three Sharps were capable amateur musicians who hosted private concerts of sacred music in their homes, and that at different times many of the leading professional musicians of the period either played or sang on one of Sharps' vessels on the Thames. These shadowy images gained bodily form in 1978 when the National Portrait Gallery acquired on indefinite loan ‘The Sharp Family’ by Johann Zoffany, a portrait which revealed that the three brothers were but part of a larger musical family.
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Portesine, Chiara. "Poems in the Shape of Collage: The Case of Antonio Porta." Italica 99, no. 4 (December 1, 2022): 505–22. http://dx.doi.org/10.5406/23256672.99.4.06.
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Abstract Since he was a young poet, Antonio Porta has always shown a strong interest in visual arts, in particular for abstract and conceptual painting. Porta began to experiment with collage in 1959, attending some key exhibitions at the Galleria Blu (Milan) and at the Galleria Arco d'Alibert (Rome) together with other Novissimi poets, including Alfredo Giuliani and Nanni Balestrini. This creative phase is often overlooked by critics and scholars. From this viewpoint, this article will show how these works brightly anticipate some crucial stylistic strategies that Porta will adopt in his linear poems later on in his poetic career—especially as regards the assembly of verses and lines. The contribution aims to investigate the connection between these earlier artistic projects and Porta's later works (focusing in particular on La palpebra rovesciata and L'enigma naturale). Lastly, thanks to archival materials stored at the Centro APICE, attention will be given to the profound relationship between these works and the private art gallery of the Paolazzi's family. From some unpublished bills of sale and artist agreements, I will rebuild this form of patronage and the links between paintings hanging on the domestic wall and pictures that Porta describes in his poetical verses. From this viewpoint, the article will investigate the pivotal relationship with Piero Manzoni—whose Achromes were formerly in Porta's father's collection—and Carlo Ramous—a Milanese painter related to his family by an official Atto di accordo, signed in January 1960. In the same year, Ramous drew the cover of La palpebra rovesciata and Porta, for his part, described one of his sculptures (Di fronte alla luna) in the homonymous poem of Rapporti. This philological approach will enable a better understanding of the poems that contain seemingly nonsensical elements but which actually depend on artistic sources.
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Chen, Yang, Gang Liu, and Hong Gao. "Research and Analysis on Fire Simulation of Underground Pipe Gallery Based on Pyrosim Software." Journal of Physics: Conference Series 2185, no. 1 (January 1, 2022): 012069. http://dx.doi.org/10.1088/1742-6596/2185/1/012069.
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Abstract In order to analyze the influence of the abrupt section of the underground pipe gallery on the spread of smoke, this paper uses fire simulation software to establish a numerical model to study and analyze the pipe gallery with abrupt sections. The simulation results show that under the condition of working condition 2, the temperature of the pipe gallery increases and then decreases. The highest temperature is at 182s, and the highest temperature is 698.51°C; in the sudden change section, the smoke spreading rate decreases, and the smoke peak The surface presents a “convex” shape; due to the thermal effect pressure difference and the mechanical wind pressure difference, when the wind speed in the pipe gallery is 0-50s, the wind speed changes greatly; when the inlet wind speed is 1m/s, the wind speed in the pipe gallery will eventually Tend to be 2.5m/s.
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Korn, Randi. "Evaluation Methods and Findings Shape a Junior Gallery." Visitor Studies 5, no. 1 (January 1992): 180–90. http://dx.doi.org/10.1080/10645579209445772.
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Vartiainen, Elina. "Improving the User Experience of a Mobile Photo Gallery by Supporting Social Interaction." International Journal of Mobile Human Computer Interaction 1, no. 4 (October 2009): 42–57. http://dx.doi.org/10.4018/jmhci.2009062604.
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Today, image gallery applications on mobile devices tend to be stand-alone and offline. For people who want to share photos with others, many add-on tools have been developed to connect the gallery applications to Internet services to enable photo-sharing. The authors argue that photo-centric social interaction is best supported when the gallery application is fully integrated with an Internet service. In this case, no additional tools are needed and the user’s image content is fully synchronized with the service. They designed and implemented a service-integrated mobile gallery application with a corresponding Internet service. Moreover, they conducted a field study with 10 participants to compare our application with a state-of-the-art gallery application combined with an add-on photo-sharing tool. Their application was preferred by most participants and it was especially appreciated because of the user experience. Above all, the results show that social activity increased amongst the participants while using our application.
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Friedman, Lee, Hal Stern, Vladyslav Prokopenko, Shagen Djanian, Henry Griffith, and Oleg Komogortsev. "Biometric Performance as a Function of Gallery Size." Applied Sciences 12, no. 21 (November 3, 2022): 11144. http://dx.doi.org/10.3390/app122111144.
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Many developers of biometric systems start with modest samples before general deployment. However, they are interested in how their systems will work with much larger samples. To assist them, we evaluated the effect of gallery size on biometric performance. Identification rates describe the performance of biometric identification, whereas ROC-based measures describe the performance of biometric authentication (verification). Therefore, we examined how increases in gallery size affected identification rates (i.e., Rank-1 Identification Rate, or Rank-1 IR) and ROC-based measures such as equal error rate (EER). We studied these phenomena with synthetic data as well as real data from a face recognition study. It is well known that the Rank-1 IR declines with increasing gallery size, and that the relationship is linear against log(gallery size). We have confirmed this with synthetic and real data. We have shown that this decline can be counteracted with the inclusion of additional information (features) for larger gallery sizes. We have also described the curves which can be used to predict how much additional information would be required to stabilize the Rank-1 IR as a function of gallery size. These equations are also linear in log(gallery size). We have also shown that the entire ROC-curve was not systematically affected by gallery size, and so ROC-based scalar performance metrics such as EER are also stable across gallery size. Unsurprisingly, as additional uncorrelated features are added to the model, EER decreases. We were interested in determining the impact of adding more features on the median, spread and shape of similarity score distributions. We present evidence that these decreases in EER are driven primarily by decreases in the spread of the impostor similarity score distribution.
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Aguiar da Cunha, Helder. "bysteel materializes Sir Richard Rogers’ gesture." Metálica, no. 25 (September 30, 2022): 14–17. http://dx.doi.org/10.30779/cmm_metalica_mi25_02.
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Installed at Château La Coste near Aix-en-Provence, the work is “a meeting between art and science” It was 2011 when Sir Richard Rogers, Nobel Laureate in Architecture, was asked by his good friend — Paddy McKillen — to design an art gallery at his estate Château La Coste, a wine estate where besides an extensive vineyard there is a hotel (W*214), restaurants and a cultural itinerary with works by stratospheric artists such as Louise Bourgeois, Renzo Piano, Oscar Niemeyer, Tadao Ando among many others. The gallery would have to fulfill only two requirements: serve the purpose of an art gallery and provide a unique view of the estate and its surroundings. The idea took shape over the course of 10 years. The first step was to locate the place where the gallery could be installed. Still in 2011, during a weekend at Château La Coste, Richard Rogers and his wife took their bicycles and went for a ride around the estate.
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Takezawa, Akihiro, and Mitsuru Kitamura. "Cross-Sectional Shape Optimization of Whispering-Gallery Ring Resonators." Journal of Lightwave Technology 30, no. 17 (September 2012): 2776–82. http://dx.doi.org/10.1109/jlt.2012.2207372.
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Dohe, Sebastian, and Malve Anna Falk. "Out of sight, out of mind." Journal of the History of Collections 32, no. 3 (October 18, 2019): 491–502. http://dx.doi.org/10.1093/jhc/fhz031.
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Abstract The grand-ducal gallery of Oldenburg is a forgotten collection today, though once it enjoyed international fame. In less than a century, the dukes of Oldenburg in Lower Saxony collected an exemplary gallery of Old Masters that attracted the attention and the praise of international connoisseurs and art historians like Wilhelm Bode, Abraham Bredius and Tancred Borenius. Then, after the end of the First World War, the collection fell apart. In 1919, it was disassembled and its masterpieces were sold, once again generating international attention, this time from art dealers, museums and collectors eager to have their share of the plunder. The protests over this sell-out added impetus to the passing of a Kulturgutschutzgesetz, the first German law aimed at the protection of works of art of national value. This article reviews the history of the gallery and presents the results of a recent research project.
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Subagyo, Puspitarini, and Swambodo Murdariatmo Adi. "The Style of Indonesian Contemporary Art Gallery in West Jakarta." Journal of Aesthetics, Creativity and Art Management 2, no. 2 (September 17, 2023): 158–76. http://dx.doi.org/10.59997/jacam.v2i2.2793.
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Some contemporary art works with regional elements can be used as a tool to introduce and preserve the culture of various tribes in Indonesia. Even so, there are still very few places that serve as 'homes or exhibitions' for works of contemporary art. Therefore, an art gallery is needed that can accommodate, exhibit, and store contemporary art works from all over Indonesia. The design method used is a descriptive-qualitative research method with a rationalistic approach. The descriptive-qualitative research method with a rationalistic approach is expected to be able to analyze the shape of the building, the relationship between the building and the environment, and people's views of the Indonesian Contemporary Art Gallery Building. The Indonesian Contemporary Art Gallery building in West Jakarta can accommodate contemporary art works and is considered a building with high property value. In this case, artists can combine their contemporary works of art with elements of culture and art from all corners of Indonesia.
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Aguirre, Robert D. "Museums behind the Gallery Doors." PMLA/Publications of the Modern Language Association of America 125, no. 1 (January 2010): 129–33. http://dx.doi.org/10.1632/pmla.2010.125.1.129.
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I am often asked how a Victorianist came to write a book about museum exhibitions and the British quest for and Traffic in pre-Columbian antiquities. When I began, I had no formal training in these subjects and thus little that would count as a theory or method. Of course, as my interest grew I read as much of the scholarly literature as I could: critical studies of important collectors; analyses of exhibitionary practice and museum administration; the history of the museum from cabinets of curiosity to the virtual collections of the present. Yet much of what I learned in writing my own book, Informal Empire, was pieced together, often haltingly, one fragment at a time through a deep immersion in a rich archive. Sensing I was on new ground, I rejected any overarching schema, adhering to the perhaps counterintuitive notion that the best way to make the archive speak was to resist imposing a theory on it and instead to allow the shape of the materials themselves to suggest ways of proceeding. To illustrate both the advantages and the liabilities of this method, which I employed while working on nineteenth-century ethnography collections, I have chosen here to reconstruct the key steps of the scholarly journey that took me from the library to the world of museums and archives. I offer this reflection on critical practice first as an exercise in demystification and second as an encouragement to anyone, but especially students, who might wish to travel similar paths.
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Sarwanti, Sri. "GALLERY WALK+PEER TALK IN LANGUAGE TESTING AND ASSESSMENT: STUDENTS’ PERSPECTIVES." Journal of Languages and Language Teaching 8, no. 1 (January 18, 2020): 1. http://dx.doi.org/10.33394/jollt.v8i1.2211.
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A useful conceptual understanding of ZPD can benefit the students from having talks with others in increasing their capability of knowing something. This idea of social constructivism underpins the need for opportunities for collaboration and support, and for learning. Individuals are required to construct self-knowledge and develop new perspectives, by engaging in hands-on activities rather than using structured information. If peer talk is combined with gallery walk where the students have the opportunity to share ideas, the combination bears such an active class activity. This study reveals the students’ achievements on how they negotiate their problems through conversing with each other. The problem-based conversation plays among students themselves in their initial academic development. This study supports theory highlighting the importance of talk in social interaction as a prerequisite for increasing students’ achievement. The results of this study show that the combination of gallery walk-peer talk able to improve the students’ achievements and also the students’ participation in class. The results also uncovers why they enjoy learning by doing gallery walk-peer talk.
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Wijaya, Antonius H. C. "Sekolah Pasar Modal Level I 2018 Pada Masyarakat Arsopura, Kabupaten Keerom." Community Engagement Journal: The Commen 1, no. 2 (May 17, 2022): 32–38. http://dx.doi.org/10.52062/.v1i2.2145.
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Becoming an investor at the present time is not difficult because through one of the programs from the investment gallery that has collaborated with the existing universities in Indonesia is one of the media to attract students to become young investors. Not just students, through village programs saving shares from this gallery which gives equal opportunities to villagers to become investors. Therefore, community service activities were carried out in the village of Arsopura, Keerom Regency, Papua Province which aims to conduct education and the introduction of capital markets to rural communities to also be involved as capital market players. The final result of this activity is that there were 20 residents who directly open their share accounts and can immediately become an investor.
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Wijaya, Anthonius H. C. "SEKOLAH PASAR MODAL LEVEL I 2018 PADA MASYARAKAT ARSOPURA, KABUPATEN KEEROM." Community Engagement Journal : The Commen 1, no. 2 (November 20, 2018): 11–19. http://dx.doi.org/10.52062/thecommen.v1i2.54.
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Becoming an investor at the present time is not difficult because through one of the programs from the investment gallery that has collaborated with the existing universities in Indonesia is one of the media to attract students to become young investors. Not just students, through village programs saving shares from this gallery which gives equal opportunities to villagers to become investors. Therefore, community service activities were carried out in the village of Arsopura, Keerom Regency, Papua Province which aims to conduct education and the introduction of capital markets to rural communities to also be involved as capital market players. The final result of this activity is that there were 20 residents who directly open their share accounts and can immediately become an investor.
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Kurniasari, Elisabet Febrian, and Eunice Widyanti Setyaningtyas. "Peningkatan Hasil Belajar IPS Melalui Penerapan Model Pembelajaran Kooperatif Tipe Think Pair and Share (TPS) dengan Teknik Gallery Walk." Journal of Education Research and Evaluation 1, no. 2 (May 2, 2017): 120. http://dx.doi.org/10.23887/jere.v1i2.10074.
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The background of the problem in this research is the lack of class V student learning result Christian Elementary School 04 Salatiga Eben Haezer. This study aims to improve student learning outcomes using learning model Think Pair Share technique Gallery Walk. This type of research is a classroom action research (CAR) conducted in two cycles. Each cycle consists of four stages: action planning, action, observation and reflection. The results of this study showed an increase in the value of student learning outcomes with minimal completeness criteria (KKM) is ≥70. It can be seen from the students' prior to action, of 25 fifth grade students there are only 11 students who achieve the KKM with a percentage of 44%. Then the action on the first cycle to 20 students who achieve the KKM with a percentage of 80%. In the second cycle of learning outcomes is increasing, reaching the KKM 25 students with a percentage of 100%. So it can be concluded that the use of the learning model Think Pair Share with Gallery Walk techniques to improve learning outcomes in social studies.
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Helmi, Helmi. "Istikhdām Namudhaj al-Ma’raḍ al-Māshi (Gallery Walk) li Ta’līm al- Tarākib fī al-Madrasah al-Thānawiyyah al-Islāmiyyah al-Ḥukūmiyyah 3 Agam." HuRuf Journal : International Journal of Arabic Applied Linguistic 3, no. 2 (December 31, 2023): 185. http://dx.doi.org/10.30983/huruf.v3i2.6817.
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<p><em>The problem in tarkib learning (structure) is the lack of student motivation and interest in learning because teachers use traditional learning models that center on the teacher. The purpose of this study was to determine how tarkib learning with the Gallery Walk model, its effectiveness, and how students respond to tarkib learning using the Gallery Walk model at MTsN</em><em> </em><em>3</em><em> </em><em>Agam. Researchers use experimental methods with True Experimental Design. The research instruments were a post-test test and a questionnaire. The population of this study was all seventh-grade students of MTsN 3 Agam in the 2022-2023 school year while the research sampling technique was Simple Random Sampling. Research results: (1) Students share thoughts and discussions about tarkib, pour it on large paper, and then stick it on the wall of the classroom. Then the group goes around while the speaker stays in the group to explain the results of the group to visitors who continue to return to their respective groups and explain it to the speaker of the group. (2) The Sig. (2-tailed) value of 0.032 is smaller than 0.05 and the results of the t-count value (2.190) and t-table (1.998). The t-count is greater than the t-table, so the null hypothesis (H0) is rejected and the alternative hypothesis (Ha) is accepted. (3) Analysis of student responses showed (a) 85.31% of students were interested in the Gallery Walk model (very positive response) (b) 86% of students stated that the Gallery Walk model was useful (very positive response) and (c) 86.25% of students' desire to use the Gallery Walk model in other lessons.</em></p>
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Minet, Yannick, Hans Zappe, Ingo Breunig, and Karsten Buse. "Electro-Optic Control of Lithium Niobate Bulk Whispering Gallery Resonators: Analysis of the Distribution of Externally Applied Electric Fields." Crystals 11, no. 3 (March 17, 2021): 298. http://dx.doi.org/10.3390/cryst11030298.
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Whispering gallery resonators made out of lithium niobate allow for optical parametric oscillation and frequency comb generation employing the outstanding second-order nonlinear-optical properties of this material. An important knob to tune and control these processes is, e.g., the linear electro-optic effect, the Pockels effect via externally applied electric fields. Due to the shape of the resonators a precise prediction of the electric field strength that affects the optical mode is non-trivial. Here, we study the average strength of the electric field in z-direction in the region of the optical mode for different configurations and geometries of lithium niobate whispering gallery resonators with the help of the finite element method. We find that in some configurations almost 100% is present in the cavity compared to the ideal case of a cylindrical resonator. Even in the case of a few-mode resonator with a very thin rim we find a strength of 90%. Our results give useful design considerations for future arrangements that may benefit from the strong electro-optic effect in bulk whispering gallery resonators made out of lithium niobate.
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Krijgsman, A., R. H. Koetsier, and J. A. M. Van Vliet. "The Structural Design of the Gallery-Roof of the Feyenoord Stadium in Rotterdam." International Journal of Space Structures 10, no. 1 (March 1995): 65–73. http://dx.doi.org/10.1177/026635119501000104.
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The Feyenoord Stadium, built in 1938, needed a face-lift. When building new Stadiums it is wise to integrate the cantilevering gallery-rood with the bearing structure of the gallery itself. This was not possible with the existing Stadium. The special features of the plan of the Feyenoord Stadium are its strong curvature at the corners and the long, more or less, straight sides. This required a totally new structural approach. Up to now tensile ring systems were only applied on circular or at least oval plans. The development of this rectangular tensile ring system has been realised with the aid of the DIANA-computer program. Since with the presented system any plan-shape can be roofed this structural development is one step ahead in the history of spatial roof-structures.
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BOURGEOIS, P. Y., M. OXBORROW, M. E. TOBAR, N. BAZIN, Y. KERSALÉ, and V. GIORDANO. "MASER OSCILLATION FROM ELECTRONIC SPIN RESONANCE IN A CRYOGENIC SAPPHIRE FREQUENCY STANDARD." International Journal of Modern Physics B 20, no. 11n13 (May 20, 2006): 1606–12. http://dx.doi.org/10.1142/s0217979206034157.
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We report the first observation of an Fe3+ maser oscillation at zero magnetic field inside a whispering gallery (WG) sapphire resonator. The described maser is new in that it operates at zero-field and with low ion concentration. At zero-field, the Fe3+ ion shows a 3-level structure related to the electron spin resonance (ESR). By applying a 31 GHz pump (|1/2〉 → |5/2〉), the ion operates as a maser at 12 GHz (|5/2〉 → |3/2〉). The maser effect is made possible by the high Q-factor (several 108) of the cryogenic whispering gallery resonator. Additionnaly, the sharp cavity resonance provides short term stability. Preliminary measurements indicate a frequency stability of parts in 10-14 (Allan deviation at 100 s), still limited by the instrument. The ultimate maser stability is still unknown.
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. Ahire, Mrs Kavita N. "ArtSpace : Art and Music Gallery." INTERANTIONAL JOURNAL OF SCIENTIFIC RESEARCH IN ENGINEERING AND MANAGEMENT 08, no. 03 (March 23, 2024): 1–5. http://dx.doi.org/10.55041/ijsrem29612.
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ArtSpace is a revolutionary digital platform that redefines the landscape of artistic expression, community engagement, and creative collaboration. With a mission to democratize the art world and empower artists, enthusiasts, and collectors alike, ArtSpace serves as a dynamic ecosystem where creativity knows no bounds. This abstract explores the essence of ArtSpace, delving into its key features, impact on the artistic community, and vision for the future. At its core, ArtSpace is a hub of creativity, innovation, and inspiration. Artists from diverse backgrounds and disciplines converge on the platform to showcase their work, connect with fellow creators, and engage with a global audience. Through intuitive tools and interactive features, artists can upload their artwork, curate their portfolios, and interact with enthusiasts who share their passion for art. One of the defining features of ArtSpace is its emphasis on community building and collaboration. Enthusiasts can explore a rich tapestry of artwork spanning various genres, styles, and mediums, from traditional paintings and sculptures to cutting-edge digital art and multimedia installations. Through voting mechanisms, comments sections, and social sharing options, users can actively participate in shaping the narrative of the art world, fostering a sense of belonging and camaraderie within the community. ArtSpace serves as a catalyst for discovery, exploration, and engagement, offering users an immersive experience that transcends the boundaries of traditional art galleries and museums. By harnessing the power of technology, ArtSpace leverages augmented reality, virtual exhibitions, and interactive experiences to bring artwork to life in new and exciting ways. Users can immerse themselves in virtual galleries, interact with 3D models of sculptures, and experience multimedia installations from the comfort of their homes. Moreover, ArtSpace is more than just a platform for showcasing artwork—it is a marketplace, a classroom, and a cultural hub rolled into one. Artists can monetize their creations through sales, commissions, and collaborations, while enthusiasts can discover and collect unique pieces that resonate with their tastes and preferences. Educational resources, workshops, and tutorials provide aspiring artists with the tools and knowledge they need to hone their craft and pursue their passion for art. Key Words: art, music, creative space, mobile application, gallery.
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Johnson, Art. "Now and Then: Fiber Meets Fibonacci; The Shape of Things to Come." Mathematics Teaching in the Middle School 4, no. 4 (January 1999): 256–62. http://dx.doi.org/10.5951/mtms.4.4.0256.
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AN OLD SAYING GOES SOMETHING LIKE THIS, “ARTISTS ARE born, not made.” For Billie Ruth Sudduth, this statement is not quite true. Billie Ruth, who lives in the North Carolina mountains, makes baskets that are prized by collectors from all across North America and have been displayed in the Renwick Gallery of the Smithsonian Institution in Washington, D.C. She is internationally known for her basket artistry and was the first woman to be designated a Living Treasure by the state of North Carolina. But she was not always a basket maker.
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Ye, Xiaoliang, Huibing Mao, Jiqing Wang, and Ziqiang Zhu. "Whispering gallery modes with different polarizations in semiconductor microrod with rectangle shape." Applied Physics Letters 99, no. 26 (December 26, 2011): 261112. http://dx.doi.org/10.1063/1.3673329.
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Yacoby, Eyal, and Yosef London. "Packaged magnetic sensor based on a saddle-shape Whispering Gallery Mode microresonator." Optics and Lasers in Engineering 174 (March 2024): 107965. http://dx.doi.org/10.1016/j.optlaseng.2023.107965.
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Pandey, Karran, Fanny Chevalier, and Karan Singh. "Juxtaform: interactive visual summarization for exploratory shape design." ACM Transactions on Graphics 42, no. 4 (July 26, 2023): 1–14. http://dx.doi.org/10.1145/3592436.
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We present juxtaform , a novel approach to the interactive summarization of large shape collections for conceptual shape design. We conduct a formative study to ascertain design goals for creative shape exploration tools. Motivated by a mathematical formulation of these design goals, juxtaform integrates the exploration, analysis, selection, and refinement of large shape collections to support an interactive divergence-convergence shape design workflow. We exploit sparse, segmented sketch-stroke visual abstractions of shape and a novel visual summarization algorithm to balance the needs of shape understanding, in-situ shape juxtaposition, and visual clutter. Our evaluation is three-fold: we show that existing shape and stroke clustering algorithms do not address our design goals compared to our proposed shape corpus summarization algorithm; we compare juxtaform against a structured image gallery interface for various shape design and analysis tasks; and we present multiple compelling 2D/3D applications using juxtaform.
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Mi, Yang, Yaoyao Wu, Jinchun Shi, and Sheng-Nian Luo. "Robust single-mode lasers based on hexagonal CdS microflakes." Journal of Materials Chemistry C 8, no. 32 (2020): 11201–8. http://dx.doi.org/10.1039/d0tc02703k.
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We have achieved single-mode whispering-gallery-mode lasing in CdS microflakes with sharp linewidth (∼0.12 nm) and high quality factor (∼4200). Such lasers are superior to previous CdS lasers in these lasing parameters. Through time-resolved photoluminescence measurements, electron–hole plasma recombination is established to be the lasing mechanism. The radiative recombination rate of CdS microflakes is enhanced by a factor of ∼4.7 due to the Purcell effect.
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Regina, Belinda Dewi, and Arinta Rezty Wijayaningputri. "Analysis of Strengthening Character Educationin Gropol Batik in Soendari Batik Gallery." JOURNAL OF TEACHING AND LEARNING IN ELEMENTARY EDUCATION (JTLEE) 4, no. 2 (August 19, 2021): 192. http://dx.doi.org/10.33578/jtlee.v4i2.7896.
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Character education is an effort to create a generation that is intelligent and has noble character and has an Indonesian personality. The success of character education in learning does not necessarily come from the perspective of the cognitive domain, but rather how to balance cognitive, affective, and psychomotor domains whose estuary is to create a complete human being, likewise with cultural values. Foreign cultural values are growing rapidly along with technological advances, which have significantly shifted local cultural values in Indonesia, one of which is batik, most people, including university students, do not know the uniqueness of local wisdom in their respective regions; this Soendari Gallery has a batik based on strengthening character education. The purpose of this study is how to analyze the content of character education contained in Grombol Batik at the Soendari Gallery. This study uses a qualitative approach with a descriptive type of research. The subject of this research is Grompol Batik from Soendari Gallery. In Grompol batik, there is a circle or oval shape, which is one of the five characters, namely mutual cooperation. Besides that kawung is also known as a symbol of strength and justice which is also one of the dai character education. It can be concluded that the Grompol batik contains character education in it. This research is expected to provide many benefits for the community and the artists.
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Regina, Belinda Dewi, and Arinta Rezty Wijayaningputri. "ANALISIS PENGUATAN PENDIDIKAN KARAKTER PADA BATIK GROMPOL DI GALERI BATIK SOENDARI." Jurnal Review Pendidikan Dasar : Jurnal Kajian Pendidikan dan Hasil Penelitian 7, no. 3 (October 31, 2021): 143–48. http://dx.doi.org/10.26740/jrpd.v7n3.p143-148.
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The value of foreign culture is currently growing so rapidly along with technological advances that are very real and change the values of local culture in Indonesia, one of which is batik. Most of the community, including students at universities, do not understand the local wisdom found in their area. There is a gallery in Malang with the name Soendari Gallery which has many kinds of batik based on Strengthening Character Education. The purpose of this study was to analyze the character load on Grompol batik. This study uses an approach with a descriptive type of research. The research subject is Grompol batik. Batik Grompol has a circle shape in which one of the five characters is gotong royong. There is also the kawung motif, which is known as a symbol of strength and justice, which is also one of the missionaries of character education. It can be said that in grompol batik contains character education.
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Filatov, Yuri V., and Alexander S. Kukaev. "Influence of the whispering-gallery mode resonators shape on its inertial movement sensitivity." Optical Engineering 57, no. 01 (January 11, 2018): 1. http://dx.doi.org/10.1117/1.oe.57.1.014104.
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Woska, Simon, Lukas Rebholz, Pascal Rietz, and Heinz Kalt. "Intrinsic mode coupling in mirror-symmetric whispering gallery resonators." Optics Express 30, no. 18 (August 24, 2022): 32847. http://dx.doi.org/10.1364/oe.459348.
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Rotationally symmetric micro-cavities with disk, ring or toroidal shape displaying whispering gallery modes (WGMs) play an essential role in modern-day photonics. Due to the reduced symmetry of such resonators compared to spheres, an exact analytical model yielding WGMs as solutions does not exist. The established WGM classification scheme based on approximated analytical solutions is generally useful but neglects a possible interaction between the different modes. In this paper, we assess the limitation of the validity of this established classification based on extensive finite element method (FEM) simulations. We investigate respective mode couplings as well as underlying selection rules based on avoided crossings of the modes’ resonance wavelengths. We propose conserved mode properties solely based on true symmetries of the underlying refractive-index distribution and deduce a novel WGM classification scheme.
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Dukin A. A. and Golubev V. G. "Features of the shape of the emission spectrum of a spherical microresonator with a high refractive index luminescent shell due to the polarization of the whispering gallery modes." Optics and Spectroscopy 130, no. 11 (2022): 1465. http://dx.doi.org/10.21883/eos.2022.11.55107.3857-22.
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The effect of the thickness and refractive index of the shell on the amplitudes of lines of the TE and TM polarized whispering gallery modes (WGMs) in the emission spectrum of a microcavity structure consisting of a spherical core covered with a luminescent shell with a refractive index greater than that of the core is studied. The luminescence spectra of the shell, the radial distribution of the WGM field, and the mode parameters (wavelength, quality factor, and effective volume) are calculated using the method of spherical wave transfer matrices. It is shown that at certain subwavelength shell thicknesses, the amplitude of the TE mode emission peak is many times greater than the amplitude of the TM mode peak with the same polar, azimuthal, and radial indices. This is explained by the fact that with these parameters of the shell, WGMs propagate inside the shell as waveguide modes. Keywords: spherical microresonator, high refractive index luminescent shell, whispering gallery modes, mode polarization, amplitude of emission lines.
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Baggott-Brown, James. "“We All Share the Same Language” Elias Sime: Eregata, Arnolfini, Bristol, October 21, 2023 – February 18, 2024, Exhibition." Journal of Cultural Analysis and Social Change 8, no. 2 (December 30, 2023): 17. http://dx.doi.org/10.20897/jcasc/14070.
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A review of the exhibition Elias Sime: Eregata at the Arnolfini gallery, Bristol. The Exhibition is the first solo exhibition in Europe of Sime’s work. The review explores the Zoma project, a network of arts centres in Addis Ababa, Ethiopa, created in collaboration between Sime and the curator and cultural anthropologist, Meskerem Assegued. The Arnolfini exhibition is discussed in relation to its central theme of networks, both local and global; networks that consist of stories and knowledge, commerce and waste.
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Liang, Feng, and Guo Dong Liang. "Injection Mould Design of Mobile Phone Back Shell." Advanced Materials Research 926-930 (May 2014): 864–68. http://dx.doi.org/10.4028/www.scientific.net/amr.926-930.864.
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This article introduces the injection mould design of mobile phone back shell. The mould adopts 3-plate mold structure, pin-point gate for feeding in the glue, ejector pin and pieces for stripping. The under-cut at the side edge adopts 3-side sliding block molding, and the cooling system adopts “U”-shape coolant gallery. It is proved by production practice that the mould structure is reasonable, stripping smoothly and the plastic parts quality meets the design requirements.
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Cao, Keli, Nier Jiang, and Jiayi Su. "Evaluation of Systems and Technologies Of Underground Pipeline Gallery, Haikou." Highlights in Science, Engineering and Technology 10 (August 16, 2022): 180–87. http://dx.doi.org/10.54097/hset.v10i.1249.
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As the urban areas become denser, the built environment and land resources have limited the scope for further development of the urban areas. Haikou, as one of ten pilot cities to develop underground space, is chosen as the case in this study. Haikou Underground Pipe Gallery is a current underground building structure system that maximizes the utilization rate of land. This study investigates and analyzes the most useful and valuable technologies and systems of the Underground Pipe Gallery by survey and research. The result shows that U-shape construction technology is the most beneficial one and the electrical system is the largest and most widely used one. There are four high-tech applications in the electrical system: load power supply, construction of electrical distribution, power supply cable, and lighting facilities. In addition, a combination of green (sponge project), blue (water control) and gray (underground pipe network) infrastructure is utilized to create an optimal drainage system. It has made good use of the large area of urban green space and rainwater storage facilities.
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WANG, XIONG, and GUANRONG CHEN. "A GALLERY OF LORENZ-LIKE AND CHEN-LIKE ATTRACTORS." International Journal of Bifurcation and Chaos 23, no. 04 (April 2013): 1330011. http://dx.doi.org/10.1142/s0218127413300115.
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In this article, three-dimensional autonomous chaotic systems with two quadratic terms, similar to the Lorenz system in their algebraic forms, are studied. An attractor with two clearly distinguishable scrolls similar to the Lorenz attractor is referred to as a Lorenz-like attractor, while an attractor with more intertwine between the two scrolls similar to the Chen attractor is referred to as a Chen-like attractor. A gallery of Lorenz-like attractors and Chen-like attractors are presented. For several different families of such systems, through tuning only one real parameter gradually, each of them can generate a spectrum of chaotic attractors continuously changing from a Lorenz-like attractor to a Chen-like attractor. Some intrinsic relationships between the Lorenz system and the Chen system are revealed and discussed. Some common patterns of the Lorenz-like and Chen-like attractors are found and analyzed, which suggest that the instability of the two saddle-foci of such a system somehow determines the shape of its chaotic attractor. These interesting observations on the general dynamic patterns hopefully could shed some light for a better understanding of the intrinsic relationships between the algebraic structures and the geometric attractors of these kinds of chaotic systems.
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Ferrara, Beatrice. "The Otolith Group’s “Monuments to Dead Television.” Independent Cinema and the Migrant Experience in Europe between Television and the Museum." CINEJ Cinema Journal 3, no. 1 (April 8, 2014): 47–74. http://dx.doi.org/10.5195/cinej.2013.78.
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“Monument to dead television” is the expression the British collective The Otolith Group uses to define its activity of recuperating long-lost quality films, and re-screening them in contemporary art museums and gallery spaces. What these films share is a cinematic vocation and a complex approach to the question of memory and migration in Europe, and to the role of images as testimonies or documents. This essay explores The Otolith Group’s interest in such forgotten archives of modern television in order to unearth their significance for contemporary museums today.
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Pane, J. B., J. Rilatupa, and S. Simatupang. "The development of an arts centre with the application of futuristic architecture." IOP Conference Series: Earth and Environmental Science 878, no. 1 (October 1, 2021): 012029. http://dx.doi.org/10.1088/1755-1315/878/1/012029.
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Abstract Art is a culture that was born from human freedom of expression. One type is contemporary art, which is the development of art that is affected by the impact of modernization, but contemporary and modern are two different things, because contemporary continues to keep up with the times. Appreciation for art in Indonesia has recently been appreciated both at the national and international levels, art appreciation is shown by the many art activities held, this has resulted in many artists being required to hold their work so they need a place such as an art gallery building so that the public can understand the activities contained therein. and can enjoy the art exhibition. The Contemporary Art Gallery was built to help artists show their work. This building was built with a futuristic architectural design, namely a building style whose planning does not look to the past but to the future, this can be seen from the shape and materials used which have high hi-tech. The appearance of the building is made expressive as the hearts of the artists can be seen from the spatial processing, forms and games of building facades.
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Lebedev N. M., Min'kov K. N., Shitikov A. E., Danilin A. N., Krasivskaya M. I., Lonshakov E. A., Gorelov I. K., Dmitriev N. Y., and Bilenko I. A. "Optimizing the production of single-mode optical microfibers for coherent microoptics." Technical Physics 92, no. 6 (2022): 723. http://dx.doi.org/10.21883/tp.2022.06.54419.30-22.
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Micro- and nanofibers are the universal elements of the optical schemes for solving wide variety of experimental tasks. One usually uses the commercial optical fiber tapering in the burner?s flame to produce such nanofibers. Such tapers are actively used for production of highly sensitive sensors, experiments with the cold atoms and coupling to optical microresonators. The theoretical model of geometrical shape altering during the fiber tapering and heating was adapted in this publication for use in the algorithm with universal adjustment of the tapering modes to get a fiber with the desired set of parameters. One of the innovations was the implementation of the computer vision to control the tapering process. As a result, the nanofibers with the optimal waist diameter of about 700 nm for the radiation wavelength of 1.55 micron were obtained. The optimized methodic of tapering allows the production of the nanofibers with the transmittance of up to 80%. The produced nanofibers were successfully used for coupling to the crystalline whispering gallery mode microresonator. As a result, the optical combs with the spectrum range up to 200 nm were obtained in IR range.. Keywords: Nanofiber, whispering gallery mode microresonator, optical comb, fiber tapering.
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Fadilah, Novi Siti, Dewi Pujiani, Sarsiti Sarsiti, Juni Trisnowati, Suryati Suryati, Praptiestrini Praptiestrini, Rohwiyati Rohwiyati, Erni Widiastuti, Yanti Sri Danarwati, and Arya Surendra. "PKM: Penyuluhan tentang Peningkatan Pengelolaan Sumber Daya Manusia pada Muda Tama Gallery, Tumang, Boyolali." Adi Widya : Jurnal Pengabdian Masyarakat 7, no. 2 (October 28, 2023): 370–77. http://dx.doi.org/10.33061/awpm.v7i2.9854.
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The aim of this community service is to identify the problems of the partner, Copper Crafts Muda Tama Gallery, Tumang, Boyolali and provide scientific solutions. The service team identified that the number of craftsmen was starting to decline due to the tendency of the younger generation to prefer to pursue business as marketers. The team uses the extension method to share knowledge with partner communities. Human Resources Management can be carried out in several ways apart from continuing to maintain good direction efforts at each stage of production, establishing controlled production procedures, evaluating employee work results, and developing employees in terms of reward and punishment; The service team proposed that the company collaborate with several vocational schools with a concentration in arts and crafts. This is important so that this skill does not become extinct, and in fact so that it can grow in terms of manufacturing and the number of craftsmen. The result of this activity is an increase in the understanding of partners (owners of Muda Tama Gallery) in managing human resources so that there is no shortage/loss of craftsmen. Another output is an article in this journal
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Yang, Deming, Jijian Lian, Xin Zhao, and Yunfei Chen. "Study on Multi-Measures Joint Optimization Regulation of Temperature Control and Ice Melting for Water Conveyance Projects in Cold Regions." Water 16, no. 7 (April 4, 2024): 1039. http://dx.doi.org/10.3390/w16071039.
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In order to realize the goal of ice-free water conveyance in the winter for water conveyance projects in cold regions, the operation principle of ice-free water conveyance through channels is described based on the two ice-melting measures of a solar heating gallery and heated storage tank. Based on the multi-year meteorological data and the theory of a product probability event, the concept of a “comprehensive satisfaction rate” was proposed, and then the joint optimal regulating model under two ice-melting measures was established, and the genetic algorithm was used to solve the problem, which solved the important limitations of the economic and efficiency optimization of different ice-melting measures. This paper applies this model to the Zhanghe control gate–Mangniuhe control gate section of the middle route of the South-to-North Water Transfer Project. According to the optimization analysis of a large number of operating conditions, the operating costs of the ice-melting measures have also increased with the increase in the comprehensive satisfy rate. In the operation process, the water temperature along the lines presents a “ladder-like” shape. The average hourly flow and average hourly water temperature of the heated water storage tank have the characteristics of overall unity and local complementarity. With the increase in the water flow and downstream depth before the gate, its operating cost also increases. The increase in the flow velocity at the same time can increase the heat transfer efficiency, reducing the operating costs. In addition, the water temperature of the channel with a solar heating gallery decreased more slowly than that without a solar heating gallery due to its good thermal insulation effect.
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Kumbhar, Popat D., Yashawant M. Patil, and Sachin K. More. "Comparative Study on Students’ Performance Using Gallery Walk and Poster Presentation Techniques." Journal of Engineering Education Transformations 37, IS2 (January 1, 2024): 326–33. http://dx.doi.org/10.16920/jeet/2024/v37is2/24057.
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Abstract— In Outcome-Based Education (OBE) use of active learning (AL) techniques is the need of time to engage students and to ensure achievement of course outcomes. AL is a teaching technique in which the students' learning remains at its center and focuses on how students learn rather than what they learn. Several AL techniques like think-pair-share, flipped classroom, jigsaw, gallery walk, poster presentation etc. are being practiced for achieving effective learning and enhancing students’ performance. However, no much study has been reported in the literature on learning strategies that facilitate students learning effectively. In view of this, in the present paper an attempt is done to carry out a comparative study on using two different AL techniques viz. gallery walk (GW) and poster presentation (PP) to know their effectiveness with regard to the performance of First Year B.Tech. students in End Semester Examination (ESE) of the course ‘Basics of Civil Engineering’ (BCE). Specific topics that were difficult for understanding were taught by implementing GW and PP methods and the CO attainment results are compared with the traditional (TRAD) method. Results indicate that by implementing AL techniques (GW and PP), CO attainment gets increased by approximately more than 2.72 times the CO attainment achieved by TRAD method. However, implementing PP technique causes a little increase (~4.60%) in CO attainment over GW technique. Study concludes that GW and PP techniques contributes in improving students’ performance, encourages them for active engagement and also increases the retention levels in their learning. Keywords— active learning technique; course outcomes; gallery walk; outcome-based education; poster presentation; students’ performance.
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Pratiwi, Fenny Kartika, Etty R. Kridarso, and Julindiani Iskandar. "KONSEP PENCAHAYAAN ALAMI PADA DESAIN RUANG GALERI MENGGUNAKAN DIALUX EVO 9.2 (Studi Kasus: Desain Perancangan Gedung Pusat Pertunjukan Seni Dan Budaya di Taman Mini Indonesia Indah, Jakarta Timur)." Jurnal Arsitektur ARCADE 5, no. 3 (December 1, 2021): 310. http://dx.doi.org/10.31848/arcade.v5i3.767.
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Abstract: The Gallery in the design of the Center for the Performing Arts and Culture has a function as an art exhibition using natural or artificial lighting by having standard of light intensity based on the Indonesian National Standard 03-6575-2001 Light Strength in the Gallery is 500 Lux and Greenship Rating Tools from Green Building Council Indonesia (GBCI), the minimum standard for natural lighting areas is 30% of the total area. The purpose of this research was to determine the design of the gallery according to the standards based on the simulation results using these standards as a reference for assessment identification. Writing with quantitative methods using DIALux Evo 9.2 software for building simulation by adjusting the coordinates of the building location, 3D building, and the effective hours from the sun source in the morning (06.00 WIB & 08.00 WIB), afternoon (12.00 WIB & 14.00 WIB), and evening (16.00 WIB). The simulation results contains lux calculations, lighting contours, and lighting distribution. Based on the analysis, the gallery has complied the standard of natural lighting needs around 08.00 WIB to 16.00 WIB and the distribution of lighting is 42-76% based on factors in the form of size, shape, dimensions of light openings, and building orientation. The results are used as the basis for the layout of the exhibition and artificial lighting points.Keyword: Gallery, Natural Lighting, DIALux Evo 9.2 Abstrak: Ruang Galeri pada desain Gedung Pusat Pertunjukan Seni dan Budaya memiliki fungsi sebagai ruang pameran karya seni dengan memanfaatkan pencahayaan alami ataupun buatan dengan standar kuat intensitas cahaya berdasarkan Standar Nasional Indonesia 03-6575-2001 Kuat Cahaya dalam Ruang Galeri yaitu 500 Lux dan Greenship Rating Tools dari Green Building Council Indonesia (GBCI) yaitu standar minimal untuk area pencahayaan alami adalah 30% dari total area. Tujuan penelitian ini untuk mengetahui desain ruang galeri sesuai standar berdasarkan hasil simulasi menggunakan standar tersebut sebagai acuan identifikasi penilaian. Penulisan dengan metode kuantitatif menggunakan perangkat lunak untuk simulasi bangunan yaitu DIALux Evo 9.2 dengan mengatur koordinat lokasi bangunan, 3D bangunan, dan jam efektif pencahayaan dari sumber matahari yaitu pagi hari (06.00 WIB & 08.00 WIB), siang hari (12.00 WIB & 14.00 WIB), dan sore hari (16.00 WIB). Data hasil simulasi berupa perhitungan lux, kontur penerangan, dan distribusi pencahayaan. Berdasarkan hasil analisis perangkat lunak, ruang galeri sudah memenuhi standar yaitu sekitar pukul 08.00 WIB hingga 16.00 WIB dan pesebaran pencahayaan 42-76% berdasarkan faktor ukuran, bentuk, dimensi bukaan cahaya pada ruangan, dan orientasi bangunan. Hasil analisis digunakan sebagai dasar tata letak pameran dan titik pencahayaan buatan.Kata Kunci: Ruang Galeri, Pencahayaan Alami, DIALux Evo 9.2
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Zhu, Qinping, and Zhichun Mu. "PointNet++ and Three Layers of Features Fusion for Occlusion Three-Dimensional Ear Recognition Based on One Sample per Person." Symmetry 12, no. 1 (January 2, 2020): 78. http://dx.doi.org/10.3390/sym12010078.
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The ear’s relatively stable structure makes it suitable for recognition. In common identification applications, only one sample per person (OSPP) is registered in a gallery; consequently, effectively training deep-learning-based ear recognition approach is difficult. The state-of-the-art (SOA) 3D ear recognition using the OSPP approach bottlenecks when large occluding objects are close to the ear. Hence, we propose a system that combines PointNet++ and three layers of features that are capable of extracting rich identification information from a 3D ear. Our goal is to correctly recognize a 3D ear affected by a large nearby occlusion using one sample per person (OSPP) registered in a gallery. The system comprises four primary components: (1) segmentation; (2) local and local joint structural (LJS) feature extraction; (3) holistic feature extraction; and (4) fusion. We use PointNet++ for ear segmentation. For local and LJS feature extraction, we propose an LJS feature descriptor–pairwise surface patch cropped using a symmetrical hemisphere cut-structured histogram with an indexed shape (PSPHIS) descriptor. Furthermore, we propose a local and LJS matching engine based on the proposed LJS feature descriptor and SOA surface patch histogram indexed shape (SPHIS) local feature descriptor. For holistic feature extraction, we use a voxelization method for global matching. For the fusion component, we use a weighted fusion method to recognize the 3D ear. The experimental results demonstrate that the proposed system outperforms the SOA normalization-free 3D ear recognition methods using OSPP when the ear surface is influenced by a large nearby occlusion.
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Panggabean, Sriayu Aritha. "Perubahan Fungsi dan Struktur Bangunan Cagar Budaya Ditinjau dari Perspektif Undang-Undang Cagar Budaya." Pandecta: Research Law Journal 9, no. 2 (December 1, 2014): 173. http://dx.doi.org/10.15294/pandecta.v9i2.3443.
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Penelitian ini bertujuan untuk menganalisis perubahan fungsi dan struktur Bangunan Cagar Budaya dilihat dari prspektif Undang-Undang Cagar Budaya. Selain itu, akan dianalisis mengenai proses perizinan pembanguan Semarang Contemporary Art Gallery yang dialihfungsikan. Penelitian ini menggunakan metode penelitian yuridis sosiologis dengan pendekatan kualitatif. Hasil penelitian ini menunjukkan bahwa tindakan Pemerintah Kota Semarang terhadap perubahan fungsi dan struktur bangunan Cagar Budaya sudah sesuai dengan Undang-Undang No. 11 Tahun 2010 Tentang Cagar Budaya yaitu sebagai tindakan revitalisasi bangunan tetapi dengan tidak merubah bentuk asli luar dari bangunan Cagar Budaya tersebut. Sementara itu, proses perijinan dalam pembangunan Contemporary Art Gallery dilakukan dengan mendapakan kajian dari Badan Pengelola Kawasan Kota Lama (BPK2L). Setelah itu, Dinas Tata Kota dan Perumahan Semarang akan berunding dengan Badan Pelestarian Cagar Budaya kota Semarang dan Lembaga Swadaya Masyarakat untuk mengeluarkan keterangan rencana kota serta Ijin Mendirikan Bangunan yang dikeluarkan oleh Badan Pelayanan Perijinan Terpadu (BPPT). Ketika bangunan akan difungsikan maka BPPT akan mengeluarkan H.O (Ijin Gangguan) dan SIUP (Surat Izin Usaha Perdagangan). <br /><br /><em>This study aims to analyze changes in the function and structure of Heritage Buildings seen from prspectif Heritage Act. Moreover, it will be analyzed on the Development of the licensing process Semarang Contemporary Art Gallery are converted. This study uses socio-juridical research with qualitative approach. The results of this study indicate that Semarang government action to change the function and structure of the heritage buildings are in accordance with Act No. 11 Year 2010 on Heritage is a revitalization of the building but the action does not change the original shape of the building outside the Cultural Heritage. Meanwhile, in the construction permitting process conducted by the Contemporary Art Gallery assigned the study of the Old City Area Management Board (BPK2L). After that, the Department of Urban Planning and Housing Semarang will negotiate with the Heritage Preservation Board Semarang and NGOs to issue a City planning and building permit issued by the Integrated Licensing Service Agency (BPPT). When building will function then BPPT will issue HO (Disturbance Permit) and License (Trading License).</em><br /><br />
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Vanmaekelbergh, Daniël, Lambert K. van Vugt, Henriëtte E. Bakker, Freddy T. Rabouw, Bart de Nijs, Relinde J. A. van Dijk-Moes, Marijn A. van Huis, Patrick J. Baesjou, and Alfons van Blaaderen. "Shape-Dependent Multiexciton Emission and Whispering Gallery Modes in Supraparticles of CdSe/Multishell Quantum Dots." ACS Nano 9, no. 4 (April 6, 2015): 3942–50. http://dx.doi.org/10.1021/nn507310f.
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Böttner, Stefan, Shilong Li, Jens Trommer, Suwit Kiravittaya, and Oliver G. Schmidt. "Sharp whispering-gallery modes in rolled-up vertical SiO_2 microcavities with quality factors exceeding 5000." Optics Letters 37, no. 24 (December 10, 2012): 5136. http://dx.doi.org/10.1364/ol.37.005136.
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Efraim, Philip, and DIah Anggraini. "ARSITEKTUR KESEHARIAN DALAM TIPOLOGI GALERI SENI DI SETIABUDI, JAKARTA." Jurnal Sains, Teknologi, Urban, Perancangan, Arsitektur (Stupa) 4, no. 1 (May 17, 2022): 559. http://dx.doi.org/10.24912/stupa.v4i1.16922.
Full textAbstract:
Jakarta has been the 9th most stressful city in the world with the highest stress index placing right after Kiev, Ukraina. According to survey in one of the company based in Jakarta, 80% of the staff confessed had a pressured work environment either the cause was work demands, unfriendly environment, or personal problems. In the other hand, art has been part of human civilization from the start until now. Art has been involved in human’s daily life, reached every aspect of human’s life quality. Few researches have stated that art has a part in human’s learning process and sharpen the human’s cognitive system. Based on the facts of the current circumstances, this study was made to create and develop a design concept of Art Gallery which holds a part in being a space for self healing for the urban society. The merge of these functions was based on the process of re-thinking of the typology of Art Gallery in general also by adding daily architecture approah in the design process. Keywords: Art Gallery; Art; Daily Architecture; Self-healing; StressAbstrakKota Jakarta merupakan kota dengan kedudukan ke-9 setelah Kiev, Ukraina sebagai kota dengan indeks stres terbesar di dunia. Menurut hasil survey di salah satu perusahaan di Jakarta, 80% karyawannya mengaku stres dengan pekerjaannya, akibat tuntutan pekerjaan, lingkungan kerja, dan masalah individu. Sementara itu, seni adalah bagian dari kehidupan manusia sejak awal peradabannya hingga sekarang. Seni terlibat dalam kehidupan sehari-hari manusia, dalam semua aspek kehidupan manusia. Beberapa penelitian juga menyebutkan bahwa seni bisa membantu proses belajar manusia dan melatih sistem kognitif manusia. Mengacu pada kondisi tersebut, maka studi ini bertujuan menghasilkan suatu konsep perancangan galeri seni yang sekaligus dapat menjadi wadah self healing bagi warga kota. Penggabungan kedua fungsi ini dilandasi dengan proses berpikir ulang terhadap tipologi galeri pada umumnya juga menambahkan pendekatan arsitektur keseharian dalam proses perancangan.