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Books on the topic 'Shakespearean studies'

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Author: Grafiati

Published: 14 March 2023

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1

1943-, Occhiogrosso Frank, ed. Shakespearean performance: New studies. Madison [N.J.]: Fairleigh Dickinson University Press, 2007.

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2

Frye, Northrop. Fools of time: Studies in Shakespearean tragedy. Toronto: University of Toronto, 1985.

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3

Lynch, Stephen J. Shakespearean intertextuality: Studies in selected sources and plays. Westport, Conn: Greenwood Press, 1998.

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4

The Shakespearean International Yearbook: Volume 4: Shakespeare Studies Today. London: Taylor and Francis, 2017.

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5

Gurr, Andrew. The Shakespearean stage, 1574-1642. 4th ed. Cambridge: Cambridge University Press, 2008.

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6

M, Richmond Hugh, ed. Shakespeare and the Renaissance stage to 1616: Shakespearean stage history 1616 to 1998 : an annotated bibliography of Shakespeare studies, 1576-1998. Asheville, NC: Pegasus Press, 1999.

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7

Mydla, Jacek. The Shakespearean tide: Studies in the dynamics of human time = Szekspirowski przypływ : rozważania nad dynamiką ludzkiego czasu = Shakespeares Zustrom : die Überlegungen über die Dynamik der menschlichen Zeit. Katowice: Wydawnictwo Uniwersytetu Śląskiego, 2012.

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8

Shakespeare's stationers: Studies in cultural bibliography. Philadelphia: University of Pennsylvania Press, 2013.

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9

Shakespeare's earliest tragedy: Studies in Titus Andronicus. Madison: Fairleigh Dickinson University Press, 1996.

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10

Shakespeare's universal wolf: Studies in early modern reification. Oxford: Clarendon Press, 1996.

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11

Sohmer, Steve. Reading Shakespeare's mind. Manchester: Manchester University Press, 2017.

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12

Gorohov, Pavel. Shakespeare's Existentials. ru: INFRA-M Academic Publishing LLC., 2021. http://dx.doi.org/10.12737/1064939.

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For the first time in the Russian historical and philosophical literature, the monograph attempts to comprehensively consider the philosophical views of the great playwright and thinker. Shakespeare is presented as a philosopher who considered in his masterpieces the relation of man to the world through a series of"borderline situations". Shakespeare not only anticipated the existentialist philosophers, but also appeared in his work as the greatest philosopher-anthropologist. He reflects on the essence of nature, space and time only in close connection with thoughts about human life. For a wide range of readers interested in the history of philosophy and Shakespeare studies.

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13

Atkin, Graham. Twelfth night: Character studies. London: Continuum, 2008.

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14

Occhiogrosso, Frank. Shakespearean Performance: New Studies. Rowman & Littlefield Publishers, Incorporated, 2008.

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15

Shakespearean Performance: New Studies. Fairleigh Dickinson University Press, 2008.

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16

Turner, Mark. The Shakespearean International Yearbook: Shakespeare Studies Today (Shakespearean International Yearbook). Ashgate Pub Ltd, 2004.

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17

Shakespearean International Yearbook: Where Are We Now in Shakespearean Studies? Taylor & Francis Group, 2017.

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18

(Editor), William R. Elton, and John M. Mucciolo (Editor), eds. The Shakespearean International Yearbook: Where Are We Now in Shakespearean Studies? (Shakespearean International Yearbook). Ashgate Publishing, 1999.

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19

(Editor), William R. Elton, and John M. Mucciolo (Editor), eds. The Shakespearean International Yearbook: Where Are We Now in Shakespearean Studies (Shakespearean International Yearbook). Ashgate Pub Ltd, 2002.

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20

(Editor), Graham Bradshaw, John M. Mucciolo (Editor), Angus Fletcher (Editor), Tom Bishop (Editor), and William R. Elton (Editor), eds. The Shakespearean International Yearbook: Where Are We Now in Shakespearean Studies? (Shakespearean International Yearbook). Ashgate Pub Ltd, 2003.

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21

New studies in the Shakespearean heroine. Lewiston, NY: Edwin Mellen Press, 2004.

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22

The Shakespearean International Yearbook: Where are We Now in Shakespearean Studies? Routledge, 2017. http://dx.doi.org/10.4324/9781315188393.

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23

Shakespeare's Dramatic Heritage Collected Studies in Medieval, Tudor and Shakespearean Drama. Routledge, 2005.

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24

Wickham, Glynne. Shakespeare's Dramatic Heritage: Collected Studies in Mediaeval, Tudor and Shakespearean Drama. Routledge, 2013.

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25

Wickham, Glynne. Shakespeare's Dramatic Heritage: Collected Studies in Mediaeval, Tudor and Shakespearean Drama. Taylor & Francis Group, 2013.

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26

Wickham, Glynne. Shakespeare's Dramatic Heritage: Collected Studies in Mediaeval, Tudor and Shakespearean Drama. Taylor & Francis Group, 2013.

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27

Shakespeare's Dramatic Heritage: Collected Studies in Mediaeval, Tudor and Shakespearean Drama. Taylor & Francis Group, 2008.

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28

Mucciolo, John M., and William R. Elton. Shakespearean International Yearbook : Where Are We Now in Shakespearean Studies?: Volume 2. Taylor & Francis Group, 2017.

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29

Mucciolo, John M., and William R. Elton. Shakespearean International Yearbook : Where Are We Now in Shakespearean Studies?: Volume 2. Taylor & Francis Group, 2017.

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30

Mucciolo, John M., and W. R. Elton. Shakespearean International Yearbook : Where Are We Now in Shakespearean Studies?: V. 2. Taylor & Francis Group, 2019.

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31

Mucciolo, John M., and William R. Elton. Shakespearean International Yearbook : Where Are We Now in Shakespearean Studies?: Volume 2. Taylor & Francis Group, 2017.

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32

Mucciolo, John M., and William R. Elton. Shakespearean International Yearbook : Where Are We Now in Shakespearean Studies?: Volume 2. Taylor & Francis Group, 2017.

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33

Frye, Northrop. Fools of Time: Studies in Shakespearean Tragedy. University of Toronto Press, 1996.

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34

Frye, Northrop. Fools of Time: Studies in Shakespearean Tragedy. University of Toronto Press, 2018.

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35

Turner, Mark. Shakespearean International Yearbook : Volume 4: Shakespeare Studies Today. Taylor & Francis Group, 2017.

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36

Crystal, David. The Oxford Dictionary of Original Shakespearean Pronunciation. Oxford University Press, 2016. http://dx.doi.org/10.1093/acref/9780199668427.001.0001.

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Over 20,000 entriesThis dictionary is the first comprehensive description of Shakespearean original pronunciation (OP), enabling practitioners to answer any queries about the pronunciation of individual words. It includes all the words in the First Folio, transcribed using IPA, and provides sound files as an additional aid to pronunciation. It details the main pronunciation evidence in the texts, notably all spelling variants and rhymes. An extensive introduction provides a full account of the aims, evidence, history, and current use of OP in relation to Shakespeare productions as well as other uses. It is an invaluable resource for producers, directors, actors, and others wishing to present Shakespeare's plays or poetry in original pronunciation, as well as for students and academics in the fields of literary criticism and Shakespeare studies more generally.

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37

Hansen, Niels Bugge, and Sos Haugaard. Charting Shakespearean Waters: Text And Theatre. Museum Tusculanum Press, 2005.

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38

Hillman, Richard. French Reflections in the Shakespearean Tragic: Three Case Studies. Manchester University Press, 2018.

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39

Barroll, J. Leeds. Shakespearean Studies: An Annual Gathering of Research, Criticism, Reviews. University of South Carolina Press, 2000.

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40

Frye, Northrop. Fools of Time: Studies in Shakespearean Tragedy (Alexander Lectures). University of Toronto Press, 1996.

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41

Greenblatt, Stephen. Shakespearean Negotiations (The New Historicism : Studies in Cultural Poetics). University of California Press, 1992.

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42

French Reflections In The Shakespearean Tragic Three Case Studies. Manchester University Press, 2012.

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43

Barroll, J. Leeds. Shakespearean Studies: An Annual Gathering of Research, Criticism, Reviews. University of South Carolina Press, 2000.

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44

Barroll, J. Leeds. Shakespearean Studies: An Annual Gathering of Research, Criticism, Reviews. University of South Carolina Press, 2000.

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45

Holland, Peter. Performing Shakespearean Tragedy, 1660–1780. Edited by Michael Neill and David Schalkwyk. Oxford University Press, 2016. http://dx.doi.org/10.1093/oxfordhb/9780198724193.013.31.

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As much as we may look for continuities across historical divides, the Interregnum and the closing of the theatres produced many kinds of fracture in the ways Shakespeare’s tragedies were performed. This chapter uses four case studies—Romeo and Juliet, Hamlet, Macbeth, and King Lear—to explore the history of tragic performance in the period between 1660 -1780, and to reveal the complexities of the cultural contexts within which the re-making and re-presenting of Shakespeare on stage took place. From the various treatments of Juliet's awakening in adaptations by Otway, Cibber and Garrick, through the ways in which performance and published texts of Hamlet differed, to the record of what Macbeth wore and what he said before he died, and to the emotions that performances of King Lear were intended to evoke in their audiences, we can trace the changes in audience taste that remade Shakespearean tragedy on the stage.

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46

McCulloch, Lynsey, and Brandon Shaw, eds. The Oxford Handbook of Shakespeare and Dance. Oxford University Press, 2019. http://dx.doi.org/10.1093/oxfordhb/9780190498788.001.0001.

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The Oxford Handbook of Shakespeare and Dance is the first collection of essays to examine the relationship between William Shakespeare and dance. Despite recent academic interest in movement, materiality, and the body—and the growth of dance studies as a disciplinary field—Shakespeare’s employment of dance as both a theatrical device and thematic reference point remains under-studied. The reimagining of his writing as dance works is also neglected as a subject for research. Alan Brissenden’s 1981 Shakespeare and the Dance remains the seminal text for those interested in early modern dancing and its appearances within Shakespearean drama, but this new volume provides a single source of reference for dance as both an integral feature of sixteenth- and seventeenth-century culture and as a means of translating Shakespearean text into movement.

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47

Berry, Ralph. Routledge Revivals : the Shakespearean Metaphor: Studies in Language and Form. Taylor & Francis Group, 2018.

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48

Berry, Ralph. Routledge Revivals : the Shakespearean Metaphor: Studies in Language and Form. Taylor & Francis Group, 2016.

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49

Berry, Ralph. Routledge Revivals : the Shakespearean Metaphor: Studies in Language and Form. Taylor & Francis Group, 2016.

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50

Razzell, Peter, and Ralph Berry. Routledge Revivals : the Shakespearean Metaphor: Studies in Language and Form. Taylor & Francis Group, 2016.

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