Academic literature on the topic 'Shakespeare, William, 1564-1616 – Characters – Kings'
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Journal articles on the topic "Shakespeare, William, 1564-1616 – Characters – Kings"
Shrestha, Rupak. "Juxtaposing Sama’s Bhimsenko Antya with Shakespeare’s Richard II." JODEM: Journal of Language and Literature 11, no. 1 (December 31, 2020): 155–66. http://dx.doi.org/10.3126/jodem.v11i1.34823.
Full textDolinin, Alexander. "Итальянские мотивы в поэме Пушкина «Анджело» [Italian Motifs in Pushkin’s Poem _Andzhelo_]." Slavica Revalensia 8 (2021): 289–302. http://dx.doi.org/10.22601/sr.2021.08.10.
Full textMahmood, Wafa Salim. "The Tone of Female Characters in William Shakespeare's As You Like It." Journal of Tikrit University for Humanities 27, no. 6 (August 28, 2020): 57–73. http://dx.doi.org/10.25130/jtuh.27.6.2020.25.
Full textDissertations / Theses on the topic "Shakespeare, William, 1564-1616 – Characters – Kings"
Arbuck, Ava. "By self and violent hands : the "ideal" Lady Macbeth." Thesis, McGill University, 1992. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=56808.
Full textLady Macbeth's actions are often interpreted as those of a bloodthirsty woman overstepping her social position. But Lady Macbeth is a product of a perverse society which worships the warrior-hero and dictates the importance of being a man, "broody, bold, and resolute". Interestingly, contrary to many interpretations, Lady Macbeth never attempts to be anything but a submissive, devoted wife. She and her husband embody the paradoxes inherent in their culture.
Travis, Keira. "Infinite gesture : an approach to Shakespearean character." Thesis, McGill University, 2006. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=102740.
Full textThe project's main original contribution is its way of re-conceiving the relationships among several currents in Shakespeare studies. My discussion engages with recent work in textual studies. Examples include work by Leah Marcus and Paul Werstine. It also engages with historically informed treatments of wordplay. Examples include work by Margreta de Grazia and Patricia Parker. And it addresses work that could be said to be part of a move in the field toward "ethical criticism." Examples include work by Stanley Cavell and John Guillory. As well, my discussion engages with psychoanalytic criticism by Marjorie Garber, Coppelia Kahn, and others. While I do not consider myself a psychoanalytic critic, the affinity my approach has with psychoanalysis has to do with my interest in making explicit some of the implications of unreflectively chosen metaphors, word associations, etc. The implications that concern me most are those that have to do with the ways interpreters relate to each other.
Krupski, Jadwiga. "Shakespeare's children." Thesis, McGill University, 1992. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=39774.
Full textIn the Histories and in the Tragedies, children are seen as pawns in adult power plays, while a disregard for a child's natural developmental progress is made apparent in both the Histories and the Comedies. Nevertheless at times, and particularly in the Tragedies and in the Romances, the actual children in the plays become agents of reconciliation and regeneration; in Macbeth, the victimized children acquire the status of a powerful symbol. The Sonnets, which deal with childhood as an abstract idea, foreshadow this synthesis of actuality and metaphoric tenor.
Kass, Kersti L. "Regarding Henry : performing kingship in Henry V." Thesis, McGill University, 2003. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=79954.
Full textOlchowy, Rozeboom Gloria. "Bearing men : a cultural history of motherhood from the cycle plays to Shakespeare." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2000. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp03/NQ56598.pdf.
Full textClateman, Andrew. "Inheriting the motley mantle an actor approaches playing the role of Feste, Shakespeare's update of the lord of misrule." Master's thesis, University of Central Florida, 2011. http://digital.library.ucf.edu/cdm/ref/collection/ETD/id/4871.
Full textID: 029809094; System requirements: World Wide Web browser and PDF reader.; Mode of access: World Wide Web.; Thesis (M.F.A.)--University of Central Florida, 2011.; Includes bibliographical references (p. 168-169).
M.F.A.
Masters
Theatre
Arts and Humanities
Odom, Gale J. (Gale Johnson). "Four Musical Settings of Ophelia." Thesis, University of North Texas, 1991. https://digital.library.unt.edu/ark:/67531/metadc332625/.
Full textTuerk, Cynthia M. ""Harmless delight but useful and instructive" : the woman's voice in Restoration adaptations of Shakespeare." Thesis, University of St Andrews, 1998. http://hdl.handle.net/10023/14895.
Full textDobranski, Shannon Prosser. "Absent fathers in Shakespeare's middle comedies." 2002. http://wwwlib.umi.com/cr/utexas/fullcit?p3077529.
Full textClissold, Andrew. "Heroism in Homer and Shakespeare." Master's thesis, 2006. http://hdl.handle.net/1885/148188.
Full textBooks on the topic "Shakespeare, William, 1564-1616 – Characters – Kings"
Henry IV, part I. London: Faber and Faber, 2002.
Find full textShakespeare in shorthand: The textual mystery of King Lear. Newark: University of Delaware Press, 2009.
Find full textShakespeare on masculinity. Cambridge, UK: Cambridge University Press, 2000.
Find full textSaccio, Peter. Shakespeare's English kings: History, chronicle, and drama. 2nd ed. Oxford: Oxford University Press, 2000.
Find full textRyan, Kiernan. King Lear, William Shakespeare. New York: St. Martin's Press, 1992.
Find full textThe king within: Reformations of power in William Shakespeare and Pedro Calderón de la Barca. Oxford: Peter Lang, 2010.
Find full textJames, Ogden, and Scouten Arthur Hawley 1910-, eds. Lear from study to stage: Essays in criticism. Madison: Fairleigh Dickinson University Press, 1997.
Find full textKing Lear. New York: Harvester/Wheatsheaf, 1988.
Find full textKing Lear. Boston: Twayne Publishers, 1988.
Find full textKing Lear. 2nd ed. Manchester: Manchester University Press, 2004.
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