Academic literature on the topic 'Shakespeare, William, 1564-1616 Characters Clowns'
Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles
Contents
Consult the lists of relevant articles, books, theses, conference reports, and other scholarly sources on the topic 'Shakespeare, William, 1564-1616 Characters Clowns.'
Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.
You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.
Journal articles on the topic "Shakespeare, William, 1564-1616 Characters Clowns"
Dolinin, Alexander. "Итальянские мотивы в поэме Пушкина «Анджело» [Italian Motifs in Pushkin’s Poem _Andzhelo_]." Slavica Revalensia 8 (2021): 289–302. http://dx.doi.org/10.22601/sr.2021.08.10.
Full textMahmood, Wafa Salim. "The Tone of Female Characters in William Shakespeare's As You Like It." Journal of Tikrit University for Humanities 27, no. 6 (August 28, 2020): 57–73. http://dx.doi.org/10.25130/jtuh.27.6.2020.25.
Full textShrestha, Rupak. "Juxtaposing Sama’s Bhimsenko Antya with Shakespeare’s Richard II." JODEM: Journal of Language and Literature 11, no. 1 (December 31, 2020): 155–66. http://dx.doi.org/10.3126/jodem.v11i1.34823.
Full textDissertations / Theses on the topic "Shakespeare, William, 1564-1616 Characters Clowns"
Clateman, Andrew. "Inheriting the motley mantle an actor approaches playing the role of Feste, Shakespeare's update of the lord of misrule." Master's thesis, University of Central Florida, 2011. http://digital.library.ucf.edu/cdm/ref/collection/ETD/id/4871.
Full textID: 029809094; System requirements: World Wide Web browser and PDF reader.; Mode of access: World Wide Web.; Thesis (M.F.A.)--University of Central Florida, 2011.; Includes bibliographical references (p. 168-169).
M.F.A.
Masters
Theatre
Arts and Humanities
Arbuck, Ava. "By self and violent hands : the "ideal" Lady Macbeth." Thesis, McGill University, 1992. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=56808.
Full textLady Macbeth's actions are often interpreted as those of a bloodthirsty woman overstepping her social position. But Lady Macbeth is a product of a perverse society which worships the warrior-hero and dictates the importance of being a man, "broody, bold, and resolute". Interestingly, contrary to many interpretations, Lady Macbeth never attempts to be anything but a submissive, devoted wife. She and her husband embody the paradoxes inherent in their culture.
Travis, Keira. "Infinite gesture : an approach to Shakespearean character." Thesis, McGill University, 2006. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=102740.
Full textThe project's main original contribution is its way of re-conceiving the relationships among several currents in Shakespeare studies. My discussion engages with recent work in textual studies. Examples include work by Leah Marcus and Paul Werstine. It also engages with historically informed treatments of wordplay. Examples include work by Margreta de Grazia and Patricia Parker. And it addresses work that could be said to be part of a move in the field toward "ethical criticism." Examples include work by Stanley Cavell and John Guillory. As well, my discussion engages with psychoanalytic criticism by Marjorie Garber, Coppelia Kahn, and others. While I do not consider myself a psychoanalytic critic, the affinity my approach has with psychoanalysis has to do with my interest in making explicit some of the implications of unreflectively chosen metaphors, word associations, etc. The implications that concern me most are those that have to do with the ways interpreters relate to each other.
Krupski, Jadwiga. "Shakespeare's children." Thesis, McGill University, 1992. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=39774.
Full textIn the Histories and in the Tragedies, children are seen as pawns in adult power plays, while a disregard for a child's natural developmental progress is made apparent in both the Histories and the Comedies. Nevertheless at times, and particularly in the Tragedies and in the Romances, the actual children in the plays become agents of reconciliation and regeneration; in Macbeth, the victimized children acquire the status of a powerful symbol. The Sonnets, which deal with childhood as an abstract idea, foreshadow this synthesis of actuality and metaphoric tenor.
Olchowy, Rozeboom Gloria. "Bearing men : a cultural history of motherhood from the cycle plays to Shakespeare." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2000. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp03/NQ56598.pdf.
Full textOdom, Gale J. (Gale Johnson). "Four Musical Settings of Ophelia." Thesis, University of North Texas, 1991. https://digital.library.unt.edu/ark:/67531/metadc332625/.
Full textTuerk, Cynthia M. ""Harmless delight but useful and instructive" : the woman's voice in Restoration adaptations of Shakespeare." Thesis, University of St Andrews, 1998. http://hdl.handle.net/10023/14895.
Full textDobranski, Shannon Prosser. "Absent fathers in Shakespeare's middle comedies." 2002. http://wwwlib.umi.com/cr/utexas/fullcit?p3077529.
Full textClissold, Andrew. "Heroism in Homer and Shakespeare." Master's thesis, 2006. http://hdl.handle.net/1885/148188.
Full textBooks on the topic "Shakespeare, William, 1564-1616 Characters Clowns"
Shakespeare's great stage of fools. New York: Palgrave Macmillan, 2011.
Find full textThe English clown tradition from the middle ages to Shakespeare. Woodbridge, Suffolk: D.S. Brewer, 2009.
Find full textTave, Stuart M. Lovers, clowns, and fairies: An essay on comedies. Chicago: University of Chicago Press, 1993.
Find full textStokes, Francis Griffin. Who's who in Shakespeare. London: Studio Editions, 1992.
Find full textHazlitt, William. Characters of Shakespeare's plays. New York, NY: Cambridge University Press, 2009.
Find full textWho's who in Shakespeare. London: Bracken, 1989.
Find full textAbraham, F. Murray. A midsummer night's dream. London: Faber and Faber, 2005.
Find full textMaginn, William. Shakespeare papers: Pictures grave and gay. New York: Cambridge University Press, 2009.
Find full textFielding, Emma. Twelfth night, or, What you will. London: Faber and Faber, 2002.
Find full textHornback, Robert. English Clown Tradition from the Middle Ages to Shakespeare. Boydell & Brewer, Limited, 2013.
Find full text