Dissertations / Theses on the topic 'Sex In literature History and criticism'
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Ross, Oliver Paul. "Same-sex desire and syncretism : 'homosexualities' in Indian literature and film." Thesis, University of Cambridge, 2011. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.609810.
Full textGao, Qian. "Remembering the Cultural Revolution : history and nostalgia in the marketplace /." view abstract or download file of text, 2007. http://proquest.umi.com/pqdweb?did=1421604431&sid=1&Fmt=2&clientId=11238&RQT=309&VName=PQD.
Full textTypescript. Includes vita and abstract. Includes bibliographical references (leaves 182-204). Also available for download via the World Wide Web; free to University of Oregon users.
Deans, Sharon. "Teen Gothic : sex, death and autonomy in young adult Gothic literature." Thesis, University of Stirling, 2013. http://hdl.handle.net/1893/15908.
Full textMei, Zhen, and 梅真. "A study of the third generation poetry from the gender perspective = Xing bie shi jiao xia de "di san dai" shi ge." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2013. http://hdl.handle.net/10722/207897.
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Chinese
Doctoral
Doctor of Philosophy
Du, Preez Jenny Bozena. "Re-imagining love and intimacy in the poetry of Gabeba Baderoon, Ingrid De Kok, and Makhosazana Xaba." Thesis, Nelson Mandela Metropolitan University, 2014. http://hdl.handle.net/10948/d1020039.
Full text陳家春 and Ka-chun Chan. "Eros and mainland Chinese novels after the cultural revolution." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1994. http://hub.hku.hk/bib/B31212074.
Full textClarke, Joni Adamson. "A place to see: Ecological literary theory and practice." Diss., The University of Arizona, 1995. http://hdl.handle.net/10150/187115.
Full textPereira, Fellipe Ramos 1988. "Erotismo e crueldade em Coxas - sex fiction & delírios de Roberto Piva." [s.n.], 2015. http://repositorio.unicamp.br/jspui/handle/REPOSIP/270070.
Full textDissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Estudos da Linguagem
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Resumo: O presente trabalho tem por objetivo desenvolver um estudo sobre a obra Coxas ¿ sex fiction & delírios de Roberto Piva. Buscar-se-á analisar os pontos de contato entre a crueldade e o erotismo no interior desta obra. Cabe assinalar que Coxas é uma obra erótica, que tem por tema o erotismo, e não uma obra com passagens eróticas. Por isso o que se busca fundamentalmente neste trabalho é analisar como erotismo e a crueldade são trabalhados pelo poeta. Para isso se desenvolveu dois pontos principais na pesquisa. O primeiro é exatamente o que diz respeito ao erotismo, porque a crueldade que se busca analisar provém deste aspecto e ele se mostra bastante relevante na obra em questão. O segundo é uma análise formal, pois há nitidamente em Coxas certa hibridização dos gêneros poesia e prosa. Para cumprir estas tarefas buscou-se primeiramente compreender como se compunha o quadro poético da época em que Roberto Piva inicia sua trajetória nas letras e como se configura o erotismo em sua obra. Em seguida se procurou alguns parâmetros especulativos que servissem de apoio à análises da obra nos aspectos apontados, por fim o problema formal se mostrou também de grande relevância, por isso há um capítulo destinado a expor os traços formais de Coxas
Abstract: This dissertation aims to develop a study about the book "Coxas" ¿ sex fiction & delirious, by Roberto Piva. We intend to analyze the points of contact between cruelty and eroticism within this work. It is worth highlighting that "Coxas" is an erotic literary work, whose theme is eroticism, and not an erotic passages book. That is why we seek primarily to investigate how eroticism and cruelty were used by the poet. In this regard we had developed two main points in the research. The first is exactly what concerns the eroticism, because the idea of cruelty that we seek to analyze comes from this aspect and it shows high relevance in the mentioned work. The second one is a formal analysis because it is possible to notice that there is poetry and prose genre hybridization into "Coxas". In order to accomplish this goal we sought to understand firstly on how the poetic scenario was composed from the time that Roberto Piva had begun his career in the poetic world and how eroticism had been configured in his work. And then, we tried some speculative parameters that work in order to give us support in the work analysis on what concerns the highlighted aspects. Finally, the formal point had also been showed highly relevant, so there is a chapter that intends to expose the formal features in "Coxas"
Mestrado
Teoria e Critica Literaria
Mestre em Teoria e História Literária
Roth, Jenny. "Law, gender and culture : representations of the female legal subject in selected Jacobean texts." Thesis, University of St Andrews, 2003. http://hdl.handle.net/10023/14658.
Full textJames, Sarah J. "Not without my body : feminist science fiction and embodied futures." Thesis, University of St Andrews, 2004. http://hdl.handle.net/10023/14613.
Full textKong, Wai-ping Judy, and 江偉萍. "Gender and sexuality in modern Shanghai: Chinese fiction of the early twentieth century." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2004. http://hub.hku.hk/bib/B31245432.
Full textKerr, Matthew P. M. "With many voices : the sea in Victorian fiction." Thesis, University of Oxford, 2013. http://ora.ox.ac.uk/objects/uuid:873709c4-cc2e-4679-a7c3-12ddcca7c02e.
Full textBerlando, Maria Elena, and University of Lethbridge Faculty of Arts and Science. "De-colonizing bodies : the treatment of gender in contemporary drama and film." Thesis, Lethbridge, Alta. : University of Lethbridge, Faculty of Arts and Science, 2007, 2007. http://hdl.handle.net/10133/648.
Full textv, 104 leaves ; 29 cm.
Ramday, Morna B. "Man up : a study of gendered expectations of masculinity at the 'fin de siècle'." Thesis, University of St Andrews, 2014. http://hdl.handle.net/10023/5551.
Full textCornwell, Gareth. "Ambiguous contagion the discourse of race in South African English writing, 1890-1930." Thesis, Rhodes University, 1996. http://hdl.handle.net/10962/d1002269.
Full textBarnhill, Gretchen Huey, and University of Lethbridge Faculty of Arts and Science. "Fallen angels : female wrongdoing in Victorian novels." Thesis, Lethbridge, Alta. : University of Lethbridge, Faculty of Arts and Science, 2005, 2005. http://hdl.handle.net/10133/241.
Full textvii, 163 leaves ; 29 cm.
Chanda, Geetanjali. "Indian women in the house of fiction : place, gender, and identity in post-independence Indo-English novels by women /." Thesis, Hong Kong : University of Hong Kong, 1998. http://sunzi.lib.hku.hk/hkuto/record.jsp?B19736617.
Full textLiu, Wenjia 1981. "The tanci "Feng shuangfei": A female perspective on the gender and sexual politics of late-Qing China." Thesis, University of Oregon, 2010. http://hdl.handle.net/1794/11140.
Full textThe late-Qing tanci "A Pair of Male Phoenixes Flying Together" (Feng shuangfei ; preface dated 1899) is unusual for its depiction of a wide variety of gender issues and sexual relationships. Because the 52-chapter work is credibly attributed to the female poet Cheng Huiying, who is known to have written the poetry collection Beichuang yin 'gao , the tanci gives scholars a unique opportunity to see how a gentry woman thought of the gender roles and sexual politics of the late Qing. My dissertation contains two major sections. Chapters I and II look at Cheng Huiying and her work as part of the `talented women" ( cainü ) culture. These two chapters demonstrate how Cheng Huiying deliberately establishes herself as a unique female writing subject and advocates women's agency in determining their own marriage arrangements. one of women's biggest concerns in premodern China. Chapters III to VI put Feng shuangfei into the larger context of male-authored fiction and examine how it adopts and rewrites the conventions and motifs common to xiaoshuo fiction from a female writer's perspective. I first argue that Feng shuangfei can be considered a serious literary work due to its sophisticated structural design and characterization, although tanci are usually considered as more popular literature. I then evaluate how the female author of this tanci subtly reinvents three gendered motifs that commonly appear in male-authored xiaoshuo fiction. The three motifs are male same-sex eroticism and homosociality, female same-sex desires, and the stereotypes of shrew and ideal wife. Through subtle twists in the plot, the tanci suggests the possibility of the expression of female subjectivity and agency within patriarchal Confucian society even while it follows and supports the normative Confucian order. The perspectives on gender norms and sexual practices offered in this tanci both display how a gentry woman thought about these issues in late imperial China and suggest how the rapid and vast social and ideological changes occurring during the turn of the century opened new spaces for Cheng Huiying to imagine increased agency and autonomy for women within the domestic sphere.
Committee in charge: Maram Epstein, Chairperson, East Asian Languages & Literature; Yugen Wang, Member, East Asian Languages & Literature; Tze-lan Sang, Member, East Asian Languages & Literature; Ina Asim, Outside Member, History
Adams, Dana W. (Dana Wills). "Female Inheritors of Hawthorne's New England Literary Tradition." Thesis, University of North Texas, 1994. https://digital.library.unt.edu/ark:/67531/metadc279406/.
Full textHunt, Sally Ann. "The discoursal construction of female physical identity in selected works in children's literature." Thesis, Rhodes University, 2011. http://hdl.handle.net/10962/d1005965.
Full textDavies, Ben. "Exceptional intercourse : sex, time and space in contemporary novels by male British and American writers." Thesis, University of St Andrews, 2011. http://hdl.handle.net/10023/2582.
Full textYantolo-Sotyelelwa, Betty Matase. "The portrayal of characters through dialogue and action in isiXhosa drama : dramatic and cultural perspectives." Thesis, Stellenbosch : University of Stellenbosch, 2005. http://hdl.handle.net/10019.1/3361.
Full textThis study aims at highlighting one of the crucial aspects of Xhosa drama: how women have been regarded by a variety of communities as being inferior to men. This stereotype pervades almost all spheres of life. The low status assigned to women find its way into literature as well. Ngewu’s drama “Yeha mfazi obulala indoda” and Taleni’s drama “Nyana nank’uNyoko” has been examined. In most Xhosa literature, women are portrayed as submissive, obedient and minor characters. The advent of Ngewu’s work changed this scenario by portraying women as independent characters. This has led to great conflict with male characteristics and this demonstrates clearly that partriarchal domination is deep rooted in Xhosa culture.
Götting, Elena Rebekka. "Challenging maleness : the new woman's attempts to reconstruct the binary code." Thesis, University of St Andrews, 2014. http://hdl.handle.net/10023/6612.
Full textVillasenor-Oldham, Victoria Anne. "Multiplicity and gendering the Holy Grail in The Da Vinci Code and the Mists of Avalon." CSUSB ScholarWorks, 2007. https://scholarworks.lib.csusb.edu/etd-project/3237.
Full textHanaway-Oakley, Cleo Alexandra. "'See ourselves as others see us' : a phenomenological study of James Joyce's Ulysses and early cinema." Thesis, University of Oxford, 2012. http://ora.ox.ac.uk/objects/uuid:80821e26-de35-483a-a37c-7a4c60e138b7.
Full textLamborn, Erin Alice. "From Darwin to Dracula: A study of literary evolution." CSUSB ScholarWorks, 2005. https://scholarworks.lib.csusb.edu/etd-project/2836.
Full textZhang, Xin. "The problem of identity in Jean Rhys's Wide Sargasso Sea." Thesis, University of Macau, 2009. http://umaclib3.umac.mo/record=b2456325.
Full textWilliams, Vivien Estelle. "The cultural history of the bagpipe in Britain, 1680-1840." Thesis, University of Glasgow, 2013. http://theses.gla.ac.uk/5085/.
Full textRawson, Angela. "A critical linguistic analysis of a popular comic genre in Japan." Thesis, Edith Cowan University, Research Online, Perth, Western Australia, 2001. https://ro.ecu.edu.au/theses/1021.
Full textPaula, Claudemir da Silva [UNESP]. "Negra sem reticências: corpo e corporeidade na poesia de escritoras afro-brasileiras." Universidade Estadual Paulista (UNESP), 2015. http://hdl.handle.net/11449/154712.
Full textCoordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)
Numa sociedade que associa a beleza feminina aos atributos físicos (e culturais) brancos e personifica a fealdade num corpo negro, afirmar-se mulher negra, valorizando as próprias características corporais, constitui vigoroso processo de ressignificação dos conceitos e juízos negativos. Isso porque, o sentir-se bem com contornos naturais pressupõe a existência de uma beleza capaz de tornar falsa a necessidade da adequação às regras do padrão hegemônico, presumindo, para esse tipo de enfrentamento, um discurso hábil o suficiente para subverter as formas representativas da literatura assentadas nas cenas racistas de inferioridade e objetificação, desestabilizando a exigência do embelezamento como condição para a felicidade nas experiências quotidianas. O corpo desenhado a partir dessa perspectiva esquiva-se do binarismo do eurocentrismo e reforma, ao modo negro de ser, a ideia do feminino, assumido como principal forma de atuação, sem a imprescindibilidade de se comparar aos modelos idealizados nos parâmetros do branqueamento. Para algumas mulheres negras, a literatura é o campo privilegiado para forjar as interpretações corporais destituídas dos aspectos da submissão natural e combater os lugares (in)apropriados aos corpos que se apresentam contrariando às normas. Como escritoras, colocam-se em local privilegiado da sua própria escrita e, na condição de locutoras, tecem uma poética decolonial do corpo. É deste fazer literário que se ocupa este trabalho, tendo por objetivo refletir sobre a poetização da corporeidade na poesia das escritoras afro-brasileiras Alzira Rufino, Conceição Evaristo, Geni Guimarães e Miriam Alves, em convergência/divergência com o padrão eurocêntrico de beleza no paradigma da colonialidade do poder. De forma especifica, realiza-se a leitura do corpo como elemento de emancipação política da mulher negra, circunscrevendo a rejeição da subserviência...
In a society that associates feminine beauty to physical (and cultural) white attributes and embodies ugliness in a black body it is easy to affirm that black women, who values their own body features, constitutes a vigorous process of negative concept and judgment resignification. This may happen due to a positive feeling towards their natural contours, which may presuppose a beauty able to make the need for compliance with the rules of hegemonic power fake, assuming, in that kind of confrontation, a skillful speech, enough to subvert representative forms of literature based on racist scenes of inferiority and objectification. This may destabilize the requirement of beautification as a condition for happiness in everyday experience. The body drawn from that perspective is beating Eurocentric binarism and reform. It is a black mode of being. The feminine idea assumed as a main form of activity, without essentialism, compares models devised in whitening parameters. For some black women, literature is the privileged field to forge the body deprived by interpretations of natural submission and combat places aspects (in) appropriated to those bodies that are contrary to the rules. As writers, placed in a privileged place of their own writing and, as announcers of the black condition, weave a 'de-colonial' poetics of the body. It is about the literary performance that we deal in this work. We intended to reflect on the corporality poetic of some Afro-Brazilian writers Alzira Rufino, Conceição Evaristo, Geni Guimarães and Miriam Alves, in convergence/divergence with the Eurocentric standard of beauty in the colonial paradigm of power. Specifically, it is the body - read as an element of black woman political emancipation, focusing solely on the rejection of subservience to the dictates of whiteness - the creation of their own standard of beauty and autonomy ideal conducted by disobedient choices and unsubmissive figurative types
Paula, Claudemir da Silva. ""Negra sem reticências" : corpo e corporeidade na poesia de escritoras afro-brasileiras /." São José do Rio Preto, 2015. http://hdl.handle.net/11449/154712.
Full textBanca: Norma Wimmer
Banca: Giséle Manganelli Fernandes
Banca: Raquel Terezinha Rodrigues
Banca: Júlio César Barreto Rocha
Resumo: Numa sociedade que associa a beleza feminina aos atributos físicos (e culturais) brancos e personifica a fealdade num corpo negro, afirmar-se mulher negra, valorizando as próprias características corporais, constitui vigoroso processo de ressignificação dos conceitos e juízos negativos. Isso porque, o sentir-se bem com contornos naturais pressupõe a existência de uma beleza capaz de tornar falsa a necessidade da adequação às regras do padrão hegemônico, presumindo, para esse tipo de enfrentamento, um discurso hábil o suficiente para subverter as formas representativas da literatura assentadas nas cenas racistas de inferioridade e objetificação, desestabilizando a exigência do "embelezamento" como condição para a felicidade nas experiências quotidianas. O corpo desenhado a partir dessa perspectiva esquiva-se do binarismo do eurocentrismo e reforma, ao modo negro de ser, a ideia do feminino, assumido como principal forma de atuação, sem a imprescindibilidade de se comparar aos modelos idealizados nos parâmetros do branqueamento. Para algumas mulheres negras, a literatura é o campo privilegiado para forjar as interpretações corporais destituídas dos aspectos da "submissão natural" e combater os "lugares" (in)apropriados aos corpos que se apresentam "contrariando às normas". Como escritoras, colocam-se em local privilegiado da sua própria escrita e, na condição de locutoras, tecem uma poética decolonial do corpo. É deste fazer literário que se ocupa este trabalho, tendo por objetivo refletir sobre a poetização da corporeidade na poesia das escritoras afro-brasileiras Alzira Rufino, Conceição Evaristo, Geni Guimarães e Miriam Alves, em convergência/divergência com o padrão eurocêntrico de beleza no paradigma da colonialidade do poder. De forma especifica, realiza-se a leitura do corpo como elemento de emancipação política da mulher negra, circunscrevendo a rejeição da subserviência...
Abstract: In a society that associates feminine beauty to physical (and cultural) white attributes and embodies ugliness in a black body it is easy to affirm that black women, who values their own body features, constitutes a vigorous process of negative concept and judgment resignification. This may happen due to a positive feeling towards their natural contours, which may presuppose a beauty able to make the need for compliance with the rules of hegemonic power fake, assuming, in that kind of confrontation, a skillful speech, enough to subvert representative forms of literature based on racist scenes of inferiority and objectification. This may destabilize the requirement of "beautification" as a condition for happiness in everyday experience. The body drawn from that perspective is beating Eurocentric binarism and reform. It is a black mode of being. The feminine idea assumed as a main form of activity, without essentialism, compares models devised in whitening parameters. For some black women, literature is the privileged field to forge the body deprived by interpretations of "natural submission" and combat "places" aspects (in) appropriated to those bodies that are "contrary to the rules". As writers, placed in a privileged place of their own writing and, as announcers of the black condition, weave a 'de-colonial' poetics of the body. It is about the literary performance that we deal in this work. We intended to reflect on the corporality poetic of some Afro-Brazilian writers Alzira Rufino, Conceição Evaristo, Geni Guimarães and Miriam Alves, in convergence/divergence with the Eurocentric standard of beauty in the colonial paradigm of power. Specifically, it is the body - read as an element of black woman political emancipation, focusing solely on the rejection of subservience to the dictates of whiteness - the creation of their own standard of beauty and autonomy ideal conducted by disobedient choices and unsubmissive figurative types
Doutor
Cousseau, Salete Nair Carletto. "O particular e o universal em Histórias sem amanhã, de Lara de Lemos." reponame:Repositório Institucional da UCS, 2010. https://repositorio.ucs.br/handle/11338/1016.
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This dissertation analyzes some chronicles from the book Histórias sem Amanhã, from Lara de Lemos, written in the 1950‟s, to be published in Correio do Povo newspaper in Porto Alegre further the chronicles had been published as a novel in 1963. The purpose of this analysis is to evidence the way the author discusses the status of the female condition, expanding her argument to the human condition, social problems and paradoxes from de life in the city, searching to reflect the relationship between particular and universal, once the texts, approaching this daily issues reaching an aesthetic dimension that turns then universal.
Pang, Tian Yang. "Lisa See's Snow Flower and the Secret Fan, the Lao Tong relationship from a feminist perspective." Thesis, University of Macau, 2018. http://umaclib3.umac.mo/record=b3953434.
Full textKing, Richard Jay. "Immediate passage : the narrative of Joel H. Brown, with a critical essay on form and style in the sea voyage narrative." Thesis, St Andrews, 2008. http://hdl.handle.net/10023/550.
Full textLindfield-Ott, Kristin. ""See SCOT and SAXON coalesc'd in one" : James Macpherson's 'The Highlander' in its intellectual and cultural contexts, with an annotated text of the poem." Thesis, University of St Andrews, 2011. http://hdl.handle.net/10023/2096.
Full textCollins, Brenda. "Representations of landscape and gender in Lady Anne Barnard's "Journal of a month's tour into the interior of Africa"." Thesis, Stellenbosch : Stellenbosch University, 2007. http://hdl.handle.net/10019.1/17744.
Full textENGLISH ABSTRACT: This thesis will focus on Barnard’s representations of gender and landscape during her tour into the interior of the South of Africa. Barnard’s conscious representation of herself as a woman with many different social roles gives the reader insight into the developing gender roles at the time of an emerging feminism. On their tour, Barnard reports on four aspects of the interior, namely the state of cultivation of the land, the type of food and accommodation available in the interior, the possibilities for hunting and whether the colony will be a valuable acquisition for Britain. Barnard’s view of the landscape is representative of the eighteenth century’s preoccupation with control over and classification of nature. She values order and cleanliness in her vision of a domesticated landscape. She appropriates the land in wanting to make it useful and beautiful to the colonisers. However, her representations of the landscape, as well as its inhabitants, remain ambivalent in terms of the discourse of imperialism because she is unable to adopt an unequivocal colonial voice. Her complex interaction with the world of colonialism is illustrated by, on the one hand, her adherence to the desire to classify the inhabitants of the colony according to the eighteenth century’s fascination with classification and, on the other hand, her recognition of the humanity of the individuals with whom she interacts in a move away from the colonial stance.
AFRIKAANSE OPSOMMING: Hierdie tesis fokus op Barnard se voorstellings van gender en landskap gedurende haar toer in die binneland van die suide van Afrika. Barnard se bewuste voorstelling van haarself as ‘n vrou met vele sosiale rolle gee die leser insig in die ontwikkelende genderrolle gedurende ‘n tydperk van ontluikende feminisme. Gedurende haar toer doen Barnard verslag oor vier aspekte van die binneland, naamlik hoeveel van die grond reeds bewerk is, die tipe kos en akkommodasie wat beskikbaar is, die jagmoontlikhede, en of die kolonie ‘n waardevolle aanwins vir Brittanje sal wees. Barnard se beskouing van die landskap is verteenwoordigend van die agtiende-eeuse obsessie met beheer oor en klassifikasie van die natuur. Sy heg groot waarde aan orde en netheid in haar visie van ‘n getemde landskap. Sy lê beslag op die land deurdat sy dit bruikbaar en mooi wil maak vir die kolonialiste. Haar voorstellings van die landskap sowel as die inwoners weerspieël egter haar ambivalente posisie jeens die koloniale diskoers omdat sy sukkel om ‘n ondubbelsinnige koloniale stem te gebruik. Haar komplekse interaksie met die wêreld van kolonialisme word weerspieël deur, enersyds, haar navolging van die koloniale neiging om die inwoners van die land te kategoriseer in lyn met die agtiende-eeuse obsessie met klassifikasie en, andersyds, haar herkenning van die menslikheid van die individue met wie sy kontak maak in ‘n skuif weg van die koloniale standpunt.
Watson, Anna Elizabeth. "Music lessons and the construction of womanhood in English fiction, 1870-1914." Thesis, University of St Andrews, 2014. http://hdl.handle.net/10023/5479.
Full textBarga, Rachel M. "Sex Theory: Theology of the Body as Literary Criticism." Miami University Honors Theses / OhioLINK, 2011. http://rave.ohiolink.edu/etdc/view?acc_num=muhonors1304527876.
Full textFairley, Ian. "Criticism in history : the work of György Lukacs, 1902-1914." Thesis, University of York, 1992. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.333708.
Full textSutton, Peter David. "'The trade of application' : political and social appropriations of Ben Jonson, 1660-1776." Thesis, University of St Andrews, 2018. http://hdl.handle.net/10023/16547.
Full textSchillinger, Stephen. "Common representations : Jack Straw and literary history as cultural history on the early modern stage /." Thesis, Connect to this title online; UW restricted, 2005. http://hdl.handle.net/1773/9363.
Full text葉淑蘭 and Sook-lan Yap. "A study of Zhang Tianyi's children's literature." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1992. http://hub.hku.hk/bib/B31211057.
Full textByrne, Aisling Nora. "The otherworlds of medieval insular literature." Thesis, University of Cambridge, 2012. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.610076.
Full text何倬榮 and Cheuk-wing Ho. "Engendering children: from folk tales to fairy tales." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2002. http://hub.hku.hk/bib/B31227363.
Full textHabel, Chad Sean, and chad habel@gmail com. "Ancestral Narratives in History and Fiction: Transforming Identities." Flinders University. Humanities, 2006. http://catalogue.flinders.edu.au./local/adt/public/adt-SFU20071108.133216.
Full textMcAllister, Catriona Jane. "Rewriting independence in contemporary Argentine literature : postmodernism, politics and history." Thesis, University of Cambridge, 2014. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.648742.
Full textWills, Clair. "Language, history and sex in the poetry of Paul Muldoon and Medbh McGuckian." Thesis, University of Oxford, 1989. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.305288.
Full textDixon, Marzena M. "The structure and rhetoric of twentieth-century British children's fantasy." Thesis, University of St Andrews, 1992. http://hdl.handle.net/10023/14858.
Full textFeng, Liping. "Modernity and tradition : Chinese theories of literature from 1900 to 1930." Thesis, McGill University, 1994. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=28445.
Full textSmith, Mark Ryan. "The literature of Shetland." Thesis, University of Glasgow, 2013. http://theses.gla.ac.uk/3938/.
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