Academic literature on the topic 'Sex in dance'
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Journal articles on the topic "Sex in dance"
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Linge, Ina. "Queer Ecology in Loïe Fuller’s Modernist Dance and Magnus Hirschfeld’s Die Transvestiten." Environmental Humanities 14, no. 3 (November 1, 2022): 618–40. http://dx.doi.org/10.1215/22011919-9962937.
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Abstract Dance orients the performer’s body toward both environment and pleasure, yet the intersection of environmental and sexual attunement in dance practice remains an underexplored area of research. This article considers how environmental and sexual readings of dance practice can be brought together by proposing a queer ecological approach to modernist dance. Drawing on research in dance studies, feminist and queer science studies, and sexology studies, the article examines the work of Loïe Fuller, an early pioneer of modernist dance, to show how Fuller’s work engages with themes of both sex and nature and consequently introduces environmentally attuned thinking to early twentieth century sexual knowledge production. By examining the parallels and divergences between Magnus Hirschfeld’s early twentieth-century sexological writing about “transvestitism” and Loïe Fuller’s modernist dance, via the copycat dancer Henry Cyril Paget, this article shows that both dance and sexology rethought the relationship between sex and nature by grappling, to different extents, with a queer vision of nature, where nature loses its explanatory force and moral authority. This reveals the importance of nature and the nonhuman in the production of modern concepts of sex, gender, and sexuality and the important role that dance can play in illuminating the intersection of sex and nature.
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Yamaner Okdan, Hale. "Structural analysis of traditional Kadın Zeybek dances in İzmirİzmir ili geleneksel Kadın Zeybek oyunlarının yapısal analizi." International Journal of Human Sciences 13, no. 1 (January 12, 2016): 332. http://dx.doi.org/10.14687/ijhs.v13i1.3499.
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<p>İzmir has a dance culture where <em>zeybek</em> dances are performed predominantly. When the <em>zeybek </em>dances performed by men are danced by women they are called “<em>kadın </em>(female) <em>zeybek</em>”. <em>Kadın zeybek</em> dances are more agile in terms of rhythm, and simpler and elegant in terms of movement when compared to male <em>zeybek </em>dances. In traditional life, women aren’t welcome to dance in the same environment with men. Thus, female dances are performed indoors where men aren’t allowed to participate or even see the woman dancing. The staging of folk dances since the 1930’s has caused this rule applied in traditional life to lose its validity in urban atmosphere. While female dances are carried to the stage over time, men and women started to dance together on stage. As a result of these dances developments traditional dances gained a new category called “mixed dances” meaning dances performed by both sexes. Today, traditional dances are classified under the titles “female dances”, “male dances” and “mixed-sex dances” according to the gender of the dancer. This article is on the structural analysis of the <em>zeybek</em> dances performed by women only.</p><p> </p><p><strong>Özet</strong></p><p>İzmir ili, zeybek türü oyunların ağırlıklı olarak oynandığı bir oyun kültürüne sahiptir. Erkekler tarafından oynanan zeybek oyunlarının kadınlar tarafından oynanan şekline kadın zeybeği denmektedir. Kadın zeybek oyunları erkek zeybek oyunlarına kıyasla ritmik yapı itibarıyla daha kıvrak, oynanış tavrı bakımından daha zarif oyunlardır. Geleneksel yaşamda kadının erkekle aynı ortamda oyun oynaması hoş karşılanmaz. Bu nedenle kadın oyun icraları erkeğin katılamadığı ve hatta oynayan kadını göremediği mekanlarda -kapalı alanlar- gerçekleşir. Halk oyunlarının 1930’lu yıllardan itibaren sahneye taşınması, geleneksel yaşamda uygulanan bu kuralın şehirlerde geçerliliğini yitirmesine neden olmuştur. Zamanla kadın oyunları sahneye taşındığı gibi, kadın ve erkek sahne üzerinde birlikte, yan yana dans etmeye başlamıştır. Bu gelişmeler sonucu geleneksel oyunlar <em>karma oyunlar</em> adı altında –kadın ve erkeğin beraber oynadığı oyunlar- yeni bir kategoriye kavuşmuştur. Günümüzde geleneksel oyunlar oyuncunun cinsiyetine göre kadın oyunları, erkek oyunları ve karma oyunlar şeklindeki üç başlıkta ele alınır. Bu yazı sadece kadınlar tarafından oynanan zeybek türünde oyunların yapısal analizini içerir. </p>
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Gianvittorio, Laura. "New Music and Dancing Prostitutes." Greek and Roman Musical Studies 6, no. 2 (August 24, 2018): 265–89. http://dx.doi.org/10.1163/22129758-12341323.
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Abstract Old Comedy often brings prostitute-like dancers on stage while parodying the New Music. This paper argues that such dances were reminiscent of sex practices, and supports this view with dance-historical and semantic evidence. For the history of Greek dance, I survey the literary evidence for the existence of a dance tradition that represents lovers and their acts, and which would easily provide Comedy with dance vocabulary to distort. The semantic analysis of three comic passages, all criticising the New Music in sexual terms, shows a consistent overlapping between the semantic fields of eroticism and of bodily movement, with several terms indicating both figures of lovemaking and figures of dance. By performing comically revisited erotic dances or by verbally alluding to them, prostitutes would powerfully embody the conservative criticism of Old Comedy against the new trends in dance promoted by the New Music.
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Nektarios, Peter Yioutsos. "Order in ancient Greek dance rituals: The dance of Pan and the Nymphs." Dramaturgias, no. 5 (October 27, 2017): 211–34. http://dx.doi.org/10.26512/dramaturgias.v0i5.8439.
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Dance maintained an important role in antiquity and was believed to be a ritual act that should be treated and performed with the outmost respect, regardless of its severe or ludicrous character. Despite the lack of adequate data, ancient sources now and again provide enough details on dance rituals, so as to be able to recognize and even more reconstruct the structure and order of an ancient performance, the so-called “τάξις” of Alkman. The cult of Pan and the Nymphs was deeply connected to dance and music. They were mostly celebrated in outdoor shrines and sacred grottos throughout the Greek countryside. Numerous votive offerings depict the circular dance of these vegetation deities, a dance representation where the researcher can recognize specific roles amongst the participants: the dance leader, the principal dancer, the chain of dancers and the musician. Their position in the dance ensemble was ranked accordingly, however, sex, age, appearance, and social status were also determining factors always taken into consideration.
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Dimopoulos, Konstantinos, Vasiliki Tyrovola, and Maria Koutsouba. "Social Structures, Gender Dimensions and Semantic Implications in Dance: The Sergiani Custom in the Village of Megala Kalivia (Trikala)." Mediterranean Journal of Social Sciences 8, no. 4 (July 27, 2017): 63–76. http://dx.doi.org/10.1515/mjss-2017-0006.
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AbstractThroughout the world there are rites and customs that take place in the context of a specific time and place. The dance act is a reflection of the local society, as it represents a way of validating or questioning the local structures, interpersonal and gender relations, as well as the community policies. Such custom would be the custom of sergiani in the community of Megala Kalyvia (Trikala). The aim of this paper is to examine the custom of sergiani and the role of the dance in that community. The collection and processing of data is based on the principles of ethnographic study. In order to examine the form of the dance, the structural-morphological model is used, while the dances were notated using the Labanotation system. The interpretation of the dance is based on the methodological optics as established by Hanna (1988), according to whom, in order to reach conclusions regarding the society and gender relations, dance must be taken into account. By controlling the patriarchal sovereignty in that community, the female gender would always find mechanisms to show resistance and renegotiate women’s role, position and relation not only against the opposite sex, but also within women. Those mechanisms are triggered through customary and dance practices, such as the sergiani custom.
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Nichols, Andrea. "Dance Ponnaya, Dance! Police Abuses Against Transgender Sex Workers in Sri Lanka." Feminist Criminology 5, no. 2 (April 2010): 195–222. http://dx.doi.org/10.1177/1557085110366226.
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Newman, Shawn. "It's All in the Hips: Sexual and Artistic Minority in Canadian Concert Jazz Dance." Congress on Research in Dance Conference Proceedings 2012 (2012): 118–23. http://dx.doi.org/10.1017/cor.2012.15.
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Contemporary sexual norms in Canada continue to dictate how sexuality should be presented on the stage in many styles of theatrical dance. Jazz dance is not excluded from this practice; in fact, since the early days of social dancing, jazz dance has often been considered synonymous with gratuitously deviant sex and sexuality. In contemporary artistic circles, concert jazz dance often finds itself subject to an additional classification as low-art because of this perceived relationship between sex and the dancing. This artistically marginalized position of concert jazz implies a conservative heteronormativity in Canada that is contrary to our apparent inclusion of subjugated sexual minorities as “normal.” “It's All in the Hips” explores sexuality in contemporary Canadian concert jazz dance to illustrate the potential for representations of marginalized sexualities on stage, and the perceived threat to artistic hegemony. While there is growing research into sexuality on the American stage in ballet and modern dance through scholars such as Jane C. Desmond, Jennifer Fisher, Susan Leigh Foster, and others, and also into jazz's roots in social dancing by Susan Manning, Anthea Kraut, Julie Malnig, and a growing host of scholars, very little work has been done on the Canadian concert jazz scene, save for the work of Iro Tembeck, Mark Miller, Meilan Lam, and a handful of dancers. This paper examines the intersection between sexual and artistic minority in Canadian concert jazz dance and problems that arise for positioning the form to dance audiences as high art.
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Rusmalla, Safran, and Setya Widyawati. "KOREOGRAFI TARI SUFI KOMUNITAS DZIKIR ZHAUWIYAH KECAMATAN KARTOSURO KABUPATEN SUKOHARJO." Greget: Jurnal Pengetahuan dan Penciptaan Tari 18, no. 2 (February 6, 2020): 171–79. http://dx.doi.org/10.33153/grt.v18i2.2875.
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This research is a discussion on Sufi dance on Dzikir Zhauwiyah community. The problem in this study is the form of presentation, function and existence of Sufi dance. To discuss the issue using Sumandyo Hadi’s thoughts on dance elements consisting of elements combined into one, the staple elements of dance consist of 1) motion dance, explaining the motion used for example dance traditions or Kerakyatan, modern or creations, 2) floor patterns/Dance room, 3) dance music, 4) dance titles, 5) dance themes, 6) dancers (number and sex), 7) makeup costumes. To discuss about the function of Sufi dance using the thought of S. D Humardani which mentions that the dance function consists of primary and secondary functions. The results showed that Sufi dance choreography has meaning about the particles in the universe rotating around the sun in a direction to the left. Sufi Dance has a primary function namely as an aesthetic expression while its secondary function is as a means of ritual, meditation, therapy and media dhikr and da’wah function of the function shows that Sufi dance has a existence in the wider community. Keywords: dance, Sufi, Dzikir Zhauwiyah community.
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Yunita, Ririn, and Desfiarni Desfiarni. "BASAWUIK KATO MAELO RASO." Jurnal Sendratasik 10, no. 1 (December 5, 2020): 121. http://dx.doi.org/10.24036/jsu.v9i2.110532.
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The creation of a dance work called "Basawuik Kato Maelo Raso" aims to create creative dance works and to train as well as to educate the creative power of a choreographer to prepare ideas through innovative movements as a communicative language in a dance work. Basawik Kato Maelo Raso(interlocked words and appeared feelings) dance work is a dramatic dance work which focuses on the daily life of Minangkabau youth. Basawik Kato Maelo Raso dance work is a dance work inspired by the social phenomena of community life in traditional ceremonies such as the inauguration of penghulu (leaders), the village official events, and wedding party. Batombe tradition has the meaning as a medium to express feelings of like or dislike to the opposite sex, and it has a different response in each society. Keywords: Basawuik Kato, Maelo Raso
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Dearey, Melissa. "Choreography, controversy and child sex abuse: Theoretical reflections on a cultural criminological analysis of dance in a pop music video." Theoretical Criminology 22, no. 2 (March 21, 2017): 189–205. http://dx.doi.org/10.1177/1362480617699159.
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This article was inspired by the controversy over claims of ‘pedophilia!!!!’ undertones and the ‘triggering’ of memories of childhood sexual abuse in some viewers by the dance performance featured in the music video for Sia’s ‘Elastic Heart’ (2015). The case is presented for acknowledging the hidden and/or overlooked presence of dance in social scientific theory and cultural studies and how these can enhance and advance cultural criminological research. Examples of how these insights have been used within other disciplinary frameworks to analyse and address child sex crime and sexual trauma are provided, and the argument is made that popular cultural texts such as dance in pop music videos should be regarded as significant in analysing and tracing public perceptions and epistemologies of crimes such as child sex abuse.
Dissertations / Theses on the topic "Sex in dance"
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Schwartz, Adam M. "Fat Boy Private Dance." ScholarWorks@UNO, 2015. http://scholarworks.uno.edu/td/2108.
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After spending a decade losing weight following a traumatic high school experience, Mark has a great life with a beautiful girlfriend, good job which he's passionate about, and a wonderful group of friends. Everything changes when his high school bully reenters his life and shakes his confidence to the point of developing a severe case of body dysmorphia at a time when it's crucial he's confident, as he promised to do a private dance for his girlfriend.
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Poona, Sobhna Keshavelal. "Dance and sexual politics some implications of the status of women in selected dance forms." Thesis, Rhodes University, 1992. http://hdl.handle.net/10962/d1002377.
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This thesis explores, from a feminist perspective, some implications on the status of women in selected dance forms, and addresses the perceptions of women as 'inferior' and 'subordinate'. One of the intentions behind the work was, indeed, to challenge prevailing perceptions and create an awareness of sexism, capitalism and patriarchy, especially for the uncritical and uninformed who have become its victims. Part 1 offers an analysis of the premises upon which social, political and economic inequality are founded and consolidated, with specific reference to sexual inequality and sexual prejudice. Utilising a Marxist-feminist and semiotic approach, the machinations of the traditional mass media are linked to negative imaging of the female body in support of the sexist, patriarchal, capitalist male manipulator, who benefits from women's subordinate social status. Part 2 addresses the issue of sexual politics, and the implications for dance research and performance. The researcher offers a descriptive analysis of four specific dance forms, which serve to highlight the socialisation and educational processes that shape our perceptions and instruct our lives. A set of questionnaires was sent to fourteen autonomous dance institutions, including those attached to national performing arts councils. The thesis concludes with a summary of the results of the questionnaires that were distributed amongst female dancers, dance students and choreographers. The researcher questions our culture's preoccupation with the female body image, and posits the urgent need for an assessment of this situation, and an education which will create a better understanding and a more harmonious climate for development.
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McLeod, Shaun, and shaun mcleod@deakin edu au. "Chamber: Dance improvisation, masculine embodiment and subjectivity." Deakin University. School of Communication and Creative Arts, 2002. http://tux.lib.deakin.edu.au./adt-VDU/public/adt-VDU20061207.114658.
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Morrissey, Sean Afnán. "Dancing around masculinity? : young men negotiating risk in the context of dance education /." Available from the University of Aberdeen Library and Historic Collections Digital Resources, 2009. http://digitool.abdn.ac.uk:80/webclient/DeliveryManager?application=DIGITOOL-3&owner=resourcediscovery&custom_att_2=simple_viewer&pid=59614.
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Morrissey, Sean Afnán. "Dancing around masculinity? : young men negotiating risk in the context of dance education." Thesis, University of Aberdeen, 2009. http://digitool.abdn.ac.uk:80/webclient/DeliveryManager?pid=59614.
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This thesis examines the intersection between masculinity and risk in educational settings. It draws on an intensive examination of the field of dance-education in Scotland and an extended period of research with YDance, Scotland’s only state-funded dance education company. Data was gleaned from a combination of qualitative and ethnographic methods including unstructured interviews, planned discussion groups and participant observation. The thesis synthesises the work of Ulrich Beck and with micro-level approaches popular in studies of gender and education through Bourdieu’s meso-level theories of society and social actors. It uses Bourdieu in new ways, both to reconcile these concerns of structure and action and to overcome key problems that have been identified with the work of authors like Butler and Connell. Substantively, the thesis draws attention to the risks which so-called ‘feminised’ activities like dance pose to young masculine identities and the role played by schools in reproducing and tacitly authorising inculcated assumptions about dance, gender and sexuality. The thesis also investigates the various ways in which dance educators attempt to challenge these reified associations and considers some of the unintended consequences of these practices. Despite ostensibly challenging gender stereotypes, many of the steps taken in order to engage boys in dance at school result in the reproduction of strong versions of masculinity and femininity. In attempting to recode dance as a ‘acceptable’ activity for young men, dance educators often disavow the contribution of gay and effeminate men to the art form, downplay the merits of genres like ballet which is perceived to carry particularly strong associations of femininity and homosexuality, and engage – albeit subtly – in misogyny and homophobia. Dance educators are often therefore unintentional agents of the reproduction of inculcated masculinities and gender inequality.
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Herridge, Elizabeth J. "The role of polyandry in sexual selection among dance flies." Thesis, University of Stirling, 2016. http://hdl.handle.net/1893/25013.
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Elaborate sexual ornaments evolve because mate choice exerts strong sexual selection favouring individuals with high levels of ornament expression. Consequently, even at evolutionary equilibrium, life history theory predicts that ornamental traits should be under directional sexual selection that opposes contrasting selection to reduce the costs associated with their maintenance. Otherwise, the resources used to maintain ornaments should be used to improve other life history functions. Elaborate female ornaments have only evolved in a few species, despite females commonly experiencing strong sexual selection. One explanation for this rarity is that male preferences for female ornaments may be self-limiting: females with higher mating success become less attractive because of the lower paternity share they provide to mates with every additional sperm competitor. The unusual species in which female ornaments do occur can provide rare insight into how selection can favour the expression of expensive characters in females despite their costs. The main goal of my thesis was to determine how sexual selection acts on exaggerated sexual ornaments, and give new insight into how these ornaments may have evolved, in spite of the self-limiting nature of selection on male preferences. To determine the strength of sexual selection acting on female ornamentation in dance flies, we developed new microsatellite markers to assess polyandry rates by genotyping stored sperm in wild female dance flies. We first used polyandry rates to determine whether ornament expression was associated with higher mating success in female Rhamphomyia longicauda, a species that has evolved two distinct and exaggerated female ornaments. Contrary to our predictions, we found no evidence that females with larger ornaments enjoy higher mating success. We then compared polyandry rates in R. longicauda to those of two other species of dance fly, one (Empis aestiva) that has i independently evolved female ornaments on its legs, and another (E. tessellata) that does not possess any discernable female ornaments. We also estimated the opportunity for sexual selection, which we found to be similar and relatively low in all three species. Moreover, the standardized sexual selection gradients for ornaments were weak and non-significant in all three species. Females with more elaborate ornaments, in both within- and cross-species comparisons, therefore did not enjoy higher mating success. Overall, these results suggested that sexual selection operates rather differently in females compared to males, potentially explaining the general rarity of female ornaments. Our amplifications of stored sperm were able to reveal more than just mate numbers. We developed new methods to study patterns of sperm storage in wild female dance flies. We investigated how the skew in sperm genotypes from mixed sperm stores changed with varying levels of polyandry. Our data suggested that sperm stores were dominated by a single male in R. longicauda, and that the proportion of sperm contributed by this dominant male was largely independent of the number of rival males’ sperm present in the spermatheca. These results were consistent with the expectation of males using sperm ‘offence strategies’ in sperm competition and that the most successful male is likely to be the female’s last partner before oviposition. As a whole, my thesis contributed new molecular resources for an understudied and fascinating group of organisms. It exploited these new resources to provide the first estimates of lifetime mating success in several related species, and suggested that the general prediction that ornament expression should covary with sexual selection intensity does not seem to hold in this group. Instead, both the unusual prevalence of ii ornaments and the inconsistent evidence for sexual selection that sustains them in dance flies may owe their existence to the confluence of two important factors. First, the conditions under which sperm competition occurs: as last male precedence is likely, males are selected to prefer the most gravid females to secure a high fraction of her offspring’s paternity as they are unlikely to mate again before oviposition. Second, potent sexually antagonistic coevolution between hungry females and discerning males: females have evolved ornaments to disguise their stage of egg maturity to receive the benefits of nuptial gifts, while males face the challenge of distinguishing between gravidity and ornamentation in females.
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Caroline, Windahl. ""Dansa, lek och lär" : En kvalitativ studie om sex pedagogers förhållningsätt till dans som pedagogiskt verktyg i förskolan." Thesis, Södertörns högskola, Lärarutbildningen, 2015. http://urn.kb.se/resolve?urn=urn:nbn:se:sh:diva-28925.
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The purpose of this thesis is to examine how educationalists in preschool approach to dance as an educational tool. The educationalists in my study are employed in two different municipalities whereof one of them has invested in dance since 2011 for all educationalists working there. In the other has no general investments at dance for the preschool been made. My purpose of choosing educationalists working in different municipalities is to determine if their approach to dance as an educational tool in preschool differs in relation to the investments in dance. I have chosen three questions to get the answers on my purpose with this thesis. How does personal experience and interests in dance affect educationalists approach to dance activities in preschool? How do my informants narrative about their work with dance in preschool where they work? How does the municipalities’ investment in dance affect the educationalists approach and work with dance? This thesis is based on qualitative interviews with six educationalists. The developments educational theory of how children learn and develop in the framework of preschool is the basis for my understanding and analysis of my gathered empirical data. Some of the conclusions I have found are that the educationalists who are working in the municipality which has investment in dance are working with dance aesthetical and uses dance interdisciplinary.
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Law, Tuulia. "Managing the ‘Party’: Third Parties and the Organization of Labour in Ontario Strip Clubs." Thesis, Université d'Ottawa / University of Ottawa, 2016. http://hdl.handle.net/10393/34580.
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Amidst a considerable body of literature on erotic dance, the voices of third parties, that is, the people who organize, supervise, manage or coordinate the labour of dancers, seldom appear. Yet, these third parties provide a setting and services that are vital to dancers’ entrepreneurial success. Furthermore, perceptions of third parties as exploitative and coercive perpetuate framings of erotic dance – and sex work in general – as harmful, which in turn invisibilize dancers’ work, as well as their skills, labour rights and grievances. Drawing from qualitative interviews with 15 third parties and 15 dancers, as well as regional regulatory texts, this dissertation seeks to trouble these stigmatic assumptions by shedding light on the work of third parties and the organization of labour in Ontario’s erotic dance sector.
Mapping the occupational roles and relationships amongst third parties (e.g., managers, bouncers, disc jockeys) reveals the organizational structure and peripheries of the strip club. Through this map, we see how third parties together form the organizational structure, which operates as a parallel entity to dancers who, as independent contractors, are for the most part responsible for their own work activities and income. At the same time, because dancers and third parties must equally provide quality service to their shared customers, they are both interdependent on, and independent of, each other. This relationship ‘plays out’ through occupational and situationally adaptive performances, which reiterate and resist normative gender, racial, and class scripts to produce the ‘party’ environment of the strip club. Simultaneously ambiance and organizational culture, the ‘party’ environment shapes third parties’ and dancers’ occupational performances for, and perceptions of, each other. The continuity of performance required to maintain this environment also results in third parties reproducing certain regulatory discourses and mechanisms in their surveillance and rule enforcement practices, and disregarding and subverting others, which in turn impacts upon dancers’ safety. Third parties’ relationships with each other and dancers are also permeated by stigma, stereotypes and perceptions of risk that echo regulatory and broader social discourses. These findings demonstrate that third parties’ engagement with regulation and normative discourses are deeply inter-related and impact the quality of the services they provide to dancers. On this basis it is argued that the context and conditions of dancers’ labour will be improved by rethinking narrow-minded regulatory frameworks and social norms.
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Tumosaitė, Lina. "Sportiniuose šokiuose įgytos patirties ypatumai." Master's thesis, Lithuanian Academic Libraries Network (LABT), 2008. http://vddb.library.lt/obj/LT-eLABa-0001:E.02~2008~D_20080618_120344-56586.
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Darbe tyrimo objektu pasirinkti šie šokėjų patirties aspektai susiję su tapatybės formavimusi, iniciatyvumu, bendraisiais gebėjimai, gebėjimai dirbti komandoje, tarpasmeniniai santykiai, bendravimas su suaugusiais, o taip pat trenerio bei kitų sportininkų neigiama įtaka.
Tyrimo tikslas – išsiaiškinti sportiniuose šokiuose įgytos patirties ypatumus.
Tyrimo uždaviniai:
1. Išsiaiškinti teigiamus sportiniuos šokiuose įgytos patirties ypatumus pagal lytį.
2. Išsiaiškinti teigiamus sportiniuose šokiuose įgytos patirties ypatumus pagal šokėjų sportinę patirtį.
3. Išsiaiškinti teigiamus sportiniuose šokiuose įgytos patirties ypatumus pagal šokėjų amžių
4. Išsiaiškinti neigiamus sportiniuose šokiuose įgytos patirties ypatumus lyties, sportinės patirties ir amžiaus aspektu.
Tyrime dalyvavo 63 sportinius šokius kultivuojantys asmenys. Tarp jų buvo 33 merginos ir 30 vaikinų. Vidutinis apklaustų šokėjų amžius – 14,2 metai, o sportinius šokius šoka vidutiniškai 10,66 metus. Apklausai parinkti šokėjai, kurie yra įtraukti į Lietuvos sportinių šokių federacijos skelbiamą reitingų lentelę (B, C ir D meistriškumo klasės).
Sportiniuose šokiuose įgyta patirtis buvo tiriama naudojant Jaunimo Patirties Skalę (Youth Experience Scale). Joje buvo pateikti 78 teiginiai. Klausime pateikti teiginiai apėmė šešis faktorius: tapatybės formavimasis, iniciatyvumas, bendrieji gebėjimai, komandinis darbas ir gebėjimas bendrauti, tarpasmeniniai santykiai, o taip pat neigiama patirti. kiekvieną faktorių sudarė... [toliau žr. visą tekstą]In this paper as an investigative object various aspects of dancers' experience were chosen.They are associated with formation of personality, initiative, general abilities, abilities of working in a team, interpersonal relationships, communication with adults, as well as negative influence of trainers and other dancers. Aim of the research is to find peculiarities of experience in sport dances. Tasks of the research are to: 1. Find out positive peculiarities of experience in sport dances according to sex. 2. Find out positive peculiarities of experience in sport dances according to the dancers' experience in sports. 3. Find out positive peculiarities of experience in sport dances according to dancers' age. 4. Find out negative peculiarities of experience in sport dances according to sex, age and experience in sports. There were 63 participants in the research, who practice sport dance regularly. There were 33 girls and 30 boys. The average age of the dancers is 14,2 , and the everage length of practice of sport dances is 10,66 years. For this research the dancers who are involved into rankings of Lithuanian dance sport federation(B, C and D skills classes) were chosen. The experience of sport dance was investigated using the Youth Experience Scale. There were given 78 propositions in that scale. The propositions in the question comprised six factors: formation of personality, initiative, general abilities, abilities working in a team, interpersonal relationships... [to full text]
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Moss, Merrilee Anne. "Tango Femme : placing the lesbian centre stage." Thesis, Queensland University of Technology, 2009. https://eprints.qut.edu.au/32157/1/Merrilee_Moss_Thesis.pdf.
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The play Tango Femme places the lesbian centre stage by creating characters, narrative and drama in the world of same-sex dancing. The accompanying exegesis examines the problems and issues associated with creating lesbian characters in theatre, using a synthesized, practice led methodology.
During the process of imagining, constructing and writing my case study play, I have investigated lesbian theatre productions and companies in order to make sense of my personal experiences in the theatre world. I have also reflected on the lesbian as represented in mainstream theatre and popular culture. Through journal writing and contemplation, I have sought to identify difficulties inherent in writing this type of play, using my own journey as a focus.
My study illuminates the historical and sociological circumstances in the eighties and nineties in Australia and concludes that as a lesbian playwright I was caught between a rock and a hard place: the rock being lesbian theatre on a community level, as defined and attended primarily by separatist lesbians, and the hard place being mainstream theatre, located within the dominant, heteronormative discourse. The play Tango Femme has developed in conversation with my reflective practice and research and is written in the space outside the master narrative as "an instance of lesbian discourse" (Davy 1996, p.153).
Books on the topic "Sex in dance"
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Ingram, Brandon. The fairy dance. [Colombo?]: Bay Owl Press, 2007.
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1947-, Thomas Helen, ed. Dance, gender, and culture. New York: St. Martin's Press, 1993.
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Shay, Anthony. Ethno Identity Dance for Sex, Fun and Profit. London: Palgrave Macmillan UK, 2016. http://dx.doi.org/10.1057/978-1-137-59318-4.
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William, Washabaugh, ed. The passion of music and dance: Body, gender, and sexuality. Oxford: Berg, 1998.
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Wilson, Serena. The legacy of Little Egypt: A history of the belly dance in America. New York, N.Y: Serena Studios, 1994.
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Helenē, Papagarouphalē, and Kouremenos Kōstas translator, eds. Hē politikē tou sōmatos: Choros kai koinōnikotēta stē voreia Hellada. Athēna: Ekdoseis Alexandria, 1998.
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Ovalle, Priscilla Peña. Dance and the Hollywood Latina: Race, sex, and stardom. New Brunswick, N.J: Rutgers University Press, 2010.
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Dunn, Samantha. Faith in Carlos Gomez: A memoir of salsa, sex, and salvation. New York: H. Holt and Co., 2005.
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Margulis, Lynn. Mystery dance: On the evolution of human sexuality. London: Simon & Schuster, 1991.
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Tomko, Linda J. Dancing class: Gender, ethnicity, and social divides in American Dance, 1890-1920. Bloomington: Indiana University Press, 1999.
Find full textBook chapters on the topic "Sex in dance"
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Deshotels, Tina H., and Craig J. Forsyth. "Sex rules." In Gendered Power Dynamics and Exotic Dance, 63–88. London: Routledge, 2021. http://dx.doi.org/10.4324/9781003030348-4.
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Walker, Melissa. "The Dance of Shadow and Light." In Whole-Body Sex, 16–26. 1 Edition. | New York : Routledge, 2021.: Routledge, 2020. http://dx.doi.org/10.4324/9780429297236-3.
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Brome, Vincent. "The dance of life." In Havelock Ellis: Philosopher of Sex, 200–207. London: Routledge, 2023. http://dx.doi.org/10.4324/9781003393559-17.
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Petrus, John, and Jessica Rutherford. "Dance as medicine." In The Routledge Companion To Gender, Sex And Latin American Culture, 356–67. Abingdon, Oxon; New York, NY: Routledge, 2018.: Routledge, 2018. http://dx.doi.org/10.4324/9781315179728-31.
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Shay, Anthony. "Introduction: Ethno-identity Dance." In Ethno Identity Dance for Sex, Fun and Profit, 1–23. London: Palgrave Macmillan UK, 2016. http://dx.doi.org/10.1057/978-1-137-59318-4_1.
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Dillon, Sarah. "Time for the Gift of Dance." In Sex, Gender and Time in Fiction and Culture, 109–31. London: Palgrave Macmillan UK, 2011. http://dx.doi.org/10.1057/9780230307087_7.
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Shay, Anthony. "Chapter 1 “I Wish I Could Shimmy Like My Sister Kate”: The Multiple Parallel Traditions of Belly Dance." In Ethno Identity Dance for Sex, Fun and Profit, 33–74. London: Palgrave Macmillan UK, 2016. http://dx.doi.org/10.1057/978-1-137-59318-4_2.
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Shay, Anthony. "Chapter 2 “Breaking Plates on the Plaka”: Zorba Dancing." In Ethno Identity Dance for Sex, Fun and Profit, 75–108. London: Palgrave Macmillan UK, 2016. http://dx.doi.org/10.1057/978-1-137-59318-4_3.
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Shay, Anthony. "Chapter 3 It Takes Two to Tango." In Ethno Identity Dance for Sex, Fun and Profit, 109–47. London: Palgrave Macmillan UK, 2016. http://dx.doi.org/10.1057/978-1-137-59318-4_4.
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Shay, Anthony. "Chapter 4 Lovely Hula Hands: The Many Faces of Hula." In Ethno Identity Dance for Sex, Fun and Profit, 153–69. London: Palgrave Macmillan UK, 2016. http://dx.doi.org/10.1057/978-1-137-59318-4_5.
Full textConference papers on the topic "Sex in dance"
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Firth-Smith, Victoria. "If I can’t dance, I don’t want to be part of your revolution." In 7 Experiences Summit 2023 of the Experience Research Society. Tuwhera Open Access, 2024. http://dx.doi.org/10.24135/7es.7.
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This paper explores the potential of feminist experience design practice to design for the LGBTQ+ community by focusing on YES! Fest. YES! Fest, a pride festival forged in Canberra, so-called Australia, in response to the Australian postal vote on same-sex marriage in 2017. Australia has a long tradition of pride events, in larger cities, the most well-known is the Sydney Gay and Lesbian Mardi Gras, which started in 1978 and hosted World Pride in 2023. Yes! Fest was a unique contribution to Australian pride celebrations, as the experience designer of the festival used trauma-informed and feminist practices to party in response to a political cause. This paper explores the ways YES! Fest designed a feminist LGBTQ+ festival for allies in partnership with businesses, government departments and the community.
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TALPĂ, Svetlana. "The importance of noting dance on paper as a particular method of teaching-learning-evaluation of dance disciplines." In Probleme ale ştiinţelor socioumanistice şi ale modernizării învăţământului. "Ion Creanga" State Pedagogical University, 2022. http://dx.doi.org/10.46728/c.v2.25-03-2022.p155-159.
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This article discusses practitioners who have contributed to the development of the process of capturing dance or dance movements on paper, through: notation, photography and film. The reflections of these personalities, such as Ann Hutchinson, Rudolf Von Laban, Eadweard Muybridge, Lois Greenfield, Ted Shawn, Norman McLaren and Sue Healey, included the definition of direct research on how these three documentary media interact to describe a dancing in various choreographic genres. The aim of this research is to highlight the importance of noting and capturing the body in motion, to see if it is possible to make an evolution in the process of teaching-learning-assessment of dance disciplines, by analyzing and "reading" a document, being able to communicate dance to the dancer / student when a living body is absent.
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Pilatti, Angelina, Adrian Bravo, Yanina Michelini, Gabriela Rivarola Montejano, and Ricardo Pautassi. "Contexts of Marijuana Use: A Latent Class Analysis among Argentinean College Students." In 2020 Virtual Scientific Meeting of the Research Society on Marijuana. Research Society on Marijuana, 2021. http://dx.doi.org/10.26828/cannabis.2021.01.000.23.
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Background: Substance use and the association between substance-related variables and outcomes seem to be context dependent. We employed Latent Class Analysis (LCA), a person-centered approach, to identify distinct subpopulations based on contexts of marijuana use. We also examined whether the resulting classes differ in a set of marijuana-related variables that hold promise as potential targets of interventions. Method: A sample of 1083 Argentinean college students (64% women; M age = 19.73±3.95) completed an online survey that assessed substance use and related variables (motives for substance use, protective behavioral strategies [PBS] and internalization of the college marijuana use culture). For the present study, only data from students that reported last month (i.e., past 30-day) marijuana use (n = 158) were included in the analysis. Participants reported whether or not they used marijuana in different places (i.e., own house, party at home, friends’ house, parties at friends' house, university party, non-university party, bar, dance-club, outside [street, park], or pregaming) or social contexts (i.e., alone, with family members, strangers, boyfriend/girlfriend, close friend, small group of same-sex friends, ≥10 same-sex friends, small co-ed group of friends, ≥10 co-ed friends). Results: LCA identified a 2-classes model for marijuana use context. Class 1 comprised 40% of last-month marijuana users. Students within this class endorsed a high probability of consuming marijuana across different places (e.g., at home, at parties, outdoors) and social contexts (e.g., close friend and in small same sex and coed groups). Participants in Class 2 exhibited a low endorsement of marijuana use across contexts, yet they reported a moderate to high probability of using marijuana with a small group of same-sex friends or with the close friend, at a friend’s home. The two classes significantly differed, as shown by Student’s t, on all marijuana outcomes (i.e., use and negative consequences) and marijuana-related variables (motives, PBS and internalization of the college marijuana use culture). Students in class 2 exhibited significantly less marijuana use, both in terms of frequency and quantity, and less marijuana-related negative consequences than those in class 1. The latter class exhibited more normative perceptions about marijuana use in college, more marijuana use motives -particularly social, coping and expansion motives- and less use of PBS than students in class 2 did. Conclusions: Our findings revealed subpopulations of college students that are heterogeneous regarding contexts of marijuana use, patterns of use and in a number of relevant variables. These distinctive subpopulations require different targeted interventions.
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Churchill, Steven. "Sea dance." In ACM SIGGRAPH 99 Electronic art and animation catalog. New York, New York, USA: ACM Press, 1999. http://dx.doi.org/10.1145/312379.313073.
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Shulman, Ami, and Jorge Soto-Andrade. "A random walk in stochastic dance." In LINK 2021. Tuwhera Open Access, 2021. http://dx.doi.org/10.24135/link2021.v2i1.71.
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Stochastic music, developed last century by Xenakis, has older avatars, like Mozart, who showed how to compose minuets by tossing dice, in a similar way that contemporary choreographer Cunningham took apart the structural elements of what was considered to be a cohesive choreographic work (including movement, sound, light, set and costume) and reconstructed them in random ways. We intend to explore an enactive and experiential analogue of stochastic music, in the realm of dance, where the poetry of a choreographic spatial/floor pattern is elicited by a mathematical stochastic process, to wit a random walk – a stochastic dance of sorts. Among many possible random walks, we consider two simple examples, embodied in the following scenarios, proposed to the students/dancers: - a frog, jumping randomly on a row of stones, choosing right and left as if tossing a coin, - a person walking randomly on a square grid, starting a given node, and choosing each time randomly, equally likely N, S, E or W, and walking non-stop along the corresponding edge, up to the next node, and so on.When the dancers encounter these situations, quite natural questions arise for the choreographer, like: Where will the walker/dancer be after a while? Several ideas for a choreography emerge, which are more complex than just having one or more dancers perform the random walk, and which surprisingly turn our random process into a deterministic one!For instance, for the first random walk, 16 dancers start at the same node of a discrete line on the stage, and execute, each one, a different path of the 16 possible 4 – jump paths the frog can follow. They would need to agree first on how to carry this out. Interestingly, they may proceed without a Magister Ludi handing out scripts to every dancer. After arriving to their end node/position, they could try to retrace their steps, to come back all to the starting node.Analogously for the grid random walk, where we may have now 16 dancers enacting the 16 possible 2-edge paths of the walker. The dancers could also enter the stage (the grid or some other geometric pattern to walk around), one by one, sequentially, describing different random paths, or deterministic intertwined paths, in the spirit of Beckett’s Quadrat. Also, the dancers could choose their direction ad libitum, after some spinning, each time, on a grid-free stage, but keeping the same step length, as in statistician Pearson’s model for a mosquito random flight.We are interested in various possible spin-offs of these choreographies, which intertwine dance and mathematical cognition: For instance, when the dancers choose each one a different path, they will notice that their final distribution on the nodes is uneven (interesting shapes emerge). In this way, just by moving, choreographer and dancers can find a quantitative answer to the impossible question: where will the walker/dancer be after a while? Indeed, the percentage of dancers ending up at each node gives the probability of the random walker landing there.
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Rodríguez Timarán, Christian, Ana Isabel Victoria Rengifo, and Daniel Gómez Marín. "DancE." In Encuentro de investigación formativa en Diseño – Semilleros y Grupos de investigación RAD 2020. Bogotá, Colombia: Red Académica de Diseño - RAD, 2021. http://dx.doi.org/10.53972/rad.eifd.2020.3.9.
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Este texto presenta un sistema que apoya el diseño y la ejecución de piezas de danza, sugiere a los coreógrafos elementos para estructurar sus escenas y busca maximizar la atención del público. La danza es un arte que transmite emociones a través de los movimientos corporales en sincronía con la música. Muchas veces, al construir piezas de danza es difícil controlar los factores que guían la atención y dirigen las emociones de sus espectadores a lo largo de la presentación de la pieza. Buscando soluciones para este problema, se creó un corpus de 10 piezas de danza, el cual contiene diversas variables estructurales que impactan la atención del público, esto es: Número de escenas, duración de la escena, cantidad de bailarines por escena, ubicación de los bailarines en el escenario, pulsos por minuto (BPM) de la música en la escena. Para entender cómo funciona la atención, se estudiaron las respuestas emocionales que diversas puestas en escena de baile generan en los espectadores, así como diversas técnicas de danza y sus mecanismos para proyectar y estimular la excitación del espectador. Uniendo los elementos que afectan la emoción con las respuestas emocionales, se creó un modelo generativo que sugiere a un coreógrafo cuáles y cuántos deben ser los elementos de una obra de danza estructurando las variables específicas estudiadas en el corpus. Este modelo se ha dispuesto en línea a través de una interfaz para ser usado libremente en línea por coreógrafos.
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Hale, Mary E. "Tactics for Collaboration Across and Within Disciplines." In 111th ACSA Annual Meeting Proceedings. ACSA Press, 2023. http://dx.doi.org/10.35483/acsa.am.111.44.
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While the architectural design process may be led by a figurehead architect, contemporary buildings are the result of vast teams of designers, engineers, and builders. They are furthermore influenced by social issues, local policy, and clients. Yet typical American architectural design pedagogy centers around design studios where students work individually on creative projects. This pedagogical style reinforces a fallacy of the genius architect, the heroic designer who designs and creates in a vacuum. This paper and presentation showcases a seminar designed specifically to subvert this paradigm and provide targeted collaboration skills and support to students as they work on inter- and intra-disciplinary teams on a creative project. Taught collaboratively between Northeastern University’s School of Architecture and New York University’s Tisch School of Dance, this course takes inspiration from historical collaborations between prominent experimental dancers and designers like Anna and Lawrence Halprin; Merce Cunningham, John Cage and a variety of designers; and others. During the first six weeks of the semester, architects and dancers prepare within their own disciplinary cohorts for collaboration. Architects learn from case studies in contemporary dance and set design; they learn hand drawing and sketching skills for quick ways of expressing their ideas; and finally they read, complete exercises from and discuss Collaborative Intelligence: Thinking with People Who Think Differently, by Dawna Markova and Angie McArthur. Dancers also read this book. Following this preparatory period, architecture students are paired based on skill areas, interests and working styles discovered through the workshop. Then, architect pairs and dancers exchange portfolios of work before meeting remotely for a “speed-dating” style zoom session after which they rank their preferred collaborators. Teams are thus formed and the long distance collaboration between architect pairs and dancers begins. Together, architect-dancer teams envision and prototype a public performance through remote collaboration. Students draw from the methods in Collaborative Intelligence to address conflicts. Through this process, architecture students experience at a small but real scale the architectural design and delivery process from conceptual development to project completion with a focus on building collaboration tactics.
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Ha, Kiryong, Yoshihisa Abe, Thomas Eiszler, Zhuo Chen, Wenlu Hu, Brandon Amos, Rohit Upadhyaya, Padmanabhan Pillai, and Mahadev Satyanarayanan. "You can teach elephants to dance." In SEC '17: IEEE/ACM Symposium on Edge Computing. New York, NY, USA: ACM, 2017. http://dx.doi.org/10.1145/3132211.3134453.
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Urbans, Mihails, Jelena Malahova, and Vladimirs Jemeļjanovs. "Compliance of fire safety measures for accommodation of people in Riga schools." In 21st International Scientific Conference "Economic Science for Rural Development 2020". Latvia University of Life Sciences and Technologies. Faculty of Economics and Social Development, 2020. http://dx.doi.org/10.22616/esrd.2020.53.027.
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This article describes the situation with fire safety at Riga schools regarding their compliance with the fire safety requirements set in Latvia for accommodation of people in schools. The objective of the current paper was to research and evaluate the compliance with the requirements of regulatory enactments regarding the accommodation in Riga schools and analyse the actual fire safety situation during accommodation of participants of the Dance and Song Festivals in Riga schools. The research was conducted in spring of 2018, prior to the Dance and Song Festival, assessing the compliance of 60 accommodation sites with the Latvian regulatory enactments on fire safety. During the Dance and Song Festival, it was planned to organise accommodation places in schools for 24 000 persons – participants of the festival events in the city of Riga. Ensuring fire safety at public facilities is a topical issue for any country, since the fulfilment of fire safety requirements is important not only in cases, when school premises are intended to be used for temporary accommodation of participants of the Dance and Song Festivals for a period not exceeding a week, but also in cases when children have to stay in school premises every day to receive the knowledge they will need in their future lives and the fulfilment of fire safety regulations is an important condition for providing the overall safety.
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Jinfeng, Yang. "Intrinsic Relationship with Performance Conscious of Sexy and Latin Dance." In 2014 Conference on Informatisation in Education, Management and Business (IEMB-14). Paris, France: Atlantis Press, 2014. http://dx.doi.org/10.2991/iemb-14.2014.67.
Full textReports on the topic "Sex in dance"
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Cvijic, Srdjan, Maja Bjelos, Ivana Rankovic, Luka Steric, and Marko Drajic. Balkan Csárdás: Hungarian Foreign Policy Dance. Belgrade Centre for Security Policy, May 2023. http://dx.doi.org/10.55042/wkpz9702.
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U sklopu sveukupnog bavljenja demokratskim nazadovanjem u Mađarskoj otkako je stranka Viktora Orbana, Fides, ponovo preuzela vlast 2010. godine, brojni međunarodni posmatrači izrazili su zabrinutost zbog povećanja uticaja Mađarske na Zapadnom Balkanu. Ovaj rad je jedan od tek nekoliko sveobuhvatnih pokušaja da se objasne mađarska politika i njena uključenost u Zapadni Balkan.
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programme, CLARISSA. The Need for an ‘Association’ to Improve Night Entertainment Business Management Practices to Reduce Worst Forms of Child Labour. Institute of Development Studies, June 2024. http://dx.doi.org/10.19088/clarissa.2024.035.
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In late 2020, CLARISSA undertook scoping studies and literature reviews into supply chain/human chain/urban neighbourhood dynamics in Kathmandu, and their impact on worst forms of child labour (WFCL). To address the evidence gaps identified, the team developed a research framing for exploring in greater detail how small Adult Entertainment Sector (AES) businesses were being run – exploring factors such as managing seasonality, relationships between informal and formal businesses, loans and debts carried by small businesses, and business norms in the sector – and how these factors can perpetuate WFCL. Twenty-five AES business owners running dohoris, dance bars, khaja ghars (small eateries), and massage and spa venues were then interviewed, and the findings were analysed and validated by business owners. The next step was the formation of three Action Research Groups (ARGs) with AES business owners, to undertake further evidence gathering and then formulate and deliver actions and innovations to reduce WFCL. It was decided that one ARG, the focus of this report, would focus on owners of dohoris and dance bars. The chosen location for the group is a major entry point into Kathmandu from the eastern side of Kathmandu Valley, and this has led to a large number of new AES businesses being set up.
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León Pacheco,, R., A. Orozco Guerreo, G. Silva Acosta, J. Gomez Correa, and E. Rosero Alpala. Efecto de las condiciones edafoclimáticas sobre variedades promisorias de yuca biofortificadas durante dos épocas de siembra. Corporación colombiana de investigación agropecuaria - AGROSAVIA, 2019. http://dx.doi.org/10.21930/agrosavia.poster.2019.1.
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A nivel global la yuca (Manihot esculenta Crantz) es considerada como un producto básico para la alimentación de más de mil millones de personas (FAOSTAT, 2018). La producción más importante de este cultivo en Colombia proviene de los ambientes semiáridos de la región Caribe, con un rendimiento promedio de 10.2 t/ha, considerado bajo respecto a otras regiones donde se llega a producir hasta 17 t/ha (DANE 2016; MADR, 2016). Se han identi cado brechas tecnológicas en cuanto a la importancia de mejorar los rendimientos para consumo en fresco y la generación de valor agregado, además de contribuir a la generación de sistemas productivos resilientes, capaces de adaptarse a las principales limitantes bióticas y abióticas, propias de esta región. En ese sentido, el objetivo fue identi car las condiciones climáticas más limitantes en el comportamiento de genotipos bioforti cados de yuca, introducidos por el CIAT, bajo las condiciones agroclimáticas de la región Caribe de Colombia.
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Vásquez Alejo, Yenny Zulima. Factores asociados al bajo peso al nacer a término, Colombia, 2019. Instituto Nacional de Salud, September 2020. http://dx.doi.org/10.33610/01229907.2020v2n3a2.
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Introducción: El bajo Peso al Nacer (BPN) corresponde a peso inferior de 2500 gr en nacidos vivos (NV). La OMS lo considera un problema de salud pública por ser predictor de morbimortalidad prenatal y aumentar riesgo de enfermedades no transmisibles. La meta es reducir a nivel mundial BPN en un 30% al 2025, y en Colombia no superar el 10% Objetivo: identificar los grupos poblacionales con mayor riesgo de presentar bajo peso al nacer a término (BPNT) para el 2019. Materiales y métodos: análisis descriptivo transversal, caracterizando casos notificados de BPNT al Sivigila de 2019, depurando y contrastando con la base de RUAF. Se realizó análisis univariado y bivariado. La proporción de los casos notificados se calculó con relación a la información de NV del DANE 2018. Se estimaron los indicadores definidos por el INS en el protocolo de BPNT. El almacenamiento y análisis se realizó con Excel y con OpenEpi versión 3,01 para estimar los odds ratio (OR) Resultados: Se notificaron 19 436 casos de BPNT con 2,99 casos /100 NV (IC95%: 2,7 - 3,0). La tendencia de este evento entre 2016 - 2019 presentó un aumento porcentual de 9,6 %. El 98 % de los NV recibieron atención institucional, 52 % con 37 semanas de gestación, 93 % por parto simple, una mediana de peso de 2 350 gr. y talla 47 cm. La mayor proporción corresponde al sexo mujer con 3,6 / 100 NV (IC 95%: 2,6 - 3,8) y madres con 50 a 54 años con un 4,8 /100 NV (IC 95%: 3,2 – 4,9), residentes en el área urbana con 3,2/100 NV (IC 95%: 3,1 – 3,2) y no aseguradas al Sistema General de Seguridad Social en Salud con 4,7 /100 NV (IC 95%: 2,1 – 4,8). Se encontraron diferencias significativas en los OR, con mayor riesgo en madres de 45 a 49 años con un OR 1,5 (IC 95%: 1,2 – 2,0. Hubo mayor proporción de casos notificados al Sivigila de BPNT en los departamentos de Cundinamarca, Atlántico y distrito de Bogotá y menor proporción en Caquetá, Barranquilla y Buenaventura. Conclusión: la proporción de BPNT se ha mantenido con relación al 2018, con tendencia al aumento desde el 2016. Los NV corresponden a sexo mujer y de madres “no aseguradas” al SGSSS, los estratos 1 y 2, un nivel educativo de secundaria, así mismo, los grupos de edad extremos mayores de 50 años y menores de 19 años. Se requiere robustecer las políticas públicas debido a las implicaciones a que conlleva a corto y mediano plazo en la mortalidad y el desarrollo psicomotriz de estos menores.
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Caicedo-García, Edgar, Ramón Hernández-Ortega, and Nicolás Martínez-Cortés. Alivios de precios en la pandemia del Covid-19: ejercicio sobre el impacto en la inflación de Colombia. Banco de la República, September 2021. http://dx.doi.org/10.32468/be.1172.
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Este documento ofrece un ejercicio que cuantifica el máximo impacto posible, en términos contables, que tendrían sobre el nivel del IPC algunos alivios de precios decretados por el Gobierno de Colombia al inicio de la pandemia del Covid-19. Dicho impacto no necesariamente coincidiría con las cifras oficiales del IPC debido a la presencia de múltiples factores que también inciden sobre estos precios y a algunos supuestos realizados. La mayoría de estos alivios se encuentran vigentes y expirarán entre agosto de este año y finales del año 2022. El ejercicio implica estimar el nivel de impuestos indirectos cobrados en la canasta del consumidor y supone que los alivios contemplados se transmiten plenamente al IPC. Por otro lado, esta misma metodología se aplica para intentar cuantificar el efecto de los días sin IVA. Los resultados sugieren que los alivios contemplados tienen un efecto máximo cercano al 1,9% sobre el nivel del IPC total y que el impacto inflacionario del día sin IVA es pequeño, bajo el supuesto de que la toma de precios por parte del DANE es de alta frecuencia.
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Clavijo-Ramírez, Felipe, Daniela Gualtero-Briceño, and Óscar David Botero. Informe especial de estabilidad financiera: inclusión financiera - Primer semestre de 2021. Banco de la República de Colombia, June 2021. http://dx.doi.org/10.32468/incl-fin.sem1-2021.
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La inclusión financiera es el proceso de integración de los servicios financieros a las actividades económicas cotidianas de la población, lo cual puede contribuir al crecimiento económico en la medida en que permita reducir los costos de financiación y transacción, y ofrezca un manejo seguro y eficiente de los recursos, tanto para los hogares como para las empresas. La medición de la inclusión financiera abarca diferentes dimensiones del acceso y uso de productos financieros por parte de hogares y empresas, dentro de las cuales se encuentran cobertura, transaccionalidad, ahorro, crédito, seguros, calidad y bienestar. En este informe se presenta un diagnóstico de la inclusión financiera en Colombia diferenciado entre hombres y mujeres. Para esto, se analizan algunas variables relacionadas con inclusión financiera reportadas por el Global Findex para Colombia y otras reportadas en la encuesta de micronegocios del DANE. Adicionalmente, se realiza una comparación entre las características de los créditos otorgados por establecimientos de crédito a mujeres y los otorgados a hombres entre 2017 y 2021 haciendo uso del Formato 341 de la Superintendencia Financiera (SFC). Este documento es el primero en hacer una aproximación a la inclusión financiera con enfoque de género teniendo en cuenta dichos datos administrativos.
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Cabrera, Wilmar, Juan Sebastián Mariño, and Andrés Camilo Gómez-Molina. Informe especial de estabilidad financiera: posición financiera de los hogares - Segundo semestre de 2022. Banco de la República Colombia, December 2022. http://dx.doi.org/10.32468/pos-fin-hog.sem2-2022.
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La dinámica de los principales mercados en los que el sistema financiero participa (e.g. crédito, depósitos y administración de fondos, entre otros) se encuentra estrechamente vinculada al comportamiento del sector de hogares, dado su papel preponderante en cada uno de estos. Teniendo en cuenta lo anterior y la ocurrencia de episodios de alto crecimiento en el crédito dirigido a este segmento de la economía, se introduce este Informe de periodicidad anual que ofrece un análisis de la evolución de los principales rubros del balance financiero de los hogares de manera regular y ofrece una valoración de sus potenciales implicaciones sobre el sistema financiero. Este Informe emplea la información de Cuentas Financieras Nacionales discriminando por sector institucional que se generan del trabajo conjunto adelantando desde 2016 entre el DANE y el Banco de la República, junto al apoyo de la Cooperación Económica de la Secretaría de Estado para Asuntos Económicos (SECO), financiado por el Gobierno de Suiza y el apoyo técnico del Fondo Monetario Internacional (FMI). En particular, esta fuente de informaci´on tiene frecuencia anual entre 2005 y 2016 y a partir de esa fecha se presenta de manera trimestral.
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Flórez Martínez, Diego Hernando. Análisis de tendencias para la cadena de alimentos balanceados - maíz consumo, demanda, mercado internacional de investigación en Colombia. Corporación Colombiana de Investigación Agropecuaria - AGROSAVIA, 2013. http://dx.doi.org/10.21930/agrosavia.informe.2013.2.
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El marco actual para los alimentos balanceados-cereales (AB) y su cadenas productivas, está focalizado en la transición del sector a un marco competitivo de producción y sostenibilidad, donde la creación de empresas y esquemas asociativos tipo clúster incrementando la productividad y fortaleciendo el consumo interno, teniendo en cuenta que actualmente la coyuntura, de los TLC con Norte América y Europa colocan al sector en estado de vulnerabilidad. De igual manera, productos como el Maíz se configuran como prioridad en mega tendencias en investigación como lo es la seguridad alimentaria donde el Consejo Nacional de Política Económica y Social, Conpes, define la seguridad alimentaria y nutricional como la disponibilidad suficiente y estable de alimentos, el acceso y el consumo oportuno y permanente de los mismos en cantidad, calidad e inocuidad por parte de todas las personas, bajo condiciones que permitan su adecuada utilización biológica, para llevar una vida saludable y activa (Consejo Nacional de Política Económica Social - DANE, 2007).
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Rojas Hernández, Juan Camilo, Julián Felipe Chaves Guerrero, Yalena Mosquera Bahamón, and Milena Edith Borbón Ramos. Análisis espacial del comportamiento del intento de suicidio de casos notificados en Cali y Medellín, Colombia, 2021. Instituto Nacional de Salud, June 2023. http://dx.doi.org/10.33610/01229907.2022v4n2a3.
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Introducción: el intento de suicidio es una conducta potencialmente lesiva, autoinfligida, con la intencionalidad de provocarse la muerte, realizada por un individuo por medio de varios métodos y sin resultado fatal. Entre los factores desencadenantes están la pérdida reciente de un ser querido y bajos ingresos económicos. El objetivo es realizar un análisis espacial para identificar la posible relación entre casos de intento de suicidio, Índice de Pobreza Multidimensional (IPM) y COVID-19, así como determinar las incidencias según IPM durante 2021. Metodología: análisis retrospectivo y espacial de casos de intento de suicidio notificados por Cali y Medellín al Sistema Nacional de Vigilancia en Salud Pública (Sivigila) durante 2021; se revisaron los casos por características de persona, municipio, dirección y fechas de interés. Se realizó geocodificación de la residencia con ArcGIS, Google Maps y OpenStreetMap; se utilizó el sistema de coordenadas WGS-84. Se generaron mapas de puntos con ubicación de casos, mapas de calor por periodos epidemiológicos y superposición con capas de IPM del Departamento Administrativo Nacional de Estadística - DANE y de casos de COVID-19 del GeoVisor Sivigila en el software QGIS 3.16. Resultados: se identificaron áreas con concentración de casos para las dos ciudades, en zonas principalmente con IPM por encima del 30 %. No se encontró una relación entre las incidencias ajustadas por IPM; sin embargo, se identificó una posible concordancia temporal entre los picos de COVID-19 con una tendencia al aumento en casos de intento de suicidio para los siguientes periodos epidemiológicos. Discusión: el comportamiento de casos presenta un predomino espacial en áreas con IPM >30 %, al igual que los casos y fallecidos por COVID-19 puede explicar la distribución tipo clúster. Al analizar las incidencias ajustadas por IPM no se encontró una asociación clara, mostrando una posible relación entre la incidencia de casos y la densidad de población de los territorios. Se recomienda implementar este tipo de análisis en otros territorios, revisar factores desencadenantes y de riesgo que puedan estar afectando a la población, con el fin de conocer mejor el comportamiento de esta conducta, identificar áreas de riesgo y orientar esfuerzos en prevención en el país.
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/, Subgerencia de Política Monetaria e. Información Económica, Grupo de Análisis del Mercado Laboral (Gamla) /, Leonardo Bonilla, Luz Adriana Flórez, Didier Hermida-Giraldo, Francisco Javier Lasso-Valderrama, Leonardo Fabio Morales, Jose Pulido, and Karen L. Pulido-Mahecha. Continúa la recuperación del mercado laboral y actualización de la Gran encuesta integrada de hogares. Banco de la República de Colombia, May 2022. http://dx.doi.org/10.32468/rml.22.
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A febrero de 2022 el mercado laboral mostró señales de recuperación, con un crecimiento sostenido en el empleo, observado tanto en las encuestas de hogares, como en los distintos registros administrativos. Las diferentes fuentes de información sugieren que el nivel de empleo se encuentra ligeramente por encima del registrado antes de la pandemia. El buen desempeño de la ocupación se observa en las ciudades y el área rural. Asimismo, la mayoría de los sectores económicos registraron aumentos en empleo. Los índices de vacantes, que reflejan la demanda de nuevos puestos de trabajo en el sector formal, reafirman el diagnóstico de un entorno favorable para el empleo. Los mayores crecimientos en las vacantes se presentan en ocupaciones de alto nivel de calificación, entre las cuales se destacan profesionales, científicos e intelectuales, y técnicos. Por el lado de la oferta laboral, también se observa una importante recuperación. Este comportamiento, junto con el mayor dinamismo en el empleo, se refleja en una reducción de la tasa de desempleo (TD) durante los últimos meses. Al desagregar las cifras de desempleo, se observa que la mayor reducción se ha registrado en el dominio urbano. Aunque todavía no se observan cambios importantes en los salarios, tanto los indicadores de holgura, como los de cuellos de botella y la curva de Beveridge muestran un mercado laboral que se va estrechando. Dadas las previsiones en materia de crecimiento económico del equipo técnico del Banco de la República para 2022, consignadas en el Informe de Política Monetaria de abril de 2022, los pronósticos ubican la TD nacional entre el 10 % y 11,9 % en promedio para dicho año. Por su parte, las estimaciones de la tasa de desempleo no inflacionaria (Nairu) sugieren una brecha de desempleo urbana cercanas a cero para 2022. Estas estimaciones indicarían que la menor holgura del mercado laboral ya no estaría generando presiones a la baja en la inflación. Este reporte se divide en dos secciones. En la primera se profundiza en los hechos coyunturales del mercado laboral anteriormente descritos. En la segunda se estudia la actualización de la Gran encuesta integrada de hogares (GEIH) realizada por el DANE, y los principales cambios que se generan en los indicadores del mercado laboral. Además de la actualización del marco geoestadístico y las proyecciones poblacionales construidas a partir del Censo nacional de población de 2018. La actualización de la encuesta sirvió para incorporar recomendaciones de organismos multilat erales, como la Organización Internacional del Trabajo (OIT) y la Organización para la Cooperación y el Desarrollo Económicos (OCDE), con el fin de mejorar la clasificación y caracterización de la población en edad de trabajar (PET), visibilizar estadísticamente a grupos poblacionales y llevar los indicadores del mercado laboral a nuevos estándares internacionales. Los principales cambios encontrados en los indicadores del mercado laboral obedecen a varios factores. En primer lugar, se actualizó el umbral de la PET, disminuyendo el nivel de la población fuera de la fuerza laboral (inactiva), al sustraer a cerca de 2,9 millones de menores entre 10 y 14 años. En segundo lugar, se modificó la forma de clasificar y caracterizar la población ocupada. No obstante, este cambio no parece tener impactos sustanciales en esta población. Así, lo más probable es que los cambios en el nivel de los ocupados que se observan obedezcan a la actualización del marco geoestadístico. Finalmente, la población desempleada es la que menos sufre cambios por la actualización de la encuesta. Adicionalmente, este reporte especial presenta una propuesta provisional de empalme y desestacionalización de los principales agregados del mercado laboral para el estudio de las dinámicas del mismo, que será empleada en este y en reportes futuros, hasta el momento en que el DANE publique series empalmadas y desestacionalizadas oficiales definitivas.