Relevant bibliographies by topics / Sex in art History

Academic literature on the topic 'Sex in art History'

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Published: 10 December 2022
Last updated: 29 January 2023

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Journal articles on the topic "Sex in art History"

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Biernoff, S. "Art, Sex and Eugenics: Corpus Delecti." Social History of Medicine 22, no. 2 (May 28, 2009): 407–9. http://dx.doi.org/10.1093/shm/hkp023.

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Ort, Thomas. "Cubism's Sex: Masculinity and Czech Modernism, 1911–1914." Austrian History Yearbook 44 (April 2013): 175–94. http://dx.doi.org/10.1017/s0067237813000118.

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Among those who interest themselves in modernism in the context of the Austro-Hungarian Empire, Prague is sometimes referred to as the “second city of cubism.” In 1911, at a time when the style was still largely unknown in Europe, an artists’ group devoted to the defense and promotion of the new art was founded in Prague. The members of the Skupina výtvarných umělců, or Visual Artists Group, wrote extensively about cubism in their journal Umělecký mesičník [Art Monthly] as well as in other publications. They sponsored numerous exhibits of the art at home and participated in shows of Czech cubist art abroad. In February 1914, Prague was the site of the largest show of cubist art anywhere in the world up to that time.
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Hayes, Jarrod. "Harems of the Mind: Passages of Western Art and Literature (review)." Journal of the History of Sexuality 10, no. 3 (2001): 601–5. http://dx.doi.org/10.1353/sex.2001.0068.

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Gordon, Terri J. "Fascism and the Female Form: Performance Art in the Third Reich." Journal of the History of Sexuality 11, no. 1 (2002): 164–200. http://dx.doi.org/10.1353/sex.2002.0004.

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Fahlman, Betsy. "Art and the Crisis of Marriage: Edward Hopper and Georgia O'Keeffe (review)." Journal of the History of Sexuality 13, no. 2 (2004): 246–48. http://dx.doi.org/10.1353/sex.2004.0062.

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Collard, Judith. "Spiral Women: Locating Lesbian Activism in New Zealand Feminist Art, 1975-1992." Journal of the History of Sexuality 15, no. 2 (2005): 292–320. http://dx.doi.org/10.1353/sex.2007.0002.

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Pursell, Tim. "Queer Eyes and Wagnerian Guys: Homoeroticism in the Art of the Third Reich." Journal of the History of Sexuality 17, no. 1 (2007): 110–37. http://dx.doi.org/10.1353/sex.2008.0007.

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Theresa Tinkle. "Ovid's Art and the Wife of Bath: The Ethics of Erotic Violence (review)." Journal of the History of Sexuality 19, no. 3 (2010): 568–73. http://dx.doi.org/10.1353/sex.2010.0018.

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Veal, Clare. "Michelle Antoinette, Reworlding Art History: Contemporary Southeast Asian Art after 1990." Southeast of Now: Directions in Contemporary and Modern Art in Asia 1, no. 2 (2017): 181–88. http://dx.doi.org/10.1353/sen.2017.0019.

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Schweitzer, Marlis. "Sex Acts: Reading the History of Female Sexuality through Art and Drama." American Quarterly 59, no. 2 (2007): 443–50. http://dx.doi.org/10.1353/aq.2007.0049.

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Dissertations / Theses on the topic "Sex in art History"

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Ljung, Tove. "Sex som symbol : Analys om hur sex skildras i musikvideos, det dolda budskapet och vilken betydelse det har." Thesis, Stockholms universitet, Institutionen för kultur och estetik, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-152175.

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My purpose in this essay is to analyse sexual messages and symbolism in music videos. Sexual contact can be depicted in various ways, like symbols of something hidden, not only how men and women relate to each other through a sexual act. I’ve demarcated the study into two music videos: Rammsteins Pussy, and Tommy Chashs Surf, based on the videos controversial reputation from the public. My question at issue is how sexual messages depicture and how symbolism indicates. The study is based on a semiotic model based on Roland Barthes' theory of character, as he presents in the book, Elements of Semiology. The result of this study is that the depiction of sex in these videos is presented as a symbol of personal message, and as a provocation. It reflects previous views on sexuality through the centuries. The provocation itself reinforces the artists image.
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Gladston, Paul. "Art history after deconstruction : is there any future for a deconstructive attention to art historical discourse?" Thesis, University of Nottingham, 2004. http://eprints.nottingham.ac.uk/12638/.

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Over the past two decades institutionally dominant art history has been strongly influenced by the theory and practice of deconstruction. While many art historians have embraced deconstruction as a productive means of unsettling and remotivating standard forms of art historical discourse, others have raised concerns over what they see as a widespread departure from the most basic tenets of art historical discourse; that is to say, not only the belief that there is a circumscribed category of aesthetic experience (art), but also that it is possible to arrive at a truthful representation of the relationship between works of art and the circumstances of their production and initial reception (history). Moreover, many of those same commentators have railed against the way in which this departure can be understood to have suspended any sense of a stable, structural connection between a historical is and a present ought; in other words, the notion that a truthful understanding of past events has the potential to inform ethico- political activity in the here and now. Our intention here is to problematize this apparent schism by demonstrating that art historical discourse has drawn the very possibility of its continuing conceptuality since Antiquity from a chronic and, for the most part, unconscious deconstructive interaction between the signifying ‘texts’ of art history and what might be seen as the various material, social and intellectual forces pertaining to the wider historical ‘contexts’ of their production and reception. Thus, we will have attempted to show that deconstruction is indivisible from continuing discursive attempts to arrive at a ‘truthful’ understanding of the past. In addition to this we will also attempt to show - with reference both to the writings of Jacques Derrida and a Duchampian inheritance in the visual arts - that it is possible to develop deconstructive forms of historical narrative through which we might engage critically with questions of ‘ethico- political’ value.
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Li, Yiwen. "Networks of Profit and Faith| Spanning the Sea of Japan and the East China Sea, 838-1403." Thesis, Yale University, 2017. http://pqdtopen.proquest.com/#viewpdf?dispub=10633256.

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The lengthy descriptions of tribute embassies in the Chinese dynastic histories have led to the widespread belief that the China-centered tribute system dominated the trade of pre-modern East Asia at all times. The tribute trade, however, was not the main form of trade between China and Japan. In the year 838 CE, the last Japanese embassy for nearly six centuries traveled to Tang-dynasty China (618-907). Until 1403, when the shogun Ashikaga Yoshimitsu of the Ashikaga bakufu dispatched a delegation to the Ming dynasty (1368-1644) to resume formal diplomatic relations, the tribute trade was suspended. Even though sources are few and far between, this thesis demonstrates the Sino-Japanese trade flourished throughout these six centuries.

Buddhist trade—the commercial exchange of objects for Buddhist uses, with monks as participants—occupied a prominent position in Sino-Japanese trade between 838 and 1403. People living on the Japanese archipelago desired many continental goods, and meanwhile, Chinese consumers also sought many commodities from Japan. Some of the Japanese embassy members in the 838 delegation were already engaged in non-tribute trade, trying to purchase incense and medicines in the lower Yangzi region of China. Meanwhile, Japanese monks diligently collected Buddhist texts and ritual objects. Archaeological discoveries show that between the eleventh and thirteenth centuries, the Japanese repurposed various Chinese daily utensils such as ceramic jars, porcelain boxes, and bronze mirrors for religious uses. At the same time, Chinese commoners acquired Japanese goods. In addition to fine products like pearls, China also imported bulky goods from Japan such as lumber for monastery construction and for coffins.

Religious networks and commercial networks gradually became integrated as monks traveled on merchant ships and transmitted trade information. Prestigious monasteries also actively collaborated with merchants, and the trust embedded in the religious network facilitated long-distance trade. The authorities in both China and Japan realized that the shared belief in Buddhism could act as a common ground to reduce friction. The emperors of the Song dynasty (960-1276) warmly welcomed pilgrim monks from Japan.

Although the Mongol ruler Khubilai Khan (r. 1260-1294) launched two invasions of Japan, in 1274 and 1281, the commercial and religious exchanges between China and Japan continued. The Mongol Emperor Chengzong (r. 1294-1307) dispatched a Zen master as his envoy to Japan, who stayed and taught in Kamakura. Ships named for Japanese monasteries brought sulfur and other goods to China and then returned to Japan with incense, medicines, ceramics, copper coins, and books. In the late thirteenth and fourteenth centuries Kamakura became the center of the growing Zen Buddhist movement as well as a distribution center for continental goods.

The six centuries of commercial and religious exchanges between China and Japan left a clear legacy. When Ashikaga Yoshimitsu resumed sending tribute to the Ming dynasty in 1403, an eminent monk led the Japanese delegation. Unlike the tribute system before 838, the newly established tribute exchanges acknowledged the need for participants to make a profit. And after the resumption of the tribute trade in 1403, monks and monasteries continued to play a significant role.

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Briley, Joshua Paul. "Trauma Responses, Abuse History, and Exposure to Violence as Risk Factors in Adolescent Sex and Non-Sex Offenders." Thesis, University of North Texas, 2003. https://digital.library.unt.edu/ark:/67531/metadc4369/.

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Several risk factors have been identified for adolescent sex offenders and non-sex offenders. Such risk factors include physical and/or sexual abuse, and exposure to community and/or domestic violence. Additionally, the presence of disinhibitive factors, such as substance use and exposure to violent or pornographic media are also commonly reported in the backgrounds of both sex and non-sex offenders. Similarly, adolescent offenders have reported traumatic reactions to environmental factors such as abuse and violence. Similarities in exposure to the risk and disinhibitive factors described above between adolescent sex and non-sex offenders do not provide an explanation for why some adolescents commit sex offenses, whereas other adolescent offenders do not. This study investigated the discriminative ability of traumatic reactions as a risk factor between male adolescent sex and non-sex offenders. The inclusion of traumatic reactions increased the accuracy of risk factors distinguishing between sex and non-sex offenders. Thus, not only the presence of risk factors, but also the adolescent's reaction to the risk factors, are important predictors of whether he will commit a sexual offense.
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Nurre, Anastasia C. "Contextualizing Sixteenth-Century Lutheran Epitaphs by Lucas Cranach the Younger: The Influence of Luther’s Two Realms on the Composition and Content of a Set of Reformation Funerary Monuments." The Ohio State University, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=osu1429777814.

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Cobb, Morgan B. "Sex, Chastity, and Political Power in Medieval and Early Renaissance Representations of the Ermine." University of Cincinnati / OhioLINK, 2010. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1458578117.

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Lockette, Philip M. "Sex in the Kitchen: The Re-interpretation of Gendered Space Within the Post-World War II Suburban Home in the West." DigitalCommons@USU, 2010. https://digitalcommons.usu.edu/etd/668.

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In the decades following 1945, Americans moved increasingly out of cities into suburbs. The migration illustrated the emergence of a new, broader middle class as a result of growing postwar affluence. In the previous half-century, families living in a suburb could claim middle-class status. The emerging class built its identity on the forms and values adopted from this earlier, more affluent Victorian middle class. These adopted values were played out in a home designed around Progressive era ideals of the family. Through this Progressive filter, the new concept of the home was scaled down, without servants, and ceased existing wholly as the wife's sphere of influence--as in the Victorian version. The Progressive impulse also reduced the size of the house to make it more efficient, and through government subsidies shaped the home into a smaller, economically sized package. The financial framework that determined the shape of the postwar home also influenced the technology placed within its walls. This financially influenced technology particularly affected the shape and content of the kitchen. The new, efficient kitchen did not release women from their duty to provide daily family meals, but it did create a culturally safe space for men to cook as a hobby. In the postwar, suburban kitchen women and men contended with economic pressures and changing social realities which complicated the Victorian values and Progressive ideals. Middle-class women needed to leave the home for work, and--now separated from traditional urban social outlets--middle-class men sought refuge in the suburban home. By examining Sunset magazine's "Chefs of the West" column, traditional women's cookbooks and service magazines, men's magazines, building industry trade journals, and census reports, the kitchen demonstrates that women and men reshaped the home in response to changing middle-class values. While financing regulations at first shaped how the emerging middle class lived within the postwar, suburban home, residents reinterpreted the space as a reaction to the economic changes around them. This cycle continued with each new interpretation of the postwar single-family home.
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Wolf, Erin Irene. "A Thesis is Not a Diary and Other Myths." Oberlin College Honors Theses / OhioLINK, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=oberlin1565810728861941.

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com, Christinelamont@hotmail, and Christine Lamont. "Sex Allocation and Reproductive Costs in a Gull with a Long Breeding Season." Murdoch University, 2004. http://wwwlib.murdoch.edu.au/adt/browse/view/adt-MU20050617.102950.

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The Silver Gull is a small gull (265 - 450g), which exhibits sexual dimorphism, with males larger than females. It has a protracted laying period of about 8 months over the winter on Penguin Island in Western Australia. The Silver Gull was studied on Penguin Island from 2000 to 2002. Completed clutches were removed from breeding pairs to induce repeat laying in order to determine the effect of increased reproductive effort on maternal body condition, egg production ability, offspring sex ratio and chick rearing capacity. Increased egg production had no significant effect on maternal body condition as measured by condition index, derived from mass divided by a measure of skeletal size. The seasonal period, divided into thirty-day intervals, had a significant impact on female condition index, with a decline in condition toward the end of the breeding season. While male condition also appeared to decline at the end of the season, this pattern was not significant. The initiation of laying varied between the three years of the study. The earliest occurred in 2000, which also experienced earlier rainfall than the later two years. Egg size and mass decreased throughout the breeding season although the number of eggs in a clutch did not decline. The size and mass of the eggs was significantly affected by the laying history of the parents, although this effect was dependent on the year in which the eggs were produced. The minimum interval required by Silver Gulls to replace a lost clutch is about 14 days. This interval increased from the start of the breeding season, but then declined toward the end, as summer was approaching. Laying interval increased significantly as the number of clutches produced by the parents also increased, up to 4 clutches in total. As more clutches were produced past this point, the laying interval became shorter. The probability of a replacement clutch being produced after clutch removal, declined as the clutch number increased and as the season progressed. Individuals that laid clutches with a larger mean mass were more likely to lay a replacement clutch. Increasing reproductive output caused a decline in the proportion of clutches that were replaced after clutch removal. The proportion of clutches that were replaced also varied between the years with the highest rates of replacement seen in 2000 which was also the year that experienced the earliest start in laying. The size of the original clutch in terms of its mean mass and volume was related to the size of the replacement clutch, but this relationship varied according to the timing of laying. During 2000 and 2001 male offspring predominated in the first two clutches produced by Silver Gulls. Further clutches that were produced demonstrated a sex ratio skewed toward females, the smaller sex in this species. Offspring sex ratio was close to equality in 2002 with very little effect caused by increased egg production. There was no effect of year, season or the laying history of the parents on hatching success. Growth rate in chicks was influenced by the year in which the chick hatched, the period during the season in which the chicks hatched, its sex and the laying history of the parents. The relationship between chick growth and the laying history, however, was complex with no consistent pattern emerging in terms of the performance of chicks from each treatment group. While the chicks from control groups generally grew faster than the chicks from manipulated parents, those individuals that were laid or raised by manipulated parents that had laid at least three clutches in total also performed well. Using the two main measures of reproductive success in the current study, egg production and chick rearing, those birds that were induced to lay multiple replacement clutches, were able to maintain a high level of condition and reproductive success. It is proposed that in the Silver Gull, only those individuals with a high level of condition continue to lay replacement clutches. If the female is unable to produce well provisioned eggs with a high chance of success, the breeding attempt is abandoned. Despite no loss of condition detected in female Silver Gulls with increasing clutch number, there was a significant shift in the offspring sex ratio toward females, indicating that strategies were in place to cope with the increased reproductive effort incurred as a consequence of repeat laying. Protracted laying in this species allows replacement of lost clutches only after maternal condition has been regained after laying.
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Garcia, Julie. "Beginning to see the light| posters in social and political revolutions." Thesis, The George Washington University, 2015. http://pqdtopen.proquest.com/#viewpdf?dispub=1589769.

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Books on the topic "Sex in art History"

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Sex in art: Pornography and pleasure in the history of art. 2nd ed. Kent: Crescent Moon Publishing, 2008.

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Hughes, Cassidy. Sex in art: Pornography and pleasure in the history of art. 2nd ed. Kent: Crescent Moon Publishing, 2008.

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Animal shelter: Art, sex, literature. Los Angeles, CA: Animal Shelter, 2008.

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Paglia, Camille. Sex, art, and American culture: Essays. New York: Vintage Books, 1991.

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Norman, Rosenthal, Wigram Max, and Galerie Thaddäus J. Ropac, eds. Sex and the british. Paris: Galerie Thaddaeus Ropac, 2000.

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Art/porn: A history of seeing and touching. New York, NY: Berg, 2009.

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Sex in history. Chelsea, MI: Scarborough House, 1992.

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Sex in history. London: Abacus, 1992.

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Tannahill, Reay. Sex in history. London: Cardinal, 1989.

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Paglia, Camille. Sex, art, and American culture: Essays. London: Viking, 1993.

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Book chapters on the topic "Sex in art History"

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Newall, Diana, and Grant Pooke. "Representations of gender, sex and sexualities." In Art History, 135–63. 2nd ed. Second edition. | Abingdon, Oxon ; New York : Routledge, 2021. | Series: The basics: Routledge, 2021. http://dx.doi.org/10.4324/9781315727851-61a.

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van den Berg, Mariecke. "Setting the Table Anew: Queering the Lord’s Supper in Contemporary Art." In New Approaches in History and Theology to Same-Sex Love and Desire, 227–48. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-70211-7_12.

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Kangas, Reeta E. "The State of the Art: Surveying Digital Russian Art History." In The Palgrave Handbook of Digital Russia Studies, 569–84. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-42855-6_31.

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AbstractWith the growing interest in digital humanities, the methodology of digital art history is in some respects lagging behind the trend. Given the prospects of the new digital image analysis, computer vision, and visualization methods, a number of questions have arisen as to how exactly the new digital methods can and should be applied to art history. Furthermore, when trying to apply these digital methods to the analysis of Russian art, one encounters a whole new set of questions and challenges. In this chapter, I examine current and potential applications of digital methods to the analysis of Soviet political cartoons published in Pravda during the “Great Patriotic War,” 1941–1945, as well as the study of Russian art history more generally. I especially examine how the combination of quantitative and qualitative analyses of political cartoons enables a deeper understanding that illustrates cultural, historical, and political developments over time.
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Baeteman, Cecile. "History of research and state of the art of the Holocene depositional history of the Belgian coastal plain." In Comparative Rural History of the North Sea Area, 11–29. Turnhout: Brepols Publishers, 2013. http://dx.doi.org/10.1484/m.corn.1.101546.

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Corey, Frederick. "Gay Life/Queer Art." In The Last Sex, 121–32. London: Macmillan Education UK, 1993. http://dx.doi.org/10.1007/978-1-349-22944-4_8.

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Wilson, Marie. "Art Therapy." In Clinical Management of Sex Addiction, 283–99. Second edition. | New York, NY : Routledge, 2020.: Routledge, 2019. http://dx.doi.org/10.4324/9781315755267-20.

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"Sex and sexualities: representations of gender." In Art History: The Basics, 158–85. Routledge, 2008. http://dx.doi.org/10.4324/9780203098806-13.

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"Contemporary Tales of the Dames de Voyage: The History of an Imagined History." In Sex Dolls at Sea, 31–58. The MIT Press, 2022. http://dx.doi.org/10.7551/mitpress/13822.003.0006.

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"Art History after Globalization." In Travel & See, 248–61. Duke University Press, 2016. http://dx.doi.org/10.1215/9780822374510-018.

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"ART HISTORY AFTER GLOBALIZATION:." In Travel & See, 248–61. Duke University Press, 2016. http://dx.doi.org/10.2307/j.ctv120qsqq.22.

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Conference papers on the topic "Sex in art History"

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Avotina, Austra. "Drawing as a Research Method in the Process of Art History Studies." In 79th International Scientific Conference of University of Latvia. University of Latvia, 2021. http://dx.doi.org/10.22364/htqe.2021.78.

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Drawing as a research method in the process of art history studies can help to expand and deepen knowledge about several components of the art content: the form, material, structure, technology, individual means, contextual meaning and place. Hand drawing stimulates the imagination, enhances wellbeing, sharpens the mind and trains the hand. It improves visual literacy and increases visual competence. This method acts as a source of discoveries and additional evidence of exclusive values. A historically significant part of the studies was copying, which nowadays has turned into a sea of easily perceptible (external, superficial) appropriations and creates an impression of quality (created by unique primary sources), but which is false and superficial. The aim of this study and the fundamental idea that has also evoked the questions of this research is that drawing is a research method that activates creativity and allows the implementation of successfully original ideas in the process of art history studies. Drawing as research method is significant in all levels of education because using effective independent learning strategies and methods is even more topical for the student than the pupil. This article analyses 1254 drawings from a cohort of 38 second-year art students in the study of Art History (3 ECTS, no individual persons are involved in the research, nor are the personal data of individuals used). They are evaluated from the perspective of learning outcomes, including six criteria in the evaluation rubric divided into three methodology groups: imagery method of expression, imitation method of expression and discovery learning method. The study applies the qualitative-empirical research method. The results suggest that drawings from important (in art history) and qualitative (through open access collections in virtual space) examples form a link of innovative qualitative benefits from the knowledge phase of short-term memory to the cognitive phase and long-term memory with deep personal motivation.
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Яник, Л. "THE COMMON AND THE UNIQUE:THE ROCK ART OF THE WHITE SEA." In Труды Сибирской Ассоциации исследователей первобытного искусства. Crossref, 2019. http://dx.doi.org/10.25681/iaras.2019.978-5-202-01433-8.367-378.

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Основываясь на представлениях об общности и уникальности, автор статьи утверждает, что наскальное искусство Белого моря, имея много общего с наскальным искусством Северной Европы в целом, в то же время обладает уникальными качествами. Петроглифы Белого моря, которые создавались в период примерно между 5625 и 3666 лет назад представителями сообществ присвающего хозяйства, предоставляют нам возможность заглянуть в прошлое. Первыми в истории человечества эти изображения дают осязаемую информацию об охоте на морских млекопитающих с помощью гарпунов и поплавков. Кроме того, на скалах Беломорья представлены самые ранние изображения лыжников они показывают, что охота на лыжах представляла собой активный процесс перемещения в ландшафте. By employing the concepts of commonality and uniqueness, this paper argues that the rock art the White Sea White while sharing a number of factors with other Northern Europe rock art has unique qualities. The White Sea petroglyphs were created between c. 5625 and c. 3666 years ago by food procuring communities give us a window on the past. For the first time in human history these images provide us with a tangible record of hunting for sea mammals with harpoon and float, providing early evidence for deep-sea exploitation. Furthermore, these petroglyphs provide the earliest depictions of humans on skis and show how hunting on skis took place as an active process of moving in the landscape.
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Petiau, Christian. "Concurrent Designing of Airframes: State of the Art and Trends." In ASME 1994 Design Technical Conferences collocated with the ASME 1994 International Computers in Engineering Conference and Exhibition and the ASME 1994 8th Annual Database Symposium. American Society of Mechanical Engineers, 1994. http://dx.doi.org/10.1115/detc1994-0056.

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Abstract We will first recall that the organization of airframe designing stands in direct relation to the performance capabilities of available tools, which is, in fact, what determines the number and the nature of project iterations. We then present and analyze an organization type which can nowadays be recommended in view of the currently available CAD, computation and mathematical optimization means. This leads to a first design which is followed by experimental verification, with a key role for flight tests. The final design is checked with the aid of computation models that have been calibrated with the results of the performed tests. We will then examine new tools, since they are factors in the future evolution of the design methodology, including: • availability of the “design history”, as a set of all data of the whole process, • structure optimization with parametric CAD and multidisciplinary optimization • “feature” modeling • enhancement of the computation methods As a conclusion, we show that significant gains in terms of productivity and quality can be expected from these new products, both at design and at production level. What remains, however, to be found, are the most appropriate concurrent engineering organizations that are best suited to these new tools.
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dos Santos, Camila, and Andreia Machado Oliveira. "Communication Action Zones in Art and Technology - ZACAT." In LINK 2021. Tuwhera Open Access, 2021. http://dx.doi.org/10.24135/link2021.v2i1.101.

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Communication Action Zones in Art and Technology, in portuguese Zonas de Ações Comunicacionais em Arte e Tecnologia – ZACAT – is a master's research developed in Brazil, made before and during the SARS-CoV-2 virus pandemic, which causes the New Coronavirus disease. This artistic and academic work includes a set of sound and visual poetics based on an investigation of artistic communicational practices of an activist character, with the mediation of several questions about the current Brazilian history. Firstly, through diversified strategies and proposals for different interlocutors, with experiments in 2019, in different spaces in the city of Santa Maria, state of Rio Grande do Sul - streets, museums, art galleries, university, school, social networks, radio wave space. Subsequently, as a result of the world scenario presented from 2020, with the COVID-19 pandemic, the poetic undergoes significant transformations. In addition to the artistic and communicational strategies undergoing changes in approach, the Santa Maria space moves to that of the Clube Naturista Colina do Sol (CNCS), a naturist community located in the municipality of Taquara, also in Rio Grande do Sul. Not urbanized and immersed with the wild environment the least interfered by human action, which provides other forms of listening and connection, in addition to the relationship with the body, communication and technology, such as the use of online virtual reality platforms to share the work carried out. To approach the construction of this research, studies on methodology by the researcher and artist Sandra Rey (1953) are used. As a theoretical foundation, reference is made to the idea of micropolitics, a concept that refers to philosophers Michel Foucault (1926-1984) and Gilles Deleuze (1925-1995) and to art critic Suely Rolnik (1948). Activist artistic practices are based on the experiences of Brazilian collectives from the 1990’s to the present, as seen under the historiography of Art Activism from the 1950’s, with Italian autonomist philosophers such as Giorgio Agamben (1942) and Franco Berardi (1949). To support the notion of Art and Communication, authors such as Mario Costa (1936), Fred Forest (1933), Mônica Tavares, Priscila Arantes, Christine Mello and Giselle Beiguelman are based on. The concept of device emerges from theoretical research and mediates artistic practices, having as reference Agamben, Foucault, Vilém Flusser (1920-1991) and Gilbert Simondon (1924-1989). From performances, through installations, through audio, video and face-to-face interactivity experiments or via virtual networks, this research seeks to give visibility to everyday micropolitics, with their memories, affections, formalized or ephemeral life impulses in moments of encounters. And how the artistic works can unfold in different contexts, in front of different audiences and under challenging conditions in terms of a larger historical context.
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Warongan, Vicky Arfeni, Fazidah Aguslina Siregar, and Etti Sudaryati. "The Influence of Behavior Factors on The Incidence of Syphilis in High-Risk Men in Public Health Centers, Medan, North Sumatera." In The 7th International Conference on Public Health 2020. Masters Program in Public Health, Universitas Sebelas Maret, 2020. http://dx.doi.org/10.26911/the7thicph.01.22.

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ABSTRACT Background: Sexually Transmitted Infection is still a public health problem globally, because the pattern of the disease almost occurs in all countries until now, especially syphilis. Homosexual behavior, sexual promiscuity, and migration from one place to another can be potential to be transmitted by syphilis. This study aimed to analyze the influence of behavioral factors towards the incidence of syphilis in the work area of the Public Health Centers in Medan, 2019. Subjects and Method: A case control study was conducted in Teladan, Helvetia and Padang Bulan Public health centre. A sample of 80 consisting of 40 cases and 40 control was selected by purposive sampling. The dependent variable was syphilis. The independent variables were HIV status, history of sexually transmitted diseases, previous history of syphilis, history of circumcision, use of condoms, use of drugs, number of sex partners and the average frequency of sex. The data were collected by questionnaire and analyzed by a multiple logistic regression. Results: Variables that influence syphilis are the history of syphilis (OR= 28.52; 95% CI= 7.55 to 107.78; p= 0.0001) and drug use (OR= 15.12; 95% CI= 2.57 to 89.24; p= 0.003). Meanwhile, HIV status (OR = 1.55; 95% CI= 0.41 to 5.87; p= 0.520), use of condoms (OR= 0.2 01; 95% CI= 0.63 to 8.90; p= 0.201) and sexually transmitted diseases (OR= 1.53; 95%CI= 0.23 to 10.18; p= 0.660). The previous history of syphilis was the dominant influence of the incidence of syphilis (OR=28.52; 95% CI= 7.55 to 107.78; p=0.001). Conclusion: Variables that influence syphilis are the history of syphilis (OR= 28.52; 95% CI= 7.55 to 107.78; p= 0.0001) and drug use (OR= 15.12; 95% CI= 2.57 to 89.24; p= 0.003). Meanwhile, HIV status (OR = 1.55; 95% CI= 0.41 to 5.87; p= 0.520), use of condoms (OR= 0.2 01; 95% CI= 0.63 to 8.90; p= 0.201) and sexually transmitted diseases (OR= 1.53; 95%CI= 0.23 to 10.18; p= 0.660). The previous history of syphilis was the dominant influence of the incidence of syphilis (OR=28.52; 95% CI= 7.55 to 107.78; p=0.001). Conclusion: It is recommended that the Health Service of Medan can give inputs for developing health intervention program, including the evaluation of STI intervention programs. The management of Teladan, Helvetia and Padang Bulan Public Health Centers should increase counseling, medication, and prevention programs towards syphilis for the high risk male population. Keywords: Influence, Syphilis, Case Control Correspondence: Vicky Arfeni Warongan, SKM. Fakultas Kesehatan Masyarakat, Universitas Sumatera Utara. Jl. Universitas No.32, Padang Bulan, Kecamatan Medan Baru, Kota Medan, Sumatera Utara 20222. Email: vickyarfeni@gmail.com. Mobile: 081263197791 DOI: https://doi.org/10.26911/the7thicph.01.22
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Link, John. "Electronic art history." In the 22nd annual ACM SIGUCCS conference. New York, New York, USA: ACM Press, 1994. http://dx.doi.org/10.1145/196355.196503.

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Tan, LiQin, Roberta K. Tarbell, and Robert Wuilfe. "Animating art history." In Educators program from the 30th annual conference. New York, New York, USA: ACM Press, 2003. http://dx.doi.org/10.1145/965106.965118.

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Finnegan, John, Richard Kopp, Carley Augustine, Jerry Banik, Adam Carver, Chad Rajski, Randy Lehman, Lisa Amick, and Students. "Modeling art history." In ACM SIGGRAPH 2006 Educators program. New York, New York, USA: ACM Press, 2006. http://dx.doi.org/10.1145/1179295.1179343.

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Siviero, E., and V. Martini. "Bridges in the World Heritage List Between Culture and Technical Development." In IABSE Symposium, Wroclaw 2020: Synergy of Culture and Civil Engineering – History and Challenges. Zurich, Switzerland: International Association for Bridge and Structural Engineering (IABSE), 2020. http://dx.doi.org/10.2749/wroclaw.2020.0153.

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<p>The aim of this paper is to present some bridges inscribed in the UNESCO World Heritage List and their Outstanding Universal Values, which explain the importance of these works of art in terms of engineering, technology, culture and technical development. The Iron Bridge, the first metal bridge in the history of construction, is of considerable importance, not only in historic, technological and constructive terms: here, architecture and engineering are revealed to the full, making the bridge into a place. The Forth Bridge is a globally-important triumph of engineering, representing the pinnacle of 19th century bridge construction and is without doubt the world’s greatest trussed bridge. The Vizcaya Bridge, completed in 1893, was the first bridge in the world to carry people and traffic on a high suspended gondola and was used as a model for many similar bridges in Europe, Africa and America, only a few of which survive. The Mostar Bridge is an exceptional and universal symbol of coexistence of communities from diverse cultural, ethnic and religious backgrounds. The Oporto bridges, interpreted in Vitruvian terms, represent a heritage, a “set of spiritual, cultural, social or material values that belong, through inheritance or tradition, to a group of people…”, a complex grouping that marks and symbolises an era, the Eiffel's masterpiece. Because the bridge is not only a work of art, but also a thought.</p>
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Pizarro, Jorge, Byron Vásquez, Willan Steven Mendieta Molina, and Remigio Hurtado. "Hepatitis predictive analysis model through deep learning using neural networks based on patient history." In 13th International Conference on Applied Human Factors and Ergonomics (AHFE 2022). AHFE International, 2022. http://dx.doi.org/10.54941/ahfe1001449.

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First of all, one of the applications of artificial intelligence is the prediction of diseases, including hepatitis. Hepatitis has been a recurring disease over the years as it seriously affects the population, increasing by 125,000 deaths per year. This process of inflammation and damage to the organ affects its performance, as well as the functioning of the other organs in the body. In this work, an analysis of variables and their influence on the objective variable is made, in addition, results are presented from a predictive model.We propose a predictive analysis model that incorporates artificial neural networks and we have compared this prediction method with other classification-oriented models such as support vector machines (SVM) and genetic algorithms. We have conducted our method as a classification problem. This method requires a prior process of data processing and exploratory analysis to identify the variables or factors that directly influence this type of disease. In this way, we will be able to identify the variables that intervene in the development of this disease and that affect the liver or the correct functioning of this organ, presenting discomfort to the human body, as well as complications such as liver failure or liver cancer. Our model is structured in the following steps: first, data extraction is performed, which was collected from the machine learning repository of the University of California at Irvine (UCI). Then these data go through a variable transformation process. Subsequently, it is processed with learning and optimization through a neural network. The optimization (fine-tuning) is performed in three phases: complication hyperparameter optimization, neural network layer density optimization, and finally dropout regularization optimization. Finally, the visualization and analysis of results is carried out. We have used a data set of patient medical records, among the variables are: age, sex, gender, hemoglobin, etc. We have found factors related either indirectly or directly to the disease. The results of the model are presented according to the quality measures: Recall, Precision and MAE.We can say that this research leaves the doors open to new challenges such as new implementations within the field of medicine, not only focused on the liver, but also being able to extend the development environment to other applications and organs of the human body in order to avoid risks possible, or future complications. It should be noted that the future of applications with the use of artificial neural networks is constantly evolving, the application of improved models such as the use of random forests, assembly algorithms show a great capacity for application both in biomedical engineering and in focused areas to the analysis of different types of medical images.
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Reports on the topic "Sex in art History"

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Payne, Krista, and Wendy Manning. 2019 Marriages to Same-Sex and Different-Sex Couples: Marital History, Age at Marriage and Presence of Children. National Center for Family and Marriage Research, August 2021. http://dx.doi.org/10.25035/ncfmr/fp-21-19.

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Orenstein, Harold S. Selected Readings in the History of Soviet Operational Art. Fort Belvoir, VA: Defense Technical Information Center, May 1990. http://dx.doi.org/10.21236/ada231842.

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Ashdown, Susan P., and Kimberly A. Phoenix. Half Scale, Full Engagement: Uniting Art, History and Technology to Teach Patternmaking. Ames: Iowa State University, Digital Repository, November 2016. http://dx.doi.org/10.31274/itaa_proceedings-180814-1342.

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Carlin, P. W., A. S. Laxson, and E. B. Muljadi. The History and State of the Art of Variable-Speed Wind Turbine Technology. Office of Scientific and Technical Information (OSTI), March 2001. http://dx.doi.org/10.2172/776935.

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Galenson, David. Anticipating Artistic Success (or, How to Beat the Art Market): Lessons from History. Cambridge, MA: National Bureau of Economic Research, February 2005. http://dx.doi.org/10.3386/w11152.

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Almond, Douglas, Lena Edlund, and Kevin Milligan. O Sister, Where Art Thou? The Role of Son Preference and Sex Choice: Evidence from Immigrants to Canada. Cambridge, MA: National Bureau of Economic Research, October 2009. http://dx.doi.org/10.3386/w15391.

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Wiel, S. The science and art of valuing externalities: A recent history of electricity sector evaluations. Office of Scientific and Technical Information (OSTI), May 1995. http://dx.doi.org/10.2172/503480.

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LI, Zhendong, Chengcheng Zhang, Hangjian Qiu, Xiaoqian Wang, and Yuejuan Zhang. Different Acupuncture Intervention Time-points for Rehabilitation of Post-Stroke Cognitive Impairment：Protocol For a Network Meta-analysis of Randomized Controlled Trials. INPLASY - International Platform of Registered Systematic Review and Meta-analysis Protocols, May 2022. http://dx.doi.org/10.37766/inplasy2022.5.0043.

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Review question / Objective: This study will provide evidence-based references for the efficacy of different acupuncture interventions time-point in the treatment of post-stroke cognitive impairment(PSCI). 1. Types of studies. Only randomized controlled trials (RCTs) of acupuncture for PSCI will be recruited. Additionally, Studies should be available in full papers as well as peer-reviewed and the original data should be clear and adequate. 2. Types of participants. All adults with a recent or previous history of ischaemic or hemorrhagic stroke and diagnosed according to clearly defined or internationally recognized diagnostic criteria, regardless of nationality, race, sex, age, or educational background. 3. Types of interventions and controls. The control group takes non-acupuncture treatment, including conventional rehabilitation or in combination with symptomatic support therapy. The experimental group should be treated with acupuncture on basis of the control group. 4. Types of outcomes. The primary outcomes are measured with The Mini-Mental State Examination (MMSE) and/or The Montreal Cognitive Assessment Scale (MoCA), which have been widely used to evaluate cognitive abilities.
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Vu, Lung, Brady Zieman, Adamson Muula, Vincent Samuel, Lyson Tenthani, David Chilongozi, Simon Sikwese, Grace Kumwenda, and Scott Geibel. Assessment of community-based ART service model linking female sex workers to HIV care and treatment in Blantyre and Mangochi, Malawi. Population Council, 2021. http://dx.doi.org/10.31899/hiv12.1031.

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Dunbar, Joseph. Vertical and horizontal datums used in the Lower Mississippi Valley for US Army Corps of Engineers projects. Engineer Research and Development Center (U.S.), January 2022. http://dx.doi.org/10.21079/11681/42781.

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Six geodetic datums have been used by the US Army Corps of Engineers (USACE), Mississippi River Commission (MRC), for river surveys in the Lower Mississippi Valley (LMV). These legacy elevation datums are the Cairo datum, the Memphis datum, the Mean Gulf Level (MGL), the Mean Sea Level (MSL), the National Geodetic Vertical Datum (NGVD) 1929, and the North American Vertical Datum 1988 (NAVD88). The official geodetic datum currently prescribed by the USACE is NAVD88 (USACE 2010). In addition to these different geodetic datums, hydraulic datums are in use by the USACE for rivers, lakes, and reservoir systems. Hydrographic surveys from the Mississippi River are typically based on a low water pool or discharge reference, such as a low water reference plane (LWRP), an average low water plane (ALWP), or a low water (LW) plane. The following technical note is intended to provide background information about legacy datums used in the LMV to permit comparison of historic maps, charts, and surveys pertaining to the Mississippi River in the LMV. The purpose of this report is to provide background information and history of different published horizontal and vertical datums used for presentation of hydrographic survey data from the Mississippi River. The goal is to facilitate understanding of differences with comparison to other historic surveys for change-detection studies along the river. Conversion values are identified herein for the earlier surveys where appropriate, and methods are presented here to evaluate the differences between earlier and later charts and maps. This report is solely intended to address the LMV area and historic surveys made there. This note is not applicable to areas outside of the LMV. Throughout this technical note, historic hydrographic surveys and data from the Memphis, TN, to Rosedale, MS, reach will be used as examples of features of interest for discussion purposes. Selected historic hydrographic survey sheets at Helena, AR, are included as Plates 1 to 3 (Appendix C) of this document and will be used as examples for discussion purposes.
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