Relevant bibliographies by topics / Sewing as fine art

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Sewing as fine art'

Author: Grafiati
Published: 4 June 2021
Last updated: 20 February 2023

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Journal articles on the topic "Sewing as fine art"

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Kharytonova, Valentyna, and Halyna Mamus. "THE ROLE OF ART IN THE FORMATION OF PROFESSIONAL COMPETENCIES OF FUTURE SPECIALISTS IN TECHNOLOGICAL EDUCATION." Psychological and Pedagogical Problems of Modern School, no. 1(7) (May 25, 2022): 6–12. http://dx.doi.org/10.31499/2706-6258.1(7).2022.261080.

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The article substantiates the relevance of the introduction of the artistic component in the training of future technology teachers; attention is paid to clarifying the role of art education in the training of future teachers. It is established that the future teacher in the field of technological education must have professional competencies that increase the effectiveness of the design and technological activities, namely competencies in drawing and composition, basics of color, art history and costume history, understanding of artistic styles, have artistic and graphic competencies, etc. It is necessary to form these competencies in future technology teachers from the first years of study in higher education institutions, namely, to include in the curriculum special (elective) disciplines that can enrich students with theoretical and practical knowledge and skills in fine and decorative arts, design and design graphics. Emphasis is placed on the expediency of introducing art disciplines in the process of training specialists in the field of technological education and proving the need for readiness of technology teachers to implement the artistic component. The application of educational material of artistic direction in the process of designing and manufacturing clothes is analyzed, and the advantages of students’ use of professional competencies in the process of developing clothing models at different stages of design are revealed. The introduction of a selective course “Fundamentals of Drawing and Composition” is proposed and its effectiveness in the implementation of creative projects in sewing. It is established that the introduction of art education in the training of future technology teachers creates opportunities to bring the latter to a qualitatively new, modern level of education. Keywords: art; professional competencies; technological education; future technology teachers; design and technological activities; clothing design.
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M, Dhivya, and Suganthi D. "An Inventive Method to Fabric Part Structural Defect Detection Using Frame Harmonizing." International Journal of Computer Communication and Informatics 4, no. 2 (December 30, 2022): 26–40. http://dx.doi.org/10.34256/ijcci2223.

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Using a frame harmonizing based approach, this paper examines paper defects. In the textiles industry, the quick cutting and sewing of fabric has resulted in a lot of small mistakes, making this task extremely difficult. Especially these deformities won't be quickly recognized by specialists as well as programming. A novel frame harmonizing method is used in our system to find flaws in the fabric production process. Transformation and filtering techniques are used for the inputted fabric image frame. The conventional outline extraction method Berkeley edge detector is used to extract the edge map. Contour-based features are extracted and classified by K-Nearest Neighbour (KNN) classifier. The experimentation with real-time data set produced the outstanding performance results when compared with state of the art methods.
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Dhivya, M., and M. Renuka Devi. "Detection of Structural Defects in Fabric Parts Using a Novel Edge Detection Method." Computer Journal 62, no. 7 (December 1, 2018): 1036–43. http://dx.doi.org/10.1093/comjnl/bxy121.

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Abstract A fabric fault detection scheme is implemented in this work using frame harmonizing-based approach. Many recent research works deliver the fabric defect detection techniques. But in the textiles industry, the fast process of fabric cutting and sewing, lots of auxiliary imperfections have emerged. Particularly these defects cannot be identified easily by experts as well as an automated system. In our system, a novel frame extraction technique is used to find the defects in the fabric production pipeline. The input fabric image frame is pre-processed by transformation and filtering techniques. In this work,a novel multi-directional and multi-scale outline extraction method is proposed to extract the edge map. Contour-based features are extracted and classified by K-nearest neighbor classifier. The experimentation with real-time dataset produced the outstanding performance results when compared with state of the art methods.
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Zhu, Yuxiang, Yanjun Peng, and Arsineh Boodaghian Asl. "Dual Adaptive Adjustment for Customized Garment Pattern." Scientific Programming 2019 (March 10, 2019): 1–12. http://dx.doi.org/10.1155/2019/8069373.

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We present a dual adaptive garment slice adjustment technique for automatic resizing of apparel products with variant body shapes, and this technique can quickly generate clothed characters. Our first contribution is to propose a novel fit evaluation method. When a 2D garment pattern and a 3D draped garment have the same triangle topology connection, we calculate the shape variable of each triangle and output heat map simultaneously. For sewing a pattern to a newly targeted human body, we propose a fully automatic adjustment method that conforms to the body structure and is composed of two stages. In the coarse auto adjustment (CAA) stage, we propose a method of controlling the size of a garment by the length of a bounding box in five parts of the human body. Then, the garment pattern is automatically adjusted using the measured dimension, by stretching or shrinking. In the fine auto adjustment (FAA) stage, boundary vertices control the shape in the adjustment process. For better matching with the body, the vertices of the garment pattern boundary are relocated with the calculated moving distance and moving direction. As demonstrated in the results, our method enables fully automatic adjustment, preserving the original pattern style of garments between characters with vastly body shapes. Compared with the state-of-art 2D editing method, our proposed approach leads to time saving, and it achieves realistic garment effect compared to auto fitting methods.
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Денисюк, Татьяна Владимировна. "Eucharistic Themes in Ukrainian Art of the XVII-XVIII centuries: A Review of the Monuments." Вестник церковного искусства и археологии, no. 1(1) (June 15, 2019): 124–41. http://dx.doi.org/10.31802/2658-5111-2019-1-124-139.

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Статья посвящена изучению евхаристической тематики в украинском искусстве XVII-XVIII вв. Впервые сделан обзор памятников украинского изобразительного искусства на тему символико-аллегорического изображения темы Евхаристии. В статье приведены примеры икон и картин из собрания Национального музея в Львове, Музея волынской иконы (г. Луцк, Украина), Национального художественного музея Украины (г. Киев), Национального Киево-Печерского историко-культурного заповедника. Анализ композиций позволил выделить и систематизировать символические сюжеты евхаристического содержания. В статье подробно рассматриваются иконы: «Христос Виноградная Лоза», «Христос в точиле», «Христос в чаше», «Недреманное око»; картины: «Пеликан», «Соглядатаи земли Ханаанской», а также другие памятники изобразительного искусства, которые раскрывают христианский догмат Евхаристии, искупительную жертву Христа. Эти сюжеты были широко распространены в иконописи, скульптуре, лицевом шитье, гравюре, резьбе, керамике. Также описаны редкие случаи использования символических сюжетов «Недреманное око» и «Христос Виноградная Лоза» в стенописи. В статье отмечены иконографические особенности каждого сюжета, подробно описаны и проанализированы изображения, проведён сравнительный анализ разных икон с изображением одинакового сюжета, изучен контекст и значение некоторых композиций. The article is devoted to the study of the Eucharistic theme in the Ukrainian art of the XVII-XVIII centuries. For the first time made the review of the monuments of Ukrainian art on the theme of symbolic and allegorical image of the Eucharist theme. The article presents examples of icons and paintings from the collection of the National Museum in Lviv, the Museum of Volyn Icon (Lutsk, Ukraine), the National Art Museum of Ukraine (Kiev), the National Kiev-Pechersk Historical and Cultural Reserve. The analysis of the compositions made it possible to identify and systematize the subjects of the Eucharistic content. The article describes in detail the: “Jesus Christ the Grape-Vine”, “Christ in the winepress”, “Christ in the bowl”, “Undreaming Eye”; pictures: “Pelican”, “The Spies of the land of Canaan” and other monuments of the fine arts, that reveal the Christian dogma of the Eucharist, the atoning sacrifice of Christ.These subjects were widely distributed in icon painting, sculpture, sewing, engraving, carving, and ceramics. The rare instances of the use of the symbolic plots “Undreaming Eye” and “Jesus Christ the Grape-Vine” in murals are described. The iconographic features of each subject are also noted in the article, images are described and analyzed in detail, a comparative analysis of different icons with the image of the same subject was carried out, the context and meaning of some compositions were studied.
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Baykaoglu, Nursel, and Hatice Feriha Akpinarli. "Sample of German embroidery from the hand embroidery applications in the city of Kahramanmaras." Global Journal of Arts Education 10, no. 1 (February 28, 2020): 85–92. http://dx.doi.org/10.18844/gjae.v10i1.4793.

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Forming one of the most important branches of our culture and traditional arts, embroidery was born by sewing in a decorative way and it is worth mentioning that it is as early as humanity. Embroidered clothing on the sculptures excavated and the narration that the daughter of Noah in Hebrew history wears an embroidered belt shows that this branch of art goes back to earlier times. Hand embroidery, which is the products of intelligence, skill and subtle wit, has reached the current time by preserving its value. Out of a great many embroidery techniques reaching large public masses, a technique called ‘German Embroidery’ was encountered in the researches carried out in the city of Kahramanmaras and its towns in the years 2013–2014. According to the information obtained from the source people in the research carried out in the city of Kahramanmaras, German Embroidery dating back to earlier times is not produced today; however, we are likely to find pillows, clothes and dresses embroidered with German Embroidery in houses. In the current paper, embroidery samples were determined in order to unveil this technique that was embroidered on any kind of cloth with a plain surface and it was aimed to make the embroidery alive and to promote it by analysing the way of embroidering. Keywords: Embroidery, ornament, technique, traditional.
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Ilmi, M. Rosikhul. "Upaya meningkatkan kemampuan motorik halus melalui kegiatan menjahit bervariasi dengan berbagai media di PAUD Alquran Az-Zahra Banyurip Alit." Action Research Journal 1, no. 1 (September 30, 2021): 157–59. http://dx.doi.org/10.51651/arj.v1i1.64.

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Various sewing activities are an appropriate step in improving children's fine motor skills, because they are used to express themselves. To produce interesting stitches really helps develop a child's imagination in improving their fine motor skills. PAUD Al-Quran Az-Zahra Banyurip Alit Pekalongan City on fine motor activities failed in various sewing materials, this can be seen from the work of children with a total of 20 children who got good grades only 5 children, only 4 children, and less than 11 children. The problem is the lack of physical fine motor skills of children in various sewing activities. This is because the media used is less varied so that children feel bored. So we need an active learning method using various media. The aim of this research is to improve children's fine motor skills in sewing with various media. The benefits are expected to contribute to the development of science. In carrying out the improvement of learning through two cycles. The results of observations and research in the second cycle increased more than the previous cycle. The results of the previous comparison had a success rate of only 45%, the first cycle was 65%, the second cycle reached a 95% success rate. So it can be concluded that sewing activities have a positive impact on fine motor development and can improve children's ability to sew with various media.
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Hackett, Lisa J. "Sewing history: Consuming culture." Clothing Cultures 8, no. 1 (March 1, 2021): 27–48. http://dx.doi.org/10.1386/cc_00043_1.

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The resurgence of home-sewing has led to renewed academic interest in the area. Current research has found that home-sewing is a substitute for purchasing ill-fitting, poor-quality and unsustainable fast fashion. Home-sewers report that they find the practice a creative leisure activity and that home-sewing is an empowering activity. What has been less examined are reasons why sewers make historical clothing, as opposed to making modern designs. This article examines home-sewing via the lens of historical material culture. That is, is seeks to understand the reasons why people sew and wear anachronistic clothing. It does so via an international survey of over 200 participants. A range of complex social and historical factors emerge in this research, which posit that there exist broad cultural phenomena to explain this contemporary trend. Of the recent research conducted into the reasons and motivations of home-sewers, the focus is on the sewing of contemporary clothing. Conversely, this research examines the motivations for sewing and wearing anachronistic clothing. Leading home dressmaking pattern company Simplicity claims that for many home-sewers it is vintage patterns that lead them to undertake home-sewing. This suggests that there are different types of home dressmakers who are motivated by considerations beyond that uncovered by previous research.
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San Choon Kim. "Fine Art? Ugly Art?" Sogang Journal of Philosophy 37, no. ll (May 2014): 9–29. http://dx.doi.org/10.17325/sgjp.2014.37..9.

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Weinstein, Nicole. "Fine art." Nursery World 2016, no. 4 (February 22, 2016): 30–31. http://dx.doi.org/10.12968/nuwa.2016.4.30.

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Dissertations / Theses on the topic "Sewing as fine art"

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Mackenzie, Jewel, and n/a. "The Fabric of Art: Investigating the Relationships of Power Between Fabric & Fine Art Through Frank Stella's 'Black Paintings' (1958-1960)." Griffith University. Queensland College of Art, 2005. http://www4.gu.edu.au:8080/adt-root/public/adt-QGU20060802.144424.

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There are two inter-related parts to the hypothesis explored in this research. The first is that it is significant to employ fabric as a medium in a fine art context, and the second aspect argues that female artists who choose fabric as their medium should be recognised as 'artists' rather than as crafts practitioners. I propose that in choosing fabric as a medium and sewing as my method of making art, I am working within the framework of contemporary fine art practice. In his essay 'To Cut is to Think' Germano Celant succinctly described the 'cut' made by artists who choose cutting as their process: The cut of the scissor is like the click of a camera or the whirr of a movie camera, like a stroke of the pencil or paintbrush: all these acts decisively isolate a form or representation, marking a surface that generates a reality. The cut puts an end to the traditional representation of the image, dissolving it and then restoring it as a testimony to the artist's vision and understanding. In this light, the cut confers meaning, and its use unites artists, photographers, designers and tailors, who cut their visions from the magma of their materials, whether these be colour or bronze, fabric or film, metal or wool, wood or canvas (1996, p. 31). My own use of the cut, as the bespoke tailor, reinterpreted fabric as paint and utilized pinstriped fabric as a visual metaphor for relationships of power, pink satin as a symbol of the female inclusion and Frank Stella's Black Paintings as a tool to position my work. Therefore, I would claim that I am working towards a conceptual repositioning of fabric as a medium in fine art.
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Mackenzie, Jewel. "The Fabric of Art: Investigating the Relationships of Power Between Fabric & Fine Art Through Frank Stella's 'Black Paintings' (1958-1960)." Thesis, Griffith University, 2005. http://hdl.handle.net/10072/365967.

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There are two inter-related parts to the hypothesis explored in this research. The first is that it is significant to employ fabric as a medium in a fine art context, and the second aspect argues that female artists who choose fabric as their medium should be recognised as 'artists' rather than as crafts practitioners. I propose that in choosing fabric as a medium and sewing as my method of making art, I am working within the framework of contemporary fine art practice. In his essay 'To Cut is to Think' Germano Celant succinctly described the 'cut' made by artists who choose cutting as their process: The cut of the scissor is like the click of a camera or the whirr of a movie camera, like a stroke of the pencil or paintbrush: all these acts decisively isolate a form or representation, marking a surface that generates a reality. The cut puts an end to the traditional representation of the image, dissolving it and then restoring it as a testimony to the artist's vision and understanding. In this light, the cut confers meaning, and its use unites artists, photographers, designers and tailors, who cut their visions from the magma of their materials, whether these be colour or bronze, fabric or film, metal or wool, wood or canvas (1996, p. 31). My own use of the cut, as the bespoke tailor, reinterpreted fabric as paint and utilized pinstriped fabric as a visual metaphor for relationships of power, pink satin as a symbol of the female inclusion and Frank Stella's Black Paintings as a tool to position my work. Therefore, I would claim that I am working towards a conceptual repositioning of fabric as a medium in fine art.
Thesis (Professional Doctorate)
Doctor of Visual Arts (DVA)
Queensland College of Art
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DiFranco, Maria K. "The Female Experience of Cancer, Seen Through Art." The Ohio State University, 2016. http://rave.ohiolink.edu/etdc/view?acc_num=osu1461107465.

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Likouris, Arianna P. "Aphosiosi." Kent State University Honors College / OhioLINK, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=ksuhonors1494198472667557.

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Leung, Yin-ling Carol. "Academy of fine arts." Hong Kong : University of Hong Kong, 1994. http://sunzi.lib.hku.hk/hkuto/record.jsp?B25944873.

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King, Abigail Graham. "Community Art as an Interdisciplinary Challenge to Fine Art." Miami University Honors Theses / OhioLINK, 2005. http://rave.ohiolink.edu/etdc/view?acc_num=muhonors1123084206.

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Findlay, Judith. "Fine art as performance : a definition of the discipline (a study of the fine art world in the art school)." Thesis, University of Strathclyde, 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.366768.

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Morris, Simon David Chester. "Bibliomania and related fine art practice." Thesis, University of Leeds, 2006. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.434240.

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Burris, Sarah Mittiga. "Creatures: Series of Sculptural Costumes." Kent State University / OhioLINK, 2008. http://rave.ohiolink.edu/etdc/view?acc_num=kent1227280056.

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Lang, Martin. "Militant art." Thesis, University of Kent, 2015. https://kar.kent.ac.uk/50237/.

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This thesis is an analysis of ‘militant art’ – a type of art activism that is prepared to break the law, use violence against people (including the artists themselves), property, or incite others to do the same, in order to realise a cause. This thesis considers militant art as a continuation of the expanded field of relational aesthetics fused with a renewed interest in 20th century avant-garde art practices and the organisational structure, politics and tactics of the Global Justice Movement – which I conceptualise as a direct response to a lingering post-political spectacular malaise. Although there has been a surge of recent writing about Socially Engaged Participatory Art practices and, to a lesser extent, art activism, the more militant forms are still under-researched. The thesis is divided into two parts: the first is an art historical, theoretical and political analysis; the second uses qualitative research methods to verify and interrogate claims made in the first. A series of ten interviews with contemporary artists (and collectives) and an ethnographical study provide new data on militant art, which are analysed fully in a dedicated chapter. The findings give us insight into the militant artists’ psychology, motivations and tactics providing a description, analysis and definition of hitherto overlooked contemporary practices.
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Books on the topic "Sewing as fine art"

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Pati, Palmer, Price Ann Hesse, and Weiland Barbara, eds. Couture: The art of fine sewing. Portland, OR: Palmer/Pletsch, 1993.

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Thomas, Anna Jacob. The art of sewing. New Delhi: UBSPD, 1993.

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Zieman, Nancy Luedtke. Pattern fitting with confidence. Iola, WI: Krause, 2011.

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Ltd, Lane. Lane fine art. London: Lane Fine Art, 1993.

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Society, New York Graphic. Fine art collections. Greenwich, Conn., U.S.A: The Society, 1986.

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Ltd, Art Warehouse. Fine art focus. Bristol: Art Warehouse, 2004.

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House, Heffel Fine Art Auction. Fine Canadian art. Vancouver: Heffel Fine Art Auction House, 2007.

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Society, New York Graphic. Fine art reproductions. Cos Cob, Conn: The Society, 1994.

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Pemberton, Carole. Fine art courses. [Brighton]: Brighton Polytechnic Career Counselling Unit, 1985.

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Charlo, B. Fine art photography. [Browning, Mont: U.S. Dept. of the Interior, Indian Arts and Crafts Board, Museum of the Plains Indian and Crafts Center, 1991.

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Book chapters on the topic "Sewing as fine art"

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McCloskey, Mary A. "Fine Art." In Kant’s Aesthetic, 105–13. London: Palgrave Macmillan UK, 1987. http://dx.doi.org/10.1007/978-1-349-08796-9_11.

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McAndrew, Clare, and Rachel Campbell. "Art Risk." In Fine Art and High Finance, 87–116. Hoboken, NJ, USA: John Wiley & Sons, Inc., 2015. http://dx.doi.org/10.1002/9781119204688.ch4.

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Gyorgy, Suzanne, and Clare McAndrew. "Art Banking." In Fine Art and High Finance, 117–33. Hoboken, NJ, USA: John Wiley & Sons, Inc., 2015. http://dx.doi.org/10.1002/9781119204688.ch5.

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Eckstein, Jeremy, and Randall Willette. "Art Funds." In Fine Art and High Finance, 135–59. Hoboken, NJ, USA: John Wiley & Sons, Inc., 2015. http://dx.doi.org/10.1002/9781119204688.ch6.

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Prinsloo, Reineth. "Group bonding through cutting, gluing, and sewing together." In Using Art for Social Transformation, 83–93. London: Routledge, 2022. http://dx.doi.org/10.4324/9781003105350-7.

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Kräussl, Roman. "Art Price Indices." In Fine Art and High Finance, 63–86. Hoboken, NJ, USA: John Wiley & Sons, Inc., 2015. http://dx.doi.org/10.1002/9781119204688.ch3.

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Alvarez, Martin E., Erik E. Martínez-Parachini, Ehsan Baharlou, Oliver David Krieg, Tobias Schwinn, Lauren Vasey, Chai Hua, Achim Menges, and Philip F. Yuan. "Tailored Structures, Robotic Sewing of Wooden Shells." In Robotic Fabrication in Architecture, Art and Design 2018, 405–20. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-92294-2_31.

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Haworth, John. "Creativity in Digital Fine Art." In Contributions To Phenomenology, 281–96. Dordrecht: Springer Netherlands, 2014. http://dx.doi.org/10.1007/978-94-017-9379-7_17.

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Rubenstein, Betty Rogers. "The Fine Art of Remembrance." In Remembering for the Future, 2723–32. London: Palgrave Macmillan UK, 2001. http://dx.doi.org/10.1007/978-1-349-66019-3_194.

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Elmansy, Rafiq. "Turning Photos into Fine Art." In Developing Professional iPhone Photography, 197–226. Berkeley, CA: Apress, 2017. http://dx.doi.org/10.1007/978-1-4842-3186-9_7.

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Conference papers on the topic "Sewing as fine art"

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Colomer Alcácer, Juan, Ana Portalés Mañanós, and David Urios Mondéjar. "Urban green structure in El Ensanche of Valencia city." In 24th ISUF 2017 - City and Territory in the Globalization Age. Valencia: Universitat Politècnica València, 2017. http://dx.doi.org/10.4995/isuf2017.2017.6971.

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The Valencian urban green structure, constitutes the main field of the present paper. Its form, size and distribution over the urban grid, could be easily comparable to other European cities, that grown highly on the XIX and XX Century behind a medieval wall. In a first stage, in 1884 with the “Primer Ensanche” by Calvo, Ferreres and Arnau, Valencia gets through a process of fine urban sewing, matching both urban structures, medieval one with the new square blocks, based on the Paris of the Haussmann, example that really helped to integrate such a different urban behavior. Thus, small green spaces appear rarely around those new neighborhoods and districts, usually on the lost urban spaces where the building blocks were more difficult to be built. When the second stage of the Valencian urban sprawl comes through, with the “El Segundo Ensanche de Valencia” (1924, Francisco Mora) the main structure was the square blocks with inner patios with its typical cross chamfer. As a result, Valencia sprawl achieves their principal urban troubles, such as overcrowding, sanitation and restructuring. Moreover, it made those goals using the most efficient and sustainable urban model because of its compactness. However, urban changes forgive one of the most demanded spaces by its citizens nowadays, the green structure, car and its roadway where first over the green spaces. This paper analyzes how green spaces are inside the square blocks greed in Valencia “El Ensanche”, and tries to include some alternatives to improve its lack of green infrastructure.Keywords Valencia, El Ensanche, Green structure, urban compactness
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Huang, Yue. "A Discussion on the Relationship Between Fine Art Psychology and Fine Art Education From the Perspective of Modern Fine Art Education." In 2nd International Conference on Economics and Management, Education, Humanities and Social Sciences (EMEHSS 2018). Paris, France: Atlantis Press, 2018. http://dx.doi.org/10.2991/emehss-18.2018.49.

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Paternoster, Nance, and Lyn Bishop. "Alternative digital fine art printmaking." In ACM SIGGRAPH 2013 Studio Talks. New York, New York, USA: ACM Press, 2013. http://dx.doi.org/10.1145/2503673.2503692.

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Bishop, Lyn, and Nance Paternoster. "Inspirations in digital fine art printmaking." In ACM SIGGRAPH 2014 Studio. New York, New York, USA: ACM Press, 2014. http://dx.doi.org/10.1145/2619195.2656321.

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Stove, A. G. "Radar considered as a fine art." In 2013 International Conference on Radar. IEEE, 2013. http://dx.doi.org/10.1109/radar.2013.6652046.

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Smolka, Bogdan, Rastislav Lukac, Konstantinos N. Plataniotis, and Anastasios N. Venetsanopoulos. "Robust retrieval of fine art paintings." In Optical Metrology, edited by Renzo Salimbeni. SPIE, 2003. http://dx.doi.org/10.1117/12.504101.

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Gal Drzewiecka, Iveta. "FINE-ART CREATION BY MIROSLAV CIPAR." In 5th SGEM International Multidisciplinary Scientific Conferences on SOCIAL SCIENCES and ARTS SGEM2018. STEF92 Technology, 2018. http://dx.doi.org/10.5593/sgemsocialf2018/6.3/s12.018.

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Bai, Rui, Huang Ling, Zhao Kai, Donglian Qi, and Qiao Wang. "Author recognition of Fine-Art paintings." In 2019 Chinese Control Conference (CCC). IEEE, 2019. http://dx.doi.org/10.23919/chicc.2019.8865492.

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Conde, Marcos V., and Kerem Turgutlu. "CLIP-Art: Contrastive Pre-training for Fine-Grained Art Classification." In 2021 IEEE/CVF Conference on Computer Vision and Pattern Recognition Workshops (CVPRW). IEEE, 2021. http://dx.doi.org/10.1109/cvprw53098.2021.00444.

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Desbiens, Jacques. "Quality requirements for fine art synthetic holograms." In Applied Optical Metrology III, edited by Erik Novak and James D. Trolinger. SPIE, 2019. http://dx.doi.org/10.1117/12.2528475.

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Reports on the topic "Sewing as fine art"

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Strednansky, Susan E. Balancing the Trinity: The Fine Art of Conflict Termination. Fort Belvoir, VA: Defense Technical Information Center, June 1995. http://dx.doi.org/10.21236/ada387672.

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Irminger, Bente. Økt interesse for kreativitet åpner for nye designerroller- men skaper også behov for rolleavklaringer. Universitetet i Bergen KMD, January 2018. http://dx.doi.org/10.22501/kmd-ar.1090265.

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Irminger, Bente. A growing interest in creativity is opening up new roles for the designer- but also creating a need for clarification of these roles. Universitetet i Bergen KMD, January 2018. http://dx.doi.org/10.22501/kmd-ar.1090256.

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Bente Irminger, ‘A growing interest in creativity is opening up new roles for the designer- but also creating a need for clarification of these roles‘, Faculty of Fine Art, Music and Design, University of Bergen
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Rysjedal, Fredrik. Frozen Moments in Motion. Universitetet i Bergen KMD, January 2019. http://dx.doi.org/10.22501/kmd-ar.31524.

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What are the concepts of motion in digital comics? What types of motion can be used in comics and how does motion affect the presentation, the story and even the reader/viewer? This project is a part of the Norwegian Programme for Artistic Research, and it's executed at the Bergen Academy of Art and Design, today called Faculty of Fine Art, Music and Design at the University of Bergen.
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