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Journal articles on the topic 'Serpentine Pavilion'

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Author: Grafiati

Published: 26 July 2024

Last updated: 28 July 2024

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1

Mallinson, Helen. "Zumthor's hairy paradise." Architectural Research Quarterly 15, no. 4 (December 2011): 304–8. http://dx.doi.org/10.1017/s1359135512000061.

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Every year since the beginning of the new century, the Serpentine Gallery in London has commissioned a summer pavilion from a famous architect. This summer, a new book Ten Years Serpentine Gallery Pavilions was published by Taschen Verlag to coincide with the opening of the eleventh annual pavilion, designed by Peter Zumthor. Helen Mallinson reviews Zumthor's pavilion here, in the context of the decade-old pavilion programme.

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2

Lima, Elton Cristovão da Silva, Cristina Matsunaga, and Leticia Teixeira Mendes. "Exploring bio-parametric solution-based design process for an ephemeral pavilion." Gestão & Tecnologia de Projetos 17, no. 1 (November 12, 2021): 65–79. http://dx.doi.org/10.11606/gtp.v17i1.183658.

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This research proposes an experimental design approach to design an ephemeral pavilion located at the Serpentine Gallery in London. The Serpentine Pavilions Programme functions as an experimentation laboratory and, at the same time, public and event spaces, enabling architects to expose their projects and work methodologies. Thus, the methods of Biomimicry and Parametric Design were combined to develop the pavilion. While the first one was used to create an ephemeral pavilion based on the Sartorius muscle, the second was responsible for generating the parametric model from a fast and intuitive manipulation code capable of exploring shape variations. This work explores the solution-based method approached by Badarnah (2012) based on a predefined problem (the pavilion project) and only after that seek some natural inspiration. Firstly, it was investigated the anatomy of the Sartorius muscle. Subsequently, with the domain of the solution, the parametric insertion of the shape was computationally performed. The anatomical study of the sartorius muscle revealed functions such as flexion, abduction, lateral rotation of the thigh, and medial rotation of the knee. Thus, the architectural choices reflect both its narrow and elongated morphology of the muscle and flexibility and rotation aspects. The pavilion also considered the previous Serpentine Pavilions regarding attributes such as area, height, and materials, which with other parameters may be changed using the code implemented in Grasshopper.

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3

Orr, Michael, Jon Leach, and Amy Koerbel. "Serpentine Gallery Pavilion 2017." Structural Engineer 96, no. 11 (November 19, 2018): 18–28. http://dx.doi.org/10.56330/qcmi5074.

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The annual Summer Pavilion programme at the Serpentine Gallery in London is unique. It presents the work of an international architect, or design team, who has not completed a building in England at the time of the Gallery's invitation. The design and construction of each pavilion must be completed within six months and it remains situated on the Gallery's lawn throughout the summer for the public to explore and enjoy, before being demounted and relocated to a permanent site. The commission for the 2017 pavilion was accepted by Berlin-based Burkinabe, Francis Kéré and his practice. For the fifth year, AECOM provided technical design services including structural and civil engineering, fire engineering, specialist lighting and electrical design. The project was successfully completed on time and within budget, opening to the public in June 2017. This article describes the technical and engineering challenges of delivering Francis Kéré's vision of a floating steel-and-timber tree-like canopy over the sinuous timber walls that define the spaces inside the pavilion. Those spaces provided a temporary home to a wide range of community-based activities, ranging from cookery classes led by asylum seekers to 'Build your own pavilion' workshops, opening up the world of engineering and design to future generations. A fusion of traditional design methods combined with the very latest digital modelling technologies was used in the delivery of the pavilion. This included pioneering examples of combining augmented and virtual reality throughout the whole design and construction process, which enabled the intricate details of the pavilion to be quickly communicated and fully resolved before fabrication and construction commenced.

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4

Melvin, Jeremy. "Serpentine Gallery Pavilion 2005." Architectural Design 75, no. 6 (November 2005): 102–6. http://dx.doi.org/10.1002/ad.185.

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5

Orr, Michael, Tom Webster, and Jon Leach. "2015 Serpentine Gallery Pavilion – challenges of form and fabric." Structural Engineer 94, no. 5 (May 1, 2016): 22–31. http://dx.doi.org/10.56330/ssvv1200.

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The Serpentine Gallery Pavilion is an annual commission of a temporary installation in the lawns of Kensington Gardens, London, and aims to be a fusion of art and contemporary architecture. An internationally acclaimed architect, who is yet to complete a project within the UK, is commissioned by the Gallery to deliver an initial concept and work together with the Technical Advisers, AECOM with David Glover, and the Main Contractor, Stage One, to deliver the final product over a period of less than six months. In 2015, Spanish architects selgascano accepted the invitation of the Gallery to deliver its 15th Pavilion. This article provides a brief summary of the design-and-build process, detailing how the team developed the initial concept into the final Pavilion, which opened to the public in the summer of 2015.

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6

Bishop, James, and Ed Clark. "The Serpentine Gallery Pavilion 2008, London, UK." Structural Engineering International 21, no. 1 (February 2011): 30–32. http://dx.doi.org/10.2749/101686611x12910257102154.

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7

Freshwater, Sally. "A Summer Pavilion: Frank Gehry at the Serpentine." TEXTILE 7, no. 2 (July 2009): 256–61. http://dx.doi.org/10.2752/175183509x460146.

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8

김미정 and lee, chan. "A Study of Expressionism Characteristics shown in the Serpentine Gallery Pavilion." Journal of Korea Intitute of Spatial Design 9, no. 3 (September 2014): 195–207. http://dx.doi.org/10.35216/kisd.2014.9.3.195.

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9

Kaji-O'Grady, Sandra. "From Monopoly to Jean Nouvel's Serpentine Pavilion: Monochromatic Buildings and Rooms." Architectural Theory Review 19, no. 2 (May 4, 2014): 141–53. http://dx.doi.org/10.1080/13264826.2014.967329.

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10

del Río-Calleja, Beatriz, Joaquín Grau Enguix, and Alfonso García-Santos. "Architectural Systemic Approach: The Serpentine Gallery 2005, a Reciprocal Frame Case Study." Buildings 12, no. 7 (July 20, 2022): 1051. http://dx.doi.org/10.3390/buildings12071051.

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The application of the systemic approach in architecture aims to promote an integral, holistic view of the architectural design process. The literature reviewed calls for models with systemic behavior, and for these models to be applied in concrete cases. This paper proposes an original approach, using the foundation matrix and the constructive logic matrix. Both matrices are part of a developing model that is being tested on a case study. The work presented here had two objectives: to check this part of the model and gain more knowledge about the model itself. The selected case study, the 2005 Serpentine Gallery Pavilion, is a contemporary ephemeral construction of significant architectural interest. It is a reciprocal frame structure, linked to the construction history. The methodology used was a systemic analysis. In the first phase of the analysis, the reciprocal structures documented historically in the West were reviewed. The other two phases corresponded to the application of the two model matrices. Conceptual diagramming was used in all phases of the process. The results show the importance of the study of historical building solutions. The use of matrices facilitates the identification and understanding of the operations carried out in the design process of the case study. Matrices favor the organization of concepts and relationships from through a systemic approach. Understanding generation operations in an integrated way leads to a type of knowledge (relational knowledge) that allows architecture to be thought about in a holistic way. This makes the systemic view of art and technology as a unit possible, attending to the whole complexity of architectural thinking.

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11

Vu, Anh Viet, Thi Ai Thuy Pham, and Tu Pham. "Pop-up landscape architecture in Ho Chi Minh City: Cases of creating livable city for all." MATEC Web of Conferences 193 (2018): 04002. http://dx.doi.org/10.1051/matecconf/201819304002.

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The pop-up architecture (or landscape architecture) becomes popular nowadays. Some highlights include annual architecture program such as the Serpentine Gallery Pavilion at Hyde Park, London; MPavilion in Melbourne; MoMA PS1 and Heart Sculpture in New York. Many of these pop-up architectural works have been designed by world renowned architects, such as Zaha Hadid, Rem Koolhaas, Hezorg and de Meuron, Jean Nouvel, Toyo Ito, SANAA, Shigeru Ban, BIG, etc. And many of these designs reflect innovative thinking that changes the professional world of architectural design. But above all, these pop-up architectures were created in responsive manner to the urban community and the community controversially has good response to this type of architecture. In the other words, pop-up architecture is the way the architects touch the heartbeat of the cities, make them livable for all. Ho Chi Minh City has its own types of pop-up landscape architecture, whereas this paper intends to explore in two case studies: Nguyen Hue Floral Boulevard and Nguyen Van Binh Book Street. Nguyen Hue Floral Street is celebrating now its twelfth birthday in the city. Nguyen Van Binh Book Street has just passed its first anniversary in 2017. Both cases live its own story behind the scene about how livable a city could be through place-making by architecture and landscape design. Throughout these cases, we would like to find out how this type of pop-up landscape architecture being realized and become popular in Ho Chi Minh City, and how it is devoted to a livable city for all.

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12

Malaniuk, Viktoriia. "Modern Tendencies in Architecture on the Example of Pavilions of Serpentine Gallery in London." Demiurge: Ideas, Technologies, Perspectives of Design 2, no. 1 (June 26, 2019): 28–36. http://dx.doi.org/10.31866/2617-7951.2.1.2019.170354.

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13

Jung, Hyejin, and Soram Park. "Pavilion as an architecture of new placeness : a case of Serpentine Pavilion project." Journal of Asian Architecture and Building Engineering, January 10, 2022, 1–12. http://dx.doi.org/10.1080/13467581.2021.2024197.

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14

"El bosque y la colmena abstractos. Convergencias conceptuales entre el Serpentine Gallery pavilion por Sou Fujimoto y el UK pavilion por Wolfgang Buttress." Arte y Ciudad, 2012. http://dx.doi.org/10.22530/ayc.2021.20.593.

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15

Valente, Fernando De Azevedo. "PARAMETRIA COMO IMPULSO À METACOGNIÇÃO: ENTRE A APRENDIZAGEM FORMAL E A AUTOAPRENDIZAGEM PARA A PRÁTICA DE PROJETO DE ARQUITETURA." PIXO - Revista de Arquitetura, Cidade e Contemporaneidade 5, no. 17 (May 9, 2021). http://dx.doi.org/10.15210/pixo.v5i17.20133.

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Este estudo problematiza o emprego da parametria junto ao projeto de arquitetura a partir de um relato de experiência formativa. Para abordar este tema, parte-se do exemplo do método empregado por Bjark Ingels para projetar o Serpentine Pavilion, Londres. Logo, é relatado um processo de aprendizagem formal em desenho paramétrico junto a disciplinas de graduação em arquitetura e um processo paralelo de autoaprendizagem, os quais motivaram a participação no Concurso Parklet 4.0/Portal Projetar. O exercício de metacognição é realizado com apoio em uma análise qualitativa dos projetos sob parâmetros que caracterizam um sistema generativo. Acrescenta-se uma análise quantitativa das propostas enviadas ao concurso, para contextualizar a experiência relatada. As reflexões derivadas situam tal experiência frente à prática profissional e acadêmica de arquitetura, e podem contribuir, quando somadas a outros relatos, para a construção de um panorama brasileiro, sobre a abordagem na aprendizagem do tema parametria no projeto de arquitetura.Palavras-chave: desenho paramétrico, aprendizagem, metacognição, metodologia de projeto.

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16

ŞEKERCİ, Ceyhun, Beytullah BEŞKAYA, and Zehra TAŞTAN. "Son 10 Yılda Tasarlanan Serpentine Pavilyonlarının Biomimikri ve Parametrik Tasarım Açısından Biçimsel Analizi." European Journal of Science and Technology, March 25, 2023. http://dx.doi.org/10.31590/ejosat.1235945.

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Dijital tasarım alanında yaşanan gelişmelerin bir sonucu olarak ortaya çıkan yazılımlar ve teknolojik araçlar, tasarım alanında yeni yaklaşımların ortaya çıkmasına olanak sağlamış ve var olan yaklaşımlarında uygulanabilirliği, denetlenebilirliği ve kontrol edilebilirliğini arttırmıştır. Bu yaklaşımlardan olan parametrik tasarım yaklaşımı ve biomimikri tasarım yaklaşımı son yıllarda birçok tasarım alanında teknolojinin araçlar sayesinde karşımıza çıkmaktadır. Bu çalışmada da son 10 yılda yapılan Serpentine pavilyonlarının bu iki yaklaşım üzerinden değerlendirilmesi yapılmıştır. Yapılan çalışmada Serpentine pavilyonlarından bahsedilmiş olup, her bir pavilyon biomimikri ve parametrik tasarım yaklaşımları tarafından analiz edilmiştir. Serpentine Pavilyonlarında da bu iki yaklaşımın kullanıldığına dair bulgulara rastlandığı gözlemlenmiştir. Bu durum sonraki yıllarda tasarlanacak Serpentine pavilyonlarında da devam edeceğinin öngürülmesi ile beraber, küçük ölçekli yapılarda bu iki yaklaşımın daha kontrol edilebilir, uygulanabilir ve dentelenebilir olduğu sonucuna da varılmaktadır. Yapılan çalışma da Serpentine pavilyonları özelinde tasarım alanında bu iki yaklaşım ayrı ayrı kullanılabileceği gibi birlikte de tasarıma etki edeceği sonucuna varılmıştır.

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