Relevant bibliographies by topics / Sermoni medievali

Academic literature on the topic 'Sermoni medievali'

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Published: 10 March 2023

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Journal articles on the topic "Sermoni medievali"

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Donavin, Georgiana. "“De sermone sermonem fecimus”: Alexander of Ashby's De artificioso modo predicandi." Rhetorica 15, no. 3 (1997): 279–96. http://dx.doi.org/10.1525/rh.1997.15.3.279.

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Abstract: Alexander of Ashby's De artifldoso modo predicandi has the distinction of being the first medieval sermon rhetoric since the De doctrina Christiana to apply classical rhetorical terms to preaching. The text ineludes a dedicatory prologue to Alexander's abbot (of the Augustinian canons at Ashby), the treatise proper on a sermon's construction, and five sample sermons. In contradistinction to current formalist descriptions of the De artificioso modo predicandi, this essay focuses on its audience awareness. I argue that the historical importance of this treatise lies not merely in its revival of classical terminology, but also in its theorization of rhetorical scenes in which classical teachings might apply to the sermon.
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Aguilar, Josep Antoni. "«Així com un camp de batalla»: A l’entorn de les imatges de tipus militar als sermons de Vicent Ferrer." Revista de lenguas y literaturas catalana, gallega y vasca 24 (January 15, 2020): 13. http://dx.doi.org/10.5944/rllcgv.vol.24.2019.26405.

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El corpus sermonari de sant Vicent Ferrer es ric en simils i al・legories de tall bellic. El present article analitza l’us d’aquest tipus d’imatgeria per part del dominic valencia, principalmente mitjancant la lectura comparada dels seus sermons amb els d’altres predicadors medievals i diversos tractats de predicacio de l’epoca. En concret, hom centra l’atencio en tres aspectes de la presencia d’aquesta mena d’imatges dins la predicacio vicentina: a) la presentacio de Jesucrist com un cavaller (Christus miles) que lluita contra el diable per tal de redimir la humanitat; b) el desenvolupament de similitudines complexes en que el conjunt de la cristiandat es presentat com una host en formacio de batalla contra els vicis i les temptacions; i c) el recurs frequent a l’al・legoria del castell espiritual, un simbol el significat del qual fluctúa en funcio de cada sermo.Saint Vincent Ferrer’s corpus of sermons presents a rich variety of military similes and allegories. The present paper analyzes the use of these images in Ferrerian preaching, and does it mainly by means of a comparative approach which takes into account also the work of other medieval preachers and several Artes praedicandi treatises. Particular consideration has been given to three diferent aspects of the use of this sort of imagery in Ferrer’s sermons: a) the portrayal of Jesus Christ as a knight (Christus miles) who jousts against the devil for human salvation; b) the elaboration of complex similitudines in which the whole of Christendom is represented as a host assembled in battle array against temptations and vices; c) the regular use of the spiritual allegory of the castle under siege, a symbol whose meaning fluctuates from sermon to sermon.
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Regev, Shaul. "Oral Preaching and Written Sermons in the Middle Ages." European Journal of Jewish Studies 9, no. 1 (April 21, 2015): 85–99. http://dx.doi.org/10.1163/1872471x-12341274.

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Our knowledge of the nature of medieval Jewish public sermons is limited and our conclusions mostly inferential. Nonetheless, based upon the sermon literature and through analysis of various introductions and manuals for preachers of the time, we can fairly accurately reconstruct the oral sermon. We know where and when sermons were delivered, their content, the characteristics of the various preachers, the expectations of the listeners and the efforts the preachers made to make their sermons appealing to a diverse audience. Inevitably, over the course of centuries, both the form and the content of sermons changed. This was in response to the shifting needs and desires of audiences and reflects the changes in orientation of the various periods, such as the move from philosophically based sermons to those with Kabbalistic or Halakhic content.
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Wenzel, Siegfried. "A Sermon in Praise of Philosophy." Traditio 50 (1995): 249–59. http://dx.doi.org/10.1017/s0362152900013234.

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Worcester Cathedral MS F.10 forms a random collection of Latin, English, and macaronic sermons which were gathered and copied by a fairly large number of scribes in the middle of the fifteenth century. These sermons, most of them anonymous, are for a variety of occasions and audiences and have been entered in no particular liturgical order, even if, as the presence of several sets of quire numbers indicates, the individual quires were reordered several times in the medieval period. The collection contains a number of pieces that were evidently preached to a university audience, as is shown by their addressing “magistri” and by internal references to a university milieu. Their locale was presumably Oxford. Besides such general university sermons, the collection also includes two that are labeled “Introitus Sententiarum” and three other pieces that agree with these in form — the scholastic sermon structure — and content — praise of theology or holy Scripture and Peter Lombard. These five pieces are introitus, academic speeches or sermons which, according to university statutes, bachelors as well as masters (or doctors) of theology were required to deliver as they began their courses on the Bible or on Peter Lombard's Sentences. In addition, the manuscript contains an item that is very similar to the introitus sermons in that it follows the scholastic sermon structure and praises its subject. The latter, however, is not theology but philosophy, and the thema on which the piece is based is not a biblical text but a quotation from Aristotle. A sermon on a secular text itself is a rarity in medieval sermon literature, certainly from England; and appearing as it does in a sermon collection, the piece seems to be a rarissima avis stuck in the wrong flock.
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Ackerman, Ari. "Zerahia Halevi Saladin and Thomas Aquinas on Vows." Journal of Jewish Thought and Philosophy 19, no. 1 (2011): 47–71. http://dx.doi.org/10.1163/147728511x591180.

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AbstractThis article examines two medieval sermons that examine philosophic and halakhic issues: the Passover sermon of Hasdai Crescas, which discusses the laws of Passover, and a sermon of Zerahia Halevi Saladin, a disciple of Crescas, which probes an aspect of the laws of vows (nedarim). In the analysis of Zerahia’s sermon, a comparison is made between his discussion and Thomas Aquinas’s examination of vows in his Summa Theologica. The comparison establishes the dependency of Zerahia on Aquinas regarding this issue. Likewise, Zerahia’s sermon is compared with Crescas’s, and the relationship between the legal theories of Crescas and Zerahia is investigated. The articles concludes with a brief examination of the significance of the analysis these sermons for understanding of the impact of scholastic sources on Spanish-Jewish philosophy and the relationship between law and philosophy in the writings of Hasdai Crescas and his students.
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Wilk, Ks Piotr. "Przymioty świętego. „Sermones VI–VIII” Ryszarda ze św. Wiktora – wstęp, przekład, komentarz." Łódzkie Studia Teologiczne 31, no. 4 (December 30, 2022): 133–44. http://dx.doi.org/10.52097/lst.2022.4.133-144.

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This article presents the reader with the first Polish translation of the three sermons (Sermon VI–VIII) from the first part of Liber exceptionum by Richard of Saint Victor, one of the main representatives of the Victorine school operating in the 12th century in Saint Victor’s Abbey in Paris, which deals with presentation saint, and especially Apostols. The text is undoubtedly an example of medieval Christian hagiography. It is preceded by a preface, in which Richard is briefly introduced and in which the sermons are generally characterized as well as the corresponding imagine of saint itself. Translation has been provided with notes for more efficient reading.
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Ellington, Donna Spivey. "Impassioned Mother or Passive Icon: The Virgin's Role in Late Medieval and Early Modern Passion Sermons*." Renaissance Quarterly 48, no. 2 (1995): 227–61. http://dx.doi.org/10.2307/2863065.

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On 13 April 1403, Parisian chancellor Jean Gerson delivered one of his most famous sermons, a sermon on the Passion of Christ entitled “Ad deum vadit.” That evening, in the second part of the sermon, Gerson set forth the central and most dramatic portion of the Passion narrative, the crucifixion of Jesus. As he had done throughout the story, Gerson sought to recreate the feelings, responses, and very words of Mary as she witnessed her son's suffering. In an anguished question that echoed Jesus’ own, Gerson proclaims that Mary was able to cry to God.
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Kaczor, Ewelina. "St. Hedwig of Silesia: The Ducal Ideal of a Wife in Light of 15th-century “Sermones de sancta Hedwigis”." Respectus Philologicus, no. 41(46) (April 15, 2022): 246–57. http://dx.doi.org/10.15388/respectus.2022.41.46.123.

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A collection of 15th-century Latin sermons for the day of St. Hedwig of Silesia (“Sermones de s. Hedwigis”) constitutes the source material for an analysis of matrimonial role models and the ideal of a wife (uxor) in medieval culture. The collection includes 84 sermons about St. Hedwig, preserved in 45 codes of Silesian provenance. The corpus of sermons on St. Hedwig is supplemented by 61 edited versions of “Vita sanctae Hedvigis” written in 47 manuscripts. The present article includes an analysis of St. Hedwig as a married woman, the ideal of a pious wife avoiding the pleasures of the flesh and observing moral norms in marriage, above all in sexual relations.
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Dorfbauer, Lukas J. "Zwei karolingische Fragmente von nicht identifizierten Predigtsammlungen (München, BSB, clm 29319/3 und 29319/40)." Fragmentology 2 (December 2019): 65–86. http://dx.doi.org/10.24446/y86u.

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The present paper offers discussions of two Carolingian fragments of sermon collections now at the Bayerische Staatsbibliothek in Munich (clm 29319/3 and 29319/40), based on the first identification of their contents. It is demonstrated that clm 29319/3 originally belonged to the same book as the liturgical fragment clm 29304/1; this lost book, which served as exemplar for the famous Benedictionale Frisingense (clm 6430), may turn out to be of major importance for the study of a sermon formerly attributed to Eligius of Noyon (CPL 2096). It is also demonstrated that clm 29319/40, directly or indirectly, served as the exemplar for the hitherto only known copy of an early medieval sermon (Doctrina populorum; CPPM 1A, 2360) in clm 14380. The text of this sermon is printed here for the first time; its sources and also its use in Carolingian sermons (e.g. in a sermonary by Hrabanus Maurus) are discussed.
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Engh, Line Cecilie. "Imaginative immersion in the Cistercian Cloister." Acta ad archaeologiam et artium historiam pertinentia 31 (December 31, 2019): 133–60. http://dx.doi.org/10.5617/acta.7804.

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This article uses analytical concepts from cognitive science to explore and deepen our understanding of how medieval monastics imagined themselves as characters within biblical narratives. It argues that Cistercian monks - and in particular Bernard of Clairvaux - used techniques of imaginative immersion to enter and blend themselves into biblical viewpoints and events, thereby engaging the monks in epistemically and personally transformative experiences. The article concludes that this served to build community and to enculture monks and converts. Specifically, the article offers a close reading of two of Bernard's liturgical sermons, Sermon Two for Palm Sunday and Sermon Two on the Resurrection, to show how his sermons 1) traverse time and space and 2) blend viewpoints. Examples are also taken from texts by John Cassian, Augustine, Gregory the Great, and William of St. Thierry. Keywords: Bernard of Clairvaux, blended viewpoint, deictic displacement, lectio divina, liturgical time and space. On cover:Monks singing the Office and decorated initial A[sperges me.]. Gradual Olivetan Master (Use of the Olivetan Benedictines), illuminated manuscript on parchment ca. 1430-1439. Italy, Monastero di Santa Maria di Baggio near Milan, Ca 1400-1775.Beinecke Ms1184: The olivetan Gradual. Gradual. General Collection, Beinecke Rare Book and Manuscript Library, Yale University.
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Dissertations / Theses on the topic "Sermoni medievali"

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Robert, de Gretham Blumreich Kathleen Marie. "The Middle English "Mirror" an edition based on Bodleian Library, MS Holkham misc. 40 /." Tempe, Ariz. : Arizona Center for Medieval and Renaissance Studies in collaboration with BREPOLS, 2002. http://books.google.com/books?id=x0FbAAAAMAAJ.

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Based on author's Thesis (Ph. D.) Michigan State University, 1991.
A collection of 60 homilies from the anonymous Middle English translation of Robert de Gretham's Anglo-Norman Miroir, or Les évangiles des domnées. Includes bibliographical references (p. [555]-558) and index. Also issued in print.
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Depold, Jennifer Rene. "The martial Christ in the sermons of late medieval England." Thesis, University of Oxford, 2015. http://ora.ox.ac.uk/objects/uuid:b7820bbc-d971-4252-95a5-351166102514.

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Current scholarship on the devotional practices of late medieval England has emphasized two representations of Christ. The first, considered the dominant trend, is that of the suffering Christ; the second, a minor, but important trend particularly for female audiences, is the maternal Christ. Both are revealing of the nature of late medieval Christo-centric devotion. This project contributes to the understanding of late medieval Christocentric devotion in England during the fourteenth and fifteenth centuries by examining the representation of Christ in a martial role, as presented to clerical and lay audiences through the medium of popular sermons. It is a new contribution to the scholarship of late medieval devotion in its demonstration of a multifaceted Christ; the martial Christ echoes, but in many ways also contrasts, the images of the suffering and maternal Christ, in order to provide its audience with a more complex rendering of the human Christ, one which may have been more accessible to a lay populace seeking to form a relationship with him. This project also contributes to the growing field of sermon studies, intended to be comprehensive in nature. It uses a different approach to sermon studies, in that the entire corpus of nearly 4,500 sermons was reviewed. This was done in order to provide the most complete picture of the martial Christ. As a result, this project examines Christ in various martial roles, as well as his modelling of knighthood for kings, knights, preachers, and the laity. These representations were utilised by preachers to instruct their audiences in devotional practice, specifically forms of affective meditation; it was used as a didactic tool to teach the laity the complex doctrines of redemption and atonement; and finally, it was employed as a means to demonstrate the importance of right living in order to fulfill what Christ had promised on the cross, that is eternal salvation.
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Cobari, Eliana. "Vernacular theology : Dominican sermons and audience in late medieval Italy." Thesis, University of Bristol, 2008. http://hdl.handle.net/1983/7dfc3f63-3fc6-42af-b418-7b6f048d02dd.

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O'Mara, V. M. "A study of unedited late Middle English sermons that occur singly or in small groups, with an edition of selected sermons." Thesis, University of Leeds, 1987. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.380304.

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Volk-Birke, Sabine. "Chaucer and medieval preaching : rhetoric for listeners in sermons and poetry /." Tübingen : G. Narr, 1991. http://catalogue.bnf.fr/ark:/12148/cb35515896d.

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Bennett, A. K. "Narratives of decline in late medieval English sermons and in Piers Plowman." Thesis, University of Cambridge, 2009. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.596567.

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This dissertation examines narratives of decline as part of the late medieval discourse of complaint and social criticism, focusing on vernacular orthodox and Wycliffite preaching, and on Piers Plowman. I argue that these texts sought to ‘place’ their readers and listeners within a narrative, where the past was characterised by the build up of sin, and where future recuperation depended on a will to reform in the present. I draw on the work of Paul Ricoeur to account for the interaction between textual narrative and human experience, and so to describe the way narratives of decline were offered to readers and congregations as a way to understand their own lives. Preachers and poets identified narratives of decline with one another, creating a ‘horizon of expectations’ about the ultimate consequences of sin and social decay, and with other narratives where decline led to reform, creating a ‘horizon of expectations’ about the possibilities for renewal. Narratives of decline formed part of the authoritative critical rhetoric of orthodox preaching, but were also appropriated by ‘unlicensed’ speakers like the poet of Piers Plowman, and by the heretical preachers of the Wycliffite movement. These texts, or group of texts, which, in turn, form the topics of my three main chapters, understood decline in different ways, and proposed very different kinds of reform in response to it. In orthodox preaching, narratives of decline most often served to promote a new engagement with the Church, commonly through the custom and practice of penance. Yet for Piers Plowman, and, in different ways, for the Wycliffite preachers, the Church itself was involved in narratives of decline. These writers redeploy the rhetoric of decline in more radical ways, challenging the ‘horizon of expectations’ they inherit from orthodox preaching.
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Horie, Ruth. "Ecclesia Deo Dedicata : church and soul in the late medieval dedication sermons." Thesis, University College London (University of London), 1998. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.287898.

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Kovalcik, Timothy Mitchell. "England and medieval antisemitism 1150-1350 : clerical sermons and the transmission of stereotypes." Thesis, University of Bristol, 2005. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.414125.

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Law, Marita. ""Piers Plowman": The influence and the effects of sermon structure and rhetoric in the B Text." Diss., The University of Arizona, 1990. http://hdl.handle.net/10150/185030.

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Critics have offered many views about the structure of Piers Plowman. Provided with few clues, they have tried to determine from the dominant features the poem's organizing factors. However, since 1926, when G. R. Owst suggested in Preaching in Medieval England that the meaning of Piers would become clear if the poem were compared in its thematic and artistic elements with sermon literature (295-296), only a few critics have discussed Langland's use of the sermon form. This present study argues that Langland structured his poem as a sermon to answer the Dreamer's question, "How I may saue my soule?" (B. I. 84), and to explain that salvation is attained by knowing and observing the love commandments, a Scriptural theme frequently treated in the sermons of the time. By comparing the structure of Piers with that of the sermon as Robert of Basevorn describes in Forma praedicandi (1322), I show that Langland forms his poem with the use of sermon "ornaments": invention of theme, antetheme/protheme, prayer concluding the antetheme, restatement of theme, division and confirmation of divisions, and concluding prayer. In addition, I show that the visions and passus, which are interrupted with the Dreamer's awakening, form subdivisions in each of the sections. I also show that Langland uses dream-allegory, dramatic-narrative, and satirical exempla to embellish his explanation of salvation. This parallel of the "art" in Langland's poem with the "art" of preaching shows that the poem has a definite structural and thematic unity and that the logical plan makes Christian belief concerning salvation understandable, instructive, and persuasive.
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Spilsbury, Stephen Ronald Paul. "The concordance of scripture : the homiletic and exegetical methods of St Antony of Padua." Thesis, University of Bristol, 1999. http://hdl.handle.net/1983/7848f495-739f-4548-a67b-d2d5ccf2160c.

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Books on the topic "Sermoni medievali"

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Georgiana, Donavin, Nederman Cary J, and Utz Richard J. 1961-, eds. Speculum sermonis: Interdisciplinary reflections on the medieval sermon. Turnhout: Brepols, 2004.

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Quinto, Riccardo. Manoscritti medievali nella Biblioteca dei Redentoristi di Venezia (S. Maria della consolazione, detta "della Fava"): Catalogo dei manoscritti, catalogo dei sermoni ; identificazione dei codici dell'antica biblioteca del Convento domenicano dei Santi Giovanni e Paolo di Venezia. Padova (Italy): Il poligrafo, 2006.

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Andersson, Roger, ed. Constructing the Medieval Sermon. Turnhout: Brepols Publishers, 2008. http://dx.doi.org/10.1484/m.sermo-eb.6.09070802050003050205080901.

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Kienzle, Beverly Mayne, ed. Models of Holiness in Medieval Sermons. Turnhout: Brepols Publishers, 1996. http://dx.doi.org/10.1484/m.tema-eb.5.107129.

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Hamesse, Jacqueline, Beverly Mayne Kienzle, Debra L. Stoudt, and Anne T. Thayer, eds. Medieval Sermons and Society: Cloister, City, University. Turnhout: Brepols Publishers, 1998. http://dx.doi.org/10.1484/m.tema-eb.5.107133.

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Franco, Morenzoni, ed. Sermones. Turnholti: Brepols, 1993.

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Pontano, Giovanni Gioviano. De sermone. Roma: Carocci, 2002.

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Nicholas. Predigten im Jahreslauf. Münster: Aschendorff, 2001.

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A study and edition of selected Middle English sermons: Richard Alkerton's Easter Week sermon preached at St. Mary Spital in 1406, a sermon on Sunday observance, and a nunnery sermon for the Feast of the Assumption. Leeds, England: School of English, University of Leeds, 1994.

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Eckhart. I sermoni latini. Roma: Città nuova, 1989.

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Book chapters on the topic "Sermoni medievali"

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Gradon, Pamela. "Wyclif’s Postilla and his Sermons." In Medieval Church Studies, 67–77. Turnhout: Brepols Publishers, 2005. http://dx.doi.org/10.1484/m.mcs-eb.3.3569.

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Amos, Thomas L. "Early Medieval Sermons and the Holy." In Textes et Etudes du Moyen Âge, 23–34. Turnhout: Brepols Publishers, 1996. http://dx.doi.org/10.1484/m.tema-eb.4.00508.

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Ferzoco, George. "Sermon Literatures concerning Late Medieval Saints." In Textes et Etudes du Moyen Âge, 103–25. Turnhout: Brepols Publishers, 1996. http://dx.doi.org/10.1484/m.tema-eb.4.00513.

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Andersson, Roger. "Introduction." In Constructing the Medieval Sermon, 1–7. Turnhout: Brepols Publishers, 2008. http://dx.doi.org/10.1484/m.sermo-eb.3.3851.

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Akae, Yuichi. "Between artes praedicandi and Actual Sermons: Robert of Basevorn’s Forma praedicandi and the Sermons of John Waldeby, OESA." In Constructing the Medieval Sermon, 9–31. Turnhout: Brepols Publishers, 2008. http://dx.doi.org/10.1484/m.sermo-eb.3.3852.

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Quinto, Riccardo. "Peter the Chanter and the ‘Miscellanea del Codice del Tesoro’ (Etymology as a Way for Constructing a Sermon)." In Constructing the Medieval Sermon, 33–81. Turnhout: Brepols Publishers, 2008. http://dx.doi.org/10.1484/m.sermo-eb.3.3853.

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Serventi, Silvia. "Did Giordano da Pisa Use the Distinctiones of Nicolas Gorran?" In Constructing the Medieval Sermon, 83–116. Turnhout: Brepols Publishers, 2008. http://dx.doi.org/10.1484/m.sermo-eb.3.3854.

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Hedlund, Monica. "The Use of Model Sermons at Vadstena: A Case Study." In Constructing the Medieval Sermon, 117–64. Turnhout: Brepols Publishers, 2008. http://dx.doi.org/10.1484/m.sermo-eb.3.3855.

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Odelman, Eva. "Editing the Sermones moralissimi de tempore by Nicolaus de Aquaevilla." In Constructing the Medieval Sermon, 165–76. Turnhout: Brepols Publishers, 2008. http://dx.doi.org/10.1484/m.sermo-eb.3.3856.

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Swan, Mary. "Constructing Preacher and Audience in Old English Homilies." In Constructing the Medieval Sermon, 177–88. Turnhout: Brepols Publishers, 2008. http://dx.doi.org/10.1484/m.sermo-eb.3.3857.

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