Journal articles: 'Septimus'

1

Egan, Pierce. "The magnificent septimus." Medical Journal of Australia 151, no. 11-12 (December 1989): 715–16. http://dx.doi.org/10.5694/j.1326-5377.1989.tb139657.x.

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Klaus, V. "CONGRESSUS SEPTIMUS INTERNATIONALIS FENNO-UGRISTARUM." Linguistica Uralica 27, no. 2 (1991): 124. http://dx.doi.org/10.3176/lu.1991.2.14.

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Albalawi, Mohammed. "The Manifestations of Woolf’s Life Experiences in Mrs. Dalloway." Advances in Language and Literary Studies 13, no. 1 (February 28, 2022): 16. http://dx.doi.org/10.7575/aiac.alls.v.13n.1.p.16.

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Mrs. Dalloway is one of Virginia Woolf’s greatest achievements. The novel continues to enthuse scholars across the globe, and there are myriad studies through which readers can gain a finer understanding of it. This paper attempts to show how Woolf implants in Mrs. Dalloway a plentiful range of experiences from her life. It argues that in order to have an ample understanding of a character’s state of mind or behavior, emphasis should be placed not only on the text but also on the role of the writer’s personal experiences in its formation. This paper discusses, more specifically, how Woolf’s own experiences are linked to Septimus’s, and showcases that Woolf’s life is a major influence on the story of Septimus.

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4

Van Wert. "The Early Life of Septimus Smith." Journal of Modern Literature 36, no. 1 (2012): 71. http://dx.doi.org/10.2979/jmodelite.36.1.71.

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Pappas, Nikos, and Michael K. Remson. "Septimus Winner: Two Lives in Music." American Music 22, no. 4 (2004): 589. http://dx.doi.org/10.2307/3592994.

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Poulain, Alexandra. "“A player, a playwright, and the most famous poet in the world”: Highs and Lows in The Player Queen." ABEI Journal 25, no. 2 (December 29, 2023): 33–45. http://dx.doi.org/10.11606/issn.2595-8127.v25i2p33-45.

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Yeats published The Player Queen, a play he had struggled with for more than a decade, in 1922, just a year before he was awarded the Nobel Prize. This article argues despite its appearance of complete wackiness, The Player Queen constitutes a significant landmark in Yeats’s elaboration of his own theatrical aesthetics, as well as a meditation on artistic responsibility—or failure thereof. Why does the poet Septimus fail to communicate his beautiful vision of the Unicorn to anyone, and why does no-one in the play listen to him? On the one hand, the citizens in the play are figures of the incompetent spectators, reminiscent of the audience who rejected Synge at the Abbey. On the other hand, Septimus himself is an incompetent spectator, who is so engrossed in his poetic vision that he fails to pay attention to the momentous change that is really going on before his eyes, although this concerns his own wife Decima, the eponymous Player Queen who comes to replace the real queen. Septimus fails to make himself heard because he is not paying attention to what really matters, he is not fulfilling his duty, as a playwright and a poet, of translating the shapeless chaos of reality into intelligible forms.

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Szabadváry, Tamás. "Septimus Severus „régi-új” medalionja Dunaújvárosból (Intercisa)." Communicationes Archaeologicae Hungariae 2020 (March 3, 2022): 135–44. http://dx.doi.org/10.54640/cah.2020.135.

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A tanulmány célja a Magyar Nemzeti Múzeum által 1907-ben megvásárolt Septimius Severus vörösréz medalion közlése. A Dunaújvárosban (Fejér m., H, korábban: Dunapentele, római kori Intercisa) előkerült ritka érem említés szintjén szerepelt az irodalomban, azonban részletes közlésére eddig nem került sor. A szórvány-lelet pontos lelőhelyének és lelőkörülményeinek azonosítása nehézségbe ütközik, azonban ikonográfiai háttere és kapcsolata a 20. század eleji (illegális) régiségkereskedelemmel a különleges numizmatikai emlékek sorába emeli.

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8

Soares, Lucas Gabriel. "Como respirar debaixo d’água." Travessias 18, no. 1 (January 30, 2024): e31892. http://dx.doi.org/10.48075/rt.v18i1.31892.

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O presente trabalho pretende analisar possíveis relações biográficas de Virginia Woolf no romance Mrs. Dalloway, de 1925. Na vasta bibliografia literária da autora, apenas em Mrs. Dalloway aparece uma personagem suicida, Septimus Warren-Smith, o que nos leva a refletir sobre as escolhas de Woolf na construção da personagem e em sua apresentação na trama. Segundo o teórico literário, Maurice Blanchot, a literatura é estritamente um espaço de morte, portanto, considerando esse aspecto, a personagem Septimus Warren-Smith poderia apresentar indícios de um evento premonitório: o suicídio da autora alguns anos depois. Virginia Woolf demonstra, por meio de alguns registros, a importância da escrita para sua vida ao utilizar do espaço literário como um exercício catártico de sua relação com o mundo. A intenção do artigo consiste em identificar uma possibilidade de sobrevida da autora a partir da morte de Septimus Warrren-Smith no romance. Para isso, recorreu-se ao conceito de ajustamento criativo da Gestalt-Terapia, através dos estudos de Perls (1977); Hefferline (1997); Goodman (1997), com objetivo de alucidar a relação da autora com seu fazer artístico e sua suposta sobrevida, como também, aos ensaios de Marice Blanchot (1987; 2011) acerca da atividade literária e sua correspondência com a morte. Além disso, com a intenção de possibilitar uma visão abrangente dos fatos envolvidos – estéticos e biográficos – foram necessários somar às ferramentas metodológicas da Teoria da Literatura, como James Wood (2012), e dos Estudos Culturais, como Foucault (2001), aspectos da psicanálise asseverados por Freud (2010) e estudos sobre atributos biográficos elaborados por Bourdieu (2006).

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9

Thomson, Jean. "Virginia Woolf and the Case of Septimus Smith." San Francisco Jung Institute Library Journal 23, no. 3 (August 2004): 55–71. http://dx.doi.org/10.1525/jung.1.2004.23.3.55.

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10

Khalid Ali, Maysaloon. "Madness vs. Culture in Virginia Woolf’s Mrs. Dalloway." Journal of Education College Wasit University 2, no. 41 (November 6, 2020): 636–50. http://dx.doi.org/10.31185/eduj.vol2.iss41.1847.

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The purpose of this research is to explain the relationship between madness and the culture of societies, where madness is closely related to cultures. Madness is defined as a group of behaviors characterized by abnormal mental or behavioral patterns. Culture has a tremendous influence on the individual values framework of a society as it is a set of traditional beliefs, rituals, customs and values transmitted and shared in a particular society. Anyone who deviates from these rules will be considered insane. Virginia Woolf’s Mrs. Dalloway is a novel that expresses her perceptions of the idea of madness throughout history; especially since the writer herself was diagnosed as mentally ill. In this novel, the writer chooses the character of Septimus and his relationship with the outside world. Septimus was responsible, obedient, and loved by his employer, yet his inner world was separated from the outside one. It was exacerbated by the fact that he was distanced from the daily habits of the masses and became a stranger and unfit for normal life. Trapped between the past and the present, he failed to leap over a painful memory, and he gradually fell into a state of madness.

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11

Mauck, Courtney A. "The Tragedy of Septimus Smith: Woolf’s Recreation of Shakespeare." CEA Critic 78, no. 3 (2016): 340–48. http://dx.doi.org/10.1353/cea.2016.0031.

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12

Koçhan, Nurettin. "A Fragment of Pediment from Cyzicus." Belleten 69, no. 254 (April 1, 2005): 1–8. http://dx.doi.org/10.37879/belleten.2005.1.

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The fragment appears to have belonged to the corner of a triangular pediment. A sitting female figure, who is stretching her right leg under her left leg that is drawn back slightly, occurs on the corner part of the pediment. A standing male is depicted to the left of this sitting female figure. This naked male figure has a worn surface which is carved on a rectangular two-step pedestal, as if the figure walked towards his right. On the acroterion of the pediment, a lower part of a female figure wearing a himation over a long tunic has been partially preserved. What appears to be a box, the front of which is broken and the inside of which is carved as a rectangle, is placed to the left of this female figure. A battle between Roman Emperor Septimus Severus and Pescennius Niger, who rebelled against him, took place near the city of Cyzicus in 194 A.D. Cyziqene people supported Emperor Septimus Severus. The studied fragmentary pediment must belong to the tomb of a Cyziqene nobles who fought in this battle of 194 A.D. Both stylistic features of the figures and the ornaments indicate that this pediment may be dated to the late second century A.D.

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13

Fishburn, Matthew. "The private museum of John Septimus Roe, dispersed in 1842." Archives of Natural History 47, no. 1 (April 2020): 166–82. http://dx.doi.org/10.3366/anh.2020.0629.

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In 2009, the State Library of New South Wales acquired a collection of 201 letters written by the Royal Navy officer John Septimus Roe. Dating between 1807 and 1829, these letters cover Roe's time serving with Phillip Parker King on the Australian coastal survey voyages of the Mermaid and Bathurst (1817–1823), and later with James Bremer on the Tamar on the Australian north coast and in Southeast Asian waters (1824–1827). This article, based on a close study of the letters, explores how Roe's interest in natural history and ethnography developed during this time, leading to the establishment of an extensive private museum, with the particular encouragement of his brother William Roe, at the family home, the rectory of the church of St Nicolas, Newbury, Berkshire. Roe took advantage of his time, while surveying areas of Australia largely unknown to Europeans, to make a collection of some scientific importance, but the museum was sold and dispersed in 1842, so that the close reading of the letters provides the only substantive account of its contents. The letters also provide an opportunity to make a case study of the web of connections – and opportunities for promotion – that collecting provided for a then quite junior British naval officer. Although no item with a confirmed provenance to the museum is recorded, it is hoped that this article may provide clues that will lead to the unearthing of specimens acquired by Roe which formed part of his enormous natural history collection, and also to the Aboriginal spears, weapons and other implements collected from the remoter stretches of the Australian coast.

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14

Bethea, Arthur F. "Septimus Smith, the War-Shattered Christ Substitute in MRS. DALLOWAY." Explicator 68, no. 4 (December 13, 2010): 249–52. http://dx.doi.org/10.1080/00144940.2010.535456.

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15

Nardi, Roberto. "Conservation of the Arch of Septimus Severus: work in progress." Studies in Conservation 31, sup1 (January 1986): 3–7. http://dx.doi.org/10.1179/sic.1986.31.supplement-1.3.

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16

Wang, Jin, and Xiaoyu Xie. "Traumatic Narrative in Virginia Woolf’s Novel Mrs. Dalloway." English Language and Literature Studies 7, no. 1 (January 20, 2017): 18. http://dx.doi.org/10.5539/ells.v7n1p18.

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Virginia Woolf was one of the greatest literary artists in the 20th century, pioneering the contemporary English literature with the stream-of-consciousness technique. Mrs. Dalloway is her representative work that centers on the internal description of the characters while presenting social conditions of the postwar Britain. This paper examines traumatic narratives of the two protagonists, Clarissa Dalloway and Septimus Warren Smith, and explores implications of the war as the primordial cause of the spiritual crisis.

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17

Li, Tingting. "BODILY OPPRESSION AND INTERACTION: A SPATIAL ANALYSIS ON MRS. DALLOWAY." AICLL: ANNUAL INTERNATIONAL CONFERENCE ON LANGUAGE AND LITERATURE 1, no. 1 (April 17, 2018): 301–10. http://dx.doi.org/10.30743/aicll.v1i1.38.

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Virginia Woolf is one of the most influential novelists in British literature and also one of the pioneers who leads the trend of literary modernism. Just as artists engaged in Cubic painting and sculpture in the same developmental period, such modern novelists as Virginia Woolf were keenly aware of the significant influence of space on their artistic creation. Therefore, this essay tries to explore the interrelation between men and space through analyzing Woolf’s modernist masterpiece—Mrs. Dalloway. Focusing on Clarissa Dalloway and Septimus Warren Smith, this essay aims to interpret how they struggle against bodily oppressions, namely the restraints and controls imposed on the individual body by the external space, and how they make an effort to interact with space as a way out. Clarissa’s interaction with space involves her participation in constructing urban space through walking, directly affecting the external space; at the same time, urban space also affects her internal space by cheering her up when she walks in the city. And as for Septimus, he integrates into space by committing suicide so that his flesh is eventually decomposed to dust and returns to nature. By analyzing all those, this essay tries to argue that modern society not only makes people suffer from spatial oppression but also offers new opportunities and development prospects, enabling people to liberate themselves from numerous oppressions and create positive integration and communication with their surrounding space, which finally reaches a balanced state.

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18

Will, Ernest. "A propos de quelques inscriptions palmyréniennes : le cas de Septimus Vorôd." Syria 73, no. 1 (1996): 109–15. http://dx.doi.org/10.3406/syria.1996.7469.

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19

Driver, Felix, and Luciana Martins. "John Septimus Roe and the Art of Navigation, c. 1815–1830." History Workshop Journal 54, no. 1 (2002): 144–61. http://dx.doi.org/10.1093/hwj/54.1.144.

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20

Russell, Richard Rankin. "E.M. Forster's Leonard Bast: A Source for Virginia Woolf's Septimus Smith." English Language Notes 42, no. 3 (March 1, 2005): 52–67. http://dx.doi.org/10.1215/00138282-42.3.52.

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21

Smoley, Christine. "Mrs Dalloway’s Dialogic Discourse and the Function of the Written Fragment." Transcultural Studies 11, no. 2 (April 10, 2015): 199–215. http://dx.doi.org/10.1163/23751606-01102004.

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The text of Virginia Woolf’s novel Mrs Dalloway is constructed from multiple character ‘voices’ or discourses in such a way that gives the novel a dialogic form. After discussing Mrs Dalloway’s dialogic model of sane and insane discourse and subjectivity—a model which is transposed into the text through the discourses of Clarissa Dalloway and Septimus Smith—by drawing upon Mikhail Bakhtin’s theory of novelistic discourse, this paper demonstrates how the novel makes use of its dialogic form and structure, positing a model of modern subjectivity by demonstrating the paradoxical inhabitation of ‘insanity’ within sanity, and the fundamental role which ‘unreason’ plays as a constituent of reason.

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López Faugier, Irene. "ANÁLISIS DE LA REGULACIÓN DE ALIENACIÓN PARENTAL EN LA LEY SUSTANTIVA CIVIL DEL DISTRITO FEDERAL." Revista de la Facultad de Derecho de México 64, no. 262 (June 9, 2017): 533. http://dx.doi.org/10.22201/fder.24488933e.2014.262.60364.

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El artículo 323 septimus del Código Civil para el Distrito Federal regula someramente la alienación parental. La exposición se inicia con la explicación técnica-genérica de la alienación parental, para abordar en el tercer apartado, el análisis de su regulación en la ley sustantiva civil del Distrito Federal, con el auxilio de los métodos dogmático y exegético. Además, bajo la óptica del método sistemático, se analiza por su estrecha relación presupuestos normativos de las legislaciones sustantiva y adjetiva civiles del Distrito Federal, con la pretensión de proporcionar una visión integral, teórica y práctica. En el último rubro, se reitera la naturaleza multidisciplinaria de la alienación parental con sus trascendentes repercusiones psíquicas y sociales.

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Olarte Dussán, Rocío. "La señora Dalloway: una mirada íntima a la vida cotidiana." Ignis, no. 13 (December 31, 2019): 23–28. http://dx.doi.org/10.52143/2711-029x.674.

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Este artículo presenta una aproximación a la forma composicional de La señora Dalloway, de Virginia Woolf, probablemente una de las novelas más representativas de la primera mitad del siglo XX. La armonía lograda por la escritora entre el monólogo interior y el discurso indirecto libre dotan a la pieza de su carácter único y profundamente intimista; se trata posiblemente de su mayor acierto estético. El estudio de estos elementos de la técnica de composición de la obra permite comprender mejor el choque de las visiones de mundo de Clarissa y Septimus (personajes de la novela), las diferencias irresolubles de sus caminos existenciales, y la reacción de Woolf ante los cambios sociohistóricos impuestos por la modernidad.

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Tirosh-Rothschild, Hava. "Hispano-Jewish Culture in Transition: The Career and Controversies of Ramah. Bernard Septimus." Speculum 60, no. 1 (January 1985): 199–201. http://dx.doi.org/10.2307/2852174.

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HARCOURT, G. C. "Keith Septimus Frearson 18 September 1922–2 February 2000: A Memoir and a Tribute." Economic Record 76, no. 234 (September 2000): 297–300. http://dx.doi.org/10.1111/j.1475-4932.2000.tb00025.x.

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Sanzsalazar, Jahel. "I Am Cleopatra: The Seduction and Stoicism of a Newly Identified Painting by Matthäus Merian the Younger (1621 – 1687)." Zeitschrift für Kunstgeschichte 82, no. 1 (April 19, 2019): 71–91. http://dx.doi.org/10.1515/zkg-2019-0003.

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Abstract A previously anonymous Death of Cleopatra is here attributed to the Basel-born painter Matthäus Merian the Younger. Besides crucial stylistic connections with his known works, further evidence is given by a signed engraving, which was never associated with any known painting. The print is inscribed with a poem and a dedication to his patron Baron Septimus Jörger von Tollet. Word and image summarize the fascination and criticism that Cleopatra has aroused since antiquity. Presenting a warning against the power of her seduction while exhibiting her stoic death by virtue of the constancy of her love for Mark Antony, they respond to Merian’s adherence to the principles of Neostoicism. Merian creates a remarkably original Cleopatra that provides a key for future identifications of this lesser-known facet of his oeuvre.

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Alcántara Almánzar, José. "De autores y personajes desquiciados en la literatura." Ciencia y Sociedad 24, no. 1 (March 1, 1999): 69–87. http://dx.doi.org/10.22206/cys.1999.v24i1.pp69-87.

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Algunos de los más conocidos enajenados de la literatura universal han sido creados por novelistas o dramaturgos en su sano juicio, dueños de un comportamiento personal aceptable, cuando no ejemplar, y que han gozado respeto entre sus coetáneos, pero que, debido a su oficio han sido capaces de sondear, con minuciosa precisión, los matices de la alienación mental, así como los rasgos que tipifican la locura A través de un recorrido por algunas obras célebres de Cervantes, Shakespeare, Moliere, Poe, Dostoievski, Kafka, Virginia Woolf, Faulkner, Jean Genet, Horacio Quiroga y Yukio Mishina, entre otros, desfilan en las páginas de este ensayo, evocados en sus rasgos esenciales, algunos paradigmas literarios de la locura Don Quijote, el Rey Lear, Raskilnikov, Septimus y Rhoda, Mis Emily, son analizados por el autor, quien establece un contrapunto entre locura y ficción.

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Kiełczewska, Aleksandra. "Monety z Apamei Kibotos. Najstarsza ikonografia Arki Noego." Vox Patrum 52, no. 1 (June 15, 2008): 455–70. http://dx.doi.org/10.31743/vp.8874.

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Author of the article presents the series of six coins minted in ancient city of Apamea Kibotos in Phrygia during the reign of emperors Septimus Severus (193- 211), Macrinus (217-218), Alexander Severus (222-235), Gordian III (238-244), Philip the Arab (244-249) and Trebonius Gallus (251-253). The coins depict Noah’s Ark and were connected with Jewish community of the city. The article introduces a short history of Apamea and Jewish settlers in this region. The main part of the article presents the description of the scenes on the coins and tries to explain the circumstances of their appearance in ancient Roman city. An attempt to explain the meaning of the Greek nickname for Apamea - Kibotos, is also significant. In the end of the article author makes the comparison with depictions of Noah’s Ark in early Christian art.

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Parmar, Vidushi. "The conflict of Reality and Thought in Mrs Dalloway as inspired by Virginia Woolf’s Life." International Journal of English Literature and Social Sciences 7, no. 5 (2022): 216–18. http://dx.doi.org/10.22161/ijels.75.33.

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The paper delves into the ocean of reality and thought as they exist in coordination as well as paradox in Virginia Woolf’s one of its kind novel Mrs. Dalloway. It also aspire to understand the deeper reasons that lead to Virginia writing such characters which seems far apart in their experience but are uniquely similar when seen from the lens of thought. Virginia’s personal life effected the characters consciousness, and their reactions to certain situations also find root in her own life. The concept of stream of consciousness was not new in the twentieth century but its employment was certainly unique in Mrs Dalloway, which made it popular among the public in general. It endeavour to understand the characters of Clarissa and Septimus in relation with Virginia’s interpretation of “stream of consciousness”, and the depiction of reality as driven by Virginia’s life and thought process.

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30

Argyrides, Patty. "Hauntingly Beautiful: Embodied Reading, Virginia Woolf, and Woolf Works." Journal of Modern Literature 46, no. 4 (June 2023): 23–42. http://dx.doi.org/10.2979/jml.2023.a908972.

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Abstract: As the last two decades have seen a steady increase of contemporary choreographers drawing on modernist literature, interdisciplinary modernist studies must create new and additional lines of communication not only across disciplines, but also including the public arts sector. In 2017, I attended the Royal Ballet's revival of Woolf Works , a ballet based on the life and works of Virginia Woolf and interviewed choreographer Wayne McGregor and dramaturg Uzma Hameed. I draw on my background as a former dancer to explore how we can use McGregor's choreographic and Hameed's dramaturgic approach to analyze the ballet and the embodied aspects of Woolf's writing. By focusing on the first section of Woolf Works ("I now, I then"), and Woolf's novel Mrs. Dalloway , I consider the ways in which the characters of Clarissa and Septimus embody predominant themes in the novel: memory, trauma versus peace, support, and time.

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Argyrides, Patty. "Hauntingly Beautiful: Embodied Reading, Virginia Woolf, and Woolf Works." Journal of Modern Literature 46, no. 4 (June 2023): 23–42. http://dx.doi.org/10.2979/jmodelite.46.4.02.

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Abstract: As the last two decades have seen a steady increase of contemporary choreographers drawing on modernist literature, interdisciplinary modernist studies must create new and additional lines of communication not only across disciplines, but also including the public arts sector. In 2017, I attended the Royal Ballet's revival of Woolf Works , a ballet based on the life and works of Virginia Woolf and interviewed choreographer Wayne McGregor and dramaturg Uzma Hameed. I draw on my background as a former dancer to explore how we can use McGregor's choreographic and Hameed's dramaturgic approach to analyze the ballet and the embodied aspects of Woolf's writing. By focusing on the first section of Woolf Works ("I now, I then"), and Woolf's novel Mrs. Dalloway , I consider the ways in which the characters of Clarissa and Septimus embody predominant themes in the novel: memory, trauma versus peace, support, and time.

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32

Myers, G. "'SPREAD LIKE A VEIL UPON A ROCK': SEPTIMUS AND THE TRENCH POETS OF WORLD WAR I." English 60, no. 230 (August 17, 2011): 212–28. http://dx.doi.org/10.1093/english/efr027.

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Rothstein, Gidon. "Working Towards Accomodation: Rabbenu Yonah Gerondi's Slow Acceptance of Andalusian Rabbinic Traditions." Journal of Jewish Thought and Philosophy 12, no. 3 (2003): 87–104. http://dx.doi.org/10.1163/105369903776759274.

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AbstractRabbis of thirteenth-century Spain were often exposed to two traditions, that of Northern France-Germany and that of Moslem Spain. Until now, the dominant discussion of how they balanced the contrast has been Bernard Septimus' analysis of Nahmanides (Ramban), who managed to draw fruitfully on both. Rabbenu Yonah b. Abraham of Gerona, Ramban's only slightly less famous relative, presents a useful counterexample.Rabbenu Yonah's early works reflect an almost-total immersion in Northern French ways of thinking and writing. Only gradually does he engage ideas from Moslem Spain, suggesting that the mixing of the two traditions in his later writings resulted from years of slow growth and exposure to such Moslem Spanish authors as Rif, R. Bahye ibn Paquda, and Maimonides.His example suggests that how to react to these differing influences was a continuing issue for these rabbis, and that tracking it offers an important key to understanding the intellectual history of the rabbis of that era.

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Haynes, I. P. "The Romanisation of Religion in the 'Auxilia' of the Roman Imperial Army from Augustus to Septimus Severus." Britannia 24 (1993): 141. http://dx.doi.org/10.2307/526726.

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Meyer, Jessica. "’Not Septimus Now‘: wives of disabled veterans and cultural memory of the First World War in Britain." Women's History Review 13, no. 1 (March 1, 2004): 117–38. http://dx.doi.org/10.1080/09612020400200386.

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Shuhaib, Mahdi. "Foreshadowing Overuse." Al-Adab Journal, no. 149 (June 15, 2024): 1–18. http://dx.doi.org/10.31973/vhx0xd55.

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As a descriptive study, this article examines the significance of stylistic analysis in observing fiction, focusing on the use of foreshadowing. The author investigates the potential overuse of foreshadowing in selected modern cultural novels and analyses its impact on the plot and the suspense of the readers. The study examines the use of foreshadowing to deconstruct the difficulty novelists face in crafting immaculate works. It concludes that foreshadowing is an integral part of any literary work, regardless of its type or genre, and that it cannot be restricted to particular words. Furthermore, the "tense" factor in most modern works is not fixed or regulated due to the overuse of the flashback technique. The discussion examines Mr. Dalloway by Virginia Woolf and A Portrait of the Artist as a Young Man by James Joyce. Mrs. Dalloway's linguistic variables demonstrate that foreshadowing predominates the plot, as Woolf's foreshadowing lexis continually alludes to Septimus and Clarissa's plight. A Portrait of the Artist as a Young Man heavily uses concrete lexemes to foreshadow Daedalus’ evolution, whereas Mrs. Dalloway focuses on speech and abstract lexemes.

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Roth, Marco P., Alessandro Verdecchia, Rebecca M. Harrington, and Yajing Liu. "High-Resolution Imaging of Hydraulic-Fracturing-Induced Earthquake Clusters in the Dawson-Septimus Area, Northeast British Columbia, Canada." Seismological Research Letters 91, no. 5 (July 15, 2020): 2744–56. http://dx.doi.org/10.1785/0220200086.

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Abstract The number of earthquakes in the western Canada sedimentary basin (WCSB) has increased drastically in the last decade related to unconventional energy production. The majority of reported earthquakes are correlated spatially and temporally with hydraulic fracturing (HF) well stimulation. In this study, we use waveform data from a new deployment of 15 broadband seismic stations in a spatial area of roughly 60×70km2, covering parts of the Montney Formation, to study the relationship between earthquakes and HF operations in the Dawson-Septimus area, British Columbia, Canada, where the two largest HF-related earthquakes in WCSB to date, an Mw 4.6 on 17 August 2015 and an ML 4.5 on 30 November 2018, have occurred. We use an automated short-term average/long-term average algorithm and the SeisComP3-software to detect and locate 5757 local earthquakes between 1 July 2017 and 30 April 2019. Using two clustering techniques and double-difference relocations of the initial catalog, we define event families that are spatially associated with specific wells, and exhibit temporal migration along a horizontal well bore and/or multiple fractures close to wells. Relocated clusters align in two dominant orientations: one roughly perpendicular to the maximum horizontal regional stress direction (SH) and several conjugate structures at low angles to SH. Comparing the two predominant seismicity lineations to regional earthquake focal mechanisms suggests that deformation occurs via thrust faulting with fault strike oriented perpendicular to SH and via strike-slip faulting with strike azimuth at low angles to SH. Local scale seismicity patterns exhibit clustering around individual HF wells, whereas regional scale patterns form lineations consistent with deformation on faults optimally oriented in the regional stress field.

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Lee, Sanggyu. ""A Study on Materialism Through Virginia Woolf’s Mrs. Dalloway: Convergence Between Septimus and the Dynamic World of Matter"." Journal of Humanities and Social sciences 21 13, no. 4 (August 30, 2022): 859–70. http://dx.doi.org/10.22143/hss21.13.4.60.

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Prsic, Jelena. "Negation of Survival in the Post-war Urban Revival: Septimus in “Mrs Dalloway” and Édouard in “The Great Swindle”." Филолог – часопис за језик књижевност и културу, no. 15 (June 30, 2017): 347–67. http://dx.doi.org/10.21618/fil1715347p.

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Easton, Erin E., David Thistle, and Trisha Spears. "Species boundaries in Zausodes-complex species (Copepoda:Harpacticoida:Harpacticidae) from the north-eastern Gulf of Mexico." Invertebrate Systematics 24, no. 3 (2010): 258. http://dx.doi.org/10.1071/is09038.

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Before 1999, the harpacticoid copepod species Zausodes arenicolus Wilson, 1932 was the subject of several ecological studies. Based on morphological evaluations of specimens from the north-eastern Gulf of Mexico, Bouck et al.’s (1999) taxonomic revision revealed three new species within what had been Z. arenicolus, making the ecological results suspect. Because harpacticoid copepods show convergent evolution and morphological stasis, Bouck et al.’s morphologically based approach may not have been sufficient. We have therefore re-evaluated their results using a combination of gene-sequencing and morphological methods. Partial mitochondrial cytochrome b (cytb) and 18S rRNA gene regions from individual Zausodes specimens found at five sites in the north-eastern Gulf of Mexico were separately analysed. Individuals of Zausodes septimus Lang, 1965 formed a single cytb gene-sequence clade, whereas Z. arenicolus individuals formed five. The uncorrected genetic divergences among these clades were 10 times those within them, providing evidence that each clade could be assigned to a different species. The 18S rDNA results support those from cytb. Subsequent morphological analysis revealed differences that will allow two clades of Z. arenicolus to be described as new species. Bouck et al. (1999) revealed some but not all of the species present.

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Nogueira, Paulo Augusto de Souza, and Denilson Da Silva Matos. "Práticas religiosas populares na Passio Sanctorum Perpetuae et Felicitatis: entre sonhos oraculares e visões apocalípticas." REFLEXUS - Revista Semestral de Teologia e Ciências das Religiões 12, no. 20 (December 7, 2018): 331. http://dx.doi.org/10.20890/reflexus.v12i20.864.

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Neste artigo propomos uma análise de práticas religiosas populares na Passio Sanctorum Perpetuae et Felicitatis, que narra a história da prisão e execução de um grupo de cristãos em Cartago, norte da África, na virada do segundo para o terceiro século da era cristã (202-204 d.C) durante o reinado do imperador Séptimus Severus. Destacamos relatos que aproximam as práticas dos mártires às práticas religiosas de subalternos, com destaque para práticas consolidadas no âmbito da religião do povo, a saber, a consulta a sonhos e oráculos de diversos tipos, com a finalidade de administrar conflitos e a escassez de recursos, bem como a preparação de amuletos.In this paper we propose an analysis of popular religious practices in the Passio Sanctorum Perpetuae et Felicitatis, which tells the story of the imprisonment and execution of a group of Christians in Carthage, North Africa, at the turn of the second to the third century of the Christian era (202- 204 AD) during the reign of Emperor Septimus Severus. We highlight reports that approximate the practices of the martyrs to the religious practices of subalterns, with emphasis on practices consolidated within the scope of the religion of the people, namely the consultation of dreams and oracles of various types, with the purpose of managing conflicts and the scarcity of resources, as well as the preparation of amulets.

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Lanouette, William. "Septimus H. Paul. Nuclear Rivals: Anglo‐American Atomic Relations, 1941–1952. x + 266 pp., bibl., index.Columbus: Ohio State University Press, 2000. $42.50." Isis 93, no. 1 (March 2002): 128–29. http://dx.doi.org/10.1086/343301.

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Cizewski, Wanda. "Reading the World as Scripture: Hugh of St Victor’s De Tribus Diebus." Florilegium 9, no. 1 (January 1987): 65–88. http://dx.doi.org/10.3138/flor.9.004.

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Hugh of St Victor’s De tribus diebus is a difficult work to classify. Strictly speaking, it is neither an hexaemeral commentary nor a cosmological treatise, although it bears affinities to both these types of literature. It is not exactly a mystical work either, despite its stated intention of leading the reader through the visibilia of creation to the invisibilia of the triune God. In some of the surviving manuscripts, it is attached to the Didascalicon de studio legendi, and in Migne’s Patrologia latina it appears as the liber septimus of that work. C.H.Buttimer, modern editor of the Didascalicon, chose to omit the De tribus diebus from his edition, although retaining a somewhat incongruous appendix, the De tribus rerum subsistentiis. His decision seems unfortunate. Granted that the De tribus diebus is a self-contained treatise that can be read and used as such, the evidence of the manuscripts should not be ignored. I would suggest that the De tribus diebus might best be read, in fact, as a contemplative seventh part of Hugh’s six-part work in the Didascalicon, if not actually the meditation proposed in the preface and book six, chapter thirteen. On these terms, it appears both as an exemplary application of exegetical principles expounded in the treatise de studio legendi, and as the completion or conclusion that structurally echoes the hexaemeron, in which God worked during six “days” but on the seventh blessed and contemplated what he had made.

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EARLE, BO. "Policing and Performing Liberal Individuality in Anthony Trollope's The Warden." Nineteenth-Century Literature 61, no. 1 (June 1, 2006): 1–31. http://dx.doi.org/10.1525/ncl.2006.61.1.1.

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In this essay I argue that Anthony Trollope's The Warden (1855) anticipates and problematizes Trollope's oft-cited representativeness of the Victorian period generally, and Victorian liberalism in particular. As Jrgen Habermas has shown, Victorian liberalism should be construed less in terms of its promotion of pluralism than in terms of an"ambivalence" as to its practical implications. Correspondingly, The Warden offers a performative exemplification of Victorian liberalism that is instructive precisely because it paradoxically refuses definitively to represent it. The instruction I would draw from this paradox relates to the moral "pinch" that Septimus Harding, the novel's protagonist,feels as a result of his aspiration to "be right" as opposed to being "proved" right. This paradox disrupts the reader's reflexive inclination to read Harding's emancipation in traditionally Romantic terms. Just as Harding was "awoken" from the self-induced oblivion of a hegemonic morality, so too the reader is awoken from the self-induced oblivion of the disciplinary conventions of Victorian literary experience that D. A. Miller and David Lloyd critique. Thus the novel can be said to embody Victorian liberalism precisely to the extent that it illuminates the question of such embodiment as open, as a practical problem confronting and animating Victorian society. Hence Trollope makes Harding's imaginary cello-playing the medium or 'embodiment' of his"awakening": the pursuit of "right being" is a matter of "testing" the boundaries of political action and aesthetic imagination alike.

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Kryukova, E. B., and O. A. Koval. "The Literary Madness: Language as an Indicator of Insanity in the Fiction of the 20th Century (1920s)." Critique and Semiotics 39, no. 1 (2021): 316–38. http://dx.doi.org/10.25205/2307-1737-2021-1-316-338.

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The article is devoted to the phenomenon of insanity in the artistic discourse of the 1920s. Such a literary reception is interesting because, on the one hand, it goes against the dominant clinical approaches at that time, which emphasized the medical aspect of the problem, and on the other hand, it anticipates the antipsychiatric philoophical theories, whereby the marginal figure of the madman was gradually included in the social space. Using the example of three iconic works of modernist literature, the article demonstrates how innovative techniques of working with language make the speech of a mentally ill person distinctly audible. Virginia Woolf in “Mrs Dalloway” conveys the disastrous experience of the First World War through the stream of consciousness of the mentally traumatized character Septimus Smith. Woolf puts an anti-militaristic appeal into the mouth of a madman and thus makes him the herald of a simple truth that reasonable people, however, prefer not to notice. Ryūnosuke Akutagawa’s short story “Cogwheels” reproduces the experiences of the author, who feels the approach of insanity. Madness opens up as a borderline case that reveals its deep kinship with the source of writing, understood as a lack of form, lack of meaning, lack of creation. William Faulkner in the novel “The Sound and the Fury” gives the gift of speech to the weak-minded Benji, who doesn’t talk. His im-possible narrative offers an alternative to the linear logic, which clarify Benji’s confusing narration but fail to rival it in conveying the directness of human suffering or happiness.

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Lewis, Dave H., and Dan J. Smith. "Little Ice Age glacial activity in Strathcona Provincial Park, Vancouver Island, British Columbia, Canada." Canadian Journal of Earth Sciences 41, no. 3 (March 1, 2004): 285–97. http://dx.doi.org/10.1139/e03-102.

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Dendroglaciological and lichenometric techniques are used to establish the Little Ice Age (LIA) history of two glaciers (Colonel Foster and Septimus) in Strathcona Provincial Park, Vancouver Island, British Columbia. Our lichenometric investigations were preceded by the development of a locally calibrated Rhizocarpon geographicum growth curve (17081998 A.D.). Documentation of a 34-year ecesis interval for both trees and lichen greatly reduces one of the main uncertainties in using geobotanical methods for dating LIA landforms. The moraine dates provided, therefore, give a good approximation of the shift in climate conditions that lead to the retreat of the glaciers and subsequent moraine stabilization. Geobotanical evidence records three synchronous episodes of LIA moraine deposition at both glaciers: two prominent moraines at each site are dated to the early 1700s and late 1800s, with a third, smaller moraine dated to the mid 1930s. Moraines deposited prior to 1397 A.D. were also recorded at Colonel Foster Glacier; however, precise dating of these moraines was not possible. The moraine records from Strathcona Provincial Park suggest two possible modes of glacier response: (i) synchronous responses to larger-scale climatic forcing, and (ii) asynchronous responses to local factors such as microclimate, topography, and glacier geometry. The Vancouver Island LIA record was evaluated in the context of LIA results from the Pacific North American (PNA) Cordillera. It compares well with regional moraine records from coastal British Columbia, Washington, Alaska, and the Canadian Rocky Mountains, suggesting a regional response of PNA glaciers to climate change associated with the LIA.

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Noël-Savina, E., N. Paleiron, G. Le Gal, and R. Descourt. "Emboles pulmonaires septiques après ablation d’une chambre implantable pour thrombophlébite septique." Journal des Maladies Vasculaires 37, no. 3 (June 2012): 146–49. http://dx.doi.org/10.1016/j.jmv.2012.02.003.

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Ulmer, Rivka. "On the Boundaries of Talmudic Prayer. By Yehuda Septimus. Texts and Studies in Ancient Judaism, 161. Tübingen: Mohr Siebeck, 2015. Pp. x + 365. €139.00." Religious Studies Review 43, no. 2 (June 2017): 190. http://dx.doi.org/10.1111/rsr.13031.

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Prena, Jens. "The Middle American species of Ambates Schönherr (Coleoptera: Curculionidae: Baridinae)." Beiträge zur Entomologie = Contributions to Entomology 53, no. 1 (July 31, 2003): 167–98. http://dx.doi.org/10.21248/contrib.entomol.53.1.167-198.

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Es werden taxonomische und nomenklatorische Aspekte von acht Gattungsnamen betrachtet, die in Zusammenhang zu Ambates sensu Schönherr stehen. Peridinetus schoenherri Chevrolat wird als Typusart von Drepanambates Jekel festgelegt. Mit Hilfe von Genitalstrukturen und Merkmalen am Rüssel werden zwei Artgruppen auf Gattungsebene unterschieden, welche die Namen Embates Chevrolat und Ambates Schönherr (gen. res.) erhalten. Synonyme von Ambates sind Neaedus Pascoe und Pycnambates Casey (syn. n.). Ambatodes Voss ist ein neues Synonym von Embates. Die mittelamerikanischen Ambates-Arten werden revidiert. 19 bislang aus Südamerika beschriebene Arten werden aufgezählt, ohne dass die dortige Fauna revidiert wird. Dreizehn Ambates-Arten werden in der mittelamerikanischen Fauna erkannt. Sieben neue Arten werden beschrieben: A. septimus, A. inornatus, A. neglectus, A. speciosus, A. talamancae, A. fasciger und A. signifer. Pantoteles albocinctus Champion wird als eine Unterart von A. albiventris Champion (stat. n.) aufgefasst. In der südamerikanischen Fauna wird Peridinetus variegatus Hustache (= P. hustachei Wibmer & O’Brien) zu Ambates als A. variegatus (Hustache) (comb. n.) gestellt, und Curculio apricans Herbst wird von Ambates zu Peridinetus als P. apricans (Herbst) (comb. n.) gestellt. Neue Synonymien sind A. pusio (Boheman) (= A. rufitarsis Kirsch, = A. callangaensis Voss) und A. schoenherri (Chevrolat) (= A. brasiliensis Janczyk).Stichwörterweevils, taxonomy, revision, pepper, Neotropics.Nomenklatorische Handlungenfasciger Prena, 2003 (Ambates), spec. n.immaculatus Champion, 1907 (Ambates), Lectotypeinornatus Prena, 2003 (Ambates), spec. n.neglectus Prena, 2003 (Ambates), spec. n.septimus Prena, 2003 (Ambates), spec. n.signifer Prena, 2003 (Ambates), spec. n.speciosus Prena, 2003 (Ambates), spec. n.talamancae Prena, 2003 (Ambates), spec. n.variegatus (Hustache, 1950) (Ambates), comb. n. hitherto Peridinetus variegatusAmbatodes Voss, 1954 (Curculionidae), syn. n. of Embates Chevrolat, 1833Pycnambates Casey, 1922 (Curculionidae), syn. n. of Ambates Schöenherr, 1836albocinctus Champion, 1907 (Pantoteles), stat. n. now a sspec. of Ambates albiventris Champion, 1907

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Lord, Catherine M. "THE FRAMES OF SEPTIMUS SMITH: Through Twenty Four Hours in the City of Mrs. Dalloway, 1923, and of Millennial London: ART IS A SHOCKING EXPERIENCE." Parallax 5, no. 3 (July 1999): 36–46. http://dx.doi.org/10.1080/135346499249588.

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Journal articles on the topic 'Septimus'

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