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Books on the topic 'Sensorimotor experience, space, time'

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Published: 9 March 2023
Last updated: 10 March 2023

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1

Space and place: The perspective of experience. Minneapolis: University of Minnesota Press, 1997.

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2

Michael, Stadter, and Scharff David E. 1941-, eds. Dimensions of psychotherapy, dimensions of experience: Time, space, number, and state of mind. New York, NY: Routledge, 2005.

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3

The Catholic experience: Space, time, silence, prayer, sacraments, story, persons, catholicity, community, and expectations. New York: Crossroad, 1985.

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4

Alverson, Hoyt. Semantics and experience: Universal metaphors of time in English, Mandarin, Hindi, and Sesotho. Baltimore: Johns Hopkins University Press, 1994.

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5

1937-, Golledge Reginald G., and Stimson R. J, eds. Person-environment-behavior research: Investigating activities and experience in spaces and environments. New York: Guilford Press, 2008.

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6

Haddix, Margaret Peterson. Game Changer. New York: Simon & Schuster Books for Young Readers, 2011.

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7

Gate, Heavens. How and When "Heaven's Gate" (The Door to the Physical Kingdom Level Above Human) May Be Entered: An Anthology of Our Materials. Mill Spring, Usa: Wildflower Press, 1997.

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8

Hadda, Lamia, ed. Médina. Florence: Firenze University Press, 2021. http://dx.doi.org/10.36253/978-88-5518-248-5.

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Dedicated to the medina in the Mediterranean space, this book is essentially based on detailed historical and photographic research into the characteristics of city design and its evolution, as well as some case studies from direct experience. The main objective of the present study consists of its documentary and evocative value, without forgetting the analysis of the multiple architectural spaces with monumental complexes of extraordinary cultural importance arranged according to precise hierarchies and specific uses. The research summarises the different experiences from this immense Arab-Muslim architectural heritage and its urban evolution. These aspects are expressed both by the large number of case studies (from Cordoba to Palermo, passing through Fez, Séfrou, Marrakech and Tunis) as well as by the quality of the built spaces as a whole. The several contributions show an urban framework that is still legible and significant, consisting of grids of houses with forms, structures and functions that show a concentration of spaces, places and monuments stratified over time and developed in the Mediterranean countries, producing extremely diverse situations.
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9

Silberstein, Michael, W. M. Stuckey, and Timothy McDevitt. Relational Blockworld: Experience, Time, and Space Reintegrated. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198807087.003.0009.

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Chapter 8 argues that the Relational Blockworld (RBW) account naturally admits a kind of neutral monism that simultaneously deflates the generation/hard problem and explains time as experienced. Thus, the claim that the block universe is incompatible with time as experienced is refuted. The first section sets the stage, the second focuses on the Passage of time, and the third focuses on the Direction of time. Section four argues that embodied, embedded, and extended cognitive science and phenomenology support the neutral monism of RBW. The fifth section focuses on freedom, spontaneity, and creativity in RBW. Objections to the block universe picture based on free will in human action and creativity and spontaneity in the universe writ large are refuted. It is shown that RBW has all the freedom, creativity, and spontaneity anyone could reasonably hope for. Section six characterizes Presence in detail, and its relation to time as experienced is discussed.
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10

Perizonius, W. R. K. Bones: Treasuries of Human Experience in Time and Space. Brill Academic Pub, 1989.

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11

Installation Art As Experience of Self, in Space and Time. Vernon Art and Science Inc., 2021.

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12

Kayser, Christine Vial, and Sylvie Coellier. Installation Art As Experience of Self, in Space and Time. Vernon Art and Science Inc., 2022.

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13

Lewandowska-Tomaszczyk, Barbara, and Krzysztof Kosecki. Time and Temporality in Language and Human Experience. Lang GmbH, Internationaler Verlag der Wissenschaften, Peter, 2014.

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14

Time and Temporality in Language and Human Experience. Lang GmbH, Internationaler Verlag der Wissenschaften, Peter, 2014.

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15

Lewandowska-Tomaszczyk, Barbara, and Krzysztof Kosecki. Time and Temporality in Language and Human Experience. Lang GmbH, Internationaler Verlag der Wissenschaften, Peter, 2014.

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16

Lewandowska-Tomaszczyk, Barbara. Time and Temporality in Language and Human Experience. Lang Publishing, Incorporated, Peter, 2014.

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17

Lewandowska-Tomaszczyk, Barbara, and Krzysztof Kosecki. Time and Temporality in Language and Human Experience. Lang GmbH, Internationaler Verlag der Wissenschaften, Peter, 2014.

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18

Schaub, Mirjam. The Affective Experience of Space. Edited by Yael Kaduri. Oxford University Press, 2016. http://dx.doi.org/10.1093/oxfordhb/9780199841547.013.21.

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This article investigates the aesthetic conclusions that the Canadian artists Janet Cardiff and George Bures Miller draw from the basic phenomenon of listening—such as the “horizon of simultaneity” of sound and vision—in their own creation of their audio- and video-walks. It describes how their work functions as social experiments in the public sphere. The thesis is that their works “vampirize” sounds and actively assimilate them to natural acoustic tracks and traces, thus becoming affective traps for their pursuers. Cardiff and Miller lead the participants astray in their desire to actually “see” what is “only” to be heard. Thus an uncanny criminology of artificially laid traces is to be predicated on the seductiveness of the disembodied human voice as guiding narrative. Cardiff’s and Miller’s intriguing art form improvises a new way across the ravages of time by inventing new vestiges of the past.
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19

van, Eekelen Yvonne, Boom Mattie, Pomerans Arnold, and Pomerans Erica, eds. The magical panorama: The Mesdag Panorama, an experience in space and time. Zwolle: Waanders Uitgevers, 1996.

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20

The magical panorama: The Mesdag Panorama, an experience in space and time. B.V. Panorama Mesdag, 1996.

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21

Stadter, Michael, and David E. Scharff. Dimensions of Psychotherapy, Dimensions of Experience: Time, Space, Number and State of Mind. Taylor & Francis Group, 2005.

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22

Bloom, Joe. Spectrum of the Arts: Time and Space in the Human Experience of Art. Independently Published, 2019.

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23

Stadter, Michael, and David E. Scharff. Dimensions of Psychotherapy, Dimensions of Experience: Time, Space, Number and State of Mind. Taylor & Francis Group, 2016.

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24

Stadter, Michael, and David E. Scharff. Dimensions of Psychotherapy, Dimensions of Experience: Time, Space, Number and State of Mind. Taylor & Francis Group, 2005.

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25

Stadter, Michael, and David E. Scharff. Dimensions of Psychotherapy, Dimensions of Experience: Time, Space, Number and State of Mind. Taylor & Francis Group, 2005.

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26

(Editor), Michael Stadter, and David E. Scharff (Editor), eds. Dimensions of Psychotherapy, Dimensions of Experience: Time, Space, Number and State of Mind. Routledge, 2005.

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27

The Catholic Experience: Space, Time, Silence, Prayer, Sacraments, Story, Persons, Catholicity, Community and Expectations. Crossroad Pub Co, 1987.

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28

Baxter, Donald L. M. Hume on Space and Time. Edited by Paul Russell. Oxford University Press, 2014. http://dx.doi.org/10.1093/oxfordhb/9780199742844.013.7.

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For Hume, the ideas of space and of time are each a general idea of some indivisible objects arranged in a certain manner with additional qualities that make them conceivable to the mind. He argues that the structures of these ideas reflect the structures of space and time. Thus, space and time are not infinitely divisible, and there cannot be empty space nor time without succession. Hume’s idiosyncratic theory can be seen to be reasonable if one pays careful attention to the fact that Hume, in accordance with his skepticism, is concerned only to give vent to views about space and time as they appear in experience. The chapter focuses on explicating Hume’s central arguments rather than trying to give a comprehensive treatment.
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29

Tarolli, Susan. This Time with Feeling : Reimagining the Experience of Worship: Creating the Space for Personal and Communal Transformation. Wipf & Stock Publishers, 2021.

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30

Tarolli, Susan. This Time with Feeling : Reimagining the Experience of Worship: Creating the Space for Personal and Communal Transformation. Wipf & Stock Publishers, 2021.

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31

Tarolli, Susan. This Time with Feeling : Reimagining the Experience of Worship: Creating the Space for Personal and Communal Transformation. Wipf & Stock Publishers, 2021.

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32

Hartman, Adam L., and Ronald P. Lesser. Brain Tumors and Other Space-Occupying Lesions. Edited by Donald L. Schomer and Fernando H. Lopes da Silva. Oxford University Press, 2017. http://dx.doi.org/10.1093/med/9780190228484.003.0014.

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Brain tumors are a leading cause for new-onset seizures in adults, and many patients still present with seizures as their first manifestation of a tumor. Although at one time electroencephalography (EEG) was important for diagnosing brain tumors and other space-occupying lesions, this is now more commonly done using imaging studies, such as computed tomography and magnetic resonance imaging. However, clinical neurophysiology still is important in managing these patients. This can include the use of electrocorticography during testing to identify the seizure onset zone and eloquent cortex during resection surgeries, application of evoked potentials in assessing the location of sensorimotor cortex or the extent of tumor involvement, and the application of magnetoencephalography for both magnetic source imaging (e.g., in localizing spike-generating zones) and functional mapping. These topics will be discussed in this chapter.
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33

Wickerson, Erica. Space. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198793274.003.0002.

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Since space and time are the two fundamental modes of locating experience, the first chapter of the book considers their interaction. Specifically, the ways in which descriptions of space further the sense of the passing of time are explored. Space has been traditionally thought of as the opposite of time, and critics have suggested that spatial description in narrative actually stills time. In this chapter, it is suggested that the opposite is true; that, in fact, describing objects and settings contributes to the multilayered, multidirectional, complex view of temporality that narrative affords. The chapter includes analyses of Mann’s Tonio Kröger, Death in Venice, and The Magic Mountain, in comparison with Kafka’s short story Home-Coming.
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34

Naveed, M. Muzamal. How to Travel Beyond the Time and Space: Best Book to Learn Out of Body Experience, Astral Journey, Teleportation,conscious Dreaming, Chakras Meditation. Independently Published, 2019.

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35

Kilde, Jeanne Halgren, ed. The Oxford Handbook of Religious Space. Oxford University Press, 2022. http://dx.doi.org/10.1093/oxfordhb/9780190874988.001.0001.

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How do we understand religious spaces? What is their role or function within specific religious traditions or with respect to religious experience? This handbook brings together thirty-seven authors who address these questions using a range of methods to analyze specific spaces or types of spaces around the world and across time. Their methods are grounded in many disciplines: religious studies and religion, anthropology, archaeology, architectural history and architecture, cultural and religious history, sociology, gender and women’s studies, geography, and political science, resulting in a distinctly interdisciplinary collection. These chapters are snapshots, each offering a specific way to think about the religious space(s) under consideration: Roman shrines, Jewish synagogues, Christian churches, Muslim and Catholic shrines, indigenous spaces in Central America and East Africa, cemeteries, memorials, and others. They are organized here by geographical region, rather than tradition, to emphasize the cultural roots of religion and religious spaces. Several overarching principles emerge from these snapshots. The authors demonstrate that religious spaces are simultaneously individual and collective, personal, and social; that they are influenced by culture, tradition, and immediate circumstances; and that they participate in various relationships of power. Most importantly, these essays demonstrate that religious spaces do not simply provide a convenient background for religious action but are also constituent of religious meaning and religious experience; that is, they play an active role in creating, expressing, broadcasting, maintaining, and transforming religious meaning and experience.
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36

Arias, Santa, and Mariselle Meléndez. Mapping Colonial Spanish America: Places and Commonplaces of Identity, Culture, and Experience. Rowman & Littlefield Publishers, Incorporated, 2002.

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37

Ismael, Jenann. Time: A Very Short Introduction. Oxford University Press, 2021. http://dx.doi.org/10.1093/actrade/9780198832669.001.0001.

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Time: A Very Short Introduction explores questions about the nature of time that have been at the heart of philosophical thinking since its beginnings: questions like whether time has a beginning or end, whether and in what sense time passes, how time is different from space, whether time has a direction, and whether it is possible to travel in time. These questions passed into the hands of scientists with the work of Isaac Newton when the structure of space and time became connected to motion and included the subject matter of physics. This VSI charts the way that the history of physics, from Isaac Newton through Albert Einstein’s two revolutions, wrought changes to the conception of time. There are parts of physics that are in a state of confusion, but this strand of development is a story of philosophical illumination and conceptual beauty. The discussion here provides an opportunity to see what distinguishes the methods of physics from those of philosophy. It brings together physics, cognitive science, and phenomenology in the service of reconciling what modern theories tell us about the nature of time with the everyday living experience of time.
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38

Fuerst, Ilyse Morgenstein, and Brannon M. Wheeler, eds. Words of Experience: Translating Islam with Carl W. Ernst. Equinox Publishing, 2021. http://dx.doi.org/10.1558/isbn.9781781799116.

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Carl W. Ernst devoted his academic life to translating Islam, linguistically and culturally, typically within the intellectual context of Religious Studies. His work has focused on how Islamic concepts have travelled across time and space, and his influence on Islamic Studies and Religious Studies is far-reaching. This volume features contributions from long-standing colleagues, scholars whose own work has built on Ernst’s contributions, and former students. It looks at themes in Islamic Studies that Ernst has addressed and expands on his major contributions. Essays in this volume touch nearly every major element in Islamic Studies – from the Qur’an to Sufism, Islamophobia to South Asian Islam, historical and contemporary praxis, music and more. This collection demonstrates one core tenet of Ernst’s work, specifically the argument that Islam is not rooted in one place, time or language, but is a vast network, routed through myriad places, times and languages.
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39

Hinton, Alexander Laban. Space (Center for Social Development and the Public Sphere). Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198820949.003.0005.

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Chapter 3 “Space,” continues to focus on interstitiality, lived experience, and the combustive acts of creativity and imagination that take place behind the justice face. It examines another NGO “vortex,” the Center for Social Development,” which was led by two Cambodian-Americans, Chea Vannath and Theary Seng and known for high-profile Khmer Rouge Tribunal outreach “Public Forums.” The chapter traces the origins of the non-governmental organization and the public forum project, noting how the forums changed in accordance with the historical moment and the vision of these leaders, including Chea Vannath’s deep Buddhist belief and Theary Seng’s Christianity even as both were also influenced by time spent in the United States. The chapter concludes with a return to the International Center for Transitional Justice outreach project and a discussion of the public forums as an imagined “public spheres,” alleged “spaces” of liberal democratic being asserted by transitional justice imaginary discourses.
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40

Shaughnessy, Robert. The Time Is Out of Joint. Edited by James C. Bulman. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780199687169.013.31.

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One of the culturally dominant means through which time is conceptualized as space, and vice versa, jet lag has increasingly become a metaphor we live by. It has particular resonances for Shakespearean performance, a phenomenon that is, by definition, perpetually out of time. Taking as a point of departure Brian Cox’s 1991 account of his experience of the National Theatre’s touring productions of King Lear and Richard III, this chapter aligns the predicament of the jet -lagged traveller, the off-form actor, and the jet-lagged, off-form travelling actor to argue that their mutual predicament offers an under-explored frame of reference for performance in general and for Shakespeare in performance in particular. It examines how mechanisms of synchrony (or entrainment) shape the actor’s work in performance and with the audience. It also examines the implications of theatrical good and bad timing, and the sometimes unexpected consequences of time getting out of joint.
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41

(Editor), Santa Arias, and Mariselle Melendez (Editor), eds. Mapping Colonial Spanish America: Places and Commonplaces of Identity, Culture, and Experience (Bucknell Studies in Latin American Literature and Theory.). Bucknell University Press, 2002.

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42

Always War. Simon & Schuster, 2011.

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43

The Always War. Simon & Schuster Books for Young Readers, 2011.

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44

Kopytowska, Monika. The Televisualization of Ritual. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190636647.003.0017.

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This chapter demonstrates how contemporary ‘media culture’ has altered the way we experience and communicate religion and explains the role which language and other semiotic resources play in mediating religious experience and transforming the notion of sacred space, sacred time and a sense of communion based on collective emotion. The underlying assumption is that media together with religious institutions proximize the spiritual reality to believers and create a community of the faithful by reducing various dimensions of distance and providing the audience with a sense of participation and interaction. The chapter focuses on mediated rituals and demonstrates how both TV and radio, with their semiotic properties enabling liveness and immediacy, blur time-space boundaries, change the nature of individual and collective experience, and enhance the emotional and axiological potential of religious messages. It discusses the role of metaphor and metonymy as well as other cognitive operations within discourse space (involving both verbal and visual strategies) in these processes.
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45

Stanghellini, Giovanni. Unfolding. Oxford University Press, 2016. http://dx.doi.org/10.1093/med/9780198792062.003.0036.

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This chapter discusses how the world the Other lives in is other with respect to mine. What must be assumed is not analogy, but a ‘different normality’ (i.e. hetero-logy)—a norm that is valid within another framework of experience. Understanding another person requires reconstructing her framework of experience. A fortiori, understanding a patient’s symptom requires reconstructing the framework of experience in which it is embedded. Reconstructing the other’s framework of experience needs a preliminary deconstruction. This deconstruction is made through a phenomenological unfolding of the experiential characteristics of the life-world inhabited by the other person. We need to identify, beyond the symptoms that the Other manifests, the fundamental structures of his existence. The experience of time, space, body, self, and others, and their modifications, are indexes of the patient’s basic structures of subjectivity within which each single abnormal experience is situated.
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46

Nye, David E. Seven Sublimes. The MIT Press, 2022. http://dx.doi.org/10.7551/mitpress/13830.001.0001.

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A reconception of the sublime to include experiences of disaster, war, outer space, virtual reality, and the Anthropocene. We experience the sublime—overwhelming amazement and exhilaration—in at least seven different forms. Gazing from the top of a mountain at a majestic vista is not the same thing as looking at a city from the observation deck of a skyscraper; looking at images constructed from Hubble Space Telescope data is not the same as living through a powerful earthquake. The varieties of sublime experience have increased during the last two centuries, and we need an expanded terminology to distinguish between them. In this book, David Nye delineates seven forms of the sublime: natural, technological, disastrous, martial, intangible, digital, and environmental, which express seven different relationships to space, time, and identity. These forms of the sublime can be experienced at historic sites, ruins, cities, and national parks, or on the computer screen. We find them in beautiful landscapes and gigantic dams, in battle and on battlefields, in images of black holes and microscopic particles. The older forms are tangible, when we are physically present and our senses are fully engaged; increasingly, others are intangible, mediated through technology. Nye examines each of the seven sublimes, framed by philosophy but focused on historical examples.
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47

Brant, Jo-Ann A. The Fourth Gospel as Narrative and Drama. Edited by Judith M. Lieu and Martinus C. de Boer. Oxford University Press, 2018. http://dx.doi.org/10.1093/oxfordhb/9780198739982.013.11.

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This chapter examines the development and trajectories of the study of the Gospel of John as a unified narrative, Johannine literary techniques, and how the experience of the reader becomes a significant focus of research. Besides looking at the role of recognition and reversals in the Gospel’s plot and the distinctive features of Johannine characterization, special attention is given to the use of techniques that give the Gospel a dramatic quality. These include such things as the use of direct speech to tell the story and to serve as the main action, Johannine construction of space and time to provide a sense of ‘lived experience’, and the role of irony and suspense as a means of engaging the reader.
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48

Gallagher, Julie A. Strides Forward in Times of Crisis in the 1930s and 1940s. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252036965.003.0003.

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This chapter explores the strides African American women made in government work and electoral politics during the Great Depression and World War II. While the economic crisis wreaked havoc on Harlem, it also created the space for college-educated women to find employment in the city's New Deal agencies. In addition to gaining useful experience, these women now had access to potentially influential arenas from which to pursue their ideas about economic fairness, human rights, and civil equality. Yet other women turned to electoral politics during the 1930s and 1940s, and by the time the economy stabilized and World War II ended, black women in New York City had attained significant political experience.
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49

Franks, Hallie M. Introduction. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190863166.003.0001.

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The introduction considers how the permanent iconography of the andron interacts with the performances and prescribed movements of the symposium, and it sets up the book’s theoretical foundation, which incorporates discourses in the anthropology and sociology of space and the cultural role of metaphor. It also briefly describes the andron as the setting for the symposium, as well as the significance that the symposium held as a departure from quotidian existence. Further, the introduction lays out the central thesis of the book, which argues that these various interactions between space, imagery, and experience facilitate the imagining of the symposium as a metaphor for other kinds of movement, including travel over the world, rhythmic circularity, and travel through time.
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50

Acharya, Indranil, and Ujjwal Kumar Panda. Geographical Imaginations. Oxford University PressOxford, 2022. http://dx.doi.org/10.1093/oso/9780192869043.001.0001.

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Abstract Matters of space, spatiality, geography, topography, and place have mostly remained neglected in modern scholarship and teaching because in most modern and postmodern literary criticism history and temporality have been dominating discourses. But in recent criticism, the ‘when’ and ‘what’ of literature yield place to ‘where’ as Michel Foucault declared the present time as ‘the epoch of space’. Literature reflects a spirit of place and a sense of place because place is known and given meaning when it is felt and closely experienced by human beings living in it. This humanistic geographical emphasis on human experience of place opens up the possibility of an interdisciplinary study of literature of geography. Literature creates and recreates geography in its own way and there are many ways of looking at literary representation of space and place. The book is meant to offer a good introduction to those divergent ways in which place, topography, and geography evince themselves in literature.
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