Relevant bibliographies by topics / Semiotics and literature

Academic literature on the topic 'Semiotics and literature'

Author: Grafiati
Published: 4 June 2021
Last updated: 29 July 2024

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Contents

Consult the lists of relevant articles, books, theses, conference reports, and other scholarly sources on the topic 'Semiotics and literature.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Journal articles on the topic "Semiotics and literature"

1

Makmur, Testiani, and Dafrizal Samsudin. "Perspektif semiotika dalam penelitian sain informasi dan kepustakaan di Indonesia." Al-Kuttab : Jurnal Kajian Perpustakaan, Informasi dan Kearsipan 2, no. 2 (November 30, 2020): 11–20. http://dx.doi.org/10.24952/ktb.v2i2.2513.

Full text
Abstract:
ABSTRACTThis study aims to diagnose the application of semiotic perspectives in various forms of information and literature study in Indonesia. Literature-based literature that discusses semiotics consists of scientific work in information and literature science in Indonesia. The implications include (1) seen from anytime semiotics began to be studied by library and information science scholars, (2) then what was the increase from year to year, (3) how the epistemological development of the development of semiotic theories in accordance with library science and Indonesia, (4) as well as from many semiotic theories, which are dominantly used as a framework. ABSTRAKKajian ini bertujuan untuk mengdiagnosa penerapan perspektif semiotika dalam berbagai bentuk kajian sain informasi dan kepustakaan di Indonesia. Metodologi berbasis literature terutama yang berhubungan kajian semiotika berupa karya ilmiah dalam Sain informasi dan kepustakaan di Indonesia. Implikasinya antara lain (1) diketahui sejak kapan semiotika mulai dikaji oleh sarjana ilmu perpustakaan dan informasi,(2) lalu seperti apa peningkatannya dari tahun ketahun, (3) bagaimana perkembangan epistimologi terutama teori semiotik yang dikaitkan dengan ilmu perpustakaan dan Indonesia, (4) serta dari sekian banyak teori semiotika, yang mana dominan digunakan sebagai kerangka kerja.
APA, Harvard, Vancouver, ISO, and other styles
2

Merkoulova, Inna G. "ISSUES OF SEMIOTIC INTERPRETATION OF AFRICAN LITERATURE." Lomonosov Journal of Philology, no. 5, 2023 (October 23, 2023): 211–16. http://dx.doi.org/10.55959/msu0130-0075-9-2023-47-05-19.

Full text
Abstract:
The review presents the results of the international round table On the Semiotics of Forms in African Literature, which was held on July 19, 2023 as part of the Festival of African Cultures at the Russian State Library for Foreign Literature named after M.I. Rudomino. The discussion was organized by the International Center for Semiotics and Intercultural Dialogue of the State Academic University for the Humanities (MTСS GAUGN) in cooperation with the Cultural Center Francothèque of the Russian State Library for Foreign Literature. The discussion was attended by Georice Berthin Madébé, Doctor of Linguistics and Semiotics, Leading Researcher at the National Center for Scientific and Technological Research of Gabon (Libreville), and Inna Merkoulova, Doctor of Linguistics and Semiotics, Associate Professor, founder and director of the GAUGN International Center for Semiotics and Intercultural Dialogue (Moscow). The participants discussed Professor Madebe’s book On the Semiotics of Forms. An Introduction to Semiotic Criticism of African Literature (2022).
APA, Harvard, Vancouver, ISO, and other styles
3

Khajrulina, Nailia. "Judas Iscariot’s Semiotic Image in Ukrainian Literature at the Beginning of the Twentieth Century." Perspektywy Kultury 28, no. 1 (March 1, 2020): 37–42. http://dx.doi.org/10.35765/pk.2020.2801.06.

Full text
Abstract:
The article under consideration is devoted to the semiotic analyses of the bib­lical apostle Judas Iscariot, one of the most contradictory religious characters. The article demonstrates the semiotic paradigm of Judas, including portrait semiotics (paleness, timidity, secrecy and slouch), gesture semiotics (abrupt movements) and symbolic semiotics (hopelessness, suicide). The research stresses the aspect of venality. It is proved that Judas Iscariot became the arche­type of venality not only in literature, but in art generally. The article’s sum­mary will be used for students learning literary criticism and philologists.
APA, Harvard, Vancouver, ISO, and other styles
4

Kroó, Katalin, and Peeter Torop. "Text dynamics: Renewing challenges for semiotics of literature." Sign Systems Studies 46, no. 1 (May 7, 2018): 143–67. http://dx.doi.org/10.12697/sss.2018.46.1.07.

Full text
Abstract:
The paper examines the problem of textual/cultural dynamics linked to the issue of semiotic literariness, to be further investigated by the authors in later papers on literary semiotics. This scientific project aims to get closer to reaching an adequate disciplinary identification for semiotics of literature and a relatively precise definition of the status of this field in relation to semiotics of culture. The first step for the project is to reveal the interrelationhip between text and culture using the notion of dynamics that can be reconstructed from a historical perspective through some essential components of Formalist and Structuralist theory (Tynyanov’s ‘function’, Jakobson’s ‘dominant’) and also works by Lotman (the ‘text–culture’ relationship) and Bakhtin (‘dialogue’). The notions of inclusiveness/integration, distancing and hierarchization, leading to transformation, are interpreted in some detail in the context of these theories. On these grounds, three basic categories of the analysability of textual/cultural dynamics are set up with the indication of further aspects of the dynamic function: (1) mediation; (2) transposition; (3) temporality–spatiality. The suggested classification and the implied conceptual segmentation are expected to contribute to a synthesis between “Structuralist” and Peircean theoretical and methodological orientations in semiotic literary studies. This also reveals the need for a coexistence of approaches (a) moving from particular cultural fields (literary culture tradition) towards general semiotics of culture, and (b) returning from universal transfield concepts to literary culture, including the historical traditions both in art (object-level) and its scientific interpretation (meta-level).
APA, Harvard, Vancouver, ISO, and other styles
5

Hébert, Louis. "Essais de définition du sémiotique, de la sémiotique et de l’interdisciplinarité." Semiotica 2020, no. 234 (October 25, 2020): 123–43. http://dx.doi.org/10.1515/sem-2018-0140.

Full text
Abstract:
AbstractThis article seeks to define what is semiotic and what is Semiotics. Provided first is a brief presentation of various perspectives of Semiotics. Pursuant to this, we will seek to uncover Semiotics’ particulars by evaluating various approaches. We will commence by framing the definitions of the word “Semiotic” to consider then Semiotics via eight particular anthropic – human-related – levels. This partition, derived by the author from a Rastier typology, defines the following levels: noumenophysical, phenophysical, semiotic, representational (“mental images” and concepts), sens (physical), felt (affects), cognitive other and transcendental. From here, we will consider the place of Semiotics among disciplines. Finally, the text presents a typology of relationship between disciplines, including semiotics: anadisciplinarity, disciplinarity, valodisciplinarity, intradisciplinary (such as intertheoricity), multidisciplinary, interdisciplinary, transdisciplinary, metadisciplinarity).
APA, Harvard, Vancouver, ISO, and other styles
6

Soga, Zainuddin, Mardan Mardan, Achmad Tola, Amrah Kasim, and Kamaluddin Abunawas. "THE APPLICATION OF THE SEMIOTICS OF QUR’AN TOWARD THE STORY OF THE CHOSEN SERVANTS IN SURAH MARYAM." Jurnal Diskursus Islam 9, no. 2 (August 28, 2021): 320. http://dx.doi.org/10.24252/jdi.v9i2.22868.

Full text
Abstract:
This study elaborates the application of semiotic theory in Surah Maryam (Maryam). This study is library research. The library research was conducted through various literature studies related to the problem investigated. The approach used is a semiotic approach. The data sources are divided into two; primary and secondary data. The primary data source is the Qur'an (surah Maryam) and the secondary data sources are books of interpretation, semiotics and linguistics. The data collection is done by quoting, adapting, and analyzing the representative literature and relevant to the problems discussed, then reviewing and concluding. The study results showed three forms of semiotic application in Surah Maryam: first, semiotics of significance from Ferdinand de Saussure's (synchronic-diachronic theory). Second, semiotics of communication from Charles S. Peirce's includes iconic, indexical, and symbolic theories. Third, connotative semiotics from Roland Barthes' which consists of denotative meaning and connotative meaning. This study implies that the semiotic reading of the Qur’an prioritizes the interpretation of the text in a synchronic and diachronic, denotative and connotative way. Hopefully, by this reading, religious and Islamic moderation could be achieved.
APA, Harvard, Vancouver, ISO, and other styles
7

Petrilli, Susan. "Learning and education in the global sign network." Semiotica 2020, no. 234 (October 25, 2020): 317–420. http://dx.doi.org/10.1515/sem-2020-0043.

Full text
Abstract:
AbstractThe contribution that may come from the general science of signs, semiotics, to the planning and development of education and learning at all levels, from early schooling through to university education and learning should not be neglected. As Umberto Eco claims in the “Introduction” to the Italian edition of his book Semiotica and Philosophy of Language (1984: xii, my trans.), “[general semiotics] is Semiotica e filosofia del linguaggio. Turin: Einaudi; in nature, because it does not study a particular system, but posits the general categories in light of which different systems can be compared. And for general semiotics philosophical discourse is neither advisable nor urgent: it is simply constitutive.” To the title of their book Semiotic Theory of Learning, at the centre of our attention in the present text, Andrew Stables, Winfried Nöth, Alin Olteanu, Sébastien Pesce, and Eetu Pikkarainen, rightly add the subtitle New Perspectives in the Philosophy of Education. This multivoiced contribution to research in learning and education in a semiotic framework has a unifying reference in the semiotics of Charles S. Peirce, but without disregarding an array of other distinguished exponents of the teaching and education sciences from different disciplines, semioticians and philosophers alike. This book, a polyphonic effort, with its appeal to “act otherwise,” and to do so investing in learning and education, no doubt makes a significant contribution in such a direction: education for transformation, for humanizing social change. Beyond evidencing what to us are particularly interesting aspects of the topics under discussion in Semiotic Theory of Learning, we also propose to continue and amplify this multivoiced dialogue. While highlighting still other aspects and contributions made by the same semioticians and philosophers presented by the authors of this book, involving such figures as Charles Peirce, Charles Morris, Thomas Sebeok, John Deely, etc., we have further introduced other voices made to resound throughout, whether directly or indirectly, like that of Victoria Welby, Mikhail Bakhtin, Emmanuel Levinas, Adam Schaff, Ferruccio Rossi-Landi, Marcel Danesi, Augusto Ponzio, and Genevieve Vaughan.
APA, Harvard, Vancouver, ISO, and other styles
8

Rozin, Vadim Markovich. "Semiotics as a philosophical and methodological, natural science and mathematical discipline (main stages of development and perspective)." Философия и культура, no. 6 (June 2022): 66–81. http://dx.doi.org/10.7256/2454-0757.2022.6.38261.

Full text
Abstract:
The article examines the history of the development of the ideas of semiotics, from the works of St. Augustine to the present. The author shares the semiotic approach, which, judging by the literature, was formulated by Augustine, and semiotics as a scientific discipline, and in two versions, as an analogue of mathematics and natural science (we are talking about the "second nature", which is studied in the humanities and social sciences). The characteristic of the semiotic approach presented by Augustine in the scheme is given, which, the author shows, can be extended to various humanitarian objects (this is specifically demonstrated with respect to music). Based on the semiotic approach and classifications of signs, various variants of semiotics as a science were created in the XIX and XX centuries. The difference of scientific semiotics is explained: semiotics solved different problems and tasks, semiotically comprehended different subject areas, proceeded from a different understanding of science. Nevertheless, in all variants of semiotics, relations between the components of the sign were established. The semiotics reform project proposed by G.P. Shchedrovitsky is considered, and what came of it (another semiotics, and not the organization of different scientific semiotics on a single basis of the theory of activity). Based on the analysis of two cases (the semiotic analysis of the metaphor in the work of Meir Shalev "Esav" and the sculpture of Aphrodite Praxiteles), the author outlines another version of semiotics, which he calls "expressionism". Although the methodology proposed by him allows analyzing and comprehending a fairly wide range of expressions and works of art, the author suggests not to consider it universal.
APA, Harvard, Vancouver, ISO, and other styles
9

Ilyin, Mikhail V. "On multiple semiotics integrally, aspectively and concretely." Slovo.ru: Baltic accent 14, no. 4 (2023): 125–36. http://dx.doi.org/10.5922/2225-5346-2023-4-7.

Full text
Abstract:
Anton Zimmerling’s interpretation of the discursive particle TI1 is an important achievement. The article considers possibilities used by Zimmerling to interpret TI1 as a dis­cursive particle, enclitic, part of speech and semantic sign. In addition, the article discusses its interpretation as a pragmatic marker. The author comments on the interpretations of semiot­ics by Zimmerling, in particular, the question of primary and secondary semiotic systems. The author presents his own concept of semiotics as a research programme in Imre Lakatos’ sense. Semiotics is also a kind of cognitive ability common to many forms of life and at the same time a system of epistemological and methodological possibilities for carrying out scien­tific research on meaning-making or semiosis built on this ability. Moreover, semiotics is not only a research programme, but a transdisciplinary integrative organon. Such universal com­plexes for integrating the capabilities of scientific knowledge are based on three basic cognitive abilities — (1) to perceive signals, to rank and to process them; (2) to recognize patterns (sig­nal configurations) and shape them into more complex formations; (3) assessing and utilizing the meaning (initially functional significance, relevance) of the forms and modes of actuality. The latter ability is precisely the basis of semiotics and semiosis. The first two are metretics or organon for computational mathematics and statistics, as well as morphetics or organon for a wide variety of morphologies, comparative studies, discrete mathematics, topology, etc.
APA, Harvard, Vancouver, ISO, and other styles
10

Kourdis, Evangelos. "Interview of Paolo Fabbri." Punctum. International Journal of Semiotics 06, no. 01 (October 16, 2020): 309–18. http://dx.doi.org/10.18680/hss.2020.0017.

Full text
Abstract:
Professor Paolo Fabbri gave this interview to Evangelos Kourdis, Associate Professor of Semiotics of Τranslation, on Monday, 4 November 2019, at the Aristotle University Laboratory of Semiotics (SemioLab), three days after his plenary speech at the 12th International Conference on Semiotics dedicated to Signs of Europe. The Conference was held in Thessaloniki, Greece, 1-3 November 2019 and organized by the Hellenic Semiotic Society, the School of French Language and Literature, and the Laboratory of Semiotics of Aristotle University of Thessaloniki. Lia Yoka and Gregory Paschalidis edited the transcript.
APA, Harvard, Vancouver, ISO, and other styles
More sources

Dissertations / Theses on the topic "Semiotics and literature"

1

Reis, Carlos António Alves dos. "Towards a semiotics of ideology." Berlin ; New York : Mouton de Gruyter, 1993. http://books.google.com/books?id=ufBYAAAAMAAJ.

Full text
APA, Harvard, Vancouver, ISO, and other styles
2

Ritscher, Lee Ann. "The semiotics of rape in Renaissance English literature /." Diss., Digital Dissertations Database. Restricted to UC campuses, 2005. http://uclibs.org/PID/11984.

Full text
APA, Harvard, Vancouver, ISO, and other styles
3

Mohamed, Mona M. S. "Charles Marowitz : the semiotics of collage and dramatic classics." Thesis, University of Kent, 1997. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.244324.

Full text
APA, Harvard, Vancouver, ISO, and other styles
4

Petrova, Erma. "The semiotics of time travel: Studies in simulation and causality." Thesis, University of Ottawa (Canada), 2002. http://hdl.handle.net/10393/6282.

Full text
Abstract:
The Semiotics of Time Travel: Studies in Simulation and Causality is a study of the philosophical/literary idea of simulation as defined mainly by Jean Baudrillard. The thesis, however, does not aim to be a commentary on Baudrillard. It uses his ideas as a starting point, and then proposes its own definition of simulation, with emphasis on temporality and causality. Specific cases of simulation are traced in Oedipus Rex, Macbeth, Italo Calvino's short stories, and Paul Auster's The New York Trilogy. In each case, a detailed literary analysis of the work is used to advance the theoretical argument. The approach is best described as interdisciplinary, covering a range of ideas in philosophy, semiotics, and literature. The strong unifying thread in all the chapters is a semiotic analysis of temporal paradoxes, as well as the underlying definition of temporal paradoxes as a subset of simulation, a connection whose various aspects are explored in the different chapters. The thesis also seeks to broaden the definition of simulation, making connections between simulation and other concepts, such as analytical statements (Hans Reichenbach), performative statements (Stanley Cavell), scientific observation (John Searle), narrative structure (Aristotle), and the nature of signs (Umberto Eco). The aim is a philosophical platform for the analysis of simulation as a tool for a semiotic analysis of temporal and causal paradoxes.
APA, Harvard, Vancouver, ISO, and other styles
5

Sgarbi, Elielson Antonio. "A poesia de José Saramago : análise de Os poemas Possíveis, Provavelmente Alegria e O ano de 1993 /." Assis : [s.n.], 2013. http://hdl.handle.net/11449/103676.

Full text
Abstract:
Orientador: Sandra Aparecida Ferreira
Banca: Márcia Valéria Zamboni Gobbi
Banca: Márcio Roberto Pereira
Resumo: A dissertação analisará construções imagéticas e estilísticas do escritor português José Saramago nas obras Os Poemas Possíveis (1966), Provavelmente Alegria (1970) e O Ano de 1993(1975), procurando estabelecer as diferenças e semelhanças entre as três obras mencionadas, tendo como foco o percurso figurativo e temático dos poemas, por meio da atenção ao rigor da construção, à tipologia dos versos e seus padrões rítmicos, aos campos semânticos e efeitos estilísticos. A dissertação também procurou estabelecer as relações entre lirismo e descrição; contenção irônica e fixação pelo problema limiar da arte e da poesia apresentadas pelo eu-lírico; uso de recursos retórico-poéticos; relação com arquétipos e mitos da memória coletiva; recortes epigramáticos; atributos simbólicos de conceitos chave (por exemplo: mar, terra, pedra, silêncio, palavra); construção da paisagem e seus componentes recorrentes (luz, sombra, água, terra, árvores, corpo), com vistas a compor o rol de motivos característicos à obra em análise. A análise, portanto, procurou realizar uma leitura que apreendeu as figuras de linguagem, a criação de imagens oníricas e a presença de conteúdos temáticos que atualizam assuntos de um repertório universal, com vistas a compor uma síntese das formas, imagens e temas recorrentes responsáveis pela configuração da linha poética do autor nas três obras consideradas, apontando nelas linhas convergentes e variantes
Abstract: The dissertation analyzed the imagery and stylistic construction of José Saramago in Os Poemas Possíveis, Provavelmente Alegria and O Ano de 1993, aiming to establish differences and similarities between the three poetic works of José Saramago apart from focusing on the figurative and thematic itinerary of the poems through the attention given to rigor of construction, typology of the verses and its rhythmical patterns, semantic field and stylistic effects. The present dissertation sought to draw a parallel between lirism and description, ironic contention, fixation by the problem of threshold of art and poetry suggested by self-lyric; use of rhetorical-poetic resources; relationships with archetypes and myths of collective memory, epigrams; symbolic attributes to key concepts (sea, earth, rock, silence, word) the construction of landscape and its components (light, shadow, water, earth, trees, body), with the objective of showing the range of motives typical of the works mentioned. Therefore, the dissertation also analyzed the language, the creation of oniric images and the presence of thematic contents which may refer to subjects of a universal repertoire, aiming to compose a synthesis of forms, images and recurrent themes responsible for the poetic trait of Saramago in his three poetic works, pointing out convergent and variant characteristics
Mestre
APA, Harvard, Vancouver, ISO, and other styles
6

Smith, Derek Thomas. "Semiotics, Textuality, and the Puritan Collective: "Speaking to Yourselves in Psalms"." Fogler Library, University of Maine, 2001. http://www.library.umaine.edu/theses/pdf/SmithDT2001.pdf.

Full text
APA, Harvard, Vancouver, ISO, and other styles
7

Samuels, Robert. "Semiotics and Mahler : analyses of musical signification in the sixth symphony." Thesis, University of Cambridge, 1993. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.319426.

Full text
APA, Harvard, Vancouver, ISO, and other styles
8

Ernest, David Solomon Harold. "Meaning in Small, Snyders and Pearce : an application of Lotman’s semiotics to ‘coloured’ literature." Diss., University of Pretoria, 2004. http://hdl.handle.net/2263/28757.

Full text
Abstract:
In this study, a semiotic point of view of selected literature written by ‘coloured’ writers is examined, using some of the semiotic theories of Jurij M. Lotman, one of the leading Soviet semioticians of the school of Tartu. Selected theories of Lotman are applied to ‘coloured’ literature. These include an examination of poetic language (based on Lotman’s theory of a primary and secondary modelling system), the iconicity of the text, the aesthetics of identity and opposition, the distinction between text and extra-text, and the relationship that exists between the extra-text, culture and code. The literary texts chosen for analysis are works by three contemporary ‘coloured’ writers, namely Adam Small, Peter Snyders and Robert Pearce, who have all contributed poetry, prose and drama to Afrikaans literature in general, and original Afrikaans literature in particular. The selected dramas are Joanie Galant-hulle (Small 1978), Political Joke (Snyders 1983) and Die Laaste Supper in Marabastad (Pearce 1988b)*. These writers’ works span approximately three consecutive decades and their work can be examined for commonality and differences. The three chosen dramas were written five years apart respectively; yet they reveal thematic similarities. The dramas also feature a common ‘deviant’ language code used by ‘coloured’ people and discussed in this study as original Afrikaans. This code, which is juxtaposed with standard Afrikaans, is one of the basic areas of interest that motivated the choice of subject for this study. The primary objective of this study is to examine the differentiation that Lotman makes between the various sign systems that operate in natural language (the primary modelling system) and poetic language (a secondary modelling system), and to determine whether these sign systems can be detected and are functional in ‘coloured’ literature. In addition, an investigation is made of the iconicity that operates in poetic language (which, according to Lotman, is the basis for differentiation), and to ascertain whether iconicity occurs in these examples of ‘coloured’ literature and to what extent it influences meaning. In the process, intratextual relations within the poetic text were scrutinised to establish whether the manipulation of language, devices and codes raises any particular expectation in the poetic text, and also to detect whether oppositionally constituted code-systems which set up their own patterns of expectation within the syntactic and lexical levels of the poetic text clash with and contradict prior expectations. In addition, an analysis has been made to determine whether a new understanding of the texts can be reached, based on Lotman’s aesthetics of identity and opposition, and to what extent the reader is forced to collaborate in the modelling process of the texts when the reader’s expectations are undermined by an aesthetics of opposition. The study has successfully corroborated and substantiated all the selected aspects of Lotman’s theory. The differentiation that Lotman makes between the primary and secondary language model is demonstrated especially by the iconicity that operates in poetic language. Examples are abundant in the selected literature and are conspicuous, especially through the manipulation of the language, devices and codes employed by the authors to defamiliarise objects so that they transcend their familiar characteristics and perceptions, and sometimes signify a totally new concept. In this way, readers’ expectations are subverted and they are invited to collaborate in the modelling process of the texts. These techniques are also an integral part of both the text and the extra-text, and their presence justifies Lotman’s claims that the meaning of a literary text cannot be understood outside its cultural or historical context. In retrospect, it can be argued that this research has opened up some additional avenues for an analysis of meaning in ‘coloured’ literature.
Dissertation (MA (English))--University of Pretoria, 2004.
English
unrestricted
APA, Harvard, Vancouver, ISO, and other styles
9

Fernandez, Glauco Ortega. "\"Menina a caminho\", de Raduan Nassar: um olhar semiótico." Universidade de São Paulo, 2012. http://www.teses.usp.br/teses/disponiveis/8/8139/tde-13092012-125152/.

Full text
Abstract:
Neste trabalho, apresentamos os resultados de uma pesquisa que aproxima a teoria semiótica e a literatura. Tal estudo consistiu na análise de um texto literário: o conto Menina a caminho, de autoria do escritor brasileiro contemporâneo Raduan Nassar. Para compreendermos o processo de construção de sentidos engendrado no referido texto, ancoramo-nos na teoria semiótica de linha francesa, ou greimasiana. Por meio do instrumental oferecido por essa teoria, pudemos compreender os mecanismos e efeitos de sentido articulados pelo enunciador do conto que, dentre outros fatores, são os responsáveis pela elevada qualidade estético-literária de seu texto.
In this dissertation, we present the results of a research that approaches the semiotic theory and literature. The study chooses as its subject the short-story Menina a caminho, from the Brazilian contemporary author Raduan Nassar. In order to make explicit the building of the text meaning, we have as approach the French semiotic theory. Through the tools offered by this theory, we can understand the means and meaning effects produced by the short-story enunciator that are responsible for the high aesthetic and literary quality of his text.
APA, Harvard, Vancouver, ISO, and other styles
10

Baeder, Berenice Martins. "A dúvida de Machado de Assis: uma gramática da possibilidade." Universidade de São Paulo, 2009. http://www.teses.usp.br/teses/disponiveis/8/8139/tde-17112009-151556/.

Full text
Abstract:
O objetivo deste estudo é a identificação dos mecanismos responsáveis pela construção da imagem da dúvida na subjetividade da prosa breve machadiana, por meio da análise de alguns contos do escritor. Busca o efeito de sentido dúvida em suas prováveis recorrências para mapear aquilo que, hipoteticamente, chamamos gramática da possibilidade em Machado de Assis. A pesquisa obedece a um percurso que envolve duas frentes: uma teórica e outra prática. A primeira está centrada na determinação de traços semióticos específicos de alguns tipos de discurso. Isso vai caracterizar a estética realista-naturalista, a do romantismo e a estética machadiana. Tal gesto se justifica na medida em que a dúvida machadiana, foco de nossa pesquisa, realiza-se precisamente no diálogo que Machado de Assis estabelece com essas estéticas, e também com o senso comum de seu tempo: a dúvida é construída, em seu texto, pelo abalo das verdades que alicerçam tais discursos. O exame desse diálogo é feito, nesta pesquisa, à luz dessa tipologia, dada, semioticamente, pelo tipo de contrato veridictório sustentado por essas estéticas: o objetivante (para o realismo-naturalismo); o subjetivante (para o romantismo) e o semiótico (para a estética de Machado). Por meio dessa tipologia identificamos, no e pelo discurso de Machado, possíveis refração e reflexão dos valores investidos em cada um dos contratos, por intermédio do estudo das escolhas sintático-semânticas de construção feitas pelo escritor. A segunda frente de desenvolvimento é o da abordagem dos contos, feita segundo a leitura semiótica de análise de linha francesa, noções de análise do discurso e conceitos desenvolvidos pelo lingüista e filósofo Bakhtin. Na interseção desses dois percursos, mostramos de que maneira um traço específico desse tipo de contrato semiótico a dúvida se realiza no especial projeto do dizer de Machado
The main objective of this study is to identify the mechanisms which are responsible for the image of doubt´s construction within the subjectivity in Machado de Assis\'s short prose through the analysis of a few of his short stories. It will find the doubt as a sense effect in its probable recurrences, while attempting to map out what has been hypothetically called \"the grammar of possibility\" in the works of Machado de Assis. This research follows a path with two approaches: a theoretical one and a practical one. The first one is focused in identifying the specific semiotic aspects in a few types of discourses, to characterize the aesthetics of Realistic-Naturalistic, the Romanticism period and the Machado\'s own. This is justified once the Machadian doubt the main focus of this research will become apparent in the Machado´s dialog established among him and these aesthetics, as well as his era´s common sense: that the doubt is made by a shake-up of on the truths supporting such discourses. In this research, an examination of this dialogue is conducted on the guidance of this typology, once it is semiotically, by the kind of veridictory contract supported by these aesthetics: the objectifying one (Realism-Naturalism); the subjectifying one (Romanticism) and the semiotics one (Machado´s own). This typology will help to identify not only in, but by Machado´s discourse as well; the possiblity of refractions and or reflections of the invested values on each one of these contracts through the study of the sintax-semantic choices in the construction and made by the author himself. The second part of this study is the approach to the short stories according to a reading based on the French-oriented semiotics, discourse analysis notions and the linguist and philosopher Bakhtin´s concepts. In the intersection of these two approaches, the very way a specific characteristic of this kind of \"semiotics\" contract the doubt is achieved in the special project of Machado\'s oeuvre is shown.
APA, Harvard, Vancouver, ISO, and other styles
More sources

Books on the topic "Semiotics and literature"

1

Sverdiolas, A., and Gintautė Žemaitytė. Semiotika: Trys semiotikos. Vilnius: Baltos lankos, 2012.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
2

Moriarty, Michael. Semiotics of world literature. Lewiston [N.Y.]: Mellen Press, 1996.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
3

Shukla, Hira Lal. Dalitodayaḥ =: Semiotics of Dalit literature. Agra, India: Y.K. Publishers, 1996.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
4

Zeng, Hong. The Semiotics of Exile in Literature. New York: Palgrave Macmillan US, 2010. http://dx.doi.org/10.1057/9780230113114.

Full text
APA, Harvard, Vancouver, ISO, and other styles
5

Petrilli, Susan. Views in literary semiotics. Ottawa: Legas, 2003.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
6

Petrilli, Susan. Views in literary semiotics. Ottawa, ON: Legas, 2004.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
7

Gilles, Guigon, ed. La maison et l'escargot. Limoges: Presses universitaires de Limoges, 2004.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
8

Bautista, Cirilo F. Breaking signs: Lectures on literature and semiotics. Manila, Philippines: De La Salle University Press, 1990.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
9

Culler, Jonathan. The pursuit of signs: Semiotics, literature, deconstruction. London: Routledge, 1993.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
10

Culler, Jonathan D. The pursuit of signs: Semiotics, literature, deconstruction. Ithaca, N.Y: Cornell University Press, 2002.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
More sources

Book chapters on the topic "Semiotics and literature"

1

Zeng, Hong. "Semiotics of Exile in Photography." In The Semiotics of Exile in Literature, 7–32. New York: Palgrave Macmillan US, 2010. http://dx.doi.org/10.1057/9780230113114_2.

Full text
APA, Harvard, Vancouver, ISO, and other styles
2

Zeng, Hong. "Semiotics of Exile in Tragedy." In The Semiotics of Exile in Literature, 91–113. New York: Palgrave Macmillan US, 2010. http://dx.doi.org/10.1057/9780230113114_4.

Full text
APA, Harvard, Vancouver, ISO, and other styles
3

Scheurer, Maren, and Erik Grayson. "Introduction: Amputation and the Semiotics of “Loss”." In Amputation in Literature and Film, 1–17. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-74377-2_1.

Full text
APA, Harvard, Vancouver, ISO, and other styles
4

Peverini, Paolo. "Enunciation." In Bruno Latour in the Semiotic Turn, 57–74. Cham: Springer Nature Switzerland, 2024. http://dx.doi.org/10.1007/978-3-031-57178-7_4.

Full text
Abstract:
AbstractThe chapter is entirely dedicated to enunciation, a central notion in semiotic theory that has been the subject of constant reasoning and theoretical investigation by Bruno Latour with a series of repercussions that are also significant for contemporary semiotic research. From the initial recourse to Greimasian notions of débrayage and embrayage employed to account for the ways in which in a text authenticity manifests itself as a meaning effect, to the increasing attention paid to objects, to the material manifestation that the construction of scientific facts takes on, enunciation proves to be an essential concept for deepening the complex relationship between semiotics and Latour’s work. The paragraphs thus reconstruct Latour’s effort to extend the scope of enunciation outside the sphere of textuality, openly criticizing semiotics, considered too anchored to the study of language. A criticism that nevertheless fails to recognize a significant turning point in contemporary semiotic research that has long since broadened the perimeter of the phenomena of signification analyzed, with the progressive development of the sociosemiotic perspective. Particular attention is paid to an essay often overlooked in the literature on Latourian work, namely Petite philosophie de l’énonciation and to the semiotics implicit in some of the French intellectual’s most famous works seemingly distant from semiotic theory, including An Inquiry into Modes of Existence. An Anthropology of the Moderns.
APA, Harvard, Vancouver, ISO, and other styles
5

Zeng, Hong. "E’criture Feminine and the Semiotics of Exile." In The Semiotics of Exile in Literature, 115–28. New York: Palgrave Macmillan US, 2010. http://dx.doi.org/10.1057/9780230113114_5.

Full text
APA, Harvard, Vancouver, ISO, and other styles
6

de Souza Santos, Maria Carolina, Bruna da Silva Magalhães Bertãozini, and Vânia Paula de Almeida Neris. "Studies in Organisational Semiotics: A Systematic Literature Review." In Socially Aware Organisations and Technologies. Impact and Challenges, 13–24. Cham: Springer International Publishing, 2016. http://dx.doi.org/10.1007/978-3-319-42102-5_2.

Full text
APA, Harvard, Vancouver, ISO, and other styles
7

Zeng, Hong. "Introduction." In The Semiotics of Exile in Literature, 1–5. New York: Palgrave Macmillan US, 2010. http://dx.doi.org/10.1057/9780230113114_1.

Full text
APA, Harvard, Vancouver, ISO, and other styles
8

Zeng, Hong. "Poetics of Exile." In The Semiotics of Exile in Literature, 33–89. New York: Palgrave Macmillan US, 2010. http://dx.doi.org/10.1057/9780230113114_3.

Full text
APA, Harvard, Vancouver, ISO, and other styles
9

Zeng, Hong. "Cosmic Exile and the Fourth Dimension in Escher, Borges, and Proust." In The Semiotics of Exile in Literature, 129–39. New York: Palgrave Macmillan US, 2010. http://dx.doi.org/10.1057/9780230113114_6.

Full text
APA, Harvard, Vancouver, ISO, and other styles
10

Zeng, Hong. "Artist in Exile." In The Semiotics of Exile in Literature, 141–63. New York: Palgrave Macmillan US, 2010. http://dx.doi.org/10.1057/9780230113114_7.

Full text
APA, Harvard, Vancouver, ISO, and other styles

Conference papers on the topic "Semiotics and literature"

1

Kochukhova, E. S. "Semiotics in Studies of Soviet Films: Limitations of the Approach." In VIII Information school of a young scientist. Central Scientific Library of the Urals Branch of the Russian Academy of Sciences, 2020. http://dx.doi.org/10.32460/ishmu-2020-8-0039.

Full text
Abstract:
The subject of the article is the key ways of applying semiotics to analysis of the Soviet films. It is shown that semiotic analysis is a common method in film studies. In Russian issues on the Soviet cinema, the problem of the lack of integration between the visual semiotics and semiotics of literature was revealed. The analysis of the video is not always carried out together with the analysis of the plot, and vice versa. The most heuristic are the issues that pay attention to both the visual and text, as well as, supplement semiotics by other methodologies.
APA, Harvard, Vancouver, ISO, and other styles
2

Hongqing, Gu, and Xiaoling Fang. "The Application and Trends of semiotics in design." In 15th International Conference on Applied Human Factors and Ergonomics (AHFE 2024). AHFE International, 2024. http://dx.doi.org/10.54941/ahfe1005433.

Full text
Abstract:
Semiotics is the study of symbol systems, first proposed at the beginning of this century by the Swiss linguist Saussure, the American philosopher and founder of the philosophy of pragmatism Pierce. Semiotics is the study of the theory of symbols, and its scope of study involves the nature, characteristics, and meaning of the symbols of things, as well as the relationship between symbols and human beings. Design is a discipline closely related to "meaning", so the theory of semiotics is bound to have a strong guiding effect on design.Objectives This paper mainly researches the application of Semiotics in design by answering the following three questions: (1) Which countries and institutions are the application subjects of Semiotics in design? (2) What are the hotspot research topics of Semiotics in design? What are the future frontier trends? (3) What are the topics and paradigms of Semiotics in design high-impact literature research?Methods This paper uses the methods of bibliometrics and information visualization. To obtain more rigorous and comprehensive data indicators, VOS viewer and Cite Space (two pieces of bibliometric visualization software) were used to draw a map of scientific knowledge such as cooperative countries co-occurrence network, keywords co-occurrence clustering network and reference co-citation clustering network so as to conduct an empirical analysis on the retrieved data. In this paper, the Web of Science database is selected to retrieve the journal and paper data related to Design semiotics. In order to ensure the authority and research value of literature data, only SCI, SSCI and A&HCI were selected as the search source, with (Topic= (" semiotics ") AND Title= ("design")) as the search criteria and an unlimited time span. Finally, 407 retrieved papers published from 2000 to 2023 were exported as TXT files in the format of "fully recorded and cited references" to generate a visual knowledge map for quantitative analysis.Results (1) The output of papers related to design semiotics is generally on the rise, with the main output countries are China, Brazil, the United States, the United Kingdom, Italy, and Australia. Among them, China has the largest share of relevant research volume, indicating that China attaches great importance to research in this field and has a wide range of application areas. In addition, Research related to design semiotics is distributed, i.e. many schools and organizations are doing related research, but there are no very prominent institutions yet. (2) Nowadays, the research hotspots of Design semiotics include Computer Science, Engineering, Education Educational Research, Social Sciences, Business Economics, etc., which are mainly applied to "Provide a semiotic methodology primarily for problem solving", thus demonstrating its theoretical value. We can see that the combination of design semiotics with other approaches mainly involves sensory experience and cognitive science, user interface design, affective design and psychology, making design semiotics an interdisciplinary property.(3) At present, a bulk of influential and highly-cited literature on Design semiotics has been generated. For example, some literature has examined Gender and design cultures in information and communication technologies. Some literature has examined the Semiotic Approach to Information Systems Design. They constitute the classic cases and knowledge base of the application of Design semiotics and provide a research basis for the subsequent application of Design semiotics.
APA, Harvard, Vancouver, ISO, and other styles
3

Kaņepāja, Gundega, and Zanda Rubene. "Veni, vidi, didici: Teaching Approaches and Learning Outcomes of Semiotics." In 81th International Scientific Conference of the University of Latvia. University of Latvia Press, 2023. http://dx.doi.org/10.22364/htqe.2023.28.

Full text
Abstract:
Semiotics is the study of signs and sign systems, and the formation of their meanings. From the point of view of semiotics, signs are explained by the assumption that everything has a certain meaning, often multiple meanings. The purpose of this paper is to answer the question – what is the role of semiotics in educational science? Education and art education have always been at the crossroads of these interpretations of meaning because semiotics presupposes an interpretation that is influenced by a myriad of circumstances and coincidences. The scoping review and nodes strategy was used in this literature review to select relevant articles. The Web of Science Thematic Framework of Education and Educational Research database was chosen to map the role of semiotics. The criteria for article selection were language – articles written in English were selected – and keywords (“Semiotics” and “Semiotics, Art Education”). Based on these criteria 167 open-access articles were initially selected for analysis, from which further exploration was based on keywords relevant to the topic. After analysing the abstracts of the selected articles, the papers were grouped according to the theoretical framework and approach. The main finding of this literature review was that semiotic analysis can help develop students’ critical thinking skills.
APA, Harvard, Vancouver, ISO, and other styles
4

Nofiyanti, Fifi, Filma Festivalia, and Mimi Enggriani. "Literature For Media Tourism Promotion (Review Semiotics)." In 2nd International Conference on Tourism, Gastronomy, and Tourist Destination (ICTGTD 2018). Paris, France: Atlantis Press, 2018. http://dx.doi.org/10.2991/ictgtd-18.2018.11.

Full text
APA, Harvard, Vancouver, ISO, and other styles
5

Heitkemper-Yates, Michael. "Toward a Semiotics of Metafiction Narrative, Narration, and Postmodern Parody." In Annual International Conference on Language, Literature & Linguistics. Global Science & Technology Forum (GSTF), 2012. http://dx.doi.org/10.5176/2251-3566_l31261.

Full text
APA, Harvard, Vancouver, ISO, and other styles
6

Makhachashvili, Rusudan, Anna Bakhtina, Svitlana Kovpik, and Ivan Semenist. "Hieroglyphic Semiotics of Emoji Signs in Digital Communication." In International Conference on New Trends in Languages, Literature and Social Communications (ICNTLLSC 2021). Paris, France: Atlantis Press, 2021. http://dx.doi.org/10.2991/assehr.k.210525.023.

Full text
APA, Harvard, Vancouver, ISO, and other styles
7

Saadie, Ma’mur, Syihabuddin Syihabuddin, and Sumiyadi Sumiyadi. "Sufistic Semiotics - The Analysis Method of Sufistic Poetry." In Tenth International Conference on Applied Linguistics and First International Conference on Language, Literature and Culture. SCITEPRESS - Science and Technology Publications, 2017. http://dx.doi.org/10.5220/0007176108340838.

Full text
APA, Harvard, Vancouver, ISO, and other styles
8

Nasution, Muhamad Syahnan, Zainal Rafli, and Syamsi Setiadi. "Understanding the Meaning of Semiotics and the Culture of Human Rights Culture in ICT-based Java Wedding Recipes: Digital-based Semiotics Study." In Proceedings of the International Conference on Interdisciplinary Language, Literature and Education (ICILLE 2018). Paris, France: Atlantis Press, 2019. http://dx.doi.org/10.2991/icille-18.2019.47.

Full text
APA, Harvard, Vancouver, ISO, and other styles
9

Sujinah and Encik Savira Isnah. "Muslim Representation on Children’s Cyber Literature in Indonesia Deconstructive Semiotics Study." In 1st Annual International Conference on Natural and Social Science Education (ICNSSE 2020). Paris, France: Atlantis Press, 2021. http://dx.doi.org/10.2991/assehr.k.210430.034.

Full text
APA, Harvard, Vancouver, ISO, and other styles
10

Isnah, Encik Savira, Suyatno, Heny Subandiyah, Suhartono, Udjang Pairin, and Darni. "Cross-Cultural Narratives in Literature for Children: A Cyber Semiotics Analysis." In International Seminar on Language, Education, and Culture (ISoLEC 2021). Paris, France: Atlantis Press, 2021. http://dx.doi.org/10.2991/assehr.k.211212.017.

Full text
APA, Harvard, Vancouver, ISO, and other styles
You might also be interested in the extended bibliographies on the topic 'Semiotics and literature' for particular source types:
Journal articles Dissertations / Theses Books
We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!

To the bibliography