Relevant bibliographies by topics / Secretum (Petrarca, Francesco)

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters

Academic literature on the topic 'Secretum (Petrarca, Francesco)'

Author: Grafiati
Published: 4 June 2021
Last updated: 3 February 2022

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Journal articles on the topic "Secretum (Petrarca, Francesco)"

1

Potočnik, Tomaž. "Francesco Petrarca: Moja skrivnost." Keria: Studia Latina et Graeca 20, no. 2 (January 28, 2019): 205–26. http://dx.doi.org/10.4312/keria.20.2.205-226.

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Secretum sive De secreto conflictu curarum mearum je poleg Avguštinovih Izpovedi, Montaignevih Esejev in Rousseaujevih Izpovedi eno najpomembnejših del o sebstvu v zahodni kulturi. Toda kljub na videz jasni strukturi in vsebini še vedno ni jasno, kakšen je njegov pravi namen in kako naj ga umestimo v evolucijo avtorjeve proze. Za učinkovito razpravo o tem se je treba najprej vprašati, kdaj je Secretum nastal. V zadnjih desetletjih je o tem vprašanju med specialisti tekla živahna razprava in še danes se mnenja precej razhajajo – po eni od teorij naj bi bil Secretum napisan v letih 1342–3, po drugi pa med letoma 1347 in 1453 v več etapah.
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Küpper, Joachim. "Das Schweigen der Veritas. Zur Kontingenz von Pluralisierungsprozessen in der Frührenaissance (Francesco Petrarca, Secretum)." Poetica 23, no. 3-4 (August 14, 1991): 425–75. http://dx.doi.org/10.30965/25890530-0230304005.

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Knapp, Fritz. "Amor - Weg zur Tugend oder zur Hölle?: Das ’Secretum‘ von Francesco Petrarca und ’De amore‘ vom Hofkapellan Andreas." Jahrbuch für Internationale Germanistik 2007, no. 2 (January 1, 2007): 119–41. http://dx.doi.org/10.3726/82028_119.

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Balserak, Jon. "Francesco Petrarca, my secret book." Reformation & Renaissance Review 20, no. 3 (September 2, 2018): 256–57. http://dx.doi.org/10.1080/14622459.2018.1532738.

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Skenderovic, Ivana. "Confessional discourse in Secretum by Francesco Petrarch." Nasledje, Kragujevac 14, no. 36 (2017): 147–58. http://dx.doi.org/10.5937/naslkg1736147s.

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Mazzocco, Angelo. "On Religious Leisure (De otio religioso). Francesco Petrarch , Susan S. Schearer The Secret, by Francesco Petrarch, with Related Documents. Francesco Petrarch , Carol E. Quillen." Speculum 80, no. 2 (April 2005): 654–56. http://dx.doi.org/10.1017/s0038713400000890.

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7

Buranello, Robert, Francesco Petrarca, and Carol E. Quillen. "The Secret by Francesco Petrarch with Related Documents." Sixteenth Century Journal 36, no. 4 (December 1, 2005): 1116. http://dx.doi.org/10.2307/20477605.

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8

Markova, Maryana V. "Petrarchan Contexts of John Donne�s Spiritual Lyrics." Alfred Nobel University Journal of Philology 1, no. 21 (2021): 10–18. http://dx.doi.org/10.32342/2523-4463-2021-1-21-1.

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The article is devoted to the connection of the famous English poet, prose writer and preacher John Donne�s (1572�1631) works with the Petrarchan discourse of the European literature. The purpose of the investigation is to reveal and interpret the elements of Petrarchism in spiritual lyrics of the author on the basis of systematic approach with the use of the genealogical and comparative typological methods. The most prominent cases of the traditional Petrarchan themes, motives and images usage in John Donne�s religious texts and the specifity of their functioning have been examined in this article. Our attention has been paid to the genetic interconnection between the courtly rhetoric, which had been inherited by Francesco Petrarch and his numerous followers from the Provencal troubadours, and the traditions of the European mysticism that causes the harmony of the Petrarchan interpretive contexts according to the spiritual lyrics of the writer. Already in his earliest works, in particular in the book �Songs and Sonnets�, John Donne did not avoid mixing the sacred and the profane, quite intensively using religious images and motifs in love poetry. But his Petrarchism is most notable in his �Holly Sonnets�. The poetry of this cycle is not about God at all, but about the author himself in his relationship with Lord. In these sonnets the writer describes his feelings for God in almost the same way as Francesco Petrarch described his love for Laura. In general, if we talk about Petrarchism in relation to the spiritual lyrics of John Donne, it should be noted that for the writer it was not only a convenient source of the �ready� artistic images, motifs or means of expression but a kind of a perfect artistic technique for expressing secret, deeply personal thoughts and emotions. The conclusion has been done that such typically Petrarchan ideas such as: the dedicated service to the object of feelings, slavish adoration, obedience and dependence on its inconstant wishes John Donne has managed to adapt to the special needs of the sacred genres in such a way that his texts look surprisingly attractive, interesting and clear to different readers. Despite his worldwide fame John Donne is still one of the least researched literary figures in Ukrainian science. The article is directed to study only one of many aspects of his many-sided artistic heritage which needs the comprehensive professional analysis of the literary theorists and historians. So this article can be used for the further investigation of the problems, connected with the Petrarchan discourse generally in English literature and particularly in John Donne�s works and the scientific results proposed in it can be used in writing course works, graduation works and thesis on the related themes.
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9

Oliveira e Silva, Paula. "Nicholas Mann, (ed., trans.). Francesco Petrarca. My Secret Book. The I Tatti Renaissance Library, 72. Cambridge, MA; London: Harvard University Press, 2016, vii-xvii+283 pp., $29.95, ISBN 9780-674-003-460." Exemplaria Classica 22 (November 20, 2018). http://dx.doi.org/10.33776/ec.v22i0.3535.

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Dissertations / Theses on the topic "Secretum (Petrarca, Francesco)"

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Zampini, Tania. "Melancholy and the modern consciousness of Francesco Petrarca : a close reading of melancholy, acedia, and love-sickness in the Secretum, De Remediis Utriusque Fortunae and Canzoniere." Thesis, McGill University, 2008. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=116010.

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The most important classical Greek heroes were believed to suffer from a physical, mental, and spiritual illness shown negatively to alter their general state of being. Attributed to an excess of black bile in the body, the earliest documented form of this ailment came to be known as "melancholy;" paramount among its effects was the emergence of a severely split being sincerely pursuing Virtue, yet markedly susceptible to the Passions that threatened to veer him off his course.
In the Middle Ages, traces of melancholy are found in the sin of acedia still today considered a rather "medieval" vice. Globally defined as a state of "general apathy," acedia was believed more egregiously to affect solitary religious figures devoted to prayer. The dawn of Humanism in Western Europe, however, saw this notion extended to the more general scholar, and featured as (arguably) its first protagonist, 14 th-century humanist Francesco Petrarca.
The manifestations of this malady pervade his oeuvre as a whole: repeatedly in his immense repertoire, Petrarch - at least in his proliferation of an artistic or lyrical "io" or self--surfaces as a fragmented if not strictly binary figure both tormented by his incumbent passions and resolutely determined to overcome them. Petrarch's often autobiographical figures are ruled by conflicting inner forces which leave them paralysed, indecisive, and helpless before Fortune, in a new position foreshadowing the anthropocentric and, to a degree, "bipartite" "modernity" soon to flood the continent.
Through a close reading of three of his most celebrated texts - the Secretum, De Remediis Utriusque Fortunae, and the Canzoniere, this study will seek to posit Petrarch as a fundamentally melancholic and "accidioso" writer whose condition of internal and social rupture more generally speaks to the emerging "crisis of modernity" which he perhaps first sets to the center stage of his period.
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Books on the topic "Secretum (Petrarca, Francesco)"

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Petrarch's Secretum: Its making and its meaning. Cambridge, Mass: Medieval Academy of America, 1985.

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2

Petrarca, Francesco. The secret. Boston: Bedford/St. Martin's, 2003.

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3

Quillen, Carol E. The Secret: By Francesco Petrarch (The Bedford Series in History and Culture). Bedford/St. Martin's, 2003.

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4

Quillen, Carol E. The Making of the West Volume 1 and The Secret: By Francesco Petrarch. Bedford/St. Martin's, 2003.

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5

Rosenwein, Barbara H., Lynn Hunt, R. Po-chia Hsia, Carol E. Quillen, and Thomas R. Martin. The Making of the West Concise Volume 1 and The Secret: By Francesco Petrarch. Bedford/St. Martin's, 2003.

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Book chapters on the topic "Secretum (Petrarca, Francesco)"

1

Schütz, Monika, Ulrich Prill, and Thomas Haye. "Petrarca, Francesco: De secreto conflictu curarum mearum." In Kindlers Literatur Lexikon (KLL), 1–2. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_15319-1.

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"8. Francesco Petrarca: Secretum [‘My Secret’; ‘Secret Book’] / De secreto conflictu curarum mearum (Mid-14th Century) [On the Secret Struggles of My Mind]." In Handbook of Autobiography / Autofiction, 1386–96. De Gruyter, 2019. http://dx.doi.org/10.1515/9783110279818-119.

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